Another World 45th Anniversary: Opening Titles

I cannot believe it's been almost ten years since the last episode of ANOTHER WORLD aired on NBC. Debuting on May 4, 1964 - the daytime soap ran for 35 years before the network brass finally decided to ax it. If  the show was still on, it would be celebrating it's 45th anniversary on Monday. To mark this occasion, I will be devoting my blog to my memories of ANOTHER WORLD from today until I run out of stuff to share.

I was less than a  month old when AW premiered, but I think I remember my mom and grandmother watching the show from the very first black & white episode.

When I was old enough to understand what a TV was, I think I was mesmerized by the updated color opening titles. The interlocking circles in various shades of purple and blue was both pretty and comforting. Here, see for yourself:

This opening and theme song were a constant during the 1970s when AW was at its peak of popularity. They were replaced in 1981 by an odd science-fiction inspired opening that lasted throughout most of the 80s.

A new theme song sang by country music diva and AW fan Crystal Gayle and Broadway star Gary Morris debuted in 1987 along with flashy new graphics featuring cast members. It was updated occasionally as new actors joined the show and others left. 

The final opening from 1996 was bold attempt to make AW look like the primetime hit, ER.

Over the next four days I'll take a look at ANOTHER WORLD and why the show has meant so much to me. I have watched other soaps over the years (mostly on NBC), but somehow no matter how bad AW got (and boy, did it get pretty bad) – I never gave up on it. I guess it was part of my life for so long that it kinda had a life of it's own. There are some days when I wonder whatever happened to the folks of Bay City, characters who felt like family to me. Then I remember, it was just a TV show with actors who got paid to perform scripts written by a team of writers...and then I get sad.

The Sensuous Black Woman

My latest obsession is an album called The Sensuous Black Woman. My generous friends Terrence and Dudley recently gifted me with a cd version of this spoken word classic. I can't begin to describe it. It has got to be heard to be believed. And just look at this groovy cover art!!!

When cruising the internet searching for the above visual, I came across what appears to be a sequel featuring the late Rudy Ray Moore as The Sensuous Man. I've edited the cover art a bit since I don't want an adult advisory slapped upside my blog. I'm sure you can Google it and it will come up.

It's amazing what a different time the 1970s were.

Whatever Happened to Saturday Night?

Yesterday CBS announced that they are moving HARPER'S ISLAND, its struggling mystery thriller from Thursdays to Saturday nights at 9 p.m. starting May 2. This comes after NBC relocated its futuristic soap KINGS from Sunday to Saturday, and ABC announced that its 3 cancelled cult shows PUSHING DAISIES, ELI STONE and DIRTY SEXY MONEY will burn off their remaining first-run episodes on Saturdays this summer.

Basically Saturday night is a dumping ground and graveyard for failing shows and reruns of hits from other nights. This was not always the case.

Once upon a time, Saturday nights hosted some of the best and/or popular TV that ever was. From YOUR SHOW OF SHOWS and JACKIE GLEASON in the 1950s,to LEAVE IT TO BEAVER and GUNSMOKE in the 1960sto MARY TYLER MOORE and THE CAROL BURNETT SHOW in the early 1970s,to LOVE BOAT and FANTASY ISLAND in the late 1970s.The 1980s brought hits like GOLDEN GIRLS, AMEN, EMPTY NEST and 227. But after those shows ran their course, people started renting movies, watching cable or actually going out on Saturday nights and the networks got lazy and filled the night with cheap programming like news shows, theatrical movies, "reality" TV and reruns. Lots and lots of reruns.

I really miss Saturday night TV. Maybe if HARPER'S and DAISIES do well the networks will rethink their weekend strategy. Maybe if they aired shows that people actually want to watch - then people would tune in!

Here's an odd & rare ABC Saturday-night line-up from my youth that I fondly remember:

HERE WE GO AGAIN starring Larry Hagman, A TOUCH OF GRACE starring the terrific Shirley Booth and wonderful  THE JULIE ANDREWS HOUR. Ah - if I could turn back time...

Wouldn't Watch Them with a 10 Foot Poll

A recent Harris Poll released last week asked American "adults" to pick their "two or three favorite television shows of all time." All time, to me = since the birth of television. 1948 or so til today. All time.

Among the top 15 shows getting the most nods, it shocked me that only 2 are considered true classics: M*A*S*H at No. 2 and STAR TREK at No. 13. So,  you may ask "what were the other 11 shows that these people call their all-time faves?"

