THE DAYDREAMER (1966) is a recently re-discovered obscure feature by *Animagic* inventors Rankin-Bass (of RUDOLPH THE RED-NOSED REINDEER fame). The film opens with a likable title song by recently deceased Las Vegas crooner Robert Goulet and some great Al Hirschfeld caricatures of the all-star cast.
After the song (in a live action segment), we discover it's 1801 Denmark and we meet pathetic Papa Andersen the shoemaker (commie "witch hunt" victim Jack Gilford) and his young son Chris (15 year old Paul O'Keefe of THE PATTY DUKE SHOW) - who we soon discover ALWAYS wears the same snug red polyester tights and suspenders, even underneath his nightshirt! Papa is visited by Elmira Gulch herself when Margaret Hamilton comes a knockin' looking for her shoes, only Papa's such a rotten shoemaker that they are not fixed yet. We also suspect that Chris' mom left Papa cause he's such a loser. Gilford, usually very charming, seems as though he's reading from cue cards here.
After Papa tells him of the legendary Garden of Paradise, narcoleptic Chris is visited by an animated version of the Sandman (voiced by Cyril Ritchard)- who tells him that in order to be happy and successful he MUST find the Garden of Paradise. So Chris falls asleep on a boat - and is transformed into an living, breathing Animagic character! Only it doesn't last too long because his boat crashes and he drowns. The End.
So Chris is dead, and The Little Mermaid (voiced by Disney sweetheart Hayley Mills) discovers his lifeless body. After her father (Burl Ives, phoning it in as Father Neptune) tells her that there's no hope for Chris, she makes a deal with the fabulously goth Sea Witch (Talullah Bankhead, giving Pat Caroll's Ursula a run for her money) who brings Chris back to life. They then swim around and the "Ariel" falls in love with the formerly dead boy. He tells her to fuck off cause he's just not into her, besides he's got a garden to find. So he breaks her heart and wakes up all wet in a boat.
Back in the real world, Chris next befriends an ugly duckling. But then he falls asleep again, this time falling in with two conniving tailors (voiced by Terry Thomas and Victor Borge) who are busy designing the Emperor's New Clothes. Chris and the tailors pull a fast one on the narcissistic king (Ed Wynn), but get exposed themselves when a little kid alerts the townsfolk to their scheme. Chris then awakens (in the real world) and gets arrested for poaching a duck!!!
In the most bizarre live action sequence in the film - Chris is tied up bondage style and dragged through town while singing a show tune about being unlucky while back-up dancers perform an elaborate Fosse-like routine around him. The scene MUST be seen to be believed!
So Chris falls asleep again, this time he meets up with Thumbelina (voiced by Patty Duke as Neely O'Hara). Thumby shrinks him down to her size and the two meet up with a Rat (Boris Karloff) who pimps her out to a Mole, who plans on marrying Thumby. Meanwhile, they find a dead sparrow and Thumby touches it and covers it with her sweater. Didn't she ever hear that children shouldn't play with dead things??? Disturbing. Following a musical number by bats - the dead sparrow comes back to life because of Thumby's sweater. Huh? Somehow the wedding doesn't happen and Chris learns the valuable lesson that "your size has nothing to do with your true happiness." Hmmm...that's not what all those emails in my in-box say...
So eventually Chris gets to his Garden of Paradise - where there are cotton candy trees, monotone peacocks, butterflies, blue marshmallows and the Tree of Knowledge!!! He is told (by an off-screen voice) that he must not eat EVER the blossoms from the tree. This story is starting to sound awfully familiar.
After pledging that he won't eat the blossoms, Chris does a little dance - and is visited by a horny and devilish version of himself. Of course Horny Chris convinces our hero to eat the thing. So he eats it and after a fiery apocalyptic finale - he's banished to The Land of Nothingness!!! Wakes then up in reality, where Papa is arrested and shackled to Chris. Papa saves them both by bribing the warden with his wife's wedding ring. Guess Mama Anderson's not coming back after all. We then learn that Chris grows up to become Hans Christian Andersen!!! Wow...I did not see that coming!
(Not sure if the above photo of Danny Kaye has anything to do with this production, but I'm including it anyways).
I was really hoping to love this film. After recently watching MAD MONSTER PARTY? for Halloween and looking forward to my annual viewings of their Christmas TV classics, Rankin-Bass usually can do no wrong. But I think the uneven performances and choppy storytelling really make parts of this unwatchable. They probably thought they were making the next WIZARD OF OZ or MARY POPPINS - but ended up making something that would alternately bore and frighten little kids, their target audience. I'll give this one 6 outta 10 on my scale mostly for the awesome bondage musical number.
