CRAZY MAMA

For our third cult classic "Mama" film (and vintage review from 2007), we've got Jonathan Demme's CRAZY MAMA (1975). An all-star cast brings this BONNIE & CLYDE wannabe to life, sort of. It's PG rating is a foreshadowing of what we are in for.

The backstory is that in the early 1930s, a family farm in Arkansas is taken over by law enforcement, killing the farmer, leaving his wife Sheba (Ann Sothern) and daughter Melba (Cloris Leachman) fleeing the state. They wind up years later running a beauty salon in California. They still not have recovered from losing the farm and Papa.

Soon "Mr. Howell" (Jim Backus) shows up and repossesses all of their belongings. They've out of luck, out of money and Melba's teenage daughter Cheryl (Linda Purl) is knocked up by "Ralph Malph" (Don Most). What else can go possibly go wrong? Well, then they decide to head back to Arkansas and reclaim the farmland that should be theirs! Wonder if they'll ever get there?

So they steal Mr. Howell's car, rob a gas station and head to Arkansas via Las Vegas!. While in Vegas, Sheba picks up a new friend named Bertha, and Cheryl picks up a second boyfriend, a biker named Snake. Not to be left out, Melba wins the heart of married Texas sheriff Jim Bob (Stuart Whitman). This is starting to feel like BEST LITTLE WHOREHOUSE IN TEXAS all over again. Except without the whores.

Despite being married to Ella Mae (Sally Kirkland), Jim Bob also marries Melba while Snake and Ralph Malph rob the chapel. Somehow Cheryl's two boyfriends have become friends and partners-in-crime. Why all three even share a bed! But there's NOTHING dirty going on. What follows is a silly crime spree with stunts like Sheba pretending to faint in a grocery store, in order to grab the cash. More heists, car chases and scams ensue.

The big money-making scheme involves "kidnapping" Jim Bob and holding him hostage, for a ransom that they will all split. Of course things don't go as smoothly as planned and somebody ends up dead. Somewhere during all these shenanigans, Cloris (Oscar, Emmy, and Golden Globe Award winner) wears a see-thru top without a bra. It feels highly disturbing to see Phyllis Lindstrom's nipple. Betty White would never show us her nipple, would she? Hey, I thought this was rated PG! I guess Cloris has a family-friendly nipple.

This film wasn't BAD enough to be BAD, And it wasn't GOOD enough to be GOOD. It wasn't funny enough to be a comedy and it wasn't serious enough to be a crime drama. While the acting was good and the cinematography superb, I was expecting the film to overall be much more FUN - instead it turned out to be a big, crazy bore. Maybe if it was rated R, there would be more sex, more realistic violence and a more spicy script. Instead, we have basically an episode of BEVERLY HILLBILLIES with a nipple.

For those of you who watch those PBS "1950's oldtime rock n roll reunion pledge break specials", the soundtrack might be appealing to you. I found it wretched. I give the film 4 out of 10, because my only "Huh?" had to do with the previously mentioned nipple. Let's hope BLOODY MAMA with Shelley Winters is better - or at least has less nipple!

BIG BAD MAMA

This was a guest blog post from my good friend Danny...originally from 2007! Enjoy...Hi bad movie fans, Danny here - BIG BAD MAMA (1974, directed by some guy called Steve Carver) is drive-in classic I remember my father taking me to see when I was six. I consider it the best "Mother As A Role Model" movie ever made!

First off, let me tell you how excited I was to learn that this movie starred Robbie Lee who some of you might know as the baaaaad girl from SWITCHBLADE SISTERS (Maybe Doug will let me review that too one day)! Not three minutes into the movie and she was already showing her left booby.

Actually, this movie was just full of boobies and tushies and even Angie Dickenson got in on the act!!! As a six year old, it was all the same to me, but I don't think I was really ready to see Sgt. Pepper Anderson's fleshy badges all up in the windshield of dad's 1969 Thunderbird. I was confused, was she America's favorite POLICE WOMAN or a tit-flinging bank robber?And just why is she having sex with Captain Kirk when she just had sex with that guy who's gonna be attacked by an ALIEN in about five years? (Tom Skerritt)

Getting back to a more serious issue...what's with all this booby & tushie? Is this really appropriate viewing for a six year old? What was my father thinking??? And if I'm old enough for this, why aren't I old enough to go to Disneyland four years from now???