Well, let's get started with No. 15:

No. 15: GREY'S ANATOMY (ABC, 2005-current) - Okay, how could something  that premiered 4 years ago be your all-time favorite? I've never seen a full episode.

I must be missing something amazing.

No. 14: THE SIMPSONS (FOX, 1989-current) - Holy shit, THE SIMPSONS has been on for TWENTY years. God I'm getting old. Even though I think I stopped watching this show on a regular basis about 10 years ago, it's still funny and irreverent. The feature film was enjoyable as well. I guess it can pass for an all-time favorite.

No. 13: STAR TREK (NBC, 1966-69) - No objection.

No. 12: LAW & ORDER (NBC, 1990-current) Since this show has been on, I've lived in three major cities, had 8 different jobs and did all sorts of crazy shit. Somehow I've only managed to see one episode of this peacock network warhorse. I think I saw LAW & ORDER: SVU twice though. I know people who love this show, so I'll give it a pass.

No. 11: FAMILY GUY (FOX, 2000-current) A show that was cancelled twice for low ratings somehow managed to survive and became the zombie that refuses to die. I've tried at least a dozen times to watch this show (usually because friends think it's so goddamn brilliant) only to find out that it is not only NOT brilliant, but one of the most unfunny and offensive shows ever created. Believe me, I enjoy offensive comedy - when it's actually funny.

No. 10: ER (NBC, 1994-2009) This show finally called it quits. I saw one episode years ago. It was well done, but it made me uneasy and nervous. Give me ST. ELSEWHERE any day.

No. 9: LOST (ABC, 2004-current) Never watched it. Sorry.

No. 8:  TWO AND A HALF MEN (CBS, 2003-current) Who are these people who voted for this show??? Please have them captured and made incapable of reproducing. Thank you.

No. 7: FRIENDS (NBC, 1994-2004) "I'll be there for you..." for 10 seasons. I watched the first 5 or 6. Okay, I really liked it for a while. I'm gay.

No. 6: SEINFELD (NBC, 1989-98) Okay, I was a huge SEINFELD fan - when it first aired. But I haven't been able to watch reruns since it went off the air...I wonder why?

No. 5: 24 (FOX, 2001-current) Never watched even a minute of this right-wing propaganda. Never will.

No. 4: NCIS (CBS, 2003-current) What the fuck? I've never met anyone who has ever watched this show. Most people haven't even heard of it.

No. 3: HOUSE (FOX, 2004-current) My sister is a fan of this show. I watched an episode with her when she visited me last year. It was okay, nothing special. Eh.

No. 2: M*A*S*H (CBS, 1972-83) This anti-war sitcom is a true classic despite Loretta Swit's awful un-1950s hairstyle.

No. 1....Are you ready for this? Any guesses?

MARY TYLER MOORE ? - Nope.

ALL IN THE FAMILY ? - Oh no.

THE COSBY SHOW? - No-no.

ROSEANNE? - A big no.

CHEERS? - Hell no.

HILL STREET BLUES ? - No way.

THE SOPRANOS ? - Haven't got a prayer.

MARRIED: WITH CHILDREN? - Um, okay...I was kidding.

EVERBODY LOVES RAYMOND? - Apparently not so much.

I LOVE LUCY???!!! - waaaaah...Ricky...

What ever can it ever be? What is America's ALL-TIME favorite TV show??? Drumroll please...

No 1: CSI (CBS, 2000-current) Give me a fucking break. This is the all-time favorite TV series among American adults??? CSI??? All I've got to say is..."is it too late to move to Canada?".

When TV Didn't Suck...

Bea Arthur 1922-2009

Return to the Chicken Ranch...

I swear I'm not getting lazy...just really busy, okay?I was in the mood for a musical - so after perusing my vast collection, I decided on THE BEST LITTLE WHOREHOUSE IN TEXAS! This 1982 adaptation of the Broadway smash (written and directed by Colin Higgins) was a box-office hit and is fondly remembered by fans of both Dolly Parton and Burt Reynolds. I have not seen this film since it's theatrical release, so I decided to revisit it 25 years later (with an open mind). Oh yeah - it's based on a true story! Yee-ha!

Narrated by Jim Nabors as if he was hosting one of those Rankin-Bass Christmas specials, we learn all about the 150-year history of this "house of ill repute" through a rousing opening number, promising us that there's nothing dirty going on. I'm still amazed how happy, perky and clean the whores are...sadly, we never get to know any of them, they are just nameless ladies of the evening.

