Showing posts with label primetime. Show all posts
Showing posts with label primetime. Show all posts

Thursday, May 28, 2015

Remembering BEACON HILL



Due to the success of both DOWNTON ABBEY and the overall revival of interest in period drama- witnessed by shows on both PBS and cable - NBC gave a bright green light to Julian Fellowes’ THE GILDED AGE - a serialized drama set in late 19th Century New York City and focusing on the rising and plunging fortunes of “the princes of the American Renaissance.” The show was announced in 2012 and Fellowes will finally begin writing it later this year when his work on DOWTON ABBEY wraps up.

This news led me to recall BEACON HILL, what was considered by many to be one of the biggest flops of the 1970s. BEACON HILL was CBS's costly (the pilot reportedly cost a million dollars!) and overhyped attempt to recreate the magic of the original UPSTAIRS DOWNSTAIRS. 




The series dealt with he Lassiter family in 1920s Boston, a wealthy Catholic clan. and their staff of servants. The show opened on Prohibition Eve, January 15, 1920 as The Lassiters celebrated with their last drinks. Subplots dealt with brothels, affairs with professors and dalliances with between Lassiters and their staff.


Rather than filmed, the show was videotaped like a sitcom or daytime soap, much like many PBS imports from England. Ratings for the August 26th premiere were healthy (25.4 rating/44 share), but subsequent episodes nosedived, and despite  John Hawkesworth, the producer of UPSTAIRS DOWNSTAIRS, being called over from Britain to assist.




The patriarch was Benjamin Lassiter (Stephen Elliott, later Douglas Channing on FALCON CREST) - a self-made businessman who dabbled in the corrupt Boston politics of the day.



Benjamin’s wife was Mary Lassiter (Nancy Marchand, later the matriarch of THE SOPRANOS) - an elegant society woman who was past her best years.



The Lassiters had five children:



Maude Palmer (Maeve McGuire, later Countess Elena DePoulignac on ANOTHER WORLD) a conventional mother of four, married to the pleasant Richard, who had an interest in yachting (played by the versatile Edward Herrmann).



Emily Bullock (DeAnn Mears, later Judge Maria Gance on LAW & ORDER) was a caustic, jealous beauty. She was married to Trevor (Ray Cooper) who was "old Boston, old money".



Betsy Bullock (TV-movie stalwart Linda Purl) was Trevor and Emily's spoiled 18-year-old daughter.



Fawn Lassiter (daytime soap graduate Kathryn Walker) was artsy, freethinking and sexually liberated - and engaged in an scandalous affair with an Italian piano teacher.




Rosamund Lassiter (Kitty Winn from EXORCIST 1 & 2) was an “old maid” at age 29 - she had a keen business sense and was sleeping with the family chauffeur (Paul Rudd, later Earl Trent on KNOTS LANDING).



Robert Lassiter (David Dukes, later Joseph McPhee on DAWSON’S CREEK) - the lone male heir - had returned from France after the Great War minus an arm and full of bitterness. In one controversial plot, Robert visited a black brothel.



Arthur Hacker (British Music all star George Rose) was the family butler, and like his UPSTAIRS DOWNSTAIRS counterpart, Mr Hudson, he was a father-figure below stairs.



He was married to  Emmeline (Beatrice Straight, later Queen Hippolyte on WONDER WOMAN) a poker-playing Irish housekeeper.



Emmeline’s niece, Maureen Mahaffey (Susan Blanchard - later Tina in the notorious MR. T. AND TINA) was also employed in the house as a maid.



The Lassiter cook, William Piper was African-American (Richard Ward - who later played Steve Martin’s father in THE JERK).



There was a footman named  Terence O'Hara (played by David Rounds, Mel’s cousin Wendell on ALICE) as well as maids Kate  (Lisa Pelikan) and Eleanor (Sydney Swire).



Also appearing: Ken Kercheval (DALLAS), Robert Prosky (HILL STREET BLUES), Michael Nouri (FLASHDANCE) and Holland Taylor (TWO AND A HALF MEN).



The series was produced by the Robert Stigwood Organization with music by Marvin Hamlisch (A CHORUS LINE). It was never rerun, never syndicated, and never released on home video. The show was put out of its misery after only 11 of the 13 episodes had aired. Let’s hope THE GILDED AGE has a better fate.

