Showing posts with label Parody. Show all posts
Showing posts with label Parody. Show all posts

Tuesday, April 29, 2014

Rutlemania!

Here's a re-post from 2011.

The Rutles were born over 50 years ago when Ron Nasty met Dirk McQuickly in Liverpool. They soon hooked up with guitarist Stig O'Hara, and they formed a trio. After finding drummer Barry Wom living in their van, the Rutles were born. A fifth member named Leppo joined, but disappeared after crawling inside a trunk. They soon became known as 'The Prefab Four'.In 1961, one-legged chemist Leggy Mountbatten discovered the boys playing in a club. He disliked their music, but enjoyed the cut of their tight trousers. He soon became their manager, signing them to Parlourphone Records. Their first single was I Must Be In Love.They recorded the first album in 20 minutes and by 1963 were a huge success in the United Kingdom. In 1964, Rutlemania exploded internationally, including the states, the group's first film, A HARD DAY'S RUT was released later that year.
Their success continued as they became stars on record, in movies and on magazine covers. The film OUCH! followed in 1965.
In 1966, Ron Nasty was quoted incorrectly as saying that the group were 'bigger than God'. However, he had actually said they were bigger than Rod Stewart.Teen-age girls loved The Rutles and teen-age boys wanted to be them.
In 1967 the Rutles masterpiece Sgt. Rutter's Only Darts Club Band was released, though rumors quickly spread that they wrote it under the influence of tea, which Bob Dylan introduced to them. TRAGICAL HISTORY TOUR followed featuring the hits W.C. Fields Forever and I Am the Waitress. In 1968, a 'Stig is Dead' rumor spread quickly, prompting Barry Wom to stay in bed for a year.
The group's final release, Let It Rot. was recorded in 1969. The band soon fell apart when McQuickly sued Nasty and O'Hara, Wom suing McQuickly, Nasty suing O'Hara and Wom, and O'Hara ended up accidentally suing himself.
A retrospective TV documentary called ALL YOU NEED IS CASH aired on NBC in 1978 ushering a new wave of 'Rutlemania'.A sequel, RUTLES 2: CAN'T BUY ME LUNCH was released in 2007.

Monday, August 19, 2013

The Dysfunctional Doll Family

From 2011 - I decided to have a little fun with a beloved book from my childhood. Looking forward to all the hate mail. :)












The End.

Friday, April 26, 2013

The Virtue of Vera Valiant

Here's a post from 2009 - with a few edits:

A long-forgotten, short-lived soap opera parody from the 1970s. This was Stan (The Man) Lee's daily comic strip answer to Norman Lear's brilliant MARY HARTMAN, MARY HARTMAN late-night syndicated serial.

This rare 1977 collection (the first of two) featured strips from October 1976 to January 1977. It was MARY WORTH, BRENDA STARR, REPORTER and WINNIE WINKLE all rolled into one with a satirical touch. Drawn lovingly by Frank Springer, the series daly never caught on–probably because readers had no idea it was all a parody! This is from the paperback introduction:

Here's a sample storyline from 1977 when daytime TV executives are hoping to turn Vera's real-life tragedies into plotlines for a 'reality' soap opera!
Talk about predicting the future! Who knew back then that most TV by the year 2009 would be 'reality' soaps? If only THE REAL HOUSEWIVES was more like The Virtue of Vera Valiant and less like, um crap. Here a reminder of what made MARY HARTMAN, MARY HARTMAN so great:

