Mickey Rooney is THE MANIPULATOR

Here's a post from 2008 - in honor of the late Mr. Rooney. Ever wonder what it would be like if Sid & Marty Krofft produced Stephen King's MISERY? Well, 1971's THE MANIPULATOR (aka BJ LANG PRESENTS) is a pretty close approximation of what it might look like.It all starts innocently enough on a rainy night, when we see a dark figure in a hat and raincoat walking on a dark city street accompanied by standard 1970s TV-movie theme music followed by the opening titles "Mickey Rooney...Luana Anders...THE MANIPULATOR". A fancy old car then pulls up to a warehouse and Mickey exits sporting his YEAR WITHOUT A SANTA CLAUS beard. He then gets into a freight elevator as flashes of random Fellini-like horrors begin. This is when we start to know this is no ABC Movie of the Week.

Mickey walks by what looks like a dusty animal carcass and climbs up a ladder into what looks like a Hollywood prop house. He then sits in an old leather chair, takes off his rose-tinted sunglasses and begins talking to himself as if he is various members of a film crew. Okay. He chats with a mannequin named "Wally" in a what could be a scene from ANDY HARDY HAS A COMPLETE MENTAL BREAKDOWN-decides to "put on a show!!!" Too bad Judy wasn't around to help out!

So Mickey begins to describe the upcoming scene to his imaginary "cast & crew". He calls "action!" and turns on a strobe light, imagining a pair of nude elderly actors dancing in the spotlight as he shouts the lyrics to "Chattanooga Choo Choo" at them. Then he showers the naked old folks with flowers. HUH??? The old people soon disappear, then Mickey pulls back a curtain and screams - and a real woman (Luana Anders) screams back at him. She's his "star", Carlotta - and she's hungry. In fact she asks him for food repeatedly. Turns out she's his prisoner and he has her tied to a wheelchair - and it's time for her lunch! Mickey then feeds her water from a silver chalice and baby food from a jar. Classy.

So then we learn that Carlotta has been cast as Roxanne (the Daryl Hannah role) in BJ Lang's film version of CYRANO DE BERGERAC. While Mickey is feeding her, she bites his finger and tells him that she's grateful for his kindness to her. Then he yells at some "crew members" and rolls in a huge spotlight followed by a (believe it or not) a fast-motion dance with a broomstick intercut with insert shots of a growling wild animal. Very Krofft-like. Meanwhile, Carlotta unties herself. Run like the wind, girl, run!!!

I guess she didn't run cause Mickey then shows up in drag make-up...and whispers to Charlotte about when he used to make up Marilyn's eyes. Then her gets all femme as he applies Carlotta's Roxanne make-up. This is a very disturbing scene. What would Judy say???

Mickey hears some cackling laughter in his head and is now sporting a really fake Witchie-Poo type Cyrano nose. I guess he's the director AND star of this production! Then he pushes Carlotta's wheelchair head-on into a mirror and demands that she recite her lines from the balcony scene. Then he yells at the thunder outside to be "quiet". Huh?After playing with some color gels, Mickey gives a pep talk to his imaginary background players (actually a collection of broken mannequins). Then he forces Carlotta to act out a scene - he calls "cut!!!" and breaks into another "Chattanooga Choo Choo" performance. Jesus - please make it stop!!! Then he tells her all about "fear" as he pretends to choke her. That's when I decide that ANDY HARDY MUST DIE!!!

So, Mickey calls "action!!!" again and they act out their big scene and unseen crowds roar with applause and "bravos!" Carlotta then tells him that the audience LOVES him. What follows next is the most bizarre scene in the film - We see a naked baby walking around a cocktail party where we also see the usual assortment of late 60s/early 70s "freaks" - you know - nudists, drag queens, Ruth Gordon-type old ladies, more nudists, pot-smokers, hippies, sex maniacs and others eating Saltine crackers with spinach dip and tripping out on acid. This all culminates with a giant orgy where Mickey is caressed by both women and men...and the naked baby is in the middle of it all!!! Really...I ask again...WHAT would Judy say???

While preparing for his big "duel" scene, Mickey suddenly collapses and Carlotta begs him NOT to die. Huh? She gets herself free and begins kicking the shit out of him. Why doesn't she just RUN??? Of course he manages to pin her down and kiss her! What a MANIPULATOR! Carlotta then begins running in very slow motion down a looooonnnnnggggg hallway while crazy electronic special effects music plays. Soon Mickey leaps out at her with his Cyrano sword. She decides to hide behind some sheer curtains. Smart girl, that Carlotta.

Then Mickey chases her through the mannequin display - and she attacks him with the spotlight. Carlotta then continues to run through the prop house through what looks like a combo wardrobe department and meat locker. She then crawls around the catwalk as Mickey hollers out orders to his "film crew"...and he once again breaks into song - yes, that's right - "Chattanooga Choo Choo" for the third fucking time!!! I beg of you....Please make it stop...please!!!! I will never listen to that song the same way again. Actually, I will never listen to that song again, PERIOD.

As Carlotta continues to navigate her way through the wardrobe, she suddenly stumbles upon "guest star" character actor Keenan Wynn - who Mickey stabs with his sword and kills. I guess it was just a cameo. Suddenly we're in a slaughterhouse, where a string quartet entertains both women in furs and butchers wearing bloody aprons as Carlotta dances for them all. I just can't say "huh?" anymore - I'm totally exhausted.

Mickey tells Carlotta he'll let her go if she tells him that she loves him. She doesn't - but he lets her go anyway. Okay, HUH? She then runs through the damn wardrobe again!!! She climbs down the ladder into the freight elevator...but she can't figure out how to open the door - so she just slams herself against the walls till it opens. Oh my god...I can't take much more of this.

Finally - Carlotta runs out into the rain - and locks herself in his car!!! She starts blowing the horn as Mickey pounds on the car windows - finally smashing the window with a trash can. He unlocks the door. Fade to: she's back inside with him. They kiss - and she laughs. This drives him CRAZY. I mean REALLY CRAZY. Then everyTHING around him begins to laugh. Mannequins, dead animals, boxes, jars of Vicks VapoRub, Chia Pets, etc. Then she starts yelling "No!!! No!!! No!!!" at him and he recites the final lines from CYRANO - and she actually looks at him... LOVINGLY!!!

Then he stabs himself with the sword and dies. She hears applause and takes a bow. The End. After the end credits we see Mickey's sped-up dance with the broom again. I almost expected Pufnstuf to show up and join in. The End for real.

Holy Shit! I really think Mickey thought he was gonna get an Oscar for this "brave" film role. I'm just surprised he ever worked again after it!!! This movie needs to be seen just to show how an actor's ego can lead to bad film choices. I do have to say that Luana Anders was truly compelling as Carlotta - and I look forward to seeing some of her other films. Sadly, she passed away in 1996.

The film really rates a 10 outta 10 - but only deserves 2 outta 10 because by the end you just feel so beat up, mentally drained and MANIPULATED from watching it. Wonder who that poor nude baby at the orgy grew up to be? Jimmy Osmond?