Two interesting notes: In another WIZARD OF OZ nod, Ray Bolger has a brief cameo as The Pie Man. Parts of THE DAYDREAMER were filmed on location at the Denmark Exhibit at the 1964 New York World's Fair.
Showing posts with label God. Show all posts
Showing posts with label God. Show all posts
Monday, April 5, 2010
Friday, February 19, 2010
ABBY or THE BLACK EXORCIST
NOT in honor of Black History Month, here's a vintage post from three years ago. Sorry for the lack of images, but I hope my brilliant words more than make up for it. :)
When I heard that there was a movie that was known as THE BLACK EXORCIST - I knew that I had to seek it out. What I found was ABBY (1974, directed by William Girdler), a crazy blaxploitation thriller about a preacher's wife possessed by an evil African sex spirit. Supposedly Warner Bros. had sued to keep ABBY out of circulation due to it's similarities to THE EXORCIST. Obviously, nobody at Warners actually bothered to watch it.
The story starts as out a group of students bid farewell to their favorite teacher, a Reverend (played by BLACULA star William Marshall) who is leaving on a research trip to Nigeria. One student mentions his "thesis" about four or five times, somehow managing to rhyme it with "feces". Soon we all learn about "Eshu" - some kind of god or demon or something that is very powerful - it creates whirlwinds and chaos. Then one of the students gives Prof. Rev. Blacula Sr. (what I'll call him) a ridiculously large silver crucifix. Thanks, um, I think. Then we are treated to the "Love Theme from Abby" over the hardest-to-read-opening-titles ever.
Now we're in Africa, where Prof. Rev. Blacula Sr. finds a wooden lunchbox, which when opened releases the recently mentioned Eshu. Imagine that! Eshu - by the way - looks like a bad INCREDIBLE HULK mask made out of green Play-Doh.
Back home, the professor's son Rev. Blacula Jr. (Terry Carter) and his pretty wife Abby (Carol Speed) move into a new house. Abby's mother (played by Hollywood legend Juanita Moore of IMITATION OF LIFE fame) is there help, by carrying a big box that says "Eggs" and by ordering a bucket from KFC. (I swear to Eshu - I'm not making this up!)
So, after settling in a bit in the new home, Abby decides to shower - unaware that the evil spirit Eshu has travelled cross the sea to pay her a visit. So we are treated to Abby's showering shadow being attacked by what looks like the shadow of Bigfoot. Soon Abby's helping the church ladies prepare a chicken meal, when she suddenly gets the urge to stab herself. I think she just thought her arm was a chicken breast. Innocent mistake. After the doctor bandages her up, Abby freaks out about not wanting scars on her arm. Well, you should have thought about that BEFORE you stabbed yourself, Abby.
Later Abby is leading the choir at her husband's church, but flips out during his sermon, first just coughing uncontrollably, then attacking a churchgoer and finally foaming at the mouth!!! This scene is pretty amazing because it takes so long for anyone to even attempt to help her, even when she was just coughing - no one even offers her water or a cough drop! Rev. Blacula Jr. calls his father overseas and mentions that Abby's acting strange. Prof. Rev. Blacula Sr. seems too preoccupied with his "work" and tells his son that Abby just needs rest. Later, he tries to get on with his wife, but Abby tells him, "I'm not your 'ho!" and then kicks him in the balls.
Next up, when another couple visits, Abby declares that she's gonna "fuck the shit out of" the husband. Clearly, something is up with Abby. It was here that I noticed that Abby's possession turns her into an odd combination of Carol Burnett's Eunice and RuPaul. Then the church organist pays a visit to a bedridden Abby and ends up dying of fright!
Rev. Blacula Jr. calls his father again, and dad begrudgingly agrees to come home to help. Then Abby is given a medical exam, but everything turns out normal. Abby tells her husband, "I wanna thank you for callin' that mother fuckin' father of yours. Give him my worst regards." In the best scene in the film, possessed by Eshu, Abby declares "I'm goin' home, bitch!" and escapes from the hospital, plowing through assorted nurses, patients and doctors.
Abby turns up at her home, with a big "welcome home" for the senior Reverend - she tries to give him a lapdance.
Abby then gets behind the wheel and drives to a disco and picks up a nerdy looking dude from her church. Her husband "borrows" some woman's car and chases after her. Abby and the church dude start going at it in his car (can't tell if it's a limo or a hearse) , but then the car starts to shake and fill with smoke. We never find out what actually happened, before we can question it, Abby then returns to the club, where she sets her sights on creepy Doc Severinsen lookalike. They soon disappear into a room upstairs. You have to wonder where Abby gets her bad taste in men from.