Also... why aren't things exploding? For the amount of gunfire there was in this movie, NOT ONE thing blowed up good and that was very disheartening. No one even got shot in the cooch, but William Shatner got shot dead and that was good enough.

I think if you examine the movie poster above, you'll get what the movie is and you'll probably ask, "Who's driving that car?" Beats me.

Did we learn anything from this movie? Yes, and that is... it's never too late to start a new life... or rent a different movie.

Doug gives this one 7 outta 10.

SANDY IN DISNEYLAND

Remember TV variety specials where you could get to see your favorite "stars" doing things they normally didn't do on TV-like perhaps singing, dancing or doing magic tricks? Back in the 1970s, it seemed like the networks would program such "specials" at least once a month - usually filling a timeslot vacated by a low-rated or cancelled show and starring a personality who already had a development deal with the network. Lynda Carter? Cheryl Ladd? Paul Lynde? These shows were primarily sponsored by one company, like Kraft (be sure to check this week's TV Guide magazines for more recipes!) or Burlington (hey, isn't that Petula Clark swinging on a rope?). Well, today I'm gonna look at one such special, from 1974 and sponsored by McDonald's, it's called "Sandy in Disneyland".

Sandy Duncan was the Nabisco Triscuits spokeswoman and an acclaimed Broadway musical comedy star from the early 70s. By 1974, she had starred in two short-lived CBS comedies. I believe the first one, FUNNY FACE, ended when Sandy had brain surgery and lost an eye. She came back the following year in a similar show called THE SANDY DUNCAN SHOW. I remember really liking her as a kid - but I'm not really sure why. Maybe it's because she was also a guest on THE NEW SCOOBY-DOO MOVIES - another CBS show. So it makes sense that this special aired on CBS, even though Disney was almost exclusively an NBC fixture back then.

The hour starts simply enough with Mickey Mouse taking a bow before an orchestra, who then all stand up and don "mouse ears" (canned laughter and applause begins here and continues CONSTANTLY throughout the show). The generic CBS voiceover guy announces "Ladies and gentlemen, Miss Sandy Duncan!" - who appears dressed in all white and glitter and begins singing a creepy song about being in love with Mickey - then Donald appears and she sings about all three of them being in love. Then Goofy and Winnie the Pooh (!) arrive, followed by the Seven Dwarfs and even the Casey Jr. Circus Train -and Sandy is totally IN LOVE with all of them. Rodents, fowl, dogs, bears, dwarves and man-made objects. Sick.

Then the voiceover guy returns to tell us that we're watching SANDY IN DISNEYLAND with guest stars: Ernest Borgnine, Ruth Buzzi, John Davidson, Lorne Greene, The Jackson Five, Ted Knight, Loggins & Messina (!) and Doc Severinsen...sponsored by McDonalds cause "you deserve a break today". Wow.Next up we see Sandy in Fantasyland outside the popular "It's a Small World" attraction, and she's trying to explain in her kooky way why Disneyland is so special. Thanks, Sandy. Then of course, she breaks into song: namely, her rendition of "Hi-Diddle-Dee-Dee (An Actor's Life for Me)" from PINOCCHIO (1940) - only she's backed up by characters from ALICE IN WONDERLAND. Huh?

Then magically she's in Frontierland - visiting the Country Bears and squawking her way through an annoying hillbilly song. One wonders how "song-and-dance" was ever used to described Sandy's talents. Sandy soon runs into BONANZA and BATTLESTAR GALACTICA patriarch Lorne Greene and suddenly she's Southern Belle (much like her later role in ROOTS, which also starred Lorne Greene!) and Lorne is a sophisticated and mature Rhett Butler - but it's then revealed that he's standing there in his boxer shorts! Remember when seeing somebody famous in their underwear was funny? It was usually Tim Conway, but Lorne Greene will do.

Next Sandy's inside "It's a Small World" - but suddenly, she's swept away to the Main Street Cinema where she's starring in "The Perils of Sandy" - a stupid sepia-toned homage to silent movies where women get tied to railroad tracks. Unfortunately she is rescued. Before you know it, Miss Duncan is leading a parade down Main Street. Curiously, Minnie Mouse is no where to be seen. Hmmm...

Next the Jackson Five appear and sing an embarrassing Gilbert & Sullivan parody leading into a pre-recorded medley of their two hit singles. Sandy does not interact with the Jacksons at all, leading one to suspect that she is as racist as her character Missy Anne in ROOTS.