Before there was RED RIDING HOOD

Here's a "classic" post from 2007.

First of all, if you don't like seeing animals injured or killed - avoid this 1984 film. Not sure if the humane society approved this film or not, but between the wolves, a cow, some pigs, a couple of frogs, a goose and a peacock...not a creature seems to go unharmed. And then there's senior abuses suffered by Angela Lansbury, who appears here as a twisted version "Granny" from SYLVESTER & TWEETY rather than loveable Jessica Fletcher or sassy Auntie Mame.

Here's the story: the movie opens in present day. A young girl in bad Baby Jane make-up has a creepy collection of dolls and stuffed animals. She's having a dream that she's gone "into the woods," where her older sister has just been slaughtered by a company of wolves. After they bury sis, the girl goes to live with her Granny - who decides to cheer up the tyke by telling her tales about werewolves. Charming. It also appears that the girl has either travelled back in time or joined a Renaissance Faire.

In the first tale, a young groom is about to bed his new bride when he summoned by 'call of nature'. I guess he had to pee. He never returns. Men! Several years later, he returns looking like Tina Yothers from FAMILY TIES. The bride has since remarried and has kids. Angered by this development, he rips his flesh off and slowly transforms into his werewolf form (a very graphic - but incredible sequence), but is soon killed by husband number two. Whew!

Then there's a boring subplot about a flirty village boy. Zzzzzzzzzz....

In Granny's second story, a strapping young lad meets the Devil and his disturbingly made-up female chauffeur (who looks like Jon Benet Ransey - forcing us to wonder if her parents saw this film and decided that their daughter should look like this character). The devil gives the boy a potion, which he rubs onto his hairless chest - and suddenly blooms into puberty ...and beyond!

Later, Granny has made a Riding Hood for the girl, who we might as well call Red.
The horny village boy harasses Red again, causing her to climb a tree, where she finds a birds' nest with eggs that hatch tiny figurines of fetuses. Huh? Next we are treated to a scene of a mutilated cow. Huh?

While the villagers hunt down the wolf, Red tells her mother a story that Granny told her. This tale is about a wedding party where everyone is transformed into wolves. Fun!

Later Red's father returns after the villagers slay the cow-killing wolf. When he presents the wolf's paw, it has transformed into the hand of a man!!! Of course they chuck it into the fireplace! Wonder what THAT smelled like.

Soon it is winter and Red is off to Grandmother's house once again (presumably for a holiday visit). On the way she meets a huntsman with a unibrow. (Granny always warned her about guys with one brow!)

Once Red arrives at Granny's house, the huntsman has done away with Granny (in an amazing scene - sorry Rob Herrmann), and is taking her place. Sound familiar? There is a final encounter between Red and the Wolf...followed by another tale. This one is about a girl who looks like Chaka from LAND OF THE LOST.

I will not spoil the ending, since I highly recommend this film (despite the animal and Lansbury abuse). Directed by Neil Jordan (THE CRYING GAME), the film is gorgeously shot, and the sets and special effects are wonderful.

I'll give it an 8 outta 10 because with it's mix of dreams, nightmares, stories within stories - it still gives you many reasons to scratch your head. Oh yeah, and Angela doesn't even get to sing! Wonder if Lucille Ball was behind that... (inside joke)

The Abductors

Here's a "review" I first ran back in 2008. Warning: This movie review contains shocking female nudity! Imagine watching THE EMPIRE STRIKES BACK - and after it's over you realize there's another film called STAR WARS that you didn't even  know about. Well, my friends, this has sadly happened to me. THE ABDUCTORS (1972, directed by Don Schain) is the sequel to GINGER (1971) and the prequel to GIRLS ARE FOR LOVING (1973)! If I only knew this going in, I would have preferred to watch the trilogy in order-but since I didn't, I'll ignore the first one (for now) and tell you all about Episode 2 in the adventures of Ginger Cartwright, secret agent. One part James Bond, two parts Russ Meyer, THE ABDUCTORS is soft-core porn at its best. While there is plenty of nudity (full frontal for every female character and a few of the unnattractive males) and plenty of simulated sex acts - there is actually a semi-coherent plot going on in this movie. Like Jackie Collins, I will italicize all the naughty parts. So here's the story: three cheerleaders are abducted and sold into white slavery. The End. Alright, there's a little more to it than that. First we see a naked beauty-pageant contestant getting tied up and put in a cage - and we know immediately what kind of a movie we are in for. Next, the aforementioned cheerleaders are ambushed by a trio of thugs and forced to strip to their panties while one of the thugs sets their convertible on fire. We notice how odd it is to see topless women with natural, un-altered breasts. A local investigator calls on the ever-braless Ginger to help crack the case of the missing girls. He gives her a stylish briefcase filled with all sorts of gadgets including tracking devices that can be swallowed! After deducing that all the kidnapped women were also featured in the local newspaper, Ginger (Cheri Caffaro, the best actress in the film - which isn't saying much) teams up with a stylish advertising exec (Richard Smedley) who agrees to help her in her investigation. Ginger introduces him to a sexy up-and-coming model named Carter Winston (Jennifer Brooks), who is really going undercover as a potential abductee.

Well, before you know it, Carter is kidnapped and the ad man is screwing Ginger on shang carpeting. After the loving, Ginger is taken hostage herself, while the three cheerleaders are sold to lonely businessmen, and they seem to enjoy it. But it's not over yet - there's a big, daring rescue scene and an "eye for an eye" revenge scene involving Ginger, the ringleader, bar of soap and a hot shower.

Despite some semi-disturbing bondage moments, the film is pretty watchable. With plenty of laugh-out-loud bad dialogue and wooden acting, THE ABDUCTORS does impress with several overlong helicopter and plane sequences as well as a groovy soundtrack (which seems to stop suddenly half-way through the film). Ginger's skimpy outfits and outrageous hairdos are fun, you can totally tell where the producers put most of their money. So if you want to see some silly, poorly-lit and unsexy T & A - THE ABDUCTORS is for you.

Benji's Very Own Christmas

After starring in a string of family-friendly hits, but before co-starring with Chevy Chase in OH HEAVENLY DOG, Benji starred in his very own Christmas special on ABC. Cazn't tell you much about it because I've never seen it - but I did watch the original BENJI film back in 2007.

The first BENJI film was a childhood favorite.
I was ten years old when I first saw Joe Camp's kiddie classic BENJI (1974), and I remember loving it because it didn't look or feel like a kid's movie. Watching it again MANY years later (on Turner Movie Classics no less!), I can see why I thought that. The film is shot mainly from the dog's point of view, and most of the human characters are "grown up", making it feel like a movie for big people.

