Showing posts with label Vampires. Show all posts
Showing posts with label Vampires. Show all posts
Tuesday, April 2, 2013
Wednesday, August 22, 2012
Diller Memories...MAD MONSTER PARTY?
A classic post from October 2008 in memory of Ms. Diller.
One of my alltime favorite Halloween treats when I was a kid was when local channel 9 WOR in New York would broadcast MAD MONSTER PARTY? (the question mark is part of the title-who knew?) on their 4:00 MOVIE.
This wonderful Rankin/Bass "Animagic" feature was released theatrically in 1969-but really found its legs when it was syndicated to local stations in the 1970s. It's cast boasts a who's who of movie monsters - Count Dracula! The Wolf Man! The Mummy! The Invisible Man! Frankenstein's Monster! Dr. Jekyll! Mr. Hyde! The Creature (from the Black Lagoon)! The Hunchback of Notre Dame! It! (aka King Kong) and Phyllis Diller! The only one missing was John McCain.
Boris Karloff voices Baron Von Frankenstein - who assembles these characters (The Worldwide Organization of Monsters) to announce his retirement - and introduce his nerdy nephew Felix and shapely new creation Francesca to the group. Even as a gay kid, I knew Francesca was HOT! I wonder if Francesca was the visual inspiration for MAD MEN's Joan Holloway? Hmmm...
With character designs by the great Mad Magazine cartoonist Jack Davis, and some of the best stop-motion imagery ever, MAD MONSTER PARTY? is an absolute must-see for animation lovers. While the story may now be a bit slow-moving, and not as clever as I remember it from my childhood - I'd rather sit through this than the more recent "monster mash" called VAN HELSING any day of the year.
MAD MONSTER PARTY also features some great musical numbers...and come on, you gotta love Phyllis Diller - here a pic of me and my husband John with Ms. Diller at her lovely Brentwood home in 2008. She's was 90+ and still a hoot!
One of my alltime favorite Halloween treats when I was a kid was when local channel 9 WOR in New York would broadcast MAD MONSTER PARTY? (the question mark is part of the title-who knew?) on their 4:00 MOVIE.
This wonderful Rankin/Bass "Animagic" feature was released theatrically in 1969-but really found its legs when it was syndicated to local stations in the 1970s. It's cast boasts a who's who of movie monsters - Count Dracula! The Wolf Man! The Mummy! The Invisible Man! Frankenstein's Monster! Dr. Jekyll! Mr. Hyde! The Creature (from the Black Lagoon)! The Hunchback of Notre Dame! It! (aka King Kong) and Phyllis Diller! The only one missing was John McCain.
Boris Karloff voices Baron Von Frankenstein - who assembles these characters (The Worldwide Organization of Monsters) to announce his retirement - and introduce his nerdy nephew Felix and shapely new creation Francesca to the group. Even as a gay kid, I knew Francesca was HOT! I wonder if Francesca was the visual inspiration for MAD MEN's Joan Holloway? Hmmm...
With character designs by the great Mad Magazine cartoonist Jack Davis, and some of the best stop-motion imagery ever, MAD MONSTER PARTY? is an absolute must-see for animation lovers. While the story may now be a bit slow-moving, and not as clever as I remember it from my childhood - I'd rather sit through this than the more recent "monster mash" called VAN HELSING any day of the year.
MAD MONSTER PARTY also features some great musical numbers...and come on, you gotta love Phyllis Diller - here a pic of me and my husband John with Ms. Diller at her lovely Brentwood home in 2008. She's was 90+ and still a hoot!
For more info about Rankin/Bass visit Rick Goldschmidt's enchanting blog.
Labels:
Boris Karloff,
Cartoon,
Dracula,
Frankenstein,
Halloween,
Hunchback,
Invisible,
Mad Men,
Mad Scientist,
Monsters,
Phyllis Diller,
Rankin-Bass,
Vampires
Wednesday, October 12, 2011
Scary TV: The Horror Show
Damn - I wish I had this on VHS tape. Anthony Perkins (who I once had the pleasure of meeting) hosts at look at 60 magical years of movie monsters, madmen and creatures of the night. Imagine of the networks still had the moxie to program stuff like this?
