Gonna Party Like It's SPACE:1999

From 2009...but updated today!

I've never been a real sci-fi geek, but I know what I like. In terms of films, I always preferred LOGAN'S RUN over STAR WARS. So freeze me in carbonite. On TV, I liked the original STAR TREK, but can say I've ever even watched any of the revivals. I just never found them that appealing. Sorry. I'm not saying they're bad, I just didn't feel the need to watch 'em. I also can honestly say I've never watched any of the BATTLESTAR GALACTICA shows - old or new. I know how the recent show is supposed to amazing and all that, and I may get around to watching it one day - but I just don't have the bandwidth right now. I did absolutely love V - at least the miniseries before it became a weekly, but the ABC revival didn't interest me much. I mean once you know that they're lizards, what's the point?

As a kid, I was quite a bit obsessed with the short-lived British import, SPACE: 1999. My recollections of the show are a bit cloudy, but I do recall that I loved the way it looked, but was a bit bored by the talkiness of the show. After all I was 11 years old at the time.

SPACE: 1999 ran for two seasons from 1975-77. In the show's storyline, there is a totally catastrophic nuclear/lunar accident that takes place on September 13, 1999 (16 years ago today!) that knocks the moon out of its orbit and flings the inhabitants of Moonbase Alpha into the far stretches of outer space. Then the fun begins!

The first season opening title sequence is one of the best in all TV history.

For some reason they decided to mess with greatness and create another totally awesome open sequence for season two. Still great, but not nearly as powerful as the first.

Then-married US TV stars Martin Landau and Barbara Bain (both of MISSION: IMPOSSIBLE fame) headlined the show in an attempt to make the show seem more "American".

The show was produced in the UK by sci-fi powerhouses Gerry and Sylvia Anderson (THUNDERBIRDS, UFO, etc.) and distributed internationally by Lord Lew Grade's ITC Entertainment.

Who doesn't get douche chills when they hear or see the famous ITC logo animation?

The syndicated series aired on Sundays at unusual time period of 6:30 PM on WPIX in New York for the two original seasons, with reruns airing in various time slots over the next few years.

Also starring were in season 1 was Barry Morse and the stunning Catherine Schell joined the cast as the fabulous shapeshifting alien Maya in season 2.

Guest stars included international names like Christopher Lee, Joan Collins, Peter Cushing, Judy Geeson, Ian McShane, and Sarah Douglas.
SPACE:1999 was visually the coolest TV show up till that time, with sets, costumes and special effects on par with feature films of that time period.

Apparently the Blu-ray transfers of the show are pretty great - will have to check it out someday soon.

Rutlemania!

Here's a re-post from 2011.

The Rutles were born over 50 years ago when Ron Nasty met Dirk McQuickly in Liverpool. They soon hooked up with guitarist Stig O'Hara, and they formed a trio. After finding drummer Barry Wom living in their van, the Rutles were born. A fifth member named Leppo joined, but disappeared after crawling inside a trunk. They soon became known as 'The Prefab Four'.In 1961, one-legged chemist Leggy Mountbatten discovered the boys playing in a club. He disliked their music, but enjoyed the cut of their tight trousers. He soon became their manager, signing them to Parlourphone Records. Their first single was I Must Be In Love.They recorded the first album in 20 minutes and by 1963 were a huge success in the United Kingdom. In 1964, Rutlemania exploded internationally, including the states, the group's first film, A HARD DAY'S RUT was released later that year.
Their success continued as they became stars on record, in movies and on magazine covers. The film OUCH! followed in 1965.
In 1966, Ron Nasty was quoted incorrectly as saying that the group were 'bigger than God'. However, he had actually said they were bigger than Rod Stewart.Teen-age girls loved The Rutles and teen-age boys wanted to be them.
In 1967 the Rutles masterpiece Sgt. Rutter's Only Darts Club Band was released, though rumors quickly spread that they wrote it under the influence of tea, which Bob Dylan introduced to them. TRAGICAL HISTORY TOUR followed featuring the hits W.C. Fields Forever and I Am the Waitress. In 1968, a 'Stig is Dead' rumor spread quickly, prompting Barry Wom to stay in bed for a year.
The group's final release, Let It Rot. was recorded in 1969. The band soon fell apart when McQuickly sued Nasty and O'Hara, Wom suing McQuickly, Nasty suing O'Hara and Wom, and O'Hara ended up accidentally suing himself.
A retrospective TV documentary called ALL YOU NEED IS CASH aired on NBC in 1978 ushering a new wave of 'Rutlemania'.A sequel, RUTLES 2: CAN'T BUY ME LUNCH was released in 2007.