Meanwhile, Abby's detective brother joins Rev. Blacula Jr. in a search for our missing heroine. They eventually find her disco-dancing with TWO men! Then Abby decides to start tossing patrons around the room. Prof. Rev. Blacula Sr. finally shows up with his big ass crucifix. Abby then grows a unibrow, levitates and Eshu releases his wrath on the entire disco! Yay! I'm not gonna tell you how it ends - but suffice to say we see that old wooden lunchbox from Nigeria again!
Well, ABBY was certainly a treat. Carol Speed was fun to watch and you can't help but love Juanita Moore as her mama. My theory is that Juanita had memorized all her lines from IMITATION OF LIFE and just recited them again here. I really was hoping to LOVE this movie - but the best I can muster is 8 out of 10. I'm really hoping some day for a big budget remake starring Wanda Sykes and Billy Dee Williams.

When I heard that there was a movie that was known as THE BLACK EXORCIST - I knew that I had to seek it out. What I found was ABBY (1974, directed by William Girdler), a crazy blaxploitation thriller about a preacher's wife possessed by an evil African sex spirit. Supposedly Warner Bros. had sued to keep ABBY out of circulation due to it's similarities to THE EXORCIST. Obviously, nobody at Warners actually bothered to watch it.
The story starts as out a group of students bid farewell to their favorite teacher, a Reverend (played by BLACULA star William Marshall) who is leaving on a research trip to Nigeria. One student mentions his "thesis" about four or five times, somehow managing to rhyme it with "feces". Soon we all learn about "Eshu" - some kind of god or demon or something that is very powerful - it creates whirlwinds and chaos. Then one of the students gives Prof. Rev. Blacula Sr. (what I'll call him) a ridiculously large silver crucifix. Thanks, um, I think. Then we are treated to the "Love Theme from Abby" over the hardest-to-read-opening-titles ever.
Now we're in Africa, where Prof. Rev. Blacula Sr. finds a wooden lunchbox, which when opened releases the recently mentioned Eshu. Imagine that! Eshu - by the way - looks like a bad INCREDIBLE HULK mask made out of green Play-Doh.
Back home, the professor's son Rev. Blacula Jr. (Terry Carter) and his pretty wife Abby (Carol Speed) move into a new house. Abby's mother (played by Hollywood legend Juanita Moore of IMITATION OF LIFE fame) is there help, by carrying a big box that says "Eggs" and by ordering a bucket from KFC. (I swear to Eshu - I'm not making this up!)
So, after settling in a bit in the new home, Abby decides to shower - unaware that the evil spirit Eshu has travelled cross the sea to pay her a visit. So we are treated to Abby's showering shadow being attacked by what looks like the shadow of Bigfoot. Soon Abby's helping the church ladies prepare a chicken meal, when she suddenly gets the urge to stab herself. I think she just thought her arm was a chicken breast. Innocent mistake. After the doctor bandages her up, Abby freaks out about not wanting scars on her arm. Well, you should have thought about that BEFORE you stabbed yourself, Abby.
Later Abby is leading the choir at her husband's church, but flips out during his sermon, first just coughing uncontrollably, then attacking a churchgoer and finally foaming at the mouth!!! This scene is pretty amazing because it takes so long for anyone to even attempt to help her, even when she was just coughing - no one even offers her water or a cough drop! Rev. Blacula Jr. calls his father overseas and mentions that Abby's acting strange. Prof. Rev. Blacula Sr. seems too preoccupied with his "work" and tells his son that Abby just needs rest. Later, he tries to get on with his wife, but Abby tells him, "I'm not your 'ho!" and then kicks him in the balls.
Next up, when another couple visits, Abby declares that she's gonna "fuck the shit out of" the husband. Clearly, something is up with Abby. It was here that I noticed that Abby's possession turns her into an odd combination of Carol Burnett's Eunice and RuPaul. Then the church organist pays a visit to a bedridden Abby and ends up dying of fright!
Rev. Blacula Jr. calls his father again, and dad begrudgingly agrees to come home to help. Then Abby is given a medical exam, but everything turns out normal. Abby tells her husband, "I wanna thank you for callin' that mother fuckin' father of yours. Give him my worst regards." In the best scene in the film, possessed by Eshu, Abby declares "I'm goin' home, bitch!" and escapes from the hospital, plowing through assorted nurses, patients and doctors.
Abby turns up at her home, with a big "welcome home" for the senior Reverend - she tries to give him a lapdance.