Next up, Sandy and Ruth (LAUGH-IN) Buzzi pretend they are thieves who want to rob Haunted Mansion - while singing "Fortuosity" from the notorious Disney bomb THE HAPPIEST MILLIONAIRE (1967). They tour the mansion as if they have transformed themselves into Doombuggies, navigating by the conservatory, through the hallway of doors, down the stairs into the ballroom, the attic, and they wind up sitting on tombstones in the graveyard. This number is actually BETTER than the Eddie Murphy movie based on the ride, which isn't saying much.

Next up, Loggins & Messina (WHY are they here???) look bored and frankly, anguished to be performing a depressing song on Tom Sawyer Island. Then we are "treated" to a god-awful sketch featuring MARY TYLER MOORE SHOW's Ted Knight and Sandy on The Jungle Cruise filled with some of the most cornball jokes imaginable. One wonders if this inspired the sarcastic attitude that the tour guides now dish out on the ride.

How can we top that? How about Sandy and Cosmopolitan nude centerfold model John Davidson on Main Street wearing matching outfits singing about getting "roped and tied" - which I find completely disturbing. This is followed by Davidson poorly crooning the Carpenter's "Top of the World" as strangers' kids climb all over him.

Later, Sandy sings with Ernest Borgnine as they walk and paddle their way thru Pirates of the Caribbean -spelunking around the coves, through the golden treasure, and even the captain's quarters (with a skeleton in the bed!). After this debacle, Sandy buys a shawl in New Orleans Square (I surely did not know there was a shawl shoppe there!), and runs into THE TONIGHT SHOW's Doc Severenson and dances to Peggy Lee's "Fever" while a dozen shirtless guys in pink chaps back her up. What would Walt say???

Following this, Loggins & Messina are back - but this time in a comedy skit! The duo are playing duelling "Prince Charmings" to Ruth Buzzi's Sleeping Beauty in drag - only the prince in that story, actually had a name - Phillip. Charming was from SNOW WHITE...or was it CINDERELLA?.

As if that wasn't enough, Sandy and Lorne Greene soon are reunited for "an old-fashioned walk" all over the Primeval World diorama while singing a horrific duet. They interact with a baby Triceratops and even walk under the belly of a Tyrannosaurus! It's really odd to see "live" people interact with animatronics- especially when Sandy gets clubbed by a caveman. More wacky comedy!

In the final comedy segment, Ted and Ruth play a couple of annoying tourists. While Ruth blathers on about how she wishes he was more heroic, he manages to pull the "sword" out of the "stone" - only for some unknown reason it's not King Arthur's sword - but a Musketeer sword!!! What follows is a inane swordfight all over Sleeping Beauty Castle, as Ted fights off villains and rescues a fair maiden, even throwing a guy into the moat. Murder in Disneyland!

When you think you've just about seen (and heard) it all - Sandy's back all dressed in white singing "He Touched Me" from FUNNY GIRL... about Mickey Mouse!!!! This leads into her being a part of the Electrical Parade and concludes with a totally orgasmic fireworks show.

Wow - somehow I wonder WHO at Disney approved this mess. It seems like they just recklessly broke all the unwritten rules (except perhaps showing Mickey with his head off). Between mixing up songs and characters from across the Disney pantheon, and "interacting" with the attractions - it seems like somebody at Disney was asleep at the wheel. I don't think this could ever happen today. In one way, it was great to see what the park looked like in 1974 - but all the forced "entertainment" just seems to detract from the real magic of the park itself. All in all, I'll give it an 8, because it's totally a must-see for historical reasons alone. In fact, I'm really looking forward to seeing SANDY'S CHRISTMAS IN DISNEYLAND from 1976!!!

Other Duncan appearances in Disney productions: THE FOX & THE HOUND (1981), THE CAT FROM OUTER SPACE (1978), and THE MILLION DOLLAR DUCK (1971).

JACK AND THE BEANSTALK

Time for another family-friendly holiday treat from Barry Mahon - the genius filmmaker who brought us THE WONDERFUL LAND OF OZ (previously reviewed by Danny). This time we have a wonderfully inept retelling of the storybook classic, JACK AND THE BEANSTALK from 1970.

The movie opens as we meet Jack and his poor white trash family: his mother who looks like a cross between Nannette Fabray and Jean Stapleton and dresses like an orange pilgrim and his greedy and trampy-looking sister Rosemary – who is complaining that no one will EVER want to marry her because she has no dowry. Mom reassures Rosemary that since she's pretty good at doing housework that eventually someone will want her. Thanks for the positive re-inforcement, Mom. Really, thanks.