The movie opens as we see what looks like a haunted house - only it's not haunted (too bad) - it's Benji's house! Next we witness what appears to be the little dog's daily activities - as gets his breakfast from a friendly, but guarded, housekeeper named Mary and receives affection from two annoying kids named Paul and Cindy. The kids love Benji, but their MD dad has a problem with dogs be cause his brother was bit by one - once. After hiding Benji and his food bowl under the table (and on her lap) - Mary sends the dog off for his daily scuffle with THE ANDY GRIFFITH SHOW's Aunt Bea and her cat. After that he stops by the park for some romantic advice from a cop and finally swings by Bill's Café to wake up Bill (slow Uncle Joe from PETTICOAT JUNCTION) for his daily bone. So to speak. Each day apparently ends with a trip back to his house- which is abandoned and filled with antiques! We see Benji go through the routine at least four times - I think even as a kid I thought that was too much.

So Benji has it pretty damn good. Until one day, when things begin to change. A foursome of dopey troublemakers named Riley, Henry, Linda and Mitch break into his house with two bags of groceries (including pudding cups!) and declare it as a base of operations for their planned evildoings. Two of the guys think the house is haunted cause their pudding cups keep disappearing. Meanwhile, Benji meets up with a little white bitch named Tiffany, who becomes his domestic partner. Tiffany soon joins him on all is daily visits and is welcomed by the townsfolk as well. Mary even gives Tiffany a little makeover!

Meanwhile, back at the house: the plan is that the four villains are gonna kidnap Paul and Cindy and hold them for ransom. It's up to Benji to foil the plan, which is not easy considering he can't talk and Cesar Milan is not around to translate his constant barking. When Benji tries to help out, one of the bad guys kicks Tiffany - and we are thought to believe that she's dead. Of course, Benji eventually figures out how to communicate to the cops and townsfolk who close in on the bad guys and rescue the young hostages. There's a great scene near the climax between Mary and bad girl Linda (Deborah Walley of GIDGET and THE MOTHERS-IN-LAW fame). In the end, Tiffany just has a broken leg and the kids' dad changes his tune and lets Benji AND Tiffany move in with the family. Yay!

As a film, the story is simple and very slow-moving. The acting is mostly subpar, with Benji delivering the best performance. The music ranges from cute, to great to really, really annoying. On my scale, I'll give it a 6 just for old-times sake, but only watch it if you've had your proper daily caffeine intake. There are 3 sequels and numerous TV productions starring Benji as well. I think I'll pass on them, for now.

As social commentary, the parallels between BENJI and Lucille Ball's STONE PILLOW are staggering. Sure, Benji is a cute, sweet little doggie that works his way into the lives and hearts of a bunch of lazy Texans, much like Lucy's Flora character. They give him plenty of food (remember even Lucy gets old sandwiches, rotten veggies and cat food) and attention whenever the stops by their homes or workplaces, but they never address the bigger issue here - this dog is HOMELESS!!!

Getting on my soapbox for a minute: Just call me Bob Barker, but I think BENJI should now be re-purposed to help enforce mandatory spaying and neutering, micro-chipping and leash laws to help keep the stray animal population down and give homes to the millions of pound puppies in this country.

CRAZY MAMA

For our third cult classic "Mama" film (and vintage review from 2007), we've got Jonathan Demme's CRAZY MAMA (1975). An all-star cast brings this BONNIE & CLYDE wannabe to life, sort of. It's PG rating is a foreshadowing of what we are in for.

The backstory is that in the early 1930s, a family farm in Arkansas is taken over by law enforcement, killing the farmer, leaving his wife Sheba (Ann Sothern) and daughter Melba (Cloris Leachman) fleeing the state. They wind up years later running a beauty salon in California. They still not have recovered from losing the farm and Papa.

Soon "Mr. Howell" (Jim Backus) shows up and repossesses all of their belongings. They've out of luck, out of money and Melba's teenage daughter Cheryl (Linda Purl) is knocked up by "Ralph Malph" (Don Most). What else can go possibly go wrong? Well, then they decide to head back to Arkansas and reclaim the farmland that should be theirs! Wonder if they'll ever get there?

So they steal Mr. Howell's car, rob a gas station and head to Arkansas via Las Vegas!. While in Vegas, Sheba picks up a new friend named Bertha, and Cheryl picks up a second boyfriend, a biker named Snake. Not to be left out, Melba wins the heart of married Texas sheriff Jim Bob (Stuart Whitman). This is starting to feel like BEST LITTLE WHOREHOUSE IN TEXAS all over again. Except without the whores.

Despite being married to Ella Mae (Sally Kirkland), Jim Bob also marries Melba while Snake and Ralph Malph rob the chapel. Somehow Cheryl's two boyfriends have become friends and partners-in-crime. Why all three even share a bed! But there's NOTHING dirty going on. What follows is a silly crime spree with stunts like Sheba pretending to faint in a grocery store, in order to grab the cash. More heists, car chases and scams ensue.

The big money-making scheme involves "kidnapping" Jim Bob and holding him hostage, for a ransom that they will all split. Of course things don't go as smoothly as planned and somebody ends up dead. Somewhere during all these shenanigans, Cloris (Oscar, Emmy, and Golden Globe Award winner) wears a see-thru top without a bra. It feels highly disturbing to see Phyllis Lindstrom's nipple. Betty White would never show us her nipple, would she? Hey, I thought this was rated PG! I guess Cloris has a family-friendly nipple.

This film wasn't BAD enough to be BAD, And it wasn't GOOD enough to be GOOD. It wasn't funny enough to be a comedy and it wasn't serious enough to be a crime drama. While the acting was good and the cinematography superb, I was expecting the film to overall be much more FUN - instead it turned out to be a big, crazy bore. Maybe if it was rated R, there would be more sex, more realistic violence and a more spicy script. Instead, we have basically an episode of BEVERLY HILLBILLIES with a nipple.

For those of you who watch those PBS "1950's oldtime rock n roll reunion pledge break specials", the soundtrack might be appealing to you. I found it wretched. I give the film 4 out of 10, because my only "Huh?" had to do with the previously mentioned nipple. Let's hope BLOODY MAMA with Shelley Winters is better - or at least has less nipple!

BLACK MAMA, WHITE MAMA

Since Danny gave such a fun review of BIG BAD MAMA, I asked him to share his comments on another MAMA movie classic. (This review is also from 2007) Take it away Danny... BLACK MAMA, WHITE MAMA aka WOMEN IN CHAINS (1972, Eddie Romero) simply put, starts out like an episode of CHARLIE'S ANGELS, but then withers into a JOSIE & THE PUSSYCATS cartoon gone awfully awry. 

It begins with our heroines (Black Mama Pam Grier and White Mama Margaret Markov) arriving at the prison somewhere in Central America (although, for some reason most of the extras look Filipino!!!). They are soon treated to a shower where the "meaner of the two mean lesbian matrons" watches the girlie inmates shower and frolic, like that scene in PORKY'S. 

After freshening up, the girls all report to their bunks...and it turns out prison in Central America isn't so much punishment as it is a slumber party! The "meaner of the two mean lesbian matrons" calls on Black Mama that first night, but Pam clearly shows that she doesn't swing that way. This was way before THE L WORD, though I'm not sure she swings that way there either.