Abby then gets behind the wheel and drives to a disco and picks up a nerdy looking dude from her church. Her husband "borrows" some woman's car and chases after her. Abby and the church dude start going at it in his car (can't tell if it's a limo or a hearse) , but then the car starts to shake and fill with smoke. We never find out what actually happened, before we can question it, Abby then returns to the club, where she sets her sights on creepy Doc Severinsen lookalike. They soon disappear into a room upstairs. You have to wonder where Abby gets her bad taste in men from.
Meanwhile, Abby's detective brother joins Rev. Blacula Jr. in a search for our missing heroine. They eventually find her disco-dancing with TWO men! Then Abby decides to start tossing patrons around the room. Prof. Rev. Blacula Sr. finally shows up with his big ass crucifix. Abby then grows a unibrow, levitates and Eshu releases his wrath on the entire disco! Yay! I'm not gonna tell you how it ends - but suffice to say we see that old wooden lunchbox from Nigeria again!
Well, ABBY was certainly a treat. Carol Speed was fun to watch and you can't help but love Juanita Moore as her mama. My theory is that Juanita had memorized all her lines from IMITATION OF LIFE and just recited them again here. I really was hoping to LOVE this movie - but the best I can muster is 8 out of 10. I'm really hoping some day for a big budget remake starring Wanda Sykes and Billy Dee Williams.
Labels:
Blaxploitation,
Chicken,
Church,
Demon,
God,
Grindhouse,
Horror,
Inappropiate Relationship,
Murder,
Mystery,
Plot Twist,
Priest,
Psycho,
Storm,
Unibrow
Thursday, September 18, 2008
Lynda Carter on the topic of Sarah Palin...
In a recent interview in Philadelphia Magazine, writer Victor Fiorillo asked TV's sensational WONDER WOMAN (and fabulous cabaret performer) Lynda Carter what she thought about the Republicans and certain media outlets comparing wretched VP nominee Sarah Palin to Wonder Woman.
This is Lynda's incredible response:
"Don’t get me started. She’s the anti-Wonder Woman. She’s judgmental and dictatorial, telling people how they’ve got to live their lives. And a superior religious self-righteousness ... that’s just not what Wonder Woman is about. Hillary Clinton is a lot more like Wonder Woman than Mrs. Palin. She did it all, didn’t she?
No one has the right to dictate, particularly in this country, to force your own personal views upon the populace — religious views. I think that is suppressive, oppressive, and anti-American. We are the loyal opposition. That’s the whole point of this country: freedom of speech, personal rights, personal freedom. Nor would Wonder Woman be the person to tell people how to live their lives. Worry about your own life! Worry about your own family! Don't be telling me what I want to do with mine.
I like John McCain. But this woman — it's anathema to me what she stands for. I think America should be very afraid. Very afraid. Separation of church and state is the one thing the creators of the Constitution did agree on — that it wasn’t to be a religious government. People should feel free to speak their minds about religion but not dictate it or put it into law.
What I don’t understand, honestly, is how anyone can even begin to say they know the mind of God. Who do they think they are? I think that’s ridiculous. I know what God is in my life. Now I am sure that she’s not all just that. But it’s enough to me. It’s enough for me to have a visceral reaction. And it makes me mad."
Wow. It's about time someone said it. I love Lynda Carter more than ever.
This is Lynda's incredible response:
"Don’t get me started. She’s the anti-Wonder Woman. She’s judgmental and dictatorial, telling people how they’ve got to live their lives. And a superior religious self-righteousness ... that’s just not what Wonder Woman is about. Hillary Clinton is a lot more like Wonder Woman than Mrs. Palin. She did it all, didn’t she?
No one has the right to dictate, particularly in this country, to force your own personal views upon the populace — religious views. I think that is suppressive, oppressive, and anti-American. We are the loyal opposition. That’s the whole point of this country: freedom of speech, personal rights, personal freedom. Nor would Wonder Woman be the person to tell people how to live their lives. Worry about your own life! Worry about your own family! Don't be telling me what I want to do with mine.
I like John McCain. But this woman — it's anathema to me what she stands for. I think America should be very afraid. Very afraid. Separation of church and state is the one thing the creators of the Constitution did agree on — that it wasn’t to be a religious government. People should feel free to speak their minds about religion but not dictate it or put it into law.What I don’t understand, honestly, is how anyone can even begin to say they know the mind of God. Who do they think they are? I think that’s ridiculous. I know what God is in my life. Now I am sure that she’s not all just that. But it’s enough to me. It’s enough for me to have a visceral reaction. And it makes me mad."
Wow. It's about time someone said it. I love Lynda Carter more than ever.