Labels:
Anthony Perkins,
Black Magic,
CBS,
creatures,
Dracula,
Frankenstein,
Godzilla,
Horror,
King Kong,
Monsters,
Psycho,
Vampires,
Werewolves
Tuesday, October 11, 2011
Scary TV:Dracula vs. Frankenstein
A low-budget 1971 shocker from Poland starring Lon Chaney, Jr. (in his last role), musical-comedy star Russ Tamblyn and DALLAS patriarch Jim Davis. A crappy movie, but a great TV GUIDE ad. I love that it aired TWICE - at 11PM for the adults then the next day at 4PM for the kiddies.
Saturday, December 4, 2010
Random Christmas Crap
I know I've been neglecting my readers lately with mostly wordless posts and reruns from years gone by. I don't want to become the NBC of Blogger, so while I devise a plan to come up with some new and exciting topics, here's a bunch of random Christmas crap that I've collected over the years.

Wow DC Comics gave us SHAZAM! for Christmas one year...and history seems to be repeating itself because this year SHAZAM is coming back for another issue. In January, SHAZAM #1 will arrive, continuing the tale of current Captain Marvel Freddy Freeman, powerless former Cap Billy Batson and his sister Mary. Black Adam, Isis and back-from-the-dead Osiris also figure into the plot! Let's hop it's good and leads to an ongoing series!

If superhero zombies aren't your cup of nog, perhaps a yuletide-themed Frankenstein cover of Monster World magazine is more your speed. What an awesome cover, I so wish I had this framed on my bathroom wall. Gotta love all that hand-drawn blood-dripping typography. Nothing says Scary Christmas like monsters, ghouls, zombies and vampires...and not those soft-core porn TWILIGHT vampires!

Yikes! Speaking of scary...how many poor defenseless animals were slaughtered so Mr. Showmanship can pose for this horrifying holiday portrait? I'm so sure it must have been below zero when he stepped out of this Palm Springs home for this snapshot. Well, if Lee was still alive, I'd be first in line to toss a bucket of red paint on that atrocity. Twas the night before Christmas, and all through Lee's house, not a creature was furry, not even a mouse!

Wow DC Comics gave us SHAZAM! for Christmas one year...and history seems to be repeating itself because this year SHAZAM is coming back for another issue. In January, SHAZAM #1 will arrive, continuing the tale of current Captain Marvel Freddy Freeman, powerless former Cap Billy Batson and his sister Mary. Black Adam, Isis and back-from-the-dead Osiris also figure into the plot! Let's hop it's good and leads to an ongoing series!

If superhero zombies aren't your cup of nog, perhaps a yuletide-themed Frankenstein cover of Monster World magazine is more your speed. What an awesome cover, I so wish I had this framed on my bathroom wall. Gotta love all that hand-drawn blood-dripping typography. Nothing says Scary Christmas like monsters, ghouls, zombies and vampires...and not those soft-core porn TWILIGHT vampires!

Yikes! Speaking of scary...how many poor defenseless animals were slaughtered so Mr. Showmanship can pose for this horrifying holiday portrait? I'm so sure it must have been below zero when he stepped out of this Palm Springs home for this snapshot. Well, if Lee was still alive, I'd be first in line to toss a bucket of red paint on that atrocity. Twas the night before Christmas, and all through Lee's house, not a creature was furry, not even a mouse!
Labels:
Captain Marvel,
Christmas,
DC Comics,
DC Universe,
Frankenstein,
Fur,
Gay,
Liberace,
Monsters,
Shazam,
Twilight,
Vampires,
Zombies
Wednesday, October 21, 2009
THE DAUGHTERS OF DARKNESS
Here's another classic for Halloween...
DAUGHTERS OF DARKNESS (1971, directed by Harry Kumel) is the oft-told tale of Countess Elizabeth Báthory, the famous Hungarian countess who is allegedly the most prolific serial killer in recorded history and is known as the "Blood Countess". After her husband's death, she was accused of torturing and killing hundreds of girls and young women, with one witness attributing to them over 600 victims, though she was only convicted on 80 counts. She was also accused of witchcraft and pagan practices. She died in 1614. Creepy.
Our cinematic journey begins aboard a train where we see a attractive young couple having sex in beautiful blue light. They finish and then declare their "un-love" for each other. Next they arrive at a majestic hotel, where they appear to be the only guests. We learn that they are on their honeymoon, and she's insisting that he tells his mother about her. Somewhere around here we learn their names are Stefan and Valerie. I do hope mother approves!