We soon meet our co-stars Burt & Dolly - At 46, Reynolds was still in pretty good post-Cosmo centerfold shape, and Dolly was at her peak following her stunning film debut in the comedy classic 9 TO 5 - and they do have a certain folksy chemistry. Reynolds plays Ed Earl, a sheriff and Dolly is Miss Mona, a madame who runs The Chicken Ranch - a very popular local brothel. These two have an ongoing affair and all seems pretty happy in whore-ville until we meet Houston-based peckerwood/electronic bounty hunter Melvin P. Thorpe (Dom DeLuise - looking slightly slimmer than usual), who stages a musical investigative report about the bordello on his "Watchdog Report" TV show.

Thorpe then brings his crusade to the town square and confronts Burt about taking payola and protecting the whores. Burt scares the be-jesus outta Thorpe and sends him packing (or so we think!). Burt celebrates by taking Dolly camping. They have a painfully long fireside heart-to-heart about spaceships, forgiveness, Jesus, politics, America, dreams, smiles, ballerinas, Dolly's tits, monogamy and other things whores routinely discuss with sheriffs.

The shit hits the fan later that night when Thorpe appears on the local 11:00 News with footage of Ed Earl cussing and firing a gun at him. The local gentry wants to calm the townfolk down and Burt agrees to talk to Dolly into closing down for two months. After a heated argument, Dolly agrees to shut it down. Only it's the day before the big Thanksgiving football game!!! The next day, the whores watch the game on TV as they decorate for the victory party and anticipate which team they are gonna get to screw.

Next up is the best locker room song & dance number ever filmed. Lots of jockstraps and fine naked asses, followed by shirtless shuffling in boxer shorts and tight jeans. Basically, it's Texas two-step night at Oil Can Harry's. And then the eventual bus ride to the Chicken Ranch. To create drama, the bus breaks down and the boys hitch a ride with an old geezer. Dolly and the whores are all awaiting - wearing prom gowns for the special occasion - but not for long! Luckily there was one black whore for the one black football player! (After all it is the south!) I strained my eyes to see if the Asian whore found a likewise Asian footballer. Couldn't tell. Then they all FUCK! Yay!

Jim Nabors shows up at Burt's and tells him that something dirty's going on at the Ranch even though Dolly promised. Of course, Thorpe shows up with camera crew and all hell breaks loose as half-naked whores and jocks battle Thorpe and his crew. What follows as another even more heated argument between Burt & Dolly - and Dolly accuses him of being a chicken-shit sheriff in a chicken-shit town!!! I love when Dolly uses swear words! Then he calls her a "whore" (which she is, kind of). Dolly later tells her housekeeper that she loves Burt. Awww...

The Chicken Ranch soon becomes a political hot potato as the townfolk and local politicos are divided about the issue. We soon meet Oscar-nominee Charles Durning, as the Governor - and his well-remembered musical tribute to political double-talk "Sidestep". The song is clever, reminding me of "One Foot In Front of Another" from SANTA CLAUS IS COMING TO TOWN - but something about Durning singing and dancing gives me a feeling of anguish. Can't explain why.

Burt and the Governor debate about the Ranch - but Gov. Durning declares to "Shut it down" after a poll claims that's what his people want. They we are "treated" to another rendition of "Sidestep" - this time with a marching band! Burt calls Dolly - apologizes for the other night and tells her to close it down...leading to my favorite Dolly Parton song ever - "Hard Candy Christmas" and some of the whores actually get a bit of airtime as they bid farewell to the cathouse they call home. The girls wave goodbye and board a Greyhound outta whore-ville and Dolly is left alone with her housekeeper. Back to narration by Jim Nabors (who's now the sheriff!).

After Dolly learns that Ed Earl went to the Governer to defend her and the whores, he pays her a visit. He tells Dolly he loves her - and she tells him she's loved him since she was 16! Then Dolly sings her chestnut "I Will Always Love You" a million times better than Whitney Houston could ever sing it! Burt then proposes marriage to Dolly (which she accepts), even though that might endanger his chances to be elected as a state legislator (he is elected anyway, after all this IS Texas!). Happy Hollywood Ending!!!