Jack, meanwhile is a teenage gay-in-training, much like UGLY BETTY's nephew Justin - and he dresses in a plethora of snazzy outfits featuring wide brown stripes and suede with fringes. He's really working the "Peter Brady during puberty" look. The family is distraught cause Papa is dead and they've apparently squandered everything that he left them. Oh, not everything. There were some things that Jack's dad invented like a mechanical goose that can lay golden eggs, a talking golden harp and some other golden crap - but somehow someone stole these things, depriving Rosemary of her oft-mentioned dowry.

Mom then announces it's time to sell the family cow because it gives very little milk these days. So, rather than doing it herself, she enlists Jack to take the cow to town to sell it. Jack then sings a wretched song, looking as if he's as bored as I was.

In a town where the backdrop looks like it was painted by a junior high theater class, we meet Honest John - Used Cow Salesman. Honestly. For some reason Honest John (to be hereafter referred to as "HoJo") dresses like Little Lord Fauntleroy while all the townsfolk got their duds from the 1970 JC Penney catalog. Then HoJo "sings" some terrible song and gets Jack to accept a handful of "magic" beans instead of cash for the cow. HoJo then proceeds sells the cow to Cat Stevens for $30.

Meanwhile, back home, Rosemary is still complaining about NEVER getting married. Oh shut the FUCK up already! When Jack returns home he tells them about his great magic bean deal with HoJo and Mom and Rosemary basically call him a stupid asshole - which he is.

Next we see HoJo walking around some cave trying to decide where to hide his "Used Cow" sign. This goes on for about five minutes until Jack and his sister, obviously spelunking, come across the cave and his sign. Then they go home. Huh?

A cuckoo clock on fast-forward tells us that time has passed. Mom - still in her orange gown from yesterday - opens up the dining room shudders to reveal a bad oil-painting of a landscape! Rosemary then shows up in her same clothes from yesterday...eww. Mom's so pissed at Jack and the whole bean situation that she chucks them out the window- where they instantly sprout into a big vine made up of fake ivy from Joann's Fabrics. Jack of course decides to climb it while singing another dreadful song - not even noticing the painting of a castle behind him. Then he turns, sees it and decides to head towards it - in a manner that could be described as "a spastic shuffle". Was it a long distance to travel or was the cloud-cover ground all sticky? We'll never know. He repeats this odd way of "walking" several times throughout the movie. Making me scream "Huh?"!

Meanwhile, Mom beats herself up for scolding Jack and letting him go up the beanstalk. Too late, Mom.

So Jack makes his way to the castle, opens the door and sees a kindly woman cleaning up. Then we see the "giant" - who's really just a Silver Lake Bear - a chubby, hairy guy who shouts a lot to get attention. The giant (to be hereafter referred to as "The Bear") sits in an oversized chair, and uses oversize utensils - making him seem rather small. Wait... shouldn't his hand props be SMALL to make him look BIG? Oh never mind. Another big "Huh?" Oh then he sings a horrendous version of "Fee Fi Fo Fum" for the first of three times.

So after he eats his meal, his "wife" brings The Bear his golden goose (a papier-mâché blob about the size of a chicken). It then lays him a golden egg! Jack decides this must be his father's invention and steals it as The Bear takes a nap. When Jack carries the goose it's suddenly a turkey-size papier-mâché blob, meaning that the giant isn't really that much bigger than Jack. Jack slowly climbs down the stalk in the first of several long uncomfortable shots that seem to linger on his very tight, form-fitting trousers. When The Bear awakes he announces that "if I find him - I'll crush his balls" - or at least that's what I heard.

The family welcomes Jack home and the goose lays a golden egg for them. Yippee! It's like winning Lotto...with a stolen ticket. Meanwhile, HoJo tells Rosemary he's starting a new business - selling Magic Beans. She tells him to get lost cause she's now engaged to be married. Huh? Then a couple who look like Joan Collins and Sonny Bono refuse to buy HoJo's beans. We then learn that HoJo gets his beans cheaply and upsells 'em! Boo! Hiss!

We next meet Rosemary's hunky boyfriend, who first tells her that her lack of a dowry doesn't matter - but it would help if she were rich because then they could buy an inn and run it together. So they send Jack back up to steal more gold shit from The Bear.