Labels:
1970s,
American Indian,
Christians,
Church,
Family,
freedom,
God,
Jesus,
politics,
religion,
TV,
women,
Wonder Woman
Saturday, August 30, 2008
"Sonseed" First Fruit - The Album
Thanks to my friend Rev. Ricky, I now have (temporarily) in my hands the "Sonseed" album called "First Fruit"! I have to say, the cover is AMAZING! I could not have created a better logo for the band if I tried.
Finally, I am now able to confirm certain assumptions that I've had about the band and dismiss others. They are from Brooklyn, NY and they appear to be 90% Italian –therefore one can assume that they are NOT a Christian ska band, but a CATHOLIC pop band!
Our lead singer is named Sal Polichetti.
Our organist is named Patricia Costagliola, and she also produced the album!
Our background vocalists, formerly known as "Inez" and "Crabby Cathy" are Melody M. Sorrentino and Anne Lessing (not confirmed who's who).
"Sleepy" looks like he may be "Brother" John Wieners.
"Groovy Guy" could be Jimmy Archer or Joe Ciccone. (There are more names listed on the album than performers in the video)
Guitarist is Frank "Alleluia" Franco.
And lastly, the elusive drummer is probably Nicky Sciarra.
Finally, I am now able to confirm certain assumptions that I've had about the band and dismiss others. They are from Brooklyn, NY and they appear to be 90% Italian –therefore one can assume that they are NOT a Christian ska band, but a CATHOLIC pop band!
Our lead singer is named Sal Polichetti.
Our organist is named Patricia Costagliola, and she also produced the album!
Our background vocalists, formerly known as "Inez" and "Crabby Cathy" are Melody M. Sorrentino and Anne Lessing (not confirmed who's who).
"Sleepy" looks like he may be "Brother" John Wieners.
"Groovy Guy" could be Jimmy Archer or Joe Ciccone. (There are more names listed on the album than performers in the video)
Guitarist is Frank "Alleluia" Franco.
And lastly, the elusive drummer is probably Nicky Sciarra.If any body has any further information on these people, let me know!!! Now, my next mission, which I have chosen to accept is to find out where they are now! Oh, PS - Rev. Ricky thinks "Salvation Army" and "Punch & Judaism" wre two other acts that appeared on the show after "Sonseed". I'll buy that.
Sunday, November 18, 2007
THE DAYDREAMER

THE DAYDREAMER (1966) is a recently re-discovered obscure feature by *Animagic* inventors Rankin-Bass (of RUDOLPH THE RED-NOSED REINDEER fame). The film opens with a likable title song by recently deceased Las Vegas crooner Robert Goulet and some great Al Hirschfeld caricatures of the all-star cast.
After the song (in a live action segment), we discover it's 1801 Denmark and we meet pathetic Papa Andersen the shoemaker (commie "witch hunt" victim Jack Gilford) and his young son Chris (15 year old Paul O'Keefe of THE PATTY DUKE SHOW) - who we soon discover ALWAYS wears the same snug red polyester tights and suspenders, even underneath his nightshirt! Papa is visited by Elmira Gulch herself when Margaret Hamilton comes a knockin' looking for her shoes, only Papa's such a rotten shoemaker that they are not fixed yet. We also suspect that Chris' mom left Papa cause he's such a loser. Gilford, usually very charming, seems as though he's reading from cue cards here.
After Papa tells him of the legendary Garden of Paradise, narcoleptic Chris is visited by an animated version of the Sandman (voiced by Cyril Ritchard)- who tells him that in order to be happy and successful he MUST find the Garden of Paradise. So Chris falls asleep on a boat - and is transformed into an living, breathing Animagic character! Only it doesn't last too long because his boat crashes and he drowns. The End.
So Chris is dead, and The Little Mermaid (voiced by Disney sweetheart Hayley Mills) discovers his lifeless body. After her father (Burl Ives, phoning it in as Father Neptune) tells her that there's no hope for Chris, she makes a deal with the fabulously goth Sea Witch (Talullah Bankhead, giving Pat Caroll's Ursula a run for her money) who brings Chris back to life. They then swim around and the "Ariel" falls in love with the formerly dead boy. He tells her to fuck off cause he's just not into her, besides he's got a garden to find. So he breaks her heart and wakes up all wet in a boat.
Back in the real world, Chris next befriends an ugly duckling. But then he falls asleep again, this time falling in with two conniving tailors (voiced by Terry Thomas and Victor Borge) who are busy designing the Emperor's New Clothes. Chris and the tailors pull a fast one on the narcissistic king (Ed Wynn), but get exposed themselves when a little kid alerts the townsfolk to their scheme. Chris then awakens (in the real world) and gets arrested for poaching a duck!!!
In the most bizarre live action sequence in the film - Chris is tied up bondage style and dragged through town while singing a showtune about being unlucky while back-up dancers perform an elaborate Fosse-like routine around him. The scene MUST be seen to be believed!