Saturday, December 29, 2012

Top Tensploitation: TV (2012 Edition)

A lot of TV critics' Top Ten lists seem to be very similar. BREAKING BAD, HOMELAND, MODERN FAMILY, WALKING DEAD, blah, blah, blah. Full of "edgy" and "daring" shows that I have no interest in watching. My list is just a bunch of shows that I enjoy week after week and as a part-time producer, ones that I wish I was involved with.
1) MAD MEN (AMC, Sundays) Back in top form after a hiatus. What can I say? This show is perfection. The most compelling cast and storytelling out there. While others have tried to imitate it's success (PLAYBOY CLUB, PAN AM, THE HOUR, MAGIC CITY and most recently VEGAS) - none were even able to come close. It's hard to pick the best episode or scene of the season because in my eyes it was all great. This is perhaps the best serialized TV drama of all time. There, I said it.
2) DOWNTON ABBEY (PBS, Sundays) Just having seen all of Season 3 (premiering in January on PBS) - this show keeps chugging along with all it's grand soapiness. Outshining and outliving the disappointing UPSTAIRS, DOWNSTAIRS revival - the Downton imitators are soon on their way. Julian Fellows' TITANIC miniseries was well-done in a very similar storytelling style, but ABC buried it over a summer weekend and it was barely noticed.
3) REVENGE (ABC, originally Wednesdays, now Sundays) I was late to the Revenge craze - watching all of Season 1 over one week in late summer in time for the Season 2 premiere. The first season was amazing - a rollicking rollercoaster ride of a mystery that kept me guessing all along the way. Unfortunately, Season 2 has been a huge disappointment - hopefully the show can get back on track.
4) SMASH (NBC, originally Mondays, now Tuesdays) The most entertaining pilot of 2012 led to the campiest bitchfest of a musical ever seen on TV. Great songs and over-the-top production numbers made this show watchable week after week and the backstage Broadway antics may have been unrealistic - but this "GLEE for grownups" made for perhaps the gayest hour of TV ever. I'm really looking forward to see what changes Season 2 brings in February.
5) HAPPY ENDINGS (ABC, originally Wednesdays, now Tuesdays) Funny, dirty, funny, sexy, funny, silly. I never fail to "laugh out loud" each week as these 6 "friends with issues" work with (or against) each other week after week to figure out life and love in the 2010s. Paired with the cartoony B IN APT. 23 for an hour of charming comedy.
6) EPISODES (Showtime) Season 2 of this behind-the-scenes sitcom was even funnier than the first. Great work by all. Looking forward to more.
7) DALLAS (TNT, originally Wednesdays, now Mondays). They said it couldn't be done. Off the top of my head, other than DEGRASSI, it's hard to recall any revival series that was successful. Okay, maybe 90210 - but does anybody even watch that? This revival picked up where the original left off and used the show's rich history to weave in new characters without neglecting the veterans. It will be interesting to see where Season 2 goes after Larry Hagman's death.
8) COMMUNITY (NBC, Thursdays) TV's most underrated and under-appreciated sitcom and the only NBC Thursday night show worth watching anymore continued to amuse, charm and tickle. What will happen now that creator Dan Harmon and co-star Chevy Chase are leaving?
9) PORTLANDIA (IFC) I'd describe this show as 'LITTLE BRITAIN meets TWIN PEAKS'. It's quirky and hipster-ish and while I've never lived in Portland, it somehow seems to get it all right. Clever and unique.
10) DAYS OF OUR LIVES (NBC, Weekdays) Salem continued to keep my attention this year despite some missteps (Alamania, Stefano's "murder", the new Celeste). Fun storylines like the "Daysaster" and Eileen Davidson's return as Kristin Blake have been balanced out by great dramatic turns like the Will/Sonny relationship and Caroline Brady's Alzheimer's plotline. We said goodbye to favorites Lexie Carver, Bo Brady, Carrie Brady and Jack Devereaux - but welcomed back some beloved characters as well (Eric Brady, Nurse Maxine, Nick Fallon, Doug and Julie). Behind-the-scenes drama led to a quick disposal of Madison James and Ian McAllister and a few others - but Dr. Marlena Evans finally took the spotlight in some well-written scenes with her gay grandson Will and her newly-returned nemesis Kristin. While ratings have been up & down - I feel the show is a solid contender and with the popularity of serial drama once again on the rise - DAYS may be around for a few more good years.

So, you may ask, what dropped out of my TOP 10 from last year? Well, let's take a look:

PARKS & RECREATION (NBC, Thursdays) Still a well-made show - but I've dropped it from my regular viewing because it just wasn't as funny as it used to be. Not sure why.

UPSTAIRS DOWNSTAIRS (PBS, Sundays) A disappointing second season was a poor exit for the revival of the TV classic. Be forewarned DALLAS.

LOUIE (FX, Thursdays) Some great episodes this season - but overall I found it too depressing to keep watching.

WILFRED (FX, Thursdays) The concept wore really thin, really fast for me.

and finally...