The story is totally different when White Mama goes to see miss "meaner of the two mean lesbian matrons" -  Pam calls her out on it and she simply replies, "you had you chance."  I agreed.  Then there were these two sets of bad guys and they wanted something or other from either White Mama or Black Mama...and they all seemed to really, really like the Filipino-looking extras.  

Anyway, for some reason the Mamas were being transferred (maybe to the Tea Party prison?), and we all knew something was going to go all wrong.  I was sure a tidal wave was gonna come and knock the bus over, thus releasing our heroines (I don't know, maybe it's because the location had that miniature look to it...) everyone else thought it would be a train wreck, like in THE FUGITIVE or an "accident" like in ANOTHER 48 HOURS, but nobody guessed it would be the old "yak in the road" ploy! 

Yeah, there's a yak and the bus stops and there's shooting and both mean lesbian matrons get shot dead (as usual)... and our heroines escape, chained together!!! Black Mama tugs on the chain and White Mama says, "I'm not a yo-yo!". Well, she's not!

So they fight, walk through a stream, wrestle, get attacked by a fat guy ( whom they kill and burn up) and lots of other stuff.
But most of all, they learn to get along. Meanwhile, those two sets of bad guys keep tracking them and wanting something from each of them while they continue to enjoy the Filipino girlie extras, of which there seems to be an endless supply. I hope they at least got paid in craft services.

So, finally one set of guys finds the girls, releases them from each other and takes them to a pier where the other set of guys is waiting!!! There's gun fire, things blow up good, Black Mama gets on a boat and White Mama is shot dead. Oops - did I give away the ending? Sorry. The End. Looking forward to the sequel, BLACK MAMA, BIG BAD WHITE MAMA!

Doug gives this one a 6 outta 10. Not great, but enjoyable in small doses.

POLICEWOMEN

Another previously posted review. No - not POLICEWOMAN, the awesome nipple-filled NBC TV series from 1974-78 starring Angie Dickinson - but POLICEWOMEN - a groovy nipple-filled exploitation flick from the same year!







































The story starts at a women's prison - where a jailbreak is set in motion. One of the female guards is pretty redhead who resembles the love child of Marcia Cross and Dixie Carter. She takes control of the situation by putting some karate moves on the would-be escapees. A few of the girls make it out and manage to strip naked and change into sexy skin-tight black outfits. After the women guards call in the male officers for help, the girls throw a grenade at them and set off tear gas. Then they head for the roof and blow something up - escaping down the side of the building. Whew! Did I mention one of the girls has a giant Afro?






Then the credits role...we see Sondra Currie, POLICEWOMEN modeling her uniform, a bikini, a raincoat, a dance outfit and an evening gown. This is one of the best opening title sequences...ever!

After the credits we meet the entire Akerfield, CA police department - three dumb cops - Black Cop, Hunky Honky Cop and Fat Cop. They are all sexist pigs who call our hero, Lt. Lacey Bond "honey," "girl" and "troublemaker". Lacey tells the three piggies that she wants to find out what "gut police work is all about" by going on special assignment for them. They doubt that she's capable of handling the case - so they devise a series of tests for her to pass - similar to what Queen Hippolyta came up with to find an Amazon worthy to come to Man's World. So they test her...

Lacey excels at target practice - so much that she blows the head off the target dummy. She then passes the driving test with flying colors after she drives a police car at 40 MPH backwards!!! If that's not enough, she must take on a martial artist named Bill McLardy, who looks like an extra from CAN'T STOP THE MUSIC. At first Bill kicks her ass and then calls her "honey", but then she goes all KILL BILL on him - kicking him in the balls, knocking him down repeatedly and breaking his tooth. So she passes the tests - and they tell her her assignment: she must infiltrate a female mafia that has been smuggling gigantic amounts of gold into the country! Huh? Then a professor (he wears a lab coat and glasses so you know he's smart) gives her a compact that's also a radio and a cigarette lighter that's a micro-miniature transmitter. Cool, just like Q! They tell her they will have the three pigs monitoring her at all times. She's says she's on her own - and she that's just the way she likes it!

Soon, she's on a stakeout with the pigs. We learn that 70 year old Maude Anderson and her 30 year old lover, Doc are behind the whole gold thing. There's a string of indictments against them, but so far no conviction. Looks like Lacey has a challenge ahead of her.

Soon, a chick in a Cadillac convertible attracts Lacey's attention - and she decides to chase her! Huh? The chick is beeping her horn at an old couple in a red Volvo, but she's cut off by the white van, and her car tumbles over a cliff and explodes! The pigs arrive and tell Lacey that the trunk of the car was laced with heroin and that she's responsible for killing the driver. Huh???

After a heated argument with the pigs, Lacey tries to make peace with them, but they are just not having it. Meanwhile, the two escaped convicts pop out of the trunk of another Caddy. We next meet Maude - who looks like a butch cross between Ruth Gordon and Grandma Walton. Maude is sitting in her backyard counting her money while her scantily clad girls frolic in the background. It's like a twisted HODGE PODGE LODGE. The two prisoners are introduced to Maude. When she learns that the Pam (the girl with the Afro) was a hooker, who escaped using a fake pistol - Maude asks "Since when do whores make guns and get involved in jailbreaks?" Hmmm....since when indeed.








Suddenly a crazy Asian girl shows up and begins the most insane racist tirade I've heard since Marge Schott. This is what she says: "I don't want any blacks around here. Blacks are lazy. They spill their guts when they get caught. They have sore feet and big asses. They shuffle and sing spirituals. They stink. I don't give a god damn shit for n******s!" Pam responds "Why honey, I've always said nice thinks about g***s." This was a scene I just needed to watch over and over again.

These two they have a HUGE fight - knocking each other all over the lawn furniture while the rest of the girls cheer them on. Pam beats the living daylights out of the Asian racist girl - and we are happy. Maude is pleased as well, responding "Okay black girl, you got yourself a job." Then we meet Maude's body-obsessed boyfriend, Doc - who is like the gross bastard child of Owen Wilson and Larry the Cable Guy.















After the girls go to their barracks, Doc rambles on about the girls to Maude and how he thinks they are all c***s. This guy is quite a catch, Maudie. Later she yells at him, telling him to stop lifting weights cause he's starting to look like a "dod damn gorilla!" Doc responds by telling her he wants to fuck, but she has a headache AND a sore throat!!! Ewwwwwww...

Meanwhile Lacey wins the pigs over by bringing them food and dressing like a stewardess. Then Lacey and the Hunky Honkey guy Frank are assigned to an undercover mission on Catalina! Back at girl camp, the other escapee (Janette) gives Pam a makeover while another girl slips into the shower with Doc. He resists and she calls him a fag. I'm calling GLAAD tomorrow. We're off to Catalina where Frank and Lacey play tourists - riding bikes, sailing a catamaran, eating shrimp cocktail, riding horses, eating wieners, swimming, drinking cognac - all as romantic music plays in the background. Then they fuck and drink Asti Spumanti and have "pillow talk" where he tells her that she's "a lady with a mission"...and a trick pelvis! Later they are tanning and drinking Tabs when Frank notices a call girl that's he's arrested before on another boat! Huh? Then the hooker notices him!!! From another boat- without binoculars!!! Is this possible at all? So then we have a high-speed game of chicken, which ends with Frank jumping on the other boat. The girls soon gang up on him, hitting him with oars and chains. Hot.