So Chris falls asleep again, this time he meets up with Thumbelina (voiced by Patty Duke as Neely O'Hara). Thumby shrinks him down to her size and the two meet up with a Rat (Boris Karloff) who pimps her out to a Mole, who plans on marrying Thumby. Meanwhile, they find a dead sparrow and Thumby touches it and covers it with her sweater. Didn't she ever hear that children shouldn't play with dead things??? Disturbing. Following a musical number by bats - the dead sparrow comes back to life because of Thumby's sweater. Huh? Somehow the wedding doesn't happen and Chris learns the valuable lesson that "your size has nothing to do with your true happiness." Hmmm...that's not what all those emails in my inbox say...
So eventually Chris gets to his Garden of Paradise - where there are cotton candy trees, monotone peacocks, butterflies, blue marshmallows and the Tree of Knowledge!!! He is told(by an offscreen voice) that he must not eat EVER the blossoms from the tree. This story is starting to sound awfully familiar.
After pledging that he won't eat the blossoms, Chris does a little dance - and is visited by a horny and devilish version of himself. Of course Horny Chris convinces our hero to eat the thing. So he eats it and after a fiery apocalyptic finale - he's banished to The Land of Nothingness!!! Wakes then up in reality, where Papa is arrested and shackled to Chris. Papa saves them both by bribing the warden with his wife's wedding ring. Guess Mama Anderson's not coming back after all. We then learn that Chris grows up to become Hans Christian Andersen!!! Wow...I did not see that coming!
I was really hoping to love this film. After recently watching MAD MONSTER PARTY? for Halloween and looking forward to my annual viewings of their Christmas TV classics, Rankin-Bass usually can do no wrong. But I think the uneven performances and choppy storytelling really make parts of this unwatchable. They probably thought they were making the next WIZARD OF OZ or MARY POPPINS - but ended up making something that would alternately bore and frighten little kids, their target audience. I'll give this one 6 outta 10 "Huhs?" mostly for the awesome bondage musical number.
Two interesting notes: In another WIZARD OF OZ nod, Ray Bolger has a brief cameo as The Pie Man. Parts of THE DAYDREAMER were filmed on location at the Denmark Exhibit at the 1964 New York World's Fair.
Labels:
Boat,
Boris Karloff,
claymation,
God,
Inappropiate Relationship,
Kids,
Living Plants,
Magic,
makeover,
Nudity,
Oz,
Plot Twist,
special effects,
terry thomas,
Underwear,
Witch
Sunday, October 28, 2007
CARNIVAL OF SOULS

Sometimes when I'm feeling scared I simply remember my favorite things and then I don't feel so bad. So while watching a frightening movie, I sometimes reflect upon my favorite TV show of all time to help me get through it. :)
CARNIVAL OF SOULS (1962, directed by Herk Harvey) is an haunting and mesmerizing film. The story opens with a wild battle-of-the-sexes drag race between a car full of rowdy young men and a trio of sassy chicks. The girls don't fare so well when their car plunges off a bridge into a river. Three hours later, after the rescue team gives up hope, one of the girls, Mary Henry, a church organist (brilliantly played by the beautiful Candace Hilligoss) appears - she somehow survived! This world is awfully big, and girl this time you're all alone.
We are then treated to a magnificent organ concert performed by Mary - who we learn is kinda bitchy for a church lady. She seems to snap at everyone and treats everything around her with indifference. Not to mention that her two friends just died. Well it's you girl, and you SHOULD know it, with each glance and every little movement you show it.
Mary soon heads to Salt Lake City, Utah where a new job playing organ at a church awaits her. Let's just pretend she's going to work at a local TV station as an associate producer for a news show. During her drive she passes a large, mysterious structure by a lake - and she suddenly sees a creepy zombie-like man (we'll just call him "Murray Slaughter") in her passenger window. His image really is quite chilling - much like Gavin MacLeod in whiteface.
As the story continues, we meet Mary's nosy landlady Mrs. Thomas, um Lindstrom (who doesn't mind if Mary takes a lot of baths) and her horny drunken neighbor Mr. Linden, er Rhoda? (who likes his coffee with booze cause it makes him happy). Her interactions with these two are somewhat awkward. Mary doesn't even thank Phyllis for fixing her a meal. What a bitch!
Mary soon meets her new boss, Rev. Lou Grant - and he seems to like her spunk. She asks the minister about the building by the lake. He tells her it was an old bath house (not THAT kind of bath house!) that was later transformed into a carnival, but is now abandoned. He even drives out there with her to see it. Murray begins appearing everywhere Mary goes. The next day, while shopping for a smart little black dress (at Hempel's?) Mary becomes invisible and inaudible to everyone around her in the department store, as if she isn’t there!!! And she doesn't even shoplift! You CAN have a town, why don't you take it?
