Friday, April 24, 2020

The Return of Dougsploitation???

After 6 weeks of social distancing, self-isolation and working from home...I'm think maybe its time to start blogging again. I originally cut back on blogging to focus on my Dougsploitation Facebook page, but after the events of Election Day 2016, I began to step away from all forms of social media.

Now, nearly 4 years later, the world is clearly a different place. Four years ago feels like an eternity, so much has changed - some things for the better, most things for the worse. But through it all I've managed to still find comfort in the things that I love most - and most of those things involve reliving my childhood. The 1970s and 80s may not have been the "best of times" but they certainly were simpler times. When I'm seeking comfort food for my brain, I head back to those decades and I always find solace. And in the past few tears I've also reached as far back as the late 1880s and early 1900s seeking additional ways to celebrate the past.

Of course Halloween and Christmas have been highlights of the past few years - any distraction to keep me from thinking about how miserable the real world is -and how it just seems to be getting worse. So, in an effort to recapture those special feelings and to exploit the pop culture of the previous decades I declare that Dougsploitation lives again. For how long? I have no idea. I also have no idea who, if anyone is even out there reading this. Maybe no one.

I guess I'll see if I get any comments. If you are there, please say "hi" just to let me know I'm not yelling into a grand canyon of emptiness. In the meantime...beware the "Fingers of FEAR!"

Sunday, January 6, 2019


What? My first post in almost 4 years!!! To celebrate the Blu-ray release of the camp classic MAME, let's revisit my in-depth analysis, originally posted way back in 2007!
This 1974 film adaptation of the 1966 Broadway smash starts with the reading of the will of Patrick Dennis' late father, by his trustee, Mr. Babcock. We see our first glimpse of Patrick in his damn short pants as well as various photographic portraits of stodgy relatives - concluding with a soft focus photo of Auntie Mame! The will states that Patrick is to be left in the care of his aunt, Mame Dennis (Lucille Ball).

Patrick and his nanny, Agnes Gooch (Jane Connell recreating her Broadway role after Madeline Kahn was fired by Lucy) take a train ride to live with Mame.The train ride gives way to a migraine-inducing montage of an art deco MAME logo super-imposed with stock footage of sex, violence and depravity from the WB film archives. Accompanying this visual assault is the song "St. Bridgette" song by Connell.

When they arrive at Beekman Place, they walk into a big cocktail party at Mame's palatial NYC apartment. Underneath a portrait of Lucy by Gustav Klimt, Mame is doing an awkward shimmy on her baby grand piano wearing a red velvet pantsuit and a giant diamond-encrusted crucifix. Lucy then proceeds to warble out a horrorific rendition of "It's Today", thus setting the tone for many musical atrocities to follow. Then Lucy does the Charleston and young Patrick introduces himself by asking if he may slide down her bannister!

Mame announces his arrival to the crowd and then offers him a martini. We soon meet Mame's buddy, stage actress and lush, Vera Charles (deliously played by Bea Arthur, creating her stage role under the direction of her husband Gene Saks). Lucy (in a soft focus close-up) reprises "It's Today" as Patrick gets to slide up and down the long bannister!

The next morning, Patrick wakes up Mame (who sleeps in full make-up) with his bugle. After learning that "Auntie Mame is hung" she tells that she is enrolling him a very non-traditional "School Of Life." Then she gives him a pad and pencil in order for him to write down words he doesn't understand like "libido," "bastard" and "vocal coach." Vera then wakes up in Mame's bath tub and for no good reason, mean-spirited Mame turns the shower on, drenching her best friend.

Then we are treated to Lucy shrieking out "Open a New Window" as a montage shows Mame and Patrick riding a pony, going to a museum, attending a womens' rights rally, going to see a burlesque show, visiting a firehouse, parachuting, sitting on the crown of the Statue of Liberty (huh?), arriving at the clothing-optional School of Life, praying at St. Patrick's Cathedral, studying the Torah at a temple and doing the tango at a speakeasy! All seems to going well until the police arrive and it's a raid!!! Everybody gets off though because the judge is one of Mame's society pals. She is apparently very well-connected.

Mr. Babcock arrives to check on Patrick, running into vindictive Vera, who is blabbering on about Coco Chanel, and leads the trustee right to the controversial school- causing Patrick to be taken out of Mame's custody!!! At that same exact moment, Mame learns that the stock market has crashed and she's wiped out. This is not a good day to be Mame Dennis.