Friday, November 2, 2012

Doug's TV Time Machine: Variety Edition

A while back I began hosting informal monthly gatherings at my house where a bunch of us guys sit around watching old TV. Not just any old TV, not your run-of-the-mill TV Land reruns, but rare, odd and intriguing TV shows. I invited a select few friends and told them to bring any old, cool TV shows or clips that they might wanna share. These nights have now been dubbed TV TIME MACHINE and are now just about my favorite thing in the world. Where else but in my own living room could I be entertained by gems from TV's past like these...
PINK LADY AND JEFF - The notoriously bad NBC variety series that aired on Friday nights in the spring of 1980. This six-episode concoction from the warped minds of Sid & Marty Krofft has given me more laughs over the years than just about anything. From it's deer-in-the-headlights hostesses Mie and Kei to their "round eyed" co-host Jeff Altman, this DONNY & MARIE-like hour was designed to entertain us as we laughed along with the trio as they grow accustomed to each other and their traditions. Unfortunately, the offensive pandering makes the duo (who were chart-toppers in their native Japan) seem like awkward victims of a cruel prank. My lord, they even made them wear tee-shirts with their names on them so audiences could tell them apart! Celebrity guests included Bert Parks (he must have been real big with the kids in 1980), Sherman Hemsley, Sid Caesar (another teenybopper favorite), Donny Osmond, Larry Hagman (Jeez - how did they ever get HIM?), sex monkey Greg (BJ & THE BEAR) Evigan, Hugh Hefner (WTF?), Lorne (BATTLESTAR GALACTICA) Greene, Boomer (NBC's answer to BENJI), Red Buttons, Florence ("I'll do anything as long as I get to sing" Henderson, Jerry ("Is this a telethon?") Lewis, Alice Cooper, Roy ("Pretty Woman") Orbison and Bobby ("Blue Velvet") Vinton! Ernest (Jim Varney) even shows up in a few episodes. Blondie "appears" in Episodes 1 and 4 via their videos for "Shayla" and "Eat to the Beat" as does Cheap Trick with "Dream Police". The highlight of each episode is when the gals attempt to phonetically sing popular English-language songs like "Boogie Wonderland," "You Needed Me," "Le Freak," and "Crazy Little Thing Called Love". The forced comedy moments between the duo and painfully unfunny Altman are only topped by the gratuitous hot tub scene at the close of each hour. Pure trash TV nirvana. I recall asking a girl in high school if she watched this show and her response was, "Doug, are you gay?"
A couple of notches above PINK LADY on the quality ladder is THE LOLA FALANA show. The Vegas superstar headlined a series of ABC specials during the mid-1970s which highlighted her vocal prowess and sexy body. Along with guests like Bill Cosby, Billy Dee Williams and Redd Foxx - Lola's show was the hippest place in town. Odd comedy sketches featuring Pat Morita are unwatchable, but the musical numbers featuring absolutely amazing costumes and wildly inventive choreography place these four crowd-pleasing hours up on the mantle of must-see TV. At a recent screening, even the token straight guy was yelling out "fabulous1"
Mitzi Gaynor is the queen of the TV Variety Special. I've blogged previously about the PBS special which featured clips from all her network outings. Now, thanks to a friend, I have seen two of those specials in their entirety.
Mitzi: A Tribute to the American Housewife (1974) and Mitzi...and a Hundred Guys (1975) are two incredibly entertaining hours of television. Packed with great guest stars, over-the-top costumes and brilliant dance numbers that showcase the barrel of dynamite that Mitzi was (and still is!). For my birthday tribute to Mitzi from last fall, go here.
All joking aside, Cass Elliot was a tremendous talent. From her years as a member of The Mama & The Papas to her great performance in the PUFNSTUF film - Cass was on the brink of superstardom when she tragically died. Her groovy 1969 ABC special, THE MAMA CASS TELEVISION PROGRAM featured wonderful performances by Cass and guests like Joni Mitchell and the late Mary Travers (looking beautiful here). This here is a "flower power" variety hour.
Requisite guest stars include loud-mouth comic Buddy Hackett and the then-married Martin Landau and Barbara Bain (stars of MISSION: IMPOSSIBLE and later SPACE: 1999). An odd, yet enjoyable hour.
Speaking of odd. LUCY CALLS THE PRESIDENT - more of a sitcom special than a variety special - is a strange hour indeed. Rather than revisit any of her previous Lucy characters, here Ms. Ball casts herself as Lucy Whittaker, a housewife who is expecting a visit from President Jimmy Carter. Along for the ride are familiar cohorts like Vivian Vance (sadly performing with a post-stroke slur), Gale Gordon (as a staunch Republican), Mary Jane Croft, Mary Wickes and newcomer Ed McMahon (as Lucy's husband).
There are a few genuine laughs along the way, mostly at Gale's expense, and Lucy's standby physical schtick always manages to resurface. Two other 1970s specials: LUCY GETS LUCKY (with Dean Martin) and THREE FOR TWO (with Jackie Gleason) are also curiosities best viewed with the fast forward button pressed. Lastly, in the variety category, we were treated to a 1969 episode of THE CAROL BURNETT SHOW.
This episode featured veteran World War II performers Martha Raye and Betty Grable as guests and is notable because it was the first appearance of AS THE STOMACH TURNS, the long-running soap spoof.

Oddly, the sketch was about the LAST episode of the soap, and how the show tied up it's loose ends. In the real world CBS's AS THE WORLD TURNS ended in 2010 - 40 years after Carol's "prediction". Well, that's my TV Time Machine trip for today.