Of course, the stage play and this film take many liberties in telling the story of the infamous Chicken Ranch. For a more accurate version of the story, visit The Chicken Ranch! The real Melvin P. Thorpe, Marvin Zindler died recently at age 86.

I give this one a big 8 out of 10 "Huhs?" just for the candy-coated fictionalization of a real news story and for Burt's horrible singing. But there's nothing dirty going on!

Lifeguard Returns!

Because YOU demanded it - and you know who you are! More recycled Dougsploitation.LIFEGUARD stands out in my mind for two reasons: it was another PG-rated, but sexy film that that premiered on the CBS Wednesday Night Movie (see COACH) and it was an iconic teen-age masturbatory fantasy for gay boys everywhere. What's surprising is that this movie came from Paramount Pictures - not Crown International or American International or New Line or New World. This was a real Hollywood movie...with music by Paul Williams (PHANTOM OF THE PARADISE, and that very special episode of THE ODD COUPLE where Edna Unger and her dad Felix argue over Paul's sex appeal).

As the titles roll, we meet our hero, young Sam Elliot, who even at 35 (?) seemed kinda old - but yet sexy. He's putting up a flag, and "intern" lifeguard and Scientologist Parker (HARDY BOYS and BAYWATCH) STEVENSON is helping him. Then a bunch of half-naked teen boys who all look like Carrot Top come up to them and tell them how they plan on getting laid this summer. Right.

Sam then puts on his tight rainbow tank top because his lady friend - a blonde stewardess(!!!) who looks like Sarah (REAL PEOPLE) Purcell coming over for a booty call. PS- she is carrying the sam "stew bag" that Tara B. True used in SUPERCHICK! And she gets to shows her tits and ass...in a PG movie!!! Holy shit - the MPAA would never allow this today.

After the fucking, pillow talk between them turns dramatic when she tells him that he's not as good in bed as he thinks he is. He would be better if he loved her. He's like...whatever.

Back at the beach, a teenage girl who looks like a mildly-retarded Kristy McNichol needs a band-aid for her finger. So Sam helps her out. Later, while a dwarf photographer is taking snapshots, Sam and Parker talk about sex. A lot. Which is hot. Then they talk about sex with underage girls. Which is creepy.

Then there's a boring bar scene which reveals to us that Sam is a "player". A guy that knew Sam 10 years earlier sees him at the bar and the two begin to chat. The guy- who looks like both the ABBA guys rolled into one-tells Sam that he now is a Porsche salesman, and that Sam should consider getting in the car biz.

Next day at the beach, Carrot Top is getting his ass kicked by some ruffians and Parker comes to his aid - only the thugs begin beating up Parker. Of course Sam shows up and kicks everyone's ass. Then he saves Santa Claus from drowning. It's tough out there for a lifeguard.

Stalker teen, I'll call her Tardy shows up again and tells Sam that she has no friends cause girls are snotty and boys are creeps. Then she splashes water on him and he chases her. He gives her a towel and they talk about marriage. Huh? Then she tells him she wants to get better at sex, and she wants him to fuck her. He thinks she's only 14, but when she says she's 17, he figures what the hell...and it does it! Tardy is actually a played by a 22 year old Kathleen Quinlan!

The next day, Sam goes to visit his parents. We wish that it was Sam playing all three characters like Eddie Murphy does. Maybe in the sequel? Back at the beach, Sam rescues some drowning kids and has to deal with a Cary Grant lookalike who is "showing his privates". We wish Sam and Parker would show each other's privates! Parker can't deal with the old guy cause he looks too much like his dad. Okay, ewww.

Tardy the Statutory Stalker shows up at Sam's apartment (She followed home!!!). Gulp. He can't make love to her because tonight's his 15 Year High School reunion - making him almost 30!!!

At the reunion, another Scientologist, Anne Archer and WONDER WOMAN's friend Etta Candy (Beatrice Colon) are there! During "Moon River," Anne shows him her kid, but what she really wants to show him is her "kid-maker".

Then there's a triathlon competition and of course Tardy is cheering him on. Sam spits up water for five minutes. He must be too old for this??? A teammate jokes about it and Sam goes nuts. Speaking of nuts, the announcer has big ones. Ewww...

Before you know it Sam's teaching Anne's kid how to swim and how properly wear Groucho glasses. He shows Anne a pamphlet of women he hasn't fucked yet, and she's in it - but not for long. It's light reading. Then they get it on. There's slo-mo closeups of various body parts. No nipples or balls, just fleshy parts. Soon she's smoking in bed. Must have been good.