To make amends to Mame, Vera offers her a very small role in her new show - an extremely modern operetta about a woman astronomer. "The Man In The Moon is a Lady" (sung by Bea) climaxes with a total Lucy Ricardo moment as Mame is still backstage admiring herself in the mirror when she is supposed to be onstage delivering her one line - which she eventually flubs and causes chaos when she falls off of a crescent moon and is beaten by Vera with a telescope!! The show is a fiasco, but the audience seems to enjoy it. Mame begs Vera for her forgiveness, but Vera declares "The Man In The Moon is a Bitch" and then slaps a little old lady who is trying to help her with her costume. I wonder if Bea improvised that.

Patrick, who was in the audience, reassures Mame that she's that he still loves her by singing "My Best Girl" - Lucy responds by croaking "My Best Beau" back to him. Poor little guy. Meanwhile, back at Beekman place - the repo men are taking her piano, her artwork, etc. Mame soon gets a job working selling rollerskates in a department store, For some reason, she's wearing a nun's habit (sans veil) with a big black bow. Mame demonstrates a pair of rollerskates by for a customer named Beauregard Jackson Pickett Burnside the 3rd (Robert Preston). However, Mame gets herself fired because she doesn't know how to write up a cash sale. Huh? After first skating around the entire store, Mame proceeds to rollerskate all the way home.

When she gets home, Patrick is visiting and Mame decides to lift everyone's spirits by giving early Christmas gifts. The boy gets a pair damn long pants- and her servants Ito (George Chiang) and Gooch also get something. Lucy then leads the foursome in a rousing version of "We Need A Little Christmas", while they decorate Gooch up as if she was a an Xmas tree and throw fake snow at her. Lucy then dons the most horrifying Santa Claus mask ever created. Agnes and Ito surprise Mame by telling her the butcher bill has been paid up till next September! How'd they know how much meat they're gonna want all the way into the future??? Patrick then gives her a kiss "on account" whatever that means. Ewww.

Just then, Beau shows up at the front door and invites everyone to dinner!!! Christmas has come early!

Before you know it, Beau takes Mame and Patrick to to visit his peach plantation in Peckerwood, Georgia - where they meet sugary-sweet, but wicked by Sally Cato. (Joyce Van Patten). Beau's grotesque mother, a Jabba the Hut lookalike, Mother Burnside greets Patrick with a belch. Mame, newly-blonde arrives dressed as a southern belle, complete with an embarrassing accent. Sally Cato signs Mame up to ride sidesaddle in a foxhunt- riding the "mad" horse named Lightning. The following day, Lucy's stuntwoman works overtime as she rides the crazy horse, passing the other hunters, passing the dogs, passing the fox and jumping over Mother Burnside's car! Mame is thrown from the horse and catches the adorable little fox, and impresses everyone by NOT killing it. This prompts several dozens of peoplee to serenade her with the titular, rousing and bombastic theme song, "Mame".

Mame and Beau, are soon married and on world tour. Robert Preston croons "Loving You" as they slow dance on a cruise ship, in a Japanese garden, in soft focus and in front of a fountain. Meanwhile, Patrick goes through puberty, goes to college and starts dating debutantes. Bruce Davison takes over the role at this point. A ski trip to the Alps leads to an avalanche which kills Beau, leaving Mame widowed and alone again, naturally.

Mame then returns home and is reunited with Patrick, who is dating a snobby bitchy girl named Gloria Upson. A post-funeral reunion with her old friend Vera leads to the fun duet "Bosom Buddies", a song which once led a friend of mine to declare (90 minutes into the movie) that "the one on the left can't sing". It took him THAT long to notice!!!

Mame and Vera then decide to give frumpy Agnes a makeover and send her off into the world because "Life is a banquet, and most poor sons of bitches are starving to death." Six months later, Agnes returns home, pregnant - just as Mame is dining with Patrick and the dreadful Gloria. Patrick sees Agnes, who's been hiding in the kitchen, and decides be a good idea for Mame to visit the Upsons at their home in Connecticut.