Mary begins experiencing mood swings as Murray's presence becomes more and more prevalient. No one else can see him, but we can!!! (Unfortunately) When sipping water from a fountain in a park, Mary sees Murray standing over her, drops her purse and runs smack into another man - who turns out to be a doctor - who immediately tries to help her. After unloading her bag of bullshit on Dr. Samuels, he tells her that she should face her fears. Like that carnival pavilion for starters. It's time you started LIVING - It's time you let someone else do some giving!!!
The next night, while practicing hymns alone in church, Mary falls into a trance and her music suddenly transforms from beautiful church hymns to a creepy demonic dirge. Visions of stained glass images give way to zombie-like ghouls emerging from the lake that begin to dance in a ballroom. Murray approaches her, but then Rev. Lou Grant appears suddenly - declaring her music a sacrilege and tells her she has a "lack of soul" and she's fired! Turns out he hates spunk! He then he tells her that the church can help her. She totally dissmisses him and meets up with her horny neighbor for a date. Love IS all around, no need to waste it .
Mr. Linden/Rhoda wants Mary in the worst way - but she just wants somebody around to protect her from Murray. The more Rhoda tries to get close to her, the more she resists. But she doesn't want to be alone. When they are finally alone back at house, Mary freaks out and Rhoda declares that Mary's a crazy chick. Mary then rearranges the furniture in her room to keep Murray out. Just be sure to keep your head, Cause girl you know that's ALL you need.
The next day, Mary decides to leave Salt Lake City, but her car has transmission trouble - so she pulls into an auto body shop where she decides to stay in the car while it is being repaired on the lift. Of course, Murray shows up and she escapes from the car - and tries taking a bus outta town only to find that all of the passengers are zombies!!! Invisible again to everyone, she winds up at Dr. Samuels' office again - only when he turns around he's Murray!!!
She then wakes up in the car - and drives out of the gas station to the Carnival pavilion where she is chased down by the pack of zombie people. The minister, the doctor, and the police all arriving at the pavilion to investigate, but only find her car, her footprints in the sand and no body. GULP!
The film’s final scene, however, shows us what has been Mary's secret all along: She's NOT gonna make it after all ...
This film is amazing. See it. 10 outta 10. Then watch MARY TYLER MOORE to erase the creepiness.
Friday, October 12, 2007
ABBY

When I heard that there was a movie that was known as THE BLACK EXORCIST - I knew that I had to seek it out. What I found was ABBY (1974, directed by William Girdler), a crazy blaxploitation thriller about a preacher's wife possessed by an evil African sex spirit. Supposedly Warner Bros. had sued to keep ABBY out of circulation due to it's similarities to THE EXORCIST. Obviously, nobody at Warners actually bothered to watch it.
The story starts as out a group of students bid farewell to their favorite teacher, a Reverend (played by BLACULA star William Marshall) who is leaving on a research trip to Nigeria. One student mentions his "thesis" about four or five times, somehow managing to rhyme it with "feces". Soon we all learn about "Eshu" - some kind of god or demon or something that is very powerful - it creates whirlwinds and chaos. Then one of the students gives Prof. Rev. Blacula Sr. (what I'll call him) a ridiculously large silver crucifix. Thanks, um, I think. Then we are treated to the "Love Theme from Abby" over the hardest-to-read-opening-titles ever.
Now we're in Africa, where Prof. Rev. Blacula Sr. finds a wooden lunchbox, which when opened releases the recently mentioned Eshu. Imagine that! Eshu - by the way - looks like a bad INCREDIBLE HULK mask made out of green Play-Doh.
Back home, the professor's son Rev. Blacula Jr. (Terry Carter) and his pretty wife Abby (Carol Speed) move into a new house. Abby's mother (played by Hollywood legend Juanita Moore of IMITATION OF LIFE fame) is there help, by carrying a big box that says "Eggs" and by ordering a bucket from KFC. (I swear to Eshu - I'm not making this up!)
So, after settling in a bit in the new home, Abby decides to shower - unaware that the evil spirit Eshu has travelled cross the sea to pay her a visit. So we are treated to Abby's showering shadow being attacked by what looks like the shadow of Bigfoot. Soon Abby's helping the church ladies prepare a chicken meal, when she suddenly gets the urge to stab herself. I think she just thought her arm was a chicken breast. Innocent mistake. After the doctor bandages her up, Abby freaks out about not wanting scars on her arm. Well, you should have thought about that BEFORE you stabbed yourself, Abby.