Two women soon arrive at the hotel, a beautiful young woman named Ilona and an older blonde mystery woman. "Madam" checks in and asks for "the royal suite" and signs in as "Countess Elizabeth Báthory." Turns out that the newlyweds already have booked her favorite room so she settles for the adjoining suite. She comments that the couple are "perfect" and Ilona's already visibly jealous. We notice that Ilona has a slight red bruise on her neck. Meanwhile, Stefan cuts his neck while shaving - and gets miffed at Valerie when she tries to look at the wound. What's up with that, Stef? In bed, Valerie struggles to read the newspaper, but manages to find out about three young girls murdered in Bruges. Bone-chilling!
The next day, the couple having a romantic ride in a canal in Bruges, when they suddenly come upon a crime scene. It's the fourth young woman murdered in a week. A stranger tells Stefan that the girl was found with neck wound - but not a trace of blood!
Stefan's interest in the crime scene causes him to violently push Valerie out of the way. On the way back to the hotel, she tells him that she's frightened by his behavior - then she snuggles up to him. We notice that the stranger from the crime scene is on the bus with them. Spooky.
Back at the hotel, it's raining, and Elizabeth is killing time by knitting. Ilona's bored already and wants to leave. Stefan and Val return and Elizabeth greets them and invites them for a drink. She has what appears to be a McDonald's Shamrock Shake, while they have regular drinks.
Pierre the concierge tells them that the Countess once stayed that the hotel over 40 years ago -and hasn't aged a bit! The late edition of the local newspaper features a cover photo of Stefan and Val at the crime scene. Alarming.

The guy from the crowd shows up at the hotel, he tells Elizabeth that he's "just passing by" - turns out he's a retired cop - and he rambles on about ghosts, vampires, etc.. Elizabeth declares that he's distasteful and dismisses him as Ilona dumps Elizabeth's green drink so Stefan will freshen it up for her. Eerie.
While Stefan searches for the bar, Elizabeth tells Valerie the story of her ancestor, the original Countess Elizabeth Báthory, who drank the blood of hundreds of virgins to stay young, then Stefan returns (drinkless?) and Elizabeth caresses him as they recount the historical horror story together.
Val freaks out and storms out of the room, Ilona spies on her causing her to scream when she sees someone out on the balcony. Blood-curdling.
Next, Ilona is naked leaning over a bidet and Val is hysterical. Elizabeth offers her drugs to help her sleep - but Val just says no, she just wants to be alone with her husband. When Stef and Val start going at it we see red marks and we also see that Elizabeth and Ilona are watching them! Disturbing.
Next, Stefan finally calls his "mother" - who turns out to be an effeminate older man wearing make-up. "Mother" tells Stefan that it's "unrealistic' that he married a woman - Huh? Then Stef starts beating Valerie as a full-blown thunderstorm strikes the hotel. What a creep! They then wake up naked with him holding a belt, while she has strap marks on her back. Valerie wakes up and sneaks out - to the train station. But Elizabeth follows her to convince her to stay at the hotel and with Stefan. Weird.
Meanwhile, Ilona visits Stefan in his room - and then performs oral sex on him. Back at the train station, Elizabeth gives Valerie a palm reading that includes a kiss. At the hotel, Stefan tries to get Ilona to shower with him, but she doesn't like getting wet, causing her to freak out. While lashing about, she accidentally cuts her hand on his razor - and then falls on it, stabbing herself to death! Hair-raising.
Elizabeth and Valerie walk in on Stefan naked on top of a bloody, naked Ilona. The Countess immediately takes charge and orders Valerie and Stefan around. They roll Ilona's dead body down a hill to the beach where Stefan digs a grave with his hands. Elizabeth, wearing a smart black cape, kick's the corpse into the grave, on top of Stefan! Thud!
Driving back to the hotel, Elizabeth knocks the cop off his bicycle. Oops!
Once back, Stefan sleeps alone while the gals get into some blonde-on-blonde action in Liz's suite. Val is now completely under her control. Oh My.
So, now it's Stefan who's packing his bags and leaving. He demands that Val come with him. Elizabeth shows up in her fabulous glitterball gown and insists that they join her for dinner in her room.
Stefan then wigs out again and starts beating Valerie. Elizabeth tries to suffocate him with a punch bowl, which splits in two - cutting his wrists - and then they feed on his blood! Terrifying.