What follows is my favorite sequence in the whole film, as Mame visits the Upsons (Don Porter and Audrey Christie) at their home, Upson Downs. After meeting all the various Upsons, Mame learns that Patrick and Gloria are engaged! The Upsons entertain Mame in their rumpus room (a former slave quarters) and introduce her to their black maid Bertha ("so many of them are so snotty these days"). Then they serve her appetizers made of tuna, clam juice and peanut butter. They ask Mame to help pay for a piece of property next door to so that the newlyweds could live there, as opposed to "the wrong kind of people."

They Upsons then show Mame home movies of Gloria - but Mame can't be any less interested. When Mame leaves, she confronts Patrick about her dislike of the Upsons, proclaiming him a snob (which he is) after he tells her that he's ashamed of her and her "crazy" friends. She tells him that the Upsons are bigots and he tells her to forget she ever knew him. This is where my favorite part ends, because as heartbroken Mame drives back home to NYC, Lucy butchers the beautiful ballad "If He Walked Into My Life". Where is Eydie Gorme when you need her???

Apparently Mame and Patrick have patched things up off-screen because the Upsons are now visiting Beekman Place. Patrick soon meets Mame's pretty new maid, Pegeen (Bobbie Jordan). The Upsons arrive, all pissed off because the property they'd wanted had been bought thanks to "some Jew lawyer." Then Mame serves them some baked monkey and Vera makes a grand entrance into with a quintet of nameless men wearing tuxedos singing "It's Today ". Vera then toasts to the new couple, mistaking Pegeen for Gloria. At that moment, pregnant Agnes crashes the party and is invited her to sit with everyone. Suddenly, a bus full of unwed pregnant women barge in, singing "Open A New Window" as Mame reveals to the Upsons that she bought the land next door to Upson Downs in oder to build the Beauregarde Burnside Memorial Home For Single Mothers. The Upsons have total fit, exclaiming that Mame isn't "one of them," dragging Gloria with them - just as Patrick makes eye contract with Pegeen! Hmmmm....

Flash forward, Patrick and Pegeen are now married and have a son, Peter. Mame, sporting gray hair, is off on a trip to Russia, and asks if Peter could join her. Although Patrick and Pegeen resist at first, Peter tells them off and they relent. Huh? Mame and Peter wave goodbye and board the plane. No luggage - I guess they will shop for long pants in Siberia. Music soars as the plane takes off. What follows is a montage of Mame hugging Vera, Gooch, Beau, adult Patrick and finally young Patrick! The End!

Whew! What a way to start the holiday movie season! I have to say that MAME is one of my favorite films of all time. I know Lucy's singing was atrocious, her dancing wooden, her comic timing is off at times, and at age 63 she was way too old to be playing a character in her 40s - but all I know is that when I saw MAME at Radio City Musical Hall as a child - I had a great time - and that's all that mattered.

Of course, IF Angela Lansbury was allowed to star in the film version - it may have been critically acclaimed, it might won some Oscars and might also have been a box-office hit. But that never happened. What did happen was Lucille Ball as Mame - and I relish ever minute of it. 10 outta 10  and worth every one of 'em.

Sunday, September 13, 2015

Gonna Party Like It's SPACE:1999

From 2009...but updated today!

I've never been a real sci-fi geek, but I know what I like. In terms of films, I always preferred LOGAN'S RUN over STAR WARS. So freeze me in carbonite. On TV, I liked the original STAR TREK, but can say I've ever even watched any of the revivals. I just never found them that appealing. Sorry. I'm not saying they're bad, I just didn't feel the need to watch 'em. I also can honestly say I've never watched any of the BATTLESTAR GALACTICA shows - old or new. I know how the recent show is supposed to amazing and all that, and I may get around to watching it one day - but I just don't have the bandwidth right now. I did absolutely love V - at least the miniseries before it became a weekly, but the ABC revival didn't interest me much. I mean once you know that they're lizards, what's the point?
As a kid, I was quite a bit obsessed with the short-lived British import, SPACE: 1999. My recollections of the show are a bit cloudy, but I do recall that I loved the way it looked, but was a bit bored by the talkiness of the show. After all I was 11 years old at the time.
SPACE: 1999 ran for two seasons from 1975-77. In the show's storyline, there is a totally catastrophic nuclear/lunar accident that takes place on September 13, 1999 (16 years ago today!) that knocks the moon out of its orbit and flings the inhabitants of Moonbase Alpha into the far stretches of outer space. Then the fun begins!