This time The Bear is eating fried "Creepy Crawlers". After his meal, his poor wife brings him his magic harp, which sings to him as he counts his gold. What the heck does he spend his gold on anyway? Are there any other people up in giant land? Where does his wife shop? Costco? Big Lots? Giant Depot?

Jack makes it back home with The Bear's gold in time for a party - Mom's gone all Martha - serving finger sandwiches, punch and a Red Velvet wedding cake. Everyone is dressed in fancy pajamas and nightgowns, as all the townsfolk dance to accordian music. It's like THE LAWRENCE WELK SHOW meets the birthday party scene from PINK FLAMINGOS. Meanwhile, The Bear is rigging a trap for Jack, in case he ever comes back to steal something else!

Time passes and Rosemary and her husband (?) are discussing whether or not to serve liquor at their bar. Huh? Meanwhile, HoJo continues to piss off the townsfolk - so they decide to have a meeting about getting rid of him. It's about time, people. More time passes, and we learn that the Inn isn't doing well because there's no "live entertainment". So Rosemary and this other girl get a plastic cup and fill it with - oh wait. Wrong video.

So, finally Jack decides to grab the damn singing harp to help out his miserable thankless bitch of a sister once more. Then HoJo gives a boring soliloquy about something and that's the last we see of him. Jack manages to grab the harp, but The Bear wakes up and starts climbing down the vine...oh no!!! Will the townfolks meet The Bear face-to-face?

No way - cause Jack runs out, chops the vine down and The Bear falls to his death. Then the entire cast crawls out of the woodwork for a song about "happy endings"...and Jack mentions that he fells bad for the wife because she happened to "hook up with the wrong guy". Huh?

Wow - did I mention this was only 63 minutes long? Worth watching if only to see how misguided an attempt at modernizing a classic fairy tale with no budget, painfully bad songs and first-time non-actors could turn out. It's THAT bad. 5 out of 10 "Huhs?"

DOLLS

Another Holiday weekend treat - bridging the ever-shrinking gap between Halloween and Christmas. Stuart Gordon's DOLLS (1987) opens with two slutty punk rock chicks hitchhiking by the side of the road somewhere in Europe…as a car carrying a family speeds by. The family turns out to be a high-strung dude named David Bower who is on a very ill-concieved vacation with his selfish new wife (and possible transexual) Rosemary (aka Cruela Devil) and his whiny young daughter Judy. They are driving through the country when a sudden freak rainstorm traps their car in the mud. When they have to leave the car, Rosemary, tosses little Judy's teddy bear into the woods so it won't slow them down. Huh? Judy then imagines her teddy bear coming to life and ripping her stepmother's to pieces! If only.



The happy family stumbles upon the only mansion around, and are startled by a kind, but creepy old couple named Gabriel and Hilary Hartwicke who live there with their collection of dolls. Are they Satantists? Are they witches? Or are they just old old and crazy? The elderly duo invite the family to join them for dinner and to spend the night. Precocious little Judy quickly makes friends with the old folks, who turn out to be accomplished (and extremely prolific) toymakers! Just like Santa Claus! Before too long a loveable manboy named Ralph arrives at the house along with the two annoyingly rude punk chicks (named Enid and Isabel) who turn out to be British - so they ARE authentic punks - despite the fact that they look like Madonna and Sheena Easton.

Little Judy takes a liking to Ralph, turns out they both like to play with dolls. Gabriel takes Ralph and Judy on a tour of the mansion, and we begin to notice odd camaraderie between the three. The old man gives Judy a Punch doll to play with because her teddy bear is gone. The punk girls make themselves at home by blasting terrible music and hatching a plan to steal some dolls after Hilary tells them that some of the dolls are antiques.

Cruela is relieved that she doesn't have to share a room with her stepdaughter Judy. We can't figure out what bug has crawled up Cruela's ass, but whatever it was causes her to always wear some sort of turban on her manly head.

Later, we learn Judy seems to think that the dolls or "little people" can come to life and nobody seems to believe her- except for her "friend" Ralph. The Madonna wannabee sets out to explore the house (looking for things to steal) while Sheena hangs out in the room dancing and putting on more makeup. Judy decides she needs a glass of water, and eventually the dolls do decide to come to life!!! As the night progresses, Judy convinces Ralph that something's up in the house and soon they discover blood in the hallway. While exploring the attic we see that the Madonna chick has been murdered. One down, one to go.