The next day Sam goes to see the car dealer guy. Later, Tardy shows up again and asks Sam if they are ever gonna do it again. He tells her no. And then she asks "Is it cause I'm jailbait?" No, she's cause you're crazy. Then she starts crying cause...SHE'S FUCKING CRAZY!

Later, Anne makes lasagna because her Mexican housekeeper can't be trusted with pasta. Sam comes by to tell her that he got a job as a Porsche salesman. Then a song by Paul Williams, the poor man's Elton John, serenades us as Sam drives around LA and says "goodbye" to the beach.

Only he spots someone out swimming where she shouldn't be swimming...and of course it's Tardy! LET HER DROWN!!! But no, he rescues her and gives her a sailor suit to wear. Did a trick leave it behind? He tells her she's crazy. FINALLY! She tells him she LOVES him. Then he puts her in her car and sends her home. Is it really a good idea to put someone who just tried to kill herself behind the wheel of her car?

He tells Anne about Syndy when he visits her at her job (an art gallery). Anne is very supportive, but then he goes and spoils it all by doing something stupid like yelling at a potential art buyer and probably getting Anne fired from her job - or at least embarrassing the crap out of her! By the way, she looks pissed.

It's the next day, Parker's last before he heads back to college (he's gonna make something of his life - not just be a dumb lifeguard). Then the Abba/Porsche guy comes by to see if he's gonna take the salesman job, and Sam says "no!"...besides there's a pervert hiding in the ladies room and somebody's got kick him out! It's tough out there for a lifeguard. Wonder is Tardy made it home alright...

"Huh?" - 7 outta 10 - mostly cause of all the smokin' hot 70s man flesh. Oh, the guy pictured above isn't in the movie.

Sooner or Later: The Special Edition

Here's another "rerun" post from the old days (2007) -enhanced with new images!Imagine a 13-year-old Julie Kavner lookalike named Jessie. Now imagine Jessie reading a trashy romance novel in class when she's supposed to be watching a slide show about the birds and the bees. You see, Jessie's a bit mature for her age and her teacher Lynn Redgrave knows this. Lynn also knows how to put in a plug for the original BIONIC WOMAN series, which had just jumped to NBC the very season that SOONER OR LATER originally aired.After school, Jessie makes a trip to the local mall with her nerdy blonde friend (we will call her Penny Pingleton because I don't think they ever say her name!). Once at Gimbels, Hollywood relic Vivian Blaine gives Jessie a makeover that transforms her into a 16-year-old whore. Then Viv charges Jessie $10 for a jar of Pond's Cold Cream. Outside of the mall, Michael Sky (Rex Smith) his Sky Band are giving a free concert. Jessie rushes to the stage and stares at Rex with his Leif Garrett hair, Godspell suspenders and camel toe. We can tell she's already smitten.

Next up we see Jessie in her bedroom, teaching herself to play guitar. Penny thinks she sucks, and tells her to get real lessons. Oh, then Penny tells Jess how she wants to makeout with her dentist. This gives me the creeps. Especially when we see her dentist - he looks like Larry from THREE'S COMPANY. Jess decides Penny is right and takes the bus crosstown with her guitar, fending off all the mean folks who ride the bus. She arrives at the Eddie Nova Guitar Institute, where TV Land survivor Morey Amsterdam charges her $10 bucks for a guitar lesson - taught by...guess who? Michael Sky! With his lion's mane of hair, shirt wide open and ultra tight jeans, Jessie's putty in his hands. I think we learn that he's 17. Once back home, we meet Jessie's cool mom (Barbara Feldon), who we will call "99".For her second lesson , Jess decides to dress to impress and starts to tell Rex lies about herself, saying she's 16, goes to Catholic High School and likes to jog. Rex drives her home, where she wipes off here make-up in time to light some candles in an obviously Jewish ceremony. We now meet Jess's dad - Judd Hirsch from TAXI!The next day, Jess goes jogging (wearing an ascot!) as "You Take My Breath Away" by Rex Smith blares over the soundtrack. Jess meets up with Rex and pretends to twist her ankle to have him pay more attention to her. Afterwards, Rex takes his friends for a ride and we meet a slutty redhead who wants to get in Rex's pants! Later Jessie is seen putting on her makeup on the bus...and then sneaks into a crowd of high school girls so Rex will think she's as old as them when he picks her up.
At a Sky Band rehearsal, slutty redhead tells Jess that she was wondering if Rex was gay! After the rehearsal, Rex offer Jess a beer and then forces her to perform a song with him in front of all his friends. She does and they kiss!