AMERICAN HORROR STORY (FX, Wednesdays) - Last year this show was my #1 pick. My favorite series of the entire year. This season, however...it has become a weekly dose of "torture porn". It is so sad to see great actors like Jessica Lange, Sarah Paulson, James Cromwell, Clea DuVall, Chloe Sevigny and others demean themselves week after week in a series of violent, pointless and just plain dumb scenarios. Plus, it's not even scary anymore. I gave ASYLUM a fair chance and lastedabout 6 or 7 episodes when I decided I just couldn't take it anymore. To see this show still on some critics Top 10 lists sickens me. Never has a series gone from great to utter crap so quickly. Not sure if it will ever redeem itself.

That's how I see it. Feel free to discuss. Happy New Year!



Friday, September 30, 2011

Return to PEYTON PLACE, Part 2

Yesterday I explored the "roots" of PEYTON PLACE, the hit primetime serial which debuted on ABC in the fall of 1964. I recently began watching the show on DVD and am becoming slightly obsessed with it.
The show originally aired twice a week (Tuesdays and Thursdays at 9:30PM) for it's first season and and both half-hours ranked in the Top 20 and leading the expansion to three nights a week (Tuesday, Thursday and Friday) in June 1965.
The lovely Dorothy Malone assumed the role of Constance MacKenzie (following in the footsteps of Lana Turner and Eleanor Parker), the single mother who ran the local bookshop and raised sweet, naive Allison (played by 19-year-old newcomer Mia Farrow).
In the very first episode Dr. Michael Rossi (Ed Nelson) arrives from the big city to set up shop following the death of Doctor Donald Brooks. Turns out Rossi was present at Alison's birth and knows something about her absentee father. This freaks Constance out - and clues to the baby daddy's true identity are dropped.
Sweet innocent Allison is drawn to bad boy Rodney Harrington (Ryan O'Neal, wearing some very revealing trousers) and mama Connie is none to happy about this - mostly because Rodney already has a girlfriend.
Meanwhile, Rodney's father Leslie Harrington (Paul Langton) is about to enter into a torrid affair with his secretary Julie Anderson (Kasey Rogers), when Rodney walks in on them! We soon finf out that Julie's husband is an abusive salesman and she's much better off in her boss's arms.


Soon Julie's not-so-pure daughter Betty (played by future VALLEY OF THE DOLLS diva Barbara Parkins) is dumped by her boyfriend. Guess who? Rodney! Meanwhile Rodney's brother Norman (Christopher Connelly) is in love with Allison...
All these romantic entanglements and mysteries overlap and intertwine like the best of daytime soaps, though the show is not videtaped and scored with organ music, but filmed to look somewhat like a cross between a feature film and a sitcom.
The lush cinematic score and the gorgeous New England scenery elevate the show and give it a warmth and richness which I find very comforting.
The show ran for 5 seasons in total, and along the way it converted to color and featured great performers like Lee Grant, Ruth Warrick, Gena Rowlands, Ruby Dee, Barbara Rush, Mariette Hartley and even pre-AIRPLANE! Leslie Nielsen.

The show was canceled in 1969, but resurfaced on NBC in 1972 as the daytime series RETURN TO PEYTON PLACE. Several supporting actors returned in their original roles, but the major roles were recast. RETURN was axed in January 1974.
NBC aired MURDER IN PEYTON PLACE (1978) in primetime and it reunited many of the original cast members. Another NBC sequel, PEYTON PLACE: THE NEXT GENERATION aired in 1985 and was intended as a pilot for a new series, which never materialized. Maybe the CW has a revival up it's sleeves?
As a continue watching the first season, I look forward to future releases of PEYTON PLACE from Shout! Factory

Thursday, September 29, 2011

Return to PEYTON PLACE, Part 1

I've often been accused of being out of step with the mainstream. While millions thrill to AMERICAN IDOL week after week, I long for the days of THE GONG SHOW. While others drool over DANCING WITH THE STARS, I reminisce about DANCE FEVER and while the masses were tuning in to watch the final season of LOST, I found myself watching season one of PEYTON PLACE.

 That's right, PEYTON PLACE, the grandaddy of prime-time soaps, which ran on ABC from 1964 through 1969.
PEYTON PLACE started life as a scandalous best-selling 1956 novel by Grace Metalious. Set in a fictitious New England town that appeared all prim and proper on the surface, but was full of dark and dirty secrets!
The book was adapted into a hit film in 1957 starring Lana Turner as Constance MacKenzie.
 A semi-star (as opposed to all-star) supporting cast included Hope Lange, Russ Tamblyn and Lorne Greene.
In 1959 Metalious was back on the best seller list with a sequel, RETURN TO PEYTON PLACE.
The second book was then made into a film in 1961, with entirely different (and less expensive) actors assuming the roles.
Eleanor Parker, Carol Lynley and Tuesday Weld were among the new faces.
PEYTON PLACE came to television in September 1964. For more on PEYTON PLACE... (as they say in the world of soaps) tune in tomorrow...