Sheena then accuses Ralph of raping and killing Madonna and suddenly Judy's father is aware that his prepubescent daughter has been wandering around the spooky house with a grown man - and accuses Ralph of molesting Judy. Are you following this?

Next, Cruela gets attacked by a bunch of dolls with little mini-weapons, and she looks down to see that one of the dolls is sawing off her arm, while two other dolls are trying to saw off her leg! They even yank off her turban! After showering, David gets into bed with Cruela, unaware that she's been killed. The white sheet she's under starts to have this spreading blood stain on it, and then her doll-mangled corpse is revealed. Ewww...

More chaos ensues as Ralph realizes that Judy's right about the living dolls. At first he starts stomping on them, and they launch a full-scale attack on him, but Judy convinces them that he's really a big kid and after a quick meeting, the dolls decide he's okay by them. Whew - that was a close one!

After discovering Cruela's corpse, David is now on the warpath and we see that many of those dolls had little tiny skulls underneath their porcelin heads, possibly indicating that they began their existence as human beings!!! What exactly is Hartwicke up to???

There's a big, final confrontation between all parties involved, which I will not spoil - but I will say that there is a clever twist ending involving Judy, her dad, Ralph and her real mother (who lives in Boston). The next morning, Gabriel and Hilary have lots of cleaning up to do, especially since another car has broken down outside their house...

I loved this movie. The doll effects were cheesy, but effective. The acting, while not great, was always enjoyable. Even little Judy wasn't as annoying as horror movie kids usually are. At times it felt like all the actors were not taking any of this too seriously, and that helped make the whole affair quite fun. I give this one a 9 outta 10 "Huhs?". See it!

STONE PILLOW

The second film in my Lucille Ball Double Feature is STONE PILLOW, which I like to call WHATEVER HAPPENED TO AUNTIE MAME?

This 1985 CBS TV-movie was Lucy's big attempt at being taken seriously. Following in the fottsteps of Carol Burnett in FRIENDLY FIRE and Farah Fawcett in THE BURNING BED, America's sweetheart decided to play a cranky bag lady in a "gritty" (for network TV) expose of the homeless problem in America.

The story opens on the mean streets of New York City, where we see a pile of black garbage bags. Under that pile is Lucy! Baggy eyed and dressed in many layers of tattered clothes, this is a far cry from the soft-focus of MAME. But yet, as soon as she speaks - it's the same old Lucy we've seen everywhere else, only this time there's no Ethel Mertz or Mr. Mooney to bail her out. We learn that her name is Flora, and she's the neighborhood's favorite lovable bag lady - like a stray dog that everybody pets and feeds but doesn't want to take in because she may have fleas.

After crawling out of the garbage, Flora parks her shopping cart and proceeds to wash her face with a hose. For some reason I'm reminded of the old Harpo Marx mirror gag.

Next we meet, Carrie played by Daphne Zuniga, after THE SURE THING but before SPACEBALLS and MELROSE PLACE. Carrie works at a women's shelter where someone has broken in and stolen supplies. I think it was Carrie's fault. Her boss tells her that she needs to see what it like out there on the streets. I don't think he means literally. I could be wrong.

Meanwhile, Lucy brushes her teeth and hair (good grooming never hurt anyone!) and a beat cop brings her an old sandwich. He also tells her about some drugged up kids who killed another old lady. She ain't scared of no kids!

Lucy settles down on her cardboard box to read yesterday's paper. Then a fruit truck shows up and Lucy helps herself to some damaged veggies - and in an obvious homage to ROCKY and possibly Edith Massey - eats a raw egg. Ewwww!

Meanwhile, Carrie tries to chat with a homeless guy who offers her a sip from his bottle of booze. Some teen-age toughs try to steal Lucy's crap - then she crosses the street with her cart and almost gets hit by a car because she spots Carrie feeding pigeons with a discarded bun that she had her eye on. The tough guys then mug Carrie in broad daylight and steal some crap from Lucy's cart. Where's that damn cop now that we need him?

Lucy thinks Carrie is a runaway - she tells her to get herself to a shelter-pronto! Lucy then yammers on about somebody named "Sonny" - possibly her son? I'm just guessing.

Next the guy who played the fake "Michael Garrison/Hudson" on ANOTHER WORLD attempts to buy Lucy some coffee while she attempts to take a poop in a stairwell. While trying to pinch one out, another homeless woman tries to steal her shopping cart - but Carrie steps in and foils the robbery. What a team these two make!