Lacey comes to Frank's rescue with her karate-chopping ways. She kicks ALL their asses very handily, takes the 5 girls prisoner and calls for help on her compact! Then a Paul Lynde look-a-like calls Maude to give her some information about the cops closing in on her. Maude is annoyed that she has to leave her tennis match - but escapes in a VW and then a seaplane! They manage to lure Lacey to their lair, where Doc ties her up and beats her mercilessly. Maude declares "that's enough, for now."

The two escaped cons (Janette and Pam) then recognize Lacey - but think she's one of them! Maude offers her a job - and she accepts! The girls then have a party, and over dinner Janette realizes that Lacey's a cop...and SO IS PAM!!! That's why the title is POLICEWOMEN, not POLCEWOMAN!!! Then Pam and Janette have fight and Janette falls off a cliff. Did I mention Pam is wearing a "Black Pride" tee shirt?

So - turns out Pam is working for the Secret Service - tracking Maude's gold shipments. We find out that the gold is coming in via stock footage of submarines!!! Soon the girls are unloading the gold from the sub and dressing in army uniforms - but Doc discovers that Lacey has a tracking device...the lighter! Maude pulls a gun on them and tells them they are going shove them off a cliff. Lots of cliff in this film, no?

In the back of a convoy of Army trucks, Lacey kicks Doc's ass and Pam grabs the gun from Maude. Then Lacey gives a karate chop to the driver...and they jump from truck to truck, hijacking the convoy. Lacey next takes on the racist Asian chick - getting the final word on that one.

Later, Lacey tells the pigs where the rest of the gold is and Frank tells her that hey are going to be working together again soon. Set up for a sequel??? Then they fuck in a cop car. Meanwhile, Maude is hauled off to jail - and tells Doc that next time they'll try diamonds!

This one's a winner. 9 outta 10 in my book. Rent it, buy it, love it.

NIGHT OF THE DEMON

Here's a classic post from when I actually had time to watch movies.














Ever wonder what "Dana Andrews said prunes gave him the runes...and passing them used lots of skills" refers to in the song "Science Fiction Double Feature" from THE ROCKY HORROR PICTURE SHOW? Or the lyric "Its in the trees! Its coming!" from Kate Bush's "Hounds of Love"? Well look no further than 1957's NIGHT OF THE DEMON. And, oh what a night it is!













Directed by Jacques Tourneur, it all starts with a shot of some famous big rocks with some cryptic mumbo jumbo about evil and witchcraft and "the runes". (Runes were letterforms used to write Germanic languages before and shortly after the Christianization of the British Isles).











After our credit sequence where we learn that Dana Andrews is our star, we see an unknown man (not Dana) driving down a long, dark wooded road - he stops at an opulent mansion called Lufford Hall - it looks very much like a University building. We learn that this man is Professor Henry Harrington (Maurice Denham) and he's here to see Dr. Julian Karswell (Niall MacGinnis). Karswell's butler lies to Harrington and tells him that the man of the manor is not at home. Karswell then appears and he and Harrington go back and forth about some study that the Professor has been working on. Apparently something sinister has been uncovered and the Professor is frightened for his life. Karswell he just wants privacy for himself and his dedicated followers. The situation goes unresolved and the Professor leaves and gets in his car and drives away. He parks in his garage, when suddenly a GIANT smoke ball appears in the sky. So what does he do? He gets back in his car and drives directly into a telephone pole. Then a GIANT DEMON attacks him!!!

Meanwhile, Dana Andrews is flying to London (we know this because he is trying to sleep on the plane with a newspaper covering his face. The newspaper headline reads something like "Professor Holden Flies to London". I swear!) Unable to sleep because some woman behind him is fiddling with her meal tray - he asks a stewardess for a mask - she suggests he pop some pills instead. Drug pusher!!! The meal tray woman asks if she can change her seat because she realizes that she's annoying Dana. Too late, we're already half-way there. Wonder if the woman has a newspaper that says "Annoying Woman Flies to London"?

Professor Harrington has sent a driver to pick up Dana at the airport, but Dana is assaulted by reporters who want to know WHY he's in England. (Apparently tomorrow's headlines will tell everyone). He tells them he's here to debunk myths about things like ghosts, hypnotism, demonology, zombies, witchcraft, Santa Claus, the Tooth Fairy, etc.. We then learn that Harrington is dead - reports say he was electrocuted! No mention of the Demon. Hmmm...

Dana arrives at his hotel and is greeted by some British guy and two other visiting professors - who we will call Harold and Kumar. Harold tells us that's he been doing research into Karswell's Devil Cult - and specifically the case of a farmer named Hobart who was arrested for murder and placed in a home for the criminally insane. Huh? Kumar just stands around looking very un-Indian. Then they show Dana a drawing of a fire demon. Not sure who drew it. Harold's kid maybe? Then the phone rings - it's Dr. Karswell (How did he get the number?) - he tells Dana in no uncertain terms to rethink his planned expose - or else!











Next Dana goes to the British Museum - but it turns out that a 400 year old book that he wants to see is suddenly missing. Of course, Karswell shows up and declares that he OWNS a copy of that very same book, he then invites Dana to his place in the country for a visit. Wink, wink. Dana tells him he'll visit alright, but he's not gonna stop his "investigation". Karswell then knocks over a pile of papers that Dana is working on and slips in one of his business cards. Only there is cryptic note on the card, which disappears after Dana reads it! Spooky stuff!

Next we are at Professor Harrington's funeral - and guess who shows up? The annoying chick from the plane! Turns out she's Joann Harrington (Peggy Cummins), the late professor's nosy neice. She soon pays Dana a "visit" in his hotel room - with her uncle's diary. The diary contains Runic symbols and because of this she believes that the professor was killed by witchcraft!!! Or maybe he just drove into a telephone poll?

The next day, Dana and Joann pay Karswell a visit - during a magic show that Karswell is putting on for the local (devil worshipping?) kids. We learn that Halloween is only a few days away. Mother Karswell (Athene Seyler) is scooping out ice cream for the kids (and Joann) while her son and Dana discuss the powers of the mind. Did I mention that Karswell is in full clown makeup? Suddenly two creepy kids in Halloween masks jump out at them. Scared the crap outta me!

To show dense Dana that he means business, Karswell waves his hand and removes a protective shield from around his estate. Suddenly a violent windstorm begins, totally ruining the Halloween party. Then Karswell predicts that Dana will die in three days!!! He tells Dana to drop his investigation if he wants to live!!! Dana says no. Huh?