Peter O'Toole (1932-2013)

David Frost (1939-2013)

Gerry Anderson (1929-2012)

THE NANNY

Continuing my string of re-posts from 2009...

On the heels of MARY POPPINS, the legendary Bette Davis stars in this tame, but twisted tale out of England's Hammer House of Horror based on a novel by Evelyn Piper (who also wrote the harrowing BUNNY LAKE IS MISSING).

THE NANNY (1965, directed by Seth Holt) is a spooky little chiller that casts Miss Davis as dutiful, dowdy and subdued domestic in a proper household with a deadly secret. Joey (the captivating William Dix), a precocious 10-year-old has just been released from an psychiatric institution and we are told he has developed "a strange aversion to middle-aged females."

From the start Nanny and Joey engage in a wonderfully wicked cat and mouse game. Everything Nanny does to make his return home comfortable is rejected by the bratty, troubled youngster and we feel the pain in Bette Davis' eyes.

The boy's neurotic mother Virginia (the great Wendy Craig, who later starred in the classic Britcom BUTTERFLIES) is on the verge of a nervous breakdown for the past two years, after the drowning death of her adorable toddler daughter Susie (seen in flashbacks).

To top things off, visiting Aunt Penelope (the wonderful Jill Bennett) has a heart condition, so Nanny tries not to ruffle any feathers despite Joey's increasingly hostile antics.

You see, Joey is convinced that Nanny wants to murder him, and suspects that she is responsible for drowning his sister, the reason for him being sent away in the first place. Everyone believes that Joey was culprit.

So Joey goes on a hunger strike, refusing to eat any of the food that Nanny prepares for him. He even refuses to bathe unless Virginia makes Nanny promise to stay away from the bathroom. Boys.

With Joey's dad (the serviceable James Villiers) often away on business, he befriends a sassy upstairs neighbor Bobbie (the charming Pamela Franklin), a mod teen-ager who becomes both confidante and accomplice in pranks he plays on Nanny - like drowning a baby doll in the bat tub.

The suspense builds steadily as we learn the back story of Susie's death and we wonder who's version is more accurate–prankster Joey's or dedicated Nanny's. When Virginia is suddenly stricken with food poisoning and hospitalized, delicate flower Aunt Pen comes to stay in the house for the evening and slowly grows suspicious of Nanny's actions.

Flashbacks recount what actually happened the night Susie died and reveal a shocking secret from Nanny's past leading up to the startling climax where all is revealed. Slight spolier - a visit to an abortion doctor plays into the reveal!

I loved this film. The creepy atmosphere, the wonderful acting and Davis' remarkably restraint performance make it a sheer pleasure to watch. Though it was slow paced, I didn't want it to end. The world that director Holt created was such a fun place to visit.

The scenes with Nanny and Joey are so well acted, you wonder if Davis and the youngster got along at all on set. I give this one a big 10 outta 10.

THE ANNIVERSARY

More fun from 2009! I've seen the publicity photos of Bette Davis wearing a color-coordinated eyepatch (that must have inspired the Nike logo) a million times, but never knew what film it came from–until I watched THE ANNIVERSARY (1968, directed by Roy Ward Baker)!This very black comedy, adapted from a stage play by Bill MacIlwraith, is from the Hammer House of Horror and tells the sordid story of the Taggart family - penny-pinching, inept real estate developers in England who get together annually at the gorgeous family estate in "celebration" of their mother's wedding anniversary to their late father.One-eyed Mother Taggart (Davis) is a cruel, demanding and contemptible woman whose only joy in life seems to be her pleasure in ridiculing her three spineless sons and their families. She knows how to push their buttons and she uses every finger she has to do it. This year, her youngest son Tom (Christian Roberts)—who is handsome until he opens his mouth—brings along his pretty blonde fiancee Shirley Blair to meet the family. Unfortunately things get off on the wrong foot almost immediately when Bette asks the girl to not stand too close to her because she "loathes body odor." She later forces the poor dear to reveal her deformed ears - causing Mother to declare "I have an adversion to anything repulsive".Her middle son Terry (Jack Hedley) has been married to Karen (Sheila Hancock) for a few years and they are planning a big move to Canada with their brood of children. They already have five with a sixth on its way. We learn that Terry was responsible for the shooting accident that left Mother with only one eye. We also later learn that mother gives them one thousand pounds every time they procreate and Karen has been saving up the money in order to pay for their move across the sea. Mother's reaction to Karen's plans? "My God, she's scummy!"The oldest son Henry (James Cossins, later famous for his guest turn as the hotel inspector on FAWLTY TOWERS) is unmarried, a confirmed bachelor who has a thing for silky womens undergarments. We see him ogling a shopgirl's slip, "borrowing" neighbors brassieres and hear him being scolded for wearing them (off-screen). Mother's venomous, but hysterical insults fly out out her mouth quickly and furiously in between puffs from her cigarette. She is vehemently opposed to Tom's sudden engagement, Terry's ridiculous desire to leave England and Henry's abhorrent transvestitism. She announces that she wants to have Henry arrested sent to prison where he'll be rehabilitated.
She will stop at nothing to make sure she ruthlessly neuters her sons and mentally scars the women in their lives. Mother even goes as far as telling Karen that her and Terry's children have been killed in a car accident to make the already anguished woman feel what its like to "lose a son". Meanwhile, the children are safe and sound upstairs. Mother also freaks everyone out when she plants a long, deep kiss on Tom's lips - but doesn't smear her lipstick!
Bette Davis plays a vindictive matriarch better than anyone in film history, commanding our attention as if she would chastise us if we didn't. While not a horror film per se, the feeling of uneasiness that Davis creates almost feels like she is brutally killing each one of the characters one by one.
If you are a Davis fan, and love to see her ravenously chew the scenery, this film serves it up like no other. Unfortunately the scenes without Bette drag the entire production down, so you may want to be prepared for a slightly bumpy ride. I give it an 8 outta 10 for Davis' performance in addition to the smothering atmosphere she helps create.