Lucy finds half a roast beef sandwich and slice of melon in the trash and offers it to Carrie. Once again Lucy tells her that she needs to go to the shelter, but Carrie's just not having it. After they share a dinner, Lucy drinks vinegar "to toughen her feet" - she also spouts out some sage nutritional information about things like raw vegetables and iodine. Luckily she doesn't sing.

One of the produce store guys warns Carrie that some girl was raped in the alley, prompting Lucy to teach Carrie how to act "crazy" to defend herself. Oh that Lucy, gotta love her! I'm guessing it's about 10PM at this point. Then they have a heart-to-heart and Lucy tells Carrie all about her farm where she used to grow her own veggies. Lucy tries to leave Carrie behind in the Port Authority, but they both end up getting kicked out by a mean guard. Must be like 11PM now, right?

The long night continues as they attempt to get some money by recycling some soda cans, but the supermarket worker comes on to Carrie and she runs out without the money or the cans. Lucy calls her dumb (or was that me?) and Carrie breaks down, crying "Life is so hard, I had no idea!!!" Is it midnight yet?

Then they settle in a stairway for the night (so they think) and Lucy takes out her teddy bear. And soon a stray dog joins them. Awww...they have become a little family. But then a another mean cop wakes them all up - forcing them to head for Grand Central terminal. Once there, Lucy shows Carrie her son Sonny's baby spoon, and tells the story of how she ended up on the streets. Turns out Sonny got sick then she got sick and was hospitalized. When she got out her husband and son were gone. She tried to find them to no avail. Then she tried working as a housekeeper, but that didn't work out. After trying to live on welfare she ended up "outside" without an address to get her checks mailed. Then she gives Carrie the spoon because she kinda looks like Sonny. Huh? I'm guess it's around 1AM now. It's gotta be.

Suddenly, Carrie is sick to her stomach (from Lucy's terrible "cooking"). Lucy goes to get her medicine and while she is gone a guy named Max turns up - and he begins spouting statistics about homeless people and tells Carrie the backstories of some of the people who live in the Underground. He thinks Carrie's a reporter or something - especially when she freaks out over the lice in her hair. 2AM-ish now, you think?

Meanwhile, Lucy sips tea with Mr. B, the pharmacist, who is being evicted cause he lost his lease. What time of the night is it exactly ??? Why is Mr. B. still working at this late hour? It must be like 3AM by now...

Back in the Underground, two sleazy guys try to rape Carrie despite her lice and her telling them she's sick and contagious. A nice, helpful African American woman saves her and cleans her up while telling her tragic backstory. Lucy returns with pills for Carrie, but Max tells her that Carrie is not what she appeared to be. 4AM...I'm just guessing.

Lucy heads to the Women's Shelter in hopes of finding Carrie there - she does - only Carrie is all cleaned up (and de-liced?) and working!!! Huh? Is this REALLY all one night??? Come on...

Lucy freaks out over Carrie's manipulation and gets separated from her shopping cart and is put on a bus to Brooklyn with a bunch of other (mostly crazy) homeless women. Carrie's boss reads her the riot act as Lucy continues to freak out on the bus. The Brooklyn shelter woman gives her money for carfare back to Manhattan - but a gang of metalheads and a rat make her change her mind. She'll stay for just one night. Wait - it's still night?

Lucy showers and tries to sleep, but a cat fight erupts - and Lucy tries to intervene and is banished to the TV room where other homeless women are watching DYNASTY - at 5AM??? One of the women freaks out and smashes the TV - of course Lucy gets blamed. Oh sweet Jesus - can things get any worse for Lucy???

After Carrie calls the shelter and is treated poorly - her coworker Anna Maria Horsford (of AMEN fame) tells her that she can help Lucy get off the streets. Lucy gets her carfare and heads out of the Brooklyn shelter. She thinks she see Sonny, but it's actually a pile of rats. After yelling like Lucy Ricardo, she finds shelter in a dark, abandoned building. She then finds a toy horse, leans against a wall and slowly sinks to the floor. She then flashes back to her previous life: her husband, her home, her son and her younger self. This part was actually effective and quite moving - either that or my cough medicine kicked in.

Well, it's FINALLY morning - and after the longest night ever recorded - Lucy awakens! Carrie calls the Brooklyn shelter again - and again gets no help. She then heads to all Lucy's favorite haunts but can't find her anywhere - but one of the Underground women from last night leads her to Max! Meanwhile, Lucy eats cat food.