Meanwhile Joann gets kindly Mother K. to show her a book of Runic symbols - which is pretty and all - but it doesn't come with a translation key. Karswell chastises his mother and tells her that they live so well because of his "followers". Okay - where are these so-called followers???

Next Dana and Joann flirt about "causes and effects" i.e. "penises and vaginas". Then paranoid Dana suspects he's being followed - must have something to do with those loud footsteps we keep hearing, no? Later Dana whistles an Irish dirge for Harold and Kumar and waxes on about auto-suggestion and mass hysteria. These guys really know how to have fun!!! Dana tells the guys he's giving a speech on ESP - but they discover that his notes have been torn out of his notebook!!! So, he decides to meet up with Joann "for a drink". ;)

Dana discovers that Karswell passed him "the runes" on a piece of parchment when they met at the museum. Now Dana is cursed and doomed to die - if he only believed in such nonsense! So, since he's only got about 48 hours left he decides to visit the Hobart farm, where he's greeted by an angry English hillbilly with a shovel. Mrs. Hobart invites Dana in to talk - and the rest of the creepy white trash Hobart clan comes out of the woodwork. They all look like sideshow freaks and talk like Yoda. He begs Mrs. Hobart to sign a piece of paper which allows her murderous son to be released from the mental hospital so Dana can try to "help" him. The parchment then tries to escape from Dana's wallet and Mrs. Hobart declares "he has been chosen!"

Then Dana visits Stonehenge and sees that the writing on his parchment (it's like a big fortune-cookie fortune) matches the Runic hieroglyphics on the stone wall. So then he takes a taxi to meet Joann who's been hanging with Karswell's mother. I think Mother K. is giving Joann some special attention - if you know what I mean. Turns out Mother K. is having a seance and wants Dana and Joann to sit in. The medium is then taken over by a) an American Indian chief, b) a certain Mr. McGregor, c) a little girl who lost her doll and finally, d) Joann's uncle - who tells then that Karswell has a translation of the Runic book! Huh???

So, Joann drives Dana to Karswell's mansion after Mother K. tells him that her son is not home - so Dana climbs up a trellis into a open window! The room is filled with dusty antiques and crap covered in sheets. Do people actually cover things with sheets in real life, or only in old movies? We see a hand on the bannister - but wait I thought no one was home? Then we see a black cat! Good thing Dana is not superstitious! Then he finds the translation book - but the cat turns into a leopard and attacks him! Then Karswell appears along with his mother (How the hell did she get home and change into her nightgown so quickly?). Guess Karswell was home after all, thanks Mom. Feeling foolish, Dana decides to walk to his hotel - through the woods. He is followed by smoky footprints and a smoke cloud. Oh no...so he trips and falls and the smoke gets sucked back into the sky! Okay, what the fuck?

So, now it's 3AM and Dana and Joann (where the hell has SHE been?) are at the police station to report the mysterious smoke. The cops are like "what have they been smoking?" They think that Dana is "bewitched". Dana tells Joann that he walks under ladders, cross paths with black cats - he's made a career out of exposing phony superstitions. This pisses her off for some reason. I think she's wishing she was nestled warmly in Mother K's bosom eating ice cream instead of hanging around Debbie Downer Dana.

The next morning, crazy killer farmer Hobart has been released from the asylum. Mother K. calls Joann and bullshits to her about not knowing about her son being home. Yeah, right. She also tells her that someone else knows about the secret of the parchment. Whatever - hey Momma, have any more ice cream? Wanna stay in tonight and rent DESERT HEARTS?

It's now nighttime already - the night that Dana is supposed to die. Joann gets in her car, but she's not alone!!! Meanwhile, crazy killer farmer Hobart is brought in front of a small audience. They surmise that crazy killer farmer Hobart has lost all contact with reality - so they shoot him up with some drug which makes him totally freak out. Dana then hypnotizes him and puts him to sleep in a deep trance - then they give him a dose of (believe it or not) crystal methamphetamine!!!

It's clearly the night of the Demon - when Hobart declares "Its in the trees! Its coming!" and then tells Dana that the parchment was passed to him and he gave it back to the person who passed it to him (his brother), and that person died instead of him. Basically it's like playing "hot potato". Then Hobart freaks out and jumps out a window to his death - very REEFER MADNESS.

SPOILERS AHEAD: So, Dana then rushes to the train station to confront Karswell - jumping on a moving train - he finds Karswell, who has hypnotized and kidnapped Joann. Dana desperately tries to pass the runes back to Karswell, but the guy is just not having it. Eventually it does get passed - but it gets blown out of Karswell's pocket - so he chases the parchment onto the railroad tracks - where it catches fire!!! Suddenly at the same time, BOTH a train AND a demon are headed towards him. The train misses him, but the demon gets him. Dana goes to look at Karswell's dead body - but tells Joann "It's better not to know".














Oh. My. God. I LOVED this movie. Can't tell you what it's about or what it all means, but it's just so atmospheric and interesting that it doesn't matter. Dana Andrews is fun to watch and the rest of the cast as well, even bitchy Joann grows on you after a while. I give it a 10 outta 10. But I wanna know what "prunes" has to do with it all. FYI - there is another version (the US edit) of the film called CURSE OF THE DEMON which is 20 minutes sorter. It's worth seeking out this version to get the full effect.

PUFNSTUF Revisited

Isn't summer supposed to be about reruns anyhow? Having just re-watched the PUFNSTUF movie, now that it is officially released on dvd, I've decided to repeat my original post from way back in 2007 (with some added extras!)Based on the smash hit Saturday morning kiddie series, PUFNSTUF brought the trippy Sid & Marty Krofft creation to the big screen in 1970. Hollingsworth Morse, who directed the TV series (and later many episodes of THE DUKES OF HAZZARD) expanded on the formula of bright colors, fast edits, sped-up film, and LSD-inspired musical numbers that made the NBC series so successful. To appeal to parents and gay men, they added Mama Cass Elliott and Martha Raye to the cast. Yay!This story begins with Jimmy (played by Jack Wild of OLIVER! fame), a young English runaway, frolicking near the edge of a river with his flute. Suddenly the flute comes to life and begins talking - naming itself "Freddie". It also transforms into gold and grows diamonds on it's um, shaft. Jimmy them hops aboard a beautiful magic talking boat that wants to take him out to sea. Of course, Jimmy decides to take "the trip"...not a drug reference in any way, shape or form.
We learn that this boat actually belongs to Witchiepoo (Billie Hayes - giving her performance 1000%), who then turns the pretty boat into a dark, evil boat (i.e. a "bad trip") that traps Jimmy! Jimmy somehow manages to escape from the boat and is aided by a magical go-go boot wearing talking dragon named Pufnstuf (sounding here like Huckleberry Hound) and two "cops" named Cling & Clang (don't ask). Jimmy ends up on the shores of Living island - where everything is alive!
We soon discover that Witchiepoo is after Freddie the Flute to impress Boss Witch (Raye) and her friend Witch Hazel (Cass) - who are coming to visit for an annual witches' convention! What follows are actually some terrific musical numbers- the best being the anthemic "Different" by Mama Cass and "Zap the World" (which sounds amazingly like the WONDER WOMAN theme song, also written by Charles Fox). Oh - there's also a scene with Jimmy in drag. Very, very disturbing. For that alone I give it 9 out of 10 on my scale.