SPOLIER ALERT! After throwing Stefan's body from the hotel roof and into a swamp, they drive away in Elizabeth's vintage car. By dawn's early light, Val begins to lose control of the car, which crashes. Elizabeth's body is flung from the car and impaled on a tree branch, and then engulfed in flames. Uncanny.
A few months later, Valerie is shown hand-in-hand with a young newlywed couple...she's become Elizabeth. Menacing.
A great flick. Wonderful cinematography, gorgeous sets and a fantastic score help you overlook the plot holes (like who's "mother"?) and the sometimes wooden international acting. I'll give it a 10 outta 10 and highly recommend it to fans of horror, lesbians and old hotels.

DAUGHTERS OF DARKNESS (1971, directed by Harry Kumel) is the oft-told tale of Countess Elizabeth Báthory, the famous Hungarian countess who is allegedly the most prolific serial killer in recorded history and is known as the "Blood Countess". After her husband's death, she was accused of torturing and killing hundreds of girls and young women, with one witness attributing to them over 600 victims, though she was only convicted on 80 counts. She was also accused of witchcraft and pagan practices. She died in 1614. Creepy.

Our cinematic journey begins aboard a train where we see a attractive young couple having sex in beautiful blue light. They finish and then declare their "un-love" for each other. Next they arrive at a majestic hotel, where they appear to be the only guests. We learn that they are on their honeymoon, and she's insisting that he tells his mother about her. Somewhere around here we learn their names are Stefan and Valerie. I do hope mother approves!
Two women soon arrive at the hotel, a beautiful young woman named Ilona and an older blonde mystery woman. "Madam" checks in and asks for "the royal suite" and signs in as "Countess Elizabeth Báthory." Turns out that the newlyweds already have booked her favorite room so she settles for the adjoining suite. She comments that the couple are "perfect" and Ilona's already visibly jealous. We notice that Ilona has a slight red bruise on her neck. Meanwhile, Stefan cuts his neck while shaving - and gets miffed at Valerie when she tries to look at the wound. What's up with that, Stef? In bed, Valerie struggles to read the newspaper, but manages to find out about three young girls murdered in Bruges. Bone-chilling!
The next day, the couple having a romantic ride in a canal in Bruges, when they suddenly come upon a crime scene. It's the fourth young woman murdered in a week. A stranger tells Stefan that the girl was found with neck wound - but not a trace of blood!
Stefan's interest in the crime scene causes him to violently push Valerie out of the way. On the way back to the hotel, she tells him that she's frightened by his behavior - then she snuggles up to him. We notice that the stranger from the crime scene is on the bus with them. Spooky.
Back at the hotel, it's raining, and Elizabeth is killing time by knitting. Ilona's bored already and wants to leave. Stefan and Val return and Elizabeth greets them and invites them for a drink. She has what appears to be a McDonald's Shamrock Shake, while they have regular drinks.
Pierre the concierge tells them that the Countess once stayed that the hotel over 40 years ago -and hasn't aged a bit! The late edition of the local newspaper features a cover photo of Stefan and Val at the crime scene. Alarming.
The guy from the crowd shows up at the hotel, he tells Elizabeth that he's "just passing by" - turns out he's a retired cop - and he rambles on about ghosts, vampires, etc.. Elizabeth declares that he's distasteful and dismisses him as Ilona dumps Elizabeth's green drink so Stefan will freshen it up for her. Eerie.
While Stefan searches for the bar, Elizabeth tells Valerie the story of her ancestor, the original Countess Elizabeth Báthory, who drank the blood of hundreds of virgins to stay young, then Stefan returns (drinkless?) and Elizabeth caresses him as they recount the historical horror story together.
Val freaks out and storms out of the room, Ilona spies on her causing her to scream when she sees someone out on the balcony. Blood-curdling.Next, Ilona is naked leaning over a bidet and Val is hysterical. Elizabeth offers her drugs to help her sleep - but Val just says no, she just wants to be alone with her husband. When Stef and Val start going at it we see red marks and we also see that Elizabeth and Ilona are watching them! Disturbing.
Next, Stefan finally calls his "mother" - who turns out to be an effeminate older man wearing make-up. "Mother" tells Stefan that it's "unrealistic' that he married a woman - Huh? Then Stef starts beating Valerie as a full-blown thunderstorm strikes the hotel. What a creep! They then wake up naked with him holding a belt, while she has strap marks on her back. Valerie wakes up and sneaks out - to the train station. But Elizabeth follows her to convince her to stay at the hotel and with Stefan. Weird.