Next, Jess is back home for a boring Jewish dinner. Grandma complains that the soup is too salty - AFTER she eats most of it! Then Judd puts in a plug for DAYS OF OUR LIVES. (wow that makes two NBC references that are both still relevant!! Editor's note: the new BIONIC WOMAN has since been cancelled) Next Judd & 99 share an uncomfortable discussion about sex and who is gonna tell Jessie all about it. Grandma then takes upon herself to tell Jessie about her love for an older boy when she was a teen. The next day, Rex asks Jess out to see MANDINGO!!! Holy shit - MANDINGO!!!

While he readies himself for a date with 99, Judd treats us all to "Sunrise, Sunset" from FIDDLER ON THE ROOF - Wow they really are Jewish! Jessie is all impatient with her parents because she wants them to leave so she can sneak out with Rex. The parents and Granny leave, and Rex picks up Jess and takes her to the drive-in. Jess nervously orders EVERYTHING from the snack bar and eats it all. They then make out and Jess tells Rex that she's loved him since the shopping mall. Rex can tell she is hiding something from him. She confesses "I'm not Catholic...and I'm 13".
Rex freaks out and drives her home. She tells him she loves him and she didn't mean to be a tease. He drives away and she proceeds to eat an entire Sara Lee chocolate cake...and cries. She really is a young Julie Kavner! Meanwhile Rex buys a beer and redhead slutty girl tries to get all up on him. He rejects her...again. The next day, Jessie is sad, 99 tries to talk to her about sex -but there's nothing this little bitch doesn't already know, after all she's seen MANDINGO! Then 99 tells her about the older boy at sleepaway camp. Hmmm...first Grandma, then 99, then Penny now Jess...all young girls LOVE older guys!!!

In the end, Morey tries to teach Jess some fancy guitar moves, but then Rex shows up at the music school wearing gold cowboy boots and proclaims that he loves her back - and then they pledge to "take it real slow"...
Wow - what an epic love story. Denise Miller is really charming as young Jessie, and the film is highly watchable, despite the underlying creepy subtext about young girls and older guys. Penny even has a framed photo of Burt Reynolds in her bedroom - and she's overjoyed when she develops a cavity -another excuse to visit her sleazy dentist!

Special thanks to Brett Freedman for lending me this dvd. I can see why he loves it so much. This one's a keeper! 10 out of 10 "Huhs".

Coach Revisited

Another rerun from last year.
Not to confused with the dreadful ABC sitcom of the 90s, COACH (1978, directed by Bud Townsend) is a dreadful PG-rated sexploitation film from my childhood. I remember watching (a surely edited-for-TV version of) it on the CBS Wednesday Night Movie and then talking with my Catholic school friends the next day about how great it was. THAT'S INCREDIBLE's perky Scientologist icon Cathy Lee Crosby stars as Olympic track & field champion Randy Rawlings, who leaves her job as an instructor in a 1970s equivalent to "Curves" to coach a boys basketball team at a private high school. Why not?

The movie opens with a soundless montage of Cathy running track, until she bursts through the finish line and steps up to receive her Gold Medal as The Star-Spangled Banner plays. (It's public domain, so no royalty fees like that pesky Olympic music). Meanwhile, in the sleepy town of Granger, Keenan Wynn (or was it Denver Pyle? - I always get those crazy old coots mixed up!) is perplexed by his grandson's high school basketball team and their perpetual losing streak. So Keenan gets the schlep-y, non-athletic looking coach fired and selects his replacement through some amazing futuristic "computer" program. The computer determines that the Olympic track star Randy Rawlings has just the right qualifications. When Randy arrives, Western Union telegram in hand, everyone discovers that this star athlete is a woman!!! Not only that but, a sexy, liberated, blonde woman who doesn't own a bra! Prevented from firing her due to certain newly-passed anti-discrimination laws, Randy is given a chance to turn the teen-age losers into winners. But her job hinges on delivering a perfect season. If the team loses even one game, shes out on her sexy tight ass! Keenan later instructs his grandson to give her nothing but trouble.