The first season opening title sequence is one of the best in all TV history.
For some reason they decided to mess with greatness and create another totally awesome open sequence for season two. Still great, but not nearly as powerful as the first.
Then-married US TV stars Martin Landau and Barbara Bain (both of MISSION: IMPOSSIBLE fame) headlined the show in an attempt to make the show seem more "American".

The show was produced in the UK by sci-fi powerhouses Gerry and Sylvia Anderson (THUNDERBIRDS, UFO, etc.) and distributed internationally by Lord Lew Grade's ITC Entertainment.

Who doesn't get douche chills when they hear or see the famous ITC logo animation?
The syndicated series aired on Sundays at unusual time period of 6:30 PM on WPIX in New York for the two original seasons, with reruns airing in various time slots over the next few years.
Also starring were in season 1 was Barry Morse and the stunning Catherine Schell joined the cast as the fabulous shapeshifting alien Maya in season 2.

Guest stars included international names like Christopher Lee, Joan Collins, Peter Cushing, Judy Geeson, Ian McShane, and Sarah Douglas.
SPACE:1999 was visually the coolest TV show up till that time, with sets, costumes and special effects on par with feature films of that time period.

Apparently the Blu-ray transfers of the show are pretty great - will have to check it out someday soon.

Thursday, May 28, 2015

Remembering BEACON HILL

Due to the success of both DOWNTON ABBEY and the overall revival of interest in period drama- witnessed by shows on both PBS and cable - NBC gave a bright green light to Julian Fellowes’ THE GILDED AGE - a serialized drama set in late 19th Century New York City and focusing on the rising and plunging fortunes of “the princes of the American Renaissance.” The show was announced in 2012 and Fellowes will finally begin writing it later this year when his work on DOWTON ABBEY wraps up.

This news led me to recall BEACON HILL, what was considered by many to be one of the biggest flops of the 1970s. BEACON HILL was CBS's costly (the pilot reportedly cost a million dollars!) and overhyped attempt to recreate the magic of the original UPSTAIRS DOWNSTAIRS. 

The series dealt with he Lassiter family in 1920s Boston, a wealthy Catholic clan. and their staff of servants. The show opened on Prohibition Eve, January 15, 1920 as The Lassiters celebrated with their last drinks. Subplots dealt with brothels, affairs with professors and dalliances with between Lassiters and their staff.

Rather than filmed, the show was videotaped like a sitcom or daytime soap, much like many PBS imports from England. Ratings for the August 26th premiere were healthy (25.4 rating/44 share), but subsequent episodes nosedived, and despite  John Hawkesworth, the producer of UPSTAIRS DOWNSTAIRS, being called over from Britain to assist.

The patriarch was Benjamin Lassiter (Stephen Elliott, later Douglas Channing on FALCON CREST) - a self-made businessman who dabbled in the corrupt Boston politics of the day.

Benjamin’s wife was Mary Lassiter (Nancy Marchand, later the matriarch of THE SOPRANOS) - an elegant society woman who was past her best years.

The Lassiters had five children:

Maude Palmer (Maeve McGuire, later Countess Elena DePoulignac on ANOTHER WORLD) a conventional mother of four, married to the pleasant Richard, who had an interest in yachting (played by the versatile Edward Herrmann).

Emily Bullock (DeAnn Mears, later Judge Maria Gance on LAW & ORDER) was a caustic, jealous beauty. She was married to Trevor (Ray Cooper) who was "old Boston, old money".

Betsy Bullock (TV-movie stalwart Linda Purl) was Trevor and Emily's spoiled 18-year-old daughter.

Fawn Lassiter (daytime soap graduate Kathryn Walker) was artsy, freethinking and sexually liberated - and engaged in an scandalous affair with an Italian piano teacher.

Rosamund Lassiter (Kitty Winn from EXORCIST 1 & 2) was an “old maid” at age 29 - she had a keen business sense and was sleeping with the family chauffeur (Paul Rudd, later Earl Trent on KNOTS LANDING).

Robert Lassiter (David Dukes, later Joseph McPhee on DAWSON’S CREEK) - the lone male heir - had returned from France after the Great War minus an arm and full of bitterness. In one controversial plot, Robert visited a black brothel.