Meanwhile, Ilona visits Stefan in his room - and then performs oral sex on him. Back at the train station, Elizabeth gives Valerie a palm reading that includes a kiss. At the hotel, Stefan tries to get Ilona to shower with him, but she doesn't like getting wet, causing her to freak out. While lashing about, she accidentally cuts her hand on his razor - and then falls on it, stabbing herself to death! Hair-raising.
Elizabeth and Valerie walk in on Stefan naked on top of a bloody, naked Ilona. The Countess immediately takes charge and orders Valerie and Stefan around. They roll Ilona's dead body down a hill to the beach where Stefan digs a grave with his hands. Elizabeth, wearing a smart black cape, kick's the corpse into the grave, on top of Stefan! Thud!
Driving back to the hotel, Elizabeth knocks the cop off his bicycle. Oops!
Once back, Stefan sleeps alone while the gals get into some blonde-on-blonde action in Liz's suite. Val is now completely under her control. Oh My.So, now it's Stefan who's packing his bags and leaving. He demands that Val come with him. Elizabeth shows up in her fabulous glitterball gown and insists that they join her for dinner in her room.
Stefan then wigs out again and starts beating Valerie. Elizabeth tries to suffocate him with a punch bowl, which splits in two - cutting his wrists - and then they feed on his blood! Terrifying.SPOLIER ALERT! After throwing Stefan's body from the hotel roof and into a swamp, they drive away in Elizabeth's vintage car. By dawn's early light, Val begins to lose control of the car, which crashes. Elizabeth's body is flung from the car and impaled on a tree branch, and then engulfed in flames. Uncanny.
A few months later, Valerie is shown hand-in-hand with a young newlywed couple...she's become Elizabeth. Menacing.
A great flick. Wonderful cinematography, gorgeous sets and a fantastic score help you overlook the plot holes (like who's "mother"?) and the sometimes wooden international acting. I'll give it a 10 outta 10 and highly recommend it to fans of horror, lesbians and old hotels.
Sunday, October 26, 2008
MAD MONSTER PARTY?
One of my alltime favorite Halloween treats when I was a kid was when local channel 9 WOR in New York would broadcast MAD MONSTER PARTY? (the question mark is part of the title-who knew?) on their 4:00 MOVIE.
This wonderful Rankin/Bass "Animagic" feature was released theatrically in 1969-but really found its legs when it was syndicated to local stations in the 1970s. It's cast boasts a who's who of movie monsters - Count Dracula! The Wolf Man! The Mummy! The Invisible Man! Frankenstein's Monster! Dr. Jekyll! Mr. Hyde! The Creature (from the Black Lagoon)! The Hunchback of Notre Dame! It! (aka King Kong) and Phyllis Diller! The only one missing was John McCain.
Boris Karloff voices Baron Von Frankenstein - who assembles these characters (The Worldwide Organization of Monsters) to announce his retirement - and introduce his nerdy nephew Felix and shapely new creation Francesca to the group. Even as a gay kid, I knew Francesca was HOT! I wonder if Francesca was the visual inspiration for MAD MEN's Joan Holloway? Hmmm...
With character designs by the great Mad Magazine cartoonist Jack Davis, and some of the best stop-motion imagery ever, MAD MONSTER PARTY? is an absolute must-see for animation lovers. While the story may now be a bit slow-moving, and not as clever as I remember it from my childhood - I'd rather sit through this than the more recent "monster mash" called VAN HELSING any day of the year.
MAD MONSTER PARTY also features some great musical numbers...and come on, you gotta love Phyllis Diller - here a pic of me and my parter John with Ms. Diller at her lovely Brentwood home last year. She's 91 and still a hoot!
For more info about Rankin/Bass visit Rick Goldschmidt's enchanting blog.
Labels:
Boris Karloff,
Cartoon,
Dracula,
Frankenstein,
Halloween,
Hunchback,
Invisible,
Mad Men,
Mad Scientist,
Monsters,
Phyllis Diller,
Rankin-Bass,
Vampires
Saturday, October 18, 2008
LET'S SCARE JESSICA TO DEATH
While I wait for my laptop to get repaired, here's another classic spooky movie review for y'all. Enjoy!
I remember this movie being on TV a lot when I was a kid. I also remember being afraid to watch it cause it sounded so damn spooky. Well, I'm all grown up now and it was time to face my fears. So, I got up the nerve and rented it.