Well, the boys (well, I'll call them "boys" despite that the actors look to be about mostly in 25-35 years old range) at Moose Knuckle High (according to our friend John W., a "Moose Knuckle" is the male equivalent of "Camel Toe"), don't take to kindly to having a woman coach, and they berate her with sexist remarks and gestures. She's the CTLF ("Coach They'd Like to Fuck"), but they don't want her telling them what to do. Always a pro, our Randy ignores their shenanigans and tells them she's there to kick some ass. She's even wearing an outfit that looks like her WONDER WOMAN costume from the aborted 1974 TV-movie pilot.

The team is a bunch of freak and geeks who don't have a clue how to win. There's the bookish nerd with glasses, the lanky scarecrow, the black guy, the albino with a receding hairline, the mildly-retarded rich kid and of course the school stud, Jack (future TERMINATOR star Michael Biehn), her star player and future sex partner. She earns the boys' respect by walking in on them while they are all naked in the shower and turning off the hot water, and forcing them stay under ice cold water for a minute. She learned this from her former coach, Alberto Gonzalez.

Then she proceeds to "coach" them by bringing in her superstar NBA buddy (or drug dealer) to teach the guys some professional moves. Before you know it, the team is playing better and Jack is playing WITH Randy's boobs! Never mind that's he's supposed to be like 17 and she's at least 35...and the fact that she's abusing her role as an adult in charge of "kids" by having sex with one of them. This issue never even comes up, as she and Jack fall in love through a series of montage images set to cheesy 70s music. Soon the rest of the boys grow to like Randy. Why they even let her join them in the "Hey Lahdy Lahdy" sing-along on the team bus. Awwww...

Meanwhile, there's an embarrassing and tedious subplot involving hypnosis, and how the boys are able to help get their gawky teammate to get better grades and play better ball whenever he hears the word "Jabberwocky". When Randy finds out about it, she tells the boys that if he can play like a pro under hypnosis, he can do it without it! But later when the team is losing a big game, she leads the entire gymnasium in chanting "Jabberwocky" so they can win. So basically, she sends the message that's it's okay to cheat. Great coach, what's next, steroids?
For a PG-rated film, we see plenty of flesh, including at least 4 pairs of females nipples (when co-eds flash the boys at a dull house party), a bunch of naked male butts (during the shower torture-scene) and lots of moose knuckles in satin shorts and tight jeans. I give this one 6 "Huhs?" just for it's spunkiness. It's basically an ABC Afterschool Special about statutory rape, without the drama, moral judgement and legal repercussions. In other words, it's just good, clean fun for an cougar to bed one of her students! This makes me wants to revisit LIFEGUARD starring Sam Elliot, another sexy CBS Wednesday Night Movie classic.

I Know Who Killed Me (Again)

I've had a busy few days, so rather than running another boring old comic book ad, I've decided to rerun a movie review from last year. Enjoy!

It's rare that I review a recent film, but I KNOW WHO KILLED ME (2007, directed by Chris Sivertson) is so deliciously awful that I just could not resist. The film opens with a decidedly unsexy stripper doing a pole dance, when suddenly her hand starts bleeding all over the damn pole. Ugh...not again! Of course the stripper turns out to be played by that adorable headline grabbing, former ANOTHER WORLD actress and Disney child star Lindsay Lohan!

It appears that the town from TV's FRIDAY NIGHT LIGHTS (The show we all WISH we watched) is being terrorized by someone who has been abducting and torturing high school (or is it college?) girls and doing disturbing things to their hands and legs. This town of New Salem (a DAYS OF OUR LIVES reference?) is the bluest place on Earth. Everything is color-corrected to be this bright, brilliant blue, causing me to to retitle this epic I KNOW WHO BLUE ME.

Soon we meet Aubrey Fleming, Lindsay's (other?) character, who is smart (she wears glasses) and apparently very talented. She plays the piano - but wants to give it up to concentrate on writing. Her piano teacher thinks this is a bad idea. Music good. Words bad. Oh yeah, the teacher wears a big BLUE ring and Lindsay has a hairless pussy. Cat. Hairless pussy cat. She's pretty much a perfect student and daughter. There's a stalker-ish blonde boyfriend named Jerrod who "loves" her and then there's the Fleming's hunky gardener who wants to screw her - but she's a good girl. Aubrey is good. Lindsay is bad.