Max turns out to be "public accountant" who helps homeless people by doing pro bono work for them. He's also befriended them because they are just like us - except homeless. Max leads Carrie to Lucy - but it might be too late - Max declares her dead. But it's NOT her - the real Lucy then shows up and the nice cop gives her another stale sandwich! Carrie gives Lucy back her cart - then Lucy almost gets hit by a car AGAIN!

Carrie tells Lucy she wants to help her - she wants to give her a REAL home again - but Lucy says NO! Carrie has friends who will rent a guest house with a garden to Lucy (I hope it's not those Upsons!). Carrie wants to repay Lucy for taking care of her - but Lucy says NO! Then Carrie gives Lucy back the spoon.

THEN Lucy changes her mind and chases after Carrie. Over the end credits, we see Lucy driven to her new home - and the dirt patch where she can grow her vegetable garden - and fertilize it with her own poop!

This movie felt twice as long as MAME - like an entire season of 24 all at once - and had so many "Huh?" moments, my brain was numb afterwards. I guess it was a brave choice for Lucy - but torture for us viewers. To erase the image of Flora from people minds, Lucy later returned to TV comedy in LIFE WITH LUCY. Wish THAT was on dvd!

7 outta 10 "Huhs?" because Lucy poops.

SCARECROWS

SCARECROWS (1988, directed by William Wesley) revolves around a group of thieves who have just robbed a 3 million dollar military payroll (in cash!!!) from Camp Pendelton and are on their way to a tropical island to live it up. Oh yeah, they have "kidnapped" a pilot, his bratty daughter Kellie and Dax, their cute pit bull terrier.

Things start to go wrong when one of the damn thieves decides to take the money and run - parachuting from the plane, and landing in a cornfield (where no corn plants actually grow)...but there are scarecrows aplenty...and a spooky old farmhouse!

The remaining robbers land the plane and head for the farmhouse. With the aid of night vision goggles and Janet Jackson-inspired headsets, our little A-Team sets out to find their AWOL partner in crime.

They come across the abandoned farmhouse - once owned by the Fowlers - three redneck hillbillies (we know this cause we keep seeing their crooked black & white family portrait on the farmhouse wall and their old truck has a Confederate flag - they must be Ted Nugent fans). A sign outside reads "No Trespassing" so of course it's an invitation for our crew to enter. Yikes, Scoob!

The team leader is a cleft-chinned matinee-idol named Corbin. He's the least interesting character in the whole movie. His cohorts includes a butch blonde Bonnie Tyler lookalike named Roxanne, who plays an unwilling babysitter for Kellie, the pilot's increasingly annoying teen-age daughter. Roxanne begins to warm up to Kellie by offering her some rouge (or "blush"), though the teen remains icy to her cosmetic offers and seductive gazes. Another likeable team member (Jack?) wears a red bandana around his neck, we assume it's because he's into fisting. Just a guess. There's also a huggable bald/daddy bear type fellow named Curry who seems to have an endless supply of cigars, cause he's smoking one is every scene! He also takes a liking to young miss Kellie, who is wearing virginal white and remains "clean" for most of the movie, while everyone else is covered in blood, sweat, dirt and rouge.

Kellie's dad is the first to go missing. So, then, one by one, the three main Scarecrows in the "cornfield" come alive and kill off the trespassers, dooming their victims to live on as scarecrow/zombies as well! Hmmm...three Scarecrows...three Fowlers in the dingy family photo. Do I really need to spell it out?

After almost all the thieves are systematically slaughtered in slasher-movie repitition, Kellie, Curry and Dax escape the farmhouse and make their way back to the plane (Kellie can fly it cause daddy showed her how), not knowing that daddy has now become a scarecrow!!! Of course, I'm not gonna tell you how it ends, you'll just ask "Huh?"

Well, aside from the occasional dorky Rambo references (it was 1988 after all) and some awkward lesbian moments between Roxanne and Kellie, there isn't much fun to be had here. And frankly, there's nothing much to be scared about either - unless of course you happen to be a crow. I give this one a 6 out of 10 "Huhs?" just for trying.

Some interesting notes: Radio news broadcast voice is provided by Don Herbert, the late Mr. Wizard. Station call letters are WORZ, but should be KORZ since this supposedly takes place in Southern California. Also, this is supposedly based on an actual event which occurred in Texas in 1972. But I think the part about the supernatural scarecrows was made-up to make the robbery story seem more interesting.