Yawn...Wow - what a boring horror film. It might as well be called LET'S BORE THE GOYA BEAN LADY TO DEATH because that's a more accurate description of what JESSICA is. Not a terrible film - just a quiet one.
John D. Hancock (not the guy who signed the Declaration of Indepence or started the insurance company) directed this 1971 snoozefest. The plot revolves around Jessica (played by Zohra Lampert, bean-pusher extraordinaire), a looney woman who was recently released from a nuthouse. Desiring a fresh start, she moves from the big city to an abandoned creepy old New England farmhouse with her nerdy husband Duncan and his hunky friend Woody. Once they arrive they discover an attractive guitar-playing young hippie chick squatting in their new home. Jessica invites Emily to stay for the night, hoping that her and Woody will pair off. Unfortunately it seems Emily would rather pair off with Duncan.
Nevertheless, Jessica decides to invite Emily to LIVE with them all on the farm!!! What the fuck? Then Jessica finds an old photo from the 1880s in the attic - and Emily is in the photo!!! Is she a ghost? A vampire? Or is Jessica just crazy? We then learn that the woman in photo lived in the house and drowned on her wedding day. When Jessica and Duncan go into town to try to sell some of the crap they find attic, they discover that all the menfolk are weird and have patches on their necks and arms. Hmmm...
Well, you'd think this would be enough for Jessica and company to high tail it back to the city, but no - they stay and things continue to get strange. Especially after a mysterious little girl leads Jessica to a dead body. I'm not gonna spoil the plot any further, becuase I really think this film is worth seeing. Just NOT when you are already sleepy!
JESSICA is not really a *bad* movie, but I just wish it were better - and scarier. I know we've been desensitized by modern horror films, but JESSICA sometimes made me feel like I weas watching a really long Maxwell House International Coffee commercial. Maybe the misleading title is why I expected to actually be SCARED TO DEATH, not driven to distraction.
The simple musical score is effective and Lampert is quite charming in her natural awkwardness. The style of the movie evokes the far superior ROSEMARY'S BABY, so if you're a fan of quiet, creepy films with very little action - check this one out. I'll give it 7 out of 10 "Huhs?".
There's actually a very well-done fan site here.
I remember this movie being on TV a lot when I was a kid. I also remember being afraid to watch it cause it sounded so damn spooky. Well, I'm all grown up now and it was time to face my fears. So, I got up the nerve and rented it. Yawn...Wow - what a boring horror film. It might as well be called LET'S BORE THE GOYA BEAN LADY TO DEATH because that's a more accurate description of what JESSICA is. Not a terrible film - just a quiet one.
John D. Hancock (not the guy who signed the Declaration of Indepence or started the insurance company) directed this 1971 snoozefest. The plot revolves around Jessica (played by Zohra Lampert, bean-pusher extraordinaire), a looney woman who was recently released from a nuthouse. Desiring a fresh start, she moves from the big city to an abandoned creepy old New England farmhouse with her nerdy husband Duncan and his hunky friend Woody. Once they arrive they discover an attractive guitar-playing young hippie chick squatting in their new home. Jessica invites Emily to stay for the night, hoping that her and Woody will pair off. Unfortunately it seems Emily would rather pair off with Duncan.
Nevertheless, Jessica decides to invite Emily to LIVE with them all on the farm!!! What the fuck? Then Jessica finds an old photo from the 1880s in the attic - and Emily is in the photo!!! Is she a ghost? A vampire? Or is Jessica just crazy? We then learn that the woman in photo lived in the house and drowned on her wedding day. When Jessica and Duncan go into town to try to sell some of the crap they find attic, they discover that all the menfolk are weird and have patches on their necks and arms. Hmmm...
Well, you'd think this would be enough for Jessica and company to high tail it back to the city, but no - they stay and things continue to get strange. Especially after a mysterious little girl leads Jessica to a dead body. I'm not gonna spoil the plot any further, becuase I really think this film is worth seeing. Just NOT when you are already sleepy!
JESSICA is not really a *bad* movie, but I just wish it were better - and scarier. I know we've been desensitized by modern horror films, but JESSICA sometimes made me feel like I weas watching a really long Maxwell House International Coffee commercial. Maybe the misleading title is why I expected to actually be SCARED TO DEATH, not driven to distraction.The simple musical score is effective and Lampert is quite charming in her natural awkwardness. The style of the movie evokes the far superior ROSEMARY'S BABY, so if you're a fan of quiet, creepy films with very little action - check this one out. I'll give it 7 out of 10 "Huhs?".