Overall, not a great film for today's kids (who would not have a clue who or what Pufnstuf is), but if you grew up watching the TV show, this is certainly a curiosity worth checking out. I was actually not a big fan of the show - something about the mix of real people and oversize puppets interacting always freaked me out. I preferred my weekly Krofft dosage in human form like ELECTRA WOMAN & DYNA GIRL and DR. SHRINKER, thank you. Also, I was never really sure what Pufnstuf was supposed to be - he looked more like Mayor McCheese than any dragon I ever saw. I also had it in my head that the show wasn't made in Hollywood - but in some strange European country where things weren't quite right. Oddly enough, the shows were show right here in the San Fernando Valley.

Exhibit A: Do these this theme song lyrics make ANY sense? "H.R. Pufnstuf, Who's your friend when things get rough? H.R. Pufnstuf Can't do a little cause he can't do enough." I rest my case. Besides, characters are always singing the praises of Pufnstuf as if he's some sort of messiah, but he actually doesn't do much more than hang around and look creepy.On a side note, any true Cass Elliot fan should seek out this movie, since it was her only big-screen appearance. One wonders what would her career had been like if she didn't die so tragically young? Would she have made more films? Would she have become what Bette Midler eventually became? Would she have attracted legions of gay fans and made Disney films? Would she have hosted her own Sid & Marty Krofft variety series? Would she have played Mama Rose on Broadway? Or would PUFNSTUF become the high point in her post-Mamas & the Papas career? Sadly, the world will never know...

HBO's MR. SHOW did an excellent parody of the Pufnstuf called "The Altered State Of Druggachusetts". You can watch it here.

The Return of THE DOLLAR TREE Double Feature

From September 2007.On a visit to the local Dollar Tree Store, I found an entire endcap of TWO FOR A DOLLAR dvds. After digging through hundreds, I actually found only two worth buying...and reviewing. Ladies and gentlemen I bring you The Dollar Tree Double Feature.

First up...EVEL KNIEVEL! Ever wonder how (the late) motorcycle daredevil Evel Knievel got his start? Well director Marvin J. Chomsky attempted to tell us all about it in this 1971 biopic which combines unintentional laughs as George Hamilton (looking a lot like Count Chocula) wears the helmet and real chills with clips of actual stunts (most of which end up with Knievel in the hospital). The film traces real events from Evel's life, from his early years as troubled young man to his success as the man with more broken bones in his body than anyone else.

There's plenty of white trash antics as we flashback to Evel's roots, and his career as a unsuccessful bank robber. At times I felt like I was watching an episode of MY NAME IS EVEL. The best scene involves young Evel busting into the all-girls home where his lady Linda lives. The den mother (let's call her Mrs. Garrett) seems more concerned that "there's a man in the house" than the fact that he's driving his cycle up and down the staircase and hallways looking for his gal. Another highlight is the decor of the apartment that Evel shares with his lady: one wall was black, one wall a brilliant blue and the third wall: wood paneling. The sofa? yellow leather! I kid you not. Just for that set decoration alone, this one gets 8 out of 10 "Huhs?". Also - there's a terrible theme song that we are treated to at least three times throughout the 90 minutes.

Our second feature has the unfortunate title IT SEEMED LIKE A GOOD IDEA AT THE TIME. Which of course, prompts one to ask "What time was that?". John Trent directed this 1976 Canadian romp which features John Candy (in his first film role) prominently displayed on the cover - despite him being in only two or three scenes.

The plot goes something like this: Anthony Newley (Joan Collin's real-life ex) plays a washed up writer is still shagging his ex-wife money-hungry Stefanie Powers, who is unhappily remarried to a wealthy construction contractor, who's sole aim seems to be to tear down her mother's house! Are you following this? Georgia then decides to support a candidate for mayor (Llyod Bochner, who married Collins on DYNASTY) by screwing him. Newley pulls a assortment of stunts in order to attract Stefanie's attention. Somewhere along the way, there's a crazy kidnapping scam, and two dopey cops (one played by Candy) show up to save the day. There's a madcap finale involving cops dressed as garbage men. Oh boy! Issac Hayes appears as Newley's artist friend and Yvonne DeCarlo (aka Lily Munster) has a few scenes as Stef's mother.

This is the kind of wild film farces that Americans and Brits made in the 1960s - it took our friends up north a bit longer to catch on. The tiresome slapstick is a bit much to take at times, as is seeing Newley with his shirt off. This one rates only about 5 out of 10 "Huhs?" - meaning it's bad, but not worth your time and effort to watch it. Even though it might seem like a good idea at the time...

I Know Who Killed Me (Again)

I've had a busy few days, so rather than running another boring old comic book ad, I've decided to rerun a movie review from last year. Enjoy!

It's rare that I review a recent film, but I KNOW WHO KILLED ME (2007, directed by Chris Sivertson) is so deliciously awful that I just could not resist. The film opens with a decidedly unsexy stripper doing a pole dance, when suddenly her hand starts bleeding all over the damn pole. Ugh...not again! Of course the stripper turns out to be played by that adorable headline grabbing, former ANOTHER WORLD actress and Disney child star Lindsay Lohan!

It appears that the town from TV's FRIDAY NIGHT LIGHTS (The show we all WISH we watched) is being terrorized by someone who has been abducting and torturing high school (or is it college?) girls and doing disturbing things to their hands and legs. This town of New Salem (a DAYS OF OUR LIVES reference?) is the bluest place on Earth. Everything is color-corrected to be this bright, brilliant blue, causing me to to retitle this epic I KNOW WHO BLUE ME.

Soon we meet Aubrey Fleming, Lindsay's (other?) character, who is smart (she wears glasses) and apparently very talented. She plays the piano - but wants to give it up to concentrate on writing. Her piano teacher thinks this is a bad idea. Music good. Words bad. Oh yeah, the teacher wears a big BLUE ring and Lindsay has a hairless pussy. Cat. Hairless pussy cat. She's pretty much a perfect student and daughter. There's a stalker-ish blonde boyfriend named Jerrod who "loves" her and then there's the Fleming's hunky gardener who wants to screw her - but she's a good girl. Aubrey is good. Lindsay is bad.

After Jerrod the teen gives her a BLUE rose and the BLUE team wins the football game, Aubrey suddenly vanishes - into the blue! Local sheriff Santa Claus is clueless. Soon the FBI is on the case - and we know this because they all wear BLUE shirts, jackets and vests that say "FBI" in big, bold, yellow letters! The task force is led by a Beau Bridges look-a-like and a black supermodel with a botoxed forehead and drawn-on eyebrows. Between Santa, Beau and Tyra - this case is gonna be cracked wide open - I just know it!