Arthur Hacker (British Music all star George Rose) was the family butler, and like his UPSTAIRS DOWNSTAIRS counterpart, Mr Hudson, he was a father-figure below stairs.

He was married to  Emmeline (Beatrice Straight, later Queen Hippolyte on WONDER WOMAN) a poker-playing Irish housekeeper.

Emmeline’s niece, Maureen Mahaffey (Susan Blanchard - later Tina in the notorious MR. T. AND TINA) was also employed in the house as a maid.

The Lassiter cook, William Piper was African-American (Richard Ward - who later played Steve Martin’s father in THE JERK).

There was a footman named  Terence O'Hara (played by David Rounds, Mel’s cousin Wendell on ALICE) as well as maids Kate  (Lisa Pelikan) and Eleanor (Sydney Swire).

Also appearing: Ken Kercheval (DALLAS), Robert Prosky (HILL STREET BLUES), Michael Nouri (FLASHDANCE) and Holland Taylor (TWO AND A HALF MEN).

The series was produced by the Robert Stigwood Organization with music by Marvin Hamlisch (A CHORUS LINE). It was never rerun, never syndicated, and never released on home video. The show was put out of its misery after only 11 of the 13 episodes had aired. Let’s hope THE GILDED AGE has a better fate.

Wednesday, February 18, 2015

Can 2 divorced men share an apartment without driving each other crazy?

With CBS airing a new version of THE ODD COUPLE starring Matthew Perry and Thomas Lennon beginning tomorrow night, here's a post from 2008 when I was just starting to watch season 4 of THE ODD COUPLE on dvd, and I declared that the show, in my opinion is the second greatest American sitcom ever. That's right, I said it.
After MARY TYLER MOORE, no other US sitcom is more consistently funny, well-acted or holds up as well over the years. Based on Neil Simon's Broadway play and adapted into a 1968 feature starring Walter Matthau and Jack Lemmon. The TV version, starring Jack Klugman and Tony Randall premiered on September 24, 1970 and ran for five seasons in a variety of timeslots on ABC - usually on Thursday or Friday nights. The series was never a Top 10 hit, and actually was in danger of cancellation every season it aired. The first season is quite unremarkable, having been filmed with one camera and an added laugh track. The show really came to life in season two, when a live audience was added to react to the mis-matched antics of Oscar and Felix.
The show really took off in popularity in the late 1970s when syndicated reruns aired on local stations. Channel 11, WPIX air four episodes a night. Two in early evening and two at 11PM. I watched them all, repeatedly. And watching them again now on dvd is, to quote a friend of mine "a sheer delight".
What makes the show so great? Well, Felix and Oscar are such great, unique characters - and because of that, so many later sitcom characters borrow freely from them. You can certain see traits of fastidious Felix in Sheldon from BIG BANG THEORY and Niles from FRASIER. Oscar's grouchy brashness has influenced a whole generation of cranky comedy curmudgeons, notable EVERYBODY LOVES RAYMOND's Frank Barone. While the show lacked continuity in so many instances (don't get me started!), the interplay between the two leads and excellent supporting players make this the best thing Garry Marshall has ever been part of. While the show "jumps the shark" with celebrity guests (Monty Hall, Howard Cosell, Paul Williams, etc.), it makes up for it with clever plots that incorporate the guest stars into the world of Felix and Oscar. Since Felix is a portrait photographer and Oscar is a sportswriter, it makes sense that they encounter these folks in New York City. Why not? I once rode in an elevator with Howard Cosell. He had big ears. AND I was a contestant on the most recent version of LET'S MAKE A DEAL! (Even though that happened in L.A. and Billy Bush-yuck!-was the host, but Monty was there. See photo below)But enough about me. While I was watching the classic PASSWORD episode recently, with guests Betty White and Allen Ludden, I wondered if any other MARY TYLER MOORE alumni ever appeared on THE ODD COUPLE. With a little research I discovered that in addition to Betty White ("Herself" on OC,"Sue Ann Nivens" on MTM), there was Bill Quinn ("Dr. Melnitz" on OC,"Dr. Walter Richards," Mary's dad on MTM), Penny Marshall ("Myrna Tuner" on OC, "Paula" on MTM), Barbara Colby ("Monique" the drunk bartender on OC, "Sherry" the hooker on MTM) and the late, great Brett Somers ("Blanche Madison" on OC and "Aunt Rose" on MTM). Not bad, considering the shows aired on different network during roughly the same period.
Both actors won Emmy Awards for their roles. Jack in 1971 and 1973, Tony in 1975 - after the show was cancelled. The duo reunited for a misguided 1993 CBS TV-movie called THE ODD COUPLE: TOGETHER AGAIN. I guess ABC's miserable MARY & RHODA reunion movie was payback. Jack and Tony had become best friends in real life, and after Tony's death in 2004, Jack wrote a memoir about their relationship, called Tony and Me: A Story of Friendship. The book has been hailed as a touching portrait of a professional partnership that, in the end, became deeply personal. The book includes over 50 photographs, many from Jack and Tony's private collections, and a DVD of never-seen-before outtakes from THE ODD COUPLE.
In the 1980s, THE ODD COUPLE was revived - with an an almost all African-American cast. Demond (SANFORD & SON) Wilson is Oscar and Ron (BARNEY MILLER) Glass is Felix. THE NEW ODD COUPLE could have been a descent show if they didn't decide to recycle scripts from the original series that were already considered classics by fans of the show. Ironically another black version of a Neil Simon play, BAREFOOT IN THE PARK only lasted 12 episodes on ABC in 1970, also airing on Thursday evenings. I'm holding out for a new version of THE SUNSHINE BOYS with James Earl Jones and Samuel L. Jackson.