After Jerrod the teen gives her a BLUE rose and the BLUE team wins the football game, Aubrey suddenly vanishes - into the blue! Local sheriff Santa Claus is clueless. Soon the FBI is on the case - and we know this because they all wear BLUE shirts, jackets and vests that say "FBI" in big, bold, yellow letters! The task force is led by a Beau Bridges look-a-like and a black supermodel with a botoxed forehead and drawn-on eyebrows. Between Santa, Beau and Tyra - this case is gonna be cracked wide open - I just know it!

Later a woman who also looks like Lindsay is forced off the road (by a hairless cat?) and discovers something on the side of the road. It's Lindsay! Oh my god! At the hospital, she wakes up missing one hand & half a leg. So much for that piano playing career, but at least she can still write. When Lindsay can finally communicate, she reveals herself to be "Dakota Moss" - a filthy stripper and NOT the angelic, perfect Aubrey Fleming. Everyone thinks she's making this up, and within days, Crabman from MY NAME IS EARL fits her with a Bionic hand and Heather Mills leg.

Days later, still insisting that she's Dakota, she is welcomed into the Fleming household. She seems to hate all Aubrey's BLUE things, and mostly her hairless pussy. This upsets mom (played by older Lindsay lookalike Julia Ormond, hiding her British or French accent), who just wants her daughter to love her and all the BLUE stuff. What Dakota does love is fucking, and she proves it when Aubrey's boyfriend Jerrod comes by to inspect her bionic parts. At first the FBI doesn't trust him cause he drives a yellow car, but then when they see he's wearing a BLUE pullover, it's okay. Any way, after they screw, Dakota tells him about her crack-whore mother who left her $11 before she died and an envelope with the return address "New Salem". She then tells him how she started spontaneously bleeding one night during her act (we see her and her body double in various states of bumping and grinding) and how her finger fell off, turned BLUE and she tried to sew it back on. Then some cute guy on the BLUE bus gave her free medical advice. Huh???

Meanwhile, the Dept. of Homeland Security finds one of Aubrey’s stories on her laptop, and it's about a stripper named...yes, you guessed it... Dakota! After escaping from the Fleming house, Dakota visits the parents of another murder victim, Jennifer Toland. She then begins to suspect that maybe she and Aubrey were identical twin sisters! Oh my god - it's THE PARENT TRAP all over again!

Back at the Flemings, Euro-mom shows Dakota a video of her ultrasound that she just happen to have hanging around -proving that there was only one baby inside of her! This forces Dakota to made a giant leap and confront Aubrey's father - accusing him of replacing his wife's dead BLUE baby with one of the newborn twins from some crackhead giving birth down the hall. The envelope that came from New Salem was from him - he's been paying off crack lady for years!

After doing a little web surfing, Dakota learns all about "twin stigmata" - so THAT'S why her fingers have been falling off! Next we get to watch a weird little YouTube video hosted by a Leonard Nimoy lookalike that explains it all. After visiting the grave of Jennifer Toland, Dakota finds a BLUE ribbon from a piano competition, with a hand-written message from the creepy BLUE-ring wearing piano teacher!

SPOILER ALERT!!! Dakota goes all Nancy Drew and figures out that the teacher murders his students who don't want to play anymore! So, Dakota enlists Aubrey's dad to help her confront the killer.They arrive at his house, with it's BLUE stained-glass door and collection of BLUE glass knives and trinkets. Dad gets killed almost instantly, and it's up to My Little Stripper to fight off the evil piano teacher.
So she cuts off HIS hand and finishes him off. Afterwards, Dakota finds Aubrey buried ALIVE - in a BLUE, stained-glass coffin(!!!) and frees her. It all ends with the two lying together on the ground, holding each other...shouldn't Aubrey get some food or drink...or medical attention???

So were there really two Lindsays? Was just Dakota a character in one of Aubrey's stories?
Was Aubrey a person that Dakota made up? Was the piano teacher REALLY the killer...or was it gardener...or the dad...or Santa Claus? Either way, this movie totally BLUE. I just have to ask what kind of stripper is Dakota anyhow? She never even takes off her top...or bottom! We've seen more of Lindsay's Lohan on TMZ than in this flick.

On a final note, I wonder if the filmmakers set out to make a David Lynch homage? With teen girl murders in small town America, identical twins, missing fingers, BLUE things - I can see traces of both BLUE VELVET and TWIN PEAKS. If that was the case, I think they failed miserably. But if they just wanted to make a movie that makes you say "huh?," I KNOW WHO KILLED ME rates a big BLUE 10 outta 10.