Later a woman who also looks like Lindsay is forced off the road (by a hairless cat?) and discovers something on the side of the road. It's Lindsay! Oh my god! At the hospital, she wakes up missing one hand & half a leg. So much for that piano playing career, but at least she can still write. When Lindsay can finally communicate, she reveals herself to be "Dakota Moss" - a filthy stripper and NOT the angelic, perfect Aubrey Fleming. Everyone thinks she's making this up, and within days, Crabman from MY NAME IS EARL fits her with a Bionic hand and Heather Mills leg.

Days later, still insisting that she's Dakota, she is welcomed into the Fleming household. She seems to hate all Aubrey's BLUE things, and mostly her hairless pussy. This upsets mom (played by older Lindsay lookalike Julia Ormond, hiding her British or French accent), who just wants her daughter to love her and all the BLUE stuff. What Dakota does love is fucking, and she proves it when Aubrey's boyfriend Jerrod comes by to inspect her bionic parts. At first the FBI doesn't trust him cause he drives a yellow car, but then when they see he's wearing a BLUE pullover, it's okay. Any way, after they screw, Dakota tells him about her crack-whore mother who left her $11 before she died and an envelope with the return address "New Salem". She then tells him how she started spontaneously bleeding one night during her act (we see her and her body double in various states of bumping and grinding) and how her finger fell off, turned BLUE and she tried to sew it back on. Then some cute guy on the BLUE bus gave her free medical advice. Huh???

Meanwhile, the Dept. of Homeland Security finds one of Aubrey’s stories on her laptop, and it's about a stripper named...yes, you guessed it... Dakota! After escaping from the Fleming house, Dakota visits the parents of another murder victim, Jennifer Toland. She then begins to suspect that maybe she and Aubrey were identical twin sisters! Oh my god - it's THE PARENT TRAP all over again!

Back at the Flemings, Euro-mom shows Dakota a video of her ultrasound that she just happen to have hanging around -proving that there was only one baby inside of her! This forces Dakota to made a giant leap and confront Aubrey's father - accusing him of replacing his wife's dead BLUE baby with one of the newborn twins from some crackhead giving birth down the hall. The envelope that came from New Salem was from him - he's been paying off crack lady for years!

After doing a little web surfing, Dakota learns all about "twin stigmata" - so THAT'S why her fingers have been falling off! Next we get to watch a weird little YouTube video hosted by a Leonard Nimoy lookalike that explains it all. After visiting the grave of Jennifer Toland, Dakota finds a BLUE ribbon from a piano competition, with a hand-written message from the creepy BLUE-ring wearing piano teacher!

SPOILER ALERT!!! Dakota goes all Nancy Drew and figures out that the teacher murders his students who don't want to play anymore! So, Dakota enlists Aubrey's dad to help her confront the killer.They arrive at his house, with it's BLUE stained-glass door and collection of BLUE glass knives and trinkets. Dad gets killed almost instantly, and it's up to My Little Stripper to fight off the evil piano teacher.
So she cuts off HIS hand and finishes him off. Afterwards, Dakota finds Aubrey buried ALIVE - in a BLUE, stained-glass coffin(!!!) and frees her. It all ends with the two lying together on the ground, holding each other...shouldn't Aubrey get some food or drink...or medical attention???

So were there really two Lindsays? Was just Dakota a character in one of Aubrey's stories?
Was Aubrey a person that Dakota made up? Was the piano teacher REALLY the killer...or was it gardener...or the dad...or Santa Claus? Either way, this movie totally BLUE. I just have to ask what kind of stripper is Dakota anyhow? She never even takes off her top...or bottom! We've seen more of Lindsay's Lohan on TMZ than in this flick.

On a final note, I wonder if the filmmakers set out to make a David Lynch homage? With teen girl murders in small town America, identical twins, missing fingers, BLUE things - I can see traces of both BLUE VELVET and TWIN PEAKS. If that was the case, I think they failed miserably. But if they just wanted to make a movie that makes you say "huh?," I KNOW WHO KILLED ME rates a big BLUE 10 outta 10.

THE DUNWICH HORROR

Here's another Halloween season classic review while my laptop is being repaired...

THE DUNWICH HORROR is based on a story by horror legend H. P. Lovecraft . This 1970 curiosity stars Sandra Dee (A SUMMER PLACE), Dean Stockwell (BLUE VELVET), Ed Begley (SR., not JR.), great character actor Sam Jaffe, and Talia Shire (Coppola).

Following the trippy-iest animated opening titles I've seen in a long time (with a fantastic musical score by Les Baxter), we meet Professor Henry Armitage (Begley) and two librarians Nancy (Dee) and another one. We also learn about The Necronomicon (?!) - an ancient book filled with mystical secrets. As they return the valuable book to its display case in the library, a young man named Wilbur Whateley (Stockwell) asks to see the book and Nancy readily agrees to let him —even though she was told how rare and priceless the book is! Armitage reappears and is annoyed at everyone, declaring the book needs to be put back in it's case. Wilbur states that there had once been another copy of the book belonging to his his great-grandfather, who had been hung and burned for practicing witchcraft. After this revelation, Armitage takes a sudden interest in the young Wilbur. Then they all go out for dinner. Bennigan's?

Nancy offers to drive Wilbur home after dinner. Once at the beautiful, yet spooky house, Nancy decides to snoop around (while Wilbur makes sure her car doesn't start). She knocks over some modern glass sculpture...then he slips her a mickey and Nancy falls into a deep sleep, dreaming that she's being attacked by some sort of tribe. This is the first of many ROSEMARY'S BABY - inspired nightmare sequences.

Things continue to get creepier as we meet Wilbur's cranky Grandpa (Jaffe). But there's still some fun ahead when a snobby Christian couple gets devoured by THE DUNWICH HORROR and when a security guard battles Wilbur in a BATMAN-like POW-fest that ends with someone impaling themselves. Oh yeah, and Nancy is offered up as a sacrifice in a Satanic ritual. The monster itself, doesn't appear til the very end, reminding me very much of SIGMUND (from...& THE SEA MONSTERS fame).

Sandra Dee once again plays the innocent girl who falls for the bad boy. Though Sandy gets to show a little flesh in the climax of the film this time. Dean Stockwell sports a very bad mustache and at times is mistaken by me for Mike Brady. Begley Sr. looks too much like a cross between Garry Marshall and Commissioner Gordon to be taken seriously, especially when he uses his red bat-phone! (Honestly - he has a red phone!) Sam Jaffe bears an odd resemblance to Whitman Mayo, who played Grady on SANFORD & SON and its various spinoffs. And yes Lloyd Bochner from DYNASTY and IT SEEMED LIKE A GOOD IDEA AT THE TIME (see review from last year) has a small role.

Overall, I found DUNWICH to be a colorful treat for the eyes and ears. It may move a bit slow for today's horror crowds, but for it's style alone I give this baby a 9 out of 10 "Huhs?"