And now it's 2015 - and THE ODD COUPLE is back on Thursday nights - this time on CBS. Will the third time be a charm?

Monday, December 22, 2014

The Douglas Michael Show with Juul Haalmeyer

Here's a Juultide treat from 2009.SECOND CITY TELEVSION or SCTV in all it’s incarnations (in syndication, on NBC and on Cinemax) is remembered as one of the funniest TV series of all time.This outrageous Canadian sketch comedy import launched the careers of such greats as John Candy, Eugene Levy, Andrea Martin, Rick Moranis, Catherine O’Hara, Harold Ramis, Martin Short, Dave Thomas, Joe Flaherty and a few others – including Juul Haalmeyer. Chances are if you've ever seen a SCTV sketch, you've seen Juul's work.Juul Haalmeyer was SCTV's resident costume designer, who was also featured on the show as the choreographer of Melonville's top dance troupe, the Juul Haalmeyer Dancers, a pathetically incompetent ensemble of variety show dancers made up mostly of writers and crew on SCTV. I consider Juul one of my comedy heroes and a unsung TV legend!!!Over the years, Juul also worked as a costume designer for many movies, TV shows, theatre and concert productions. He's done all the classics from ALL MY SONS to LONG DAYS JOURNEY INTO NIGHT, his designs have dressed everyone from Jack Lemmon to Alice Cooper, from Shari Lewis to Jethro Tull, from Dolly Parton to Anne Murray, from Bobby Vinton to Bobby Bittman! It is with great honor that I welcome my guest, Juul Haalmeyer!!!
DOUG: Hi Juul, first of all let me say thank you for all the laughter you and the folks at SCTV have given me over the years. The show is a true classic. I watched it from the very first episode (on WOR TV channel 9 in New York) to the very last Cinemax episode. In fact I subscribed to Cinemax just to watch SCTV! Now exactly when did you join the show?

JUUL: Well, unfortunately I didn’t do the first season because there just wasn’t enough money; and I thought that there was way too much material to get out per week for me to be able to handle. It just looked too scary and daunting and I thought I’m not going to kill myself over a show! That’s my biggest regret with SCTV because it did turn out to be the most rewarding and enjoyable experience of my career.DOUG: Well, thankfully you we able to join the show for season 2. I read somewhere that it took 100 hours a week to make one of the 90-minute NBC shows. Is that true?

JUUL :Yes it did, and sometimes more. It was a real slog, and after each three month cycle, you just had to scrape yourself off the floor and pray the next cycle would be easier. But it never was; it just kept growing bigger!DOUG: Bigger and BETTER-If you ask me! So who was your favorite character or player to design for?