More Random TV GUIDE Ads - MADAME SIN

The legendary Bette Davis starred in this madcap pilot for a weekly series that never materialized. The reference to a Bond villain in the headline is no coincidence since this British-produced thriller was designed to TV's version of 007. Davis' supporting cast included Robert Wagner and a bevy of Brits including Denholm (A ROOM WITH A VIEW) Elliot, Gordon (UPSTAIRS,  DOWNSTAIRS) Jackson and Catherine (SPACE: 1999) Schell. It would have been interesting to see Bette chew the scenery each week as a madwoman achieving world domination. Note: this was many years before Oprah took on this role.

More Random TV GUIDE Ads - AMANDA'S

Between MAUDE (1972-78) and GOLDEN GIRLS (185-92), the always brilliant Beatrice Arthur starred in AMANDA'S, a short-lived US 1983 version of the classic 12-episode Britcom FAWLTY TOWERS. Bea played the Amanda Cartwright, the American female version of Basil Fawlty - who ran a small seaside inn. While not awful, AMANDA'S was savaged by critics and ignored by viewers. I, of course, watched it religiously and even had each and every of the 13 episodes on VHS tape at one point. This was actually the second of three attempts to adapt FAWLTY for an American audience. The first was a 1978 pilot for ABC called SNAVELY and starred Harvey Korman in the John Cleese role. His wife Gladys was played by none other than Bea's future co-star and nemesis, Betty White. The third version was called PAYNE and ran for 9 episodes in 1999 on CBS. John Larroquette, JoBeth Williams and Julie Benz starred. I would love to revisit AMANDA'S one day.

The HARRY POTTER Experiment - Part 3

I concluded my foray into the world of Hogwarts, Muggles and other obnoxiously silly words by watching the 5th and 6th films in the HARRY POTTER series.

HARRY POTTER AND THE ORDER OF THE PHOENIX welcomed new director David Yates aboard and is a vast improvement over the previous installment. The kids are growing like it's going out of style and the stakes are raised as The Ministry of Magic attempts a takeover of Hogwart's. The wonderful Imelda Staunton comes aboard as my favorite villain so far, Dolores Umbridge. Gary Oldman and Helena Bonham Carter also show up in fun roles. It's all about Dementors, Death Eaters and deception as characters introduced in earlier segments begin to reveal their true colors. This thrilling episode is my second favorite in the series so far.

Yates thankfully returned for HARRY POTTER AND THE HALF-BLOOD PRINCE in which supporting character Draco Malfoy is elevated to super villain, joining forces with other malevolent menaces such as Severus Snape and Bellatrix LeStrange in their attempts to eliminate Harry and his friends from existence. Harry begins a mission to collect seven objects that must be destroyed to put an end to Lord Voldemort's immortal reign of terror - but things don't go as planned.  An exciting outing overall, this sixth film serves a a pre-able to the final installment(s) ot the series, HARRY POTTER AND THE DEATHLY HALLOWS, PART ONE of which I subsequently watched on Blu-ray and PART TWO which arrives in theaters tonight at midnight (I already saw it and it's a pretty wild ride). This
"experiment" was a fun way to spend six consecutive evenings - something I've never did before. I'm glad I've seen the films and now I can answer questions posed to me by my youthful coworkers. I guess I've drank the Kool-Aid.