Friday, June 8, 2012

I'm Just Wild About Harry Novak

A flashback post from 2009 when I watched a exploitation classic called AXE (1974). AXE was basically THE LAST HOUSE ON THE LEFT meets THE LEGEND OF LZZIE BORDEN with a small dose of John Waters. What was most intriguing is that the dvd featured trailers from the same original distributor Harry Novak and his Box Office International schlockhouse. Harry Novak has been dubbed "The Sultan of Sexploitation" and "The King of Camp," but his films ran the gamut of the exploitation genres - including monster films  like PLEASE DON'T EAT MY MOTHER (1973)...as well as documentaries (MONDO MOD, 1967) and horror films (THE CHILD, 1977).
His signature logo elevated him to the distinction of being the Walt Disney or Louie B. Mayer of exploitation - with the exception that Harry stressed quantity over quality. Harry was notorious for not spending one nickel more than was needed to get a film made. He would watch industry trends and create a dirtier and more violent knock-off of whatever was selling tickets at the time. These include MIDNIGHT PLOWBOY (1971)...plus THE LAST TANGO IN ACAPULCO (1975), EROTIC ENCOUNTERS OF THE FOURTH KIND (1975) and THE BLACK CONNECTION (1974). Harry once said "When I was a kid, my Daddy told me, 'There's a buyer for everything' and I lived to find out that he was right."  Novak's began his career in showbiz at Howard Hughes' RKO Studios - by booking and selling films as well as designing ads and marketing campaigns, ironically, for the Disney films that RKO was distributing! It must have been Hughes' admiration for full-figured women that inspired Novak to set out on his own after RKO's collaspse. After taking a crash course in distribution, by selling re-dubbed foreign "art films" that featured partially clad women. He soon formed Box Office International in 1964.

Harry had now started producing and distributing a string of his own films - all lowbrow, crude and very violent - this made sense since violence was allowed to be screened even where sex wasn't. KISS ME QUICK! - a sci-fi parody of DR. STRANGELOVE about strippers - was his first big drive-in success. Over 200 entertainingly trashy features followed. Some great titles include MANTIS IN LACE (1968)...as well as TOYS ARE NOT FOR CHILDREN (1972), WILBUR & THE BABY FACTORY (1970) and BOOBY TRAP (1970).As standards continued to relax, Novak's films began to resemble softcore pornography- as full frontal nudity by both women and men and simulated sex scenes became the norm. A string of lurid sexy crime thrillers  like THE GODSON (1971)...and dirty martial arts romps (SEXUAL KUNG FU IN HONG KONG,1974), white trash hillbilly sex comedies (COUNTRY CUZZINS, 1970)...and ambitious period sex farces (like THE SECRET SEX LIVES OF ROMEO & JULIET,1969) followed...all with tantalizing ad campaigns.By the late 70s - hardcore porn became the norm and Box Office International transformed into Valiant Pictures International in 1978. Harry's last film was 1983's MOMENTS IN LOVE. Lucky for us most of his films are available on dvd via Something Weird.

Wednesday, November 16, 2011

Wednesday, November 9, 2011

PRETTY Season 3, Episode 1

Genie Francis and a bevy of guest stars turn up in the third season premiere of PRETTY!

Sunday, October 9, 2011

PRETTY Season 3 Trailer

Be prepared to get PRETTY all over again.

Sunday, September 18, 2011

We're Gonna Turn You On...

Celebrating the start of a new television season, I've decided to look back at some of my favorite shows of the past. Yawn - how many times have I done this already? Okay instead let's look at the porn versions of them.... (This blog post may not be safe for work - depending where you work.
First up, we've got THIS AIN'T GOOD TIMES - what happens when you take one of the best Norman Lear sitcoms (and a MAUDE spin-off) of the 70s and add in a bunch of women with large butts and this is what you get! As fake JJ would say "Din-E-Mite!"
Next up, we visit the Stone Age with THE FLINTSTONES, a live-action "homage" to the classic Hanna-Barbera animated series. Looks like you'll have a (not )gay old time in Bedrock! Check it out here. Perfect casting on Mr,. Slate!
Back to the 70s with WKRP IN CINCINNATI - and just like the DVD release of the original show, this parody also has to navigate around music clearance issues. Check it out the trailer.
Even Saturday morning staple SCOOBY-DOO joins in on the fun. Jinkies! See the live-action trailer here! Zoinks!
Another Norman Lear classic sitcom, THE JEFFERSONS gets the porn treatment too. Wonder what Mother Jefferson would say? Or Mr. Bentley for that matter.
And finally, everybody's favorite 80s family, the Huxtables gets a good once-over as well. Grab a pudding pop! LOL.
Has any show from my childhood escape the XXX parody craze? Well, so far no ELECTRIC COMPANY triple X. Yet.