JUUL: ALL OF THEM! The cast of course were all very special people and each one of their characters were very endearing. The challenge came in the situations they wrote for themselves as to how complicated the sketch would become from a wardrobe point of view. Could not have done it without the incredible help of Luigi, the head cutter at Malabar costumes, Eva Richter, who always had an impossible shopping list, and my mother, Trudy Haalmeyer, who cut and sewed everything on set.
DOUG: With all the crazy folks that passed through the doors of SCTV - was there any character that stands out as being the most creatively challenging? I somehow think John Candy as Divine must have been a case where you had to top what the real Divine was already wearing!

JUUL: Again, it was my support staff that saved my ass on everything; whether it was "Shake and Bake" (twenty nine period costumes in primary colours in three days) or Edith Prickley as Queen Elizabeth (the first with two days notice),Divine as Peter Pan, or Divine On Ice; You name it! The challenge was always the time frame within which we had to get it together, and again, my team deserves all of the credit.

DOUG: That Divine On Ice number - Santa Bring My Baby Back to Me is still one of the most hysterical things I've ever seen. And you and the boys are featured prominently in that segment. So, how did the Juul Haalmeyer dancers come about?
JUUL: Well, you can’t hire people to be as bad as we were, so when Lola Heatherton needed dancers she (Catherine O'Hara) remembered that I had done musical theater. But they would let me sing, turn the light off, and yank me offstage, because I just didn’t move well, as you’ve seen. It became a group of writers, sometimes cast, grips, propmen, whoever was available that day. God, it was fun though. Nice to know that anytime you need a bad actor, loud singer, or really lousy dancer, you can depend on someone on your crew to come through! Voila!
DOUG : Did you ever have any formal dance training?

JUUL: What are you smokin' dude?????? Of course not! I did take a Dancercise class one year to get some excess poundage off, which worked, at The Roland and Romaine Academy of Dance,but they always made me move to the back of the class because I always farted with the first bend down in the warmups!
DOUG: That's hysterical. What makes you think I was smoking something while watching SCTV? LOL. It's great that people all over the world are rediscovering the magic of Juul Haalmeyer!JUUL: I'm on Facebook now (I had never heard of it before), and guess what turned up? A Juul Haalmeyer Dancer fan club based in ICELAND! I hope they're not just now getting SCTV! I have gotten more notoriety from the bad dancing than anything I have ever done as a costume designer in the last 40 years.
DOUG: Iceland! How cool is that? Do you keep in touch with any of the cast members?

JUUL: Not really. It was great to see all of them at a very generous 'Benefit of Laughter' reunion show they did last year to set up an SCTV alumni fund for ailing participants of the show. I did get to work on the Disney film COOL RUNNINGS (1993) with John–which was a real privilege and an absolute blast. Ten weeks of poker and dominos in the sun!DOUG: Aside from the charity performance, do you think there would ever be a SCTV REUNION SPECIAL? And if so, would the Dancers come out of retirement?

JUUL: I don’t think that’s in the cards, with everyone’s careers as diverse as they are, but it would be nice. As for the dancers, I don’t think we can get enough day passes issued out of retirement homes at the same time to let all of the dancers come together again! Although I hear that Ellen Degeneres wants to challenge us to a Dance Off!

DOUG: LOL - I'd love to see you and Ellen go at it! So, what have you been up to since SCTV left the air? Are you still doing wardrobe these days?

JUUL: In a way. I still have my costume company, Homemade Tarts, and I rent out vintage clothing to the movies, but I don’t do any designing anymore; couldn’t handle the stress of it all. Back in those days they were all wonderful people to work for who appreciated your craft, but now the shows are mostly in the hands of bean counters, who just want to get it done as cheaply as possible, to heck with creativity. I stopped about nine years ago after I won an Emmy for NODDY AND FRIENDS, a childrens show for PBS.DOUG: That's awesome. Belated congratulations on that Emmy! And lastly, is there any truth to the internet rumor that you are going to be on DANCING WITH THE STARS?

JUUL: Ha Ha! That was a very clever and funny piece someone posted and I got over one hundred e-mails from people who actually believed it! Had a lot of fun with that one! Found the guy who wrote it and he’s just a big fan of the show.

DOUG : Well, you never know with internet rumors. Once something is out the in the universe, it could very well happen! Thanks again for being a guest and being so entertaining!
JUUL: Thank you, It’s been great talking with you!