Later Abby is leading the choir at her husband's church, but flips out during his sermon, first just coughing uncontrollably, then attacking a churchgoer and finally foaming at the mouth!!! This scene is pretty amazing because it takes so long for anyone to even attempt to help her, even when she was just coughing - no one even offers her water or a cough drop! Rev. Blacula Jr. calls his father overseas and mentions that Abby's acting strange. Prof. Rev. Blacula Sr. seems too preoccupied with his "work" and tells his son that Abby just needs rest. Later, he tries to get on with his wife, but Abby tells him, "I'm not your 'ho!" and then kicks him in the balls.
Next up, when another couple visits, Abby declares that she's gonna "fuck the shit out of" the husband. Clearly, something is up with Abby. It was here that I noticed that Abby's possession turns her into an odd combination of Carol Burnett's Eunice and RuPaul. Then the church organist pays a visit to a bedridden Abby and ends up dying of fright!
Rev. Blacula Jr. calls his father again, and dad begrudgingly agrees to come home to help. Then Abby is given a medical exam, but everything turns out normal. Abby tells her husband, "I wanna thank you for callin' that mother fuckin' father of yours. Give him my worst regards." In the best scene in the film, possessed by Eshu, Abby declares "I'm goin' home, bitch!" and escapes from the hospital, plowing through assorted nurses, patients and doctors.
Abby turns up at her home, with a big "welcome home" for the senior Reverend - she tries to give him a lapdance.
Abby then gets behind the wheel and drives to a disco and picks up a nerdy looking dude from her church. Her husband "borrows" some woman's car and chases after her. Abby and the church dude start going at it in his car (can't tell if it's a limo or a hearse) , but then the car starts to shake and fill with smoke. We never find out what actually happened, before we can question it, Abby then returns to the club, where she sets her sights on creepy Doc Severinsen lookalike. They soon disappear into a room upstairs. You have to wonder where Abby gets her bad taste in men from.
Meanwhile, Abby's detective brother joins Rev. Blacula Jr. in a search for our missing heroine. They eventually find her disco-dancing with TWO men! Then Abby decides to start tossing patrons around the room. Prof. Rev. Blacula Sr. finally shows up with his big ass crucifix. Abby then grows a unibrow, levitates and Eshu releases his wrath on the entire disco! Yay! I'm not gonna tell you how it ends - but suffice to say we see that old wooden lunchbox from Nigeria again!
Well, ABBY was cerftainly a treat. Carol Speed was fun to watch and you can't help but love Juanita Moore as her mama. My theory is that Juanita had memorized all her lines from IMITATION OF LIFE and just recited them again here. I really was hoping to LOVE this movie - but the best I can muster is 8 out of 10 "Huhs?". I'm really hoping some day for a big budget remake starring Wanda Sykes and Billy Dee Williams.
Labels:
Blaxploitation,
Chicken,
Church,
Demon,
God,
Grindhouse,
Horror,
Inappropiate Relationship,
Murder,
Mystery,
Plot Twist,
Priest,
Psycho,
Storm,
Unibrow
Saturday, September 22, 2007
THE APPLE (A Vintage Review)

I posted this review originally on May 1, 2003 on IMBD. I just came across it today for the first time in four years and decided to republish for old time's sake. Notice how I was "over Britney" before most people. Enjoy! Be warned: there are spoilers.
In this age of putrid merchandised crap like Britney, boybands and AMERICAN IDOL, it's refreshing to see what America would have looked and sounded like in 1994 if a truly fabulous madman like Boogalow was in charge.
The look of this film is shiny and bright, it's loud and disturbing, it's sometimes hard to watch...but I'd also hard to look away. All the holographic triangles...the multi-colored hair...the "futuristic" baby strollers, drinking glasses, automobiles...this is the America that we were promised in 1980 and somehow we were sadly deprived of.
My favorite sequences are Bibi & Alphie's "rain" duet; Pandi's big "sex" number, Bibi & Pandi's "morning after" duet and of course, Mr. Topps' arrival...I just love how "god" basically tells Boogalow and the audience that the hippies were right...that peace, love and living in caves (without television) is the true road to salvation.

I like to describe this movie as LOGAN'S RUN meets HAIR, but it's more like everything good and bad about the 70s all in one big sloppy package. Speaking of packages, could George Gilmour's Alphie have any tighter pants?
I'll cast my vote for "Speed" as our new American anthem, screw "God Bless the USA"...
"Do the BIM!"
Labels:
Drugs,
God,
Inappropiate Relationship,
Musicals,
The Apple,
The Future
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