There's actually a very well-done fan site here.
Labels:
Boat,
Gothic Horror,
Haunted House,
Horror,
Revenge,
Stalker,
Vampires
Friday, August 15, 2008
The Return of EXTRANO!
This week DC Comics released a trade-paper collection of Steve Englehart & Joe Staton's MILLENNIUM, an 8-part miniseries from 20 years ago. The original series, which ran in weekly installments for 8 weeks, was a grand attempt to introduce a diverse new superteam into the DC Universe.
In the well-intended series, a group of individuals were chosen by The Guardians of The Universe (the little blue guys from GREEN LANTERN) to advance to the next step of human evolution. The team, dubbed THE NEW GUARDIANS featured characters from across the globe including a flamboyant, possibly alcoholic and suicidal young man from Peru named Gregorio De La Vega. Gregorio was possibly the most offensively stereotypical of the bunch, which also included a Chinese woman, an English girl, a Japanese man, an Aboriginal woman and three previously existing characters: The villain named The Floronic Man, Tom ('Pie Face') Kalmaku from GREEN LANTERN and fan-favorite Harbinger, who survived CRISIS ON INFINITE EARTHS only to be sadly sacrificed years later in the new Supergirl origin in the mostly horrendous SUPERMAN/BATMAN series.
Gregorio was transformed into Extrano - translated from Spanish meaning "strange" - which I guess makes him DC's gay version of Marvel's Dr. Strange. Extrano's powers were magical, performing "tricks," levitating and firing energy blasts from his (limp) wrists. He was also comic relief. When the NEW GUARDIANS were awarded their own monthly title, Extrano acquired a crystal skull which not only beefed up his powers, but butched him up a bit too. Unfortunately, one of the team's foes was a vampire with HIV which attacked several members including Extrano, who lated tested positive for HIV. So much for comic relief. He has not been seen since the title was cancelled, though fellow HIV positive teammate Jet has recently returned in the pages of GREEN LANTERN as the leader of the Global Guardians.
Gay fanboys have a love/hate relationship with Extrano. We love that there was finally a queer superhero, but hated that he was so nelly and cliched. But ultimately, his existence paved the way for many more openly gay and lesbian heroes and villains in the DCU and beyond. My hope is that Extrano's still out there somewhere in the DCU being "strange" and some smart writer will tell the rest of his story. Paging Marc Andreyko!
In the well-intended series, a group of individuals were chosen by The Guardians of The Universe (the little blue guys from GREEN LANTERN) to advance to the next step of human evolution. The team, dubbed THE NEW GUARDIANS featured characters from across the globe including a flamboyant, possibly alcoholic and suicidal young man from Peru named Gregorio De La Vega. Gregorio was possibly the most offensively stereotypical of the bunch, which also included a Chinese woman, an English girl, a Japanese man, an Aboriginal woman and three previously existing characters: The villain named The Floronic Man, Tom ('Pie Face') Kalmaku from GREEN LANTERN and fan-favorite Harbinger, who survived CRISIS ON INFINITE EARTHS only to be sadly sacrificed years later in the new Supergirl origin in the mostly horrendous SUPERMAN/BATMAN series.
Gregorio was transformed into Extrano - translated from Spanish meaning "strange" - which I guess makes him DC's gay version of Marvel's Dr. Strange. Extrano's powers were magical, performing "tricks," levitating and firing energy blasts from his (limp) wrists. He was also comic relief. When the NEW GUARDIANS were awarded their own monthly title, Extrano acquired a crystal skull which not only beefed up his powers, but butched him up a bit too. Unfortunately, one of the team's foes was a vampire with HIV which attacked several members including Extrano, who lated tested positive for HIV. So much for comic relief. He has not been seen since the title was cancelled, though fellow HIV positive teammate Jet has recently returned in the pages of GREEN LANTERN as the leader of the Global Guardians.
Gay fanboys have a love/hate relationship with Extrano. We love that there was finally a queer superhero, but hated that he was so nelly and cliched. But ultimately, his existence paved the way for many more openly gay and lesbian heroes and villains in the DCU and beyond. My hope is that Extrano's still out there somewhere in the DCU being "strange" and some smart writer will tell the rest of his story. Paging Marc Andreyko!
Labels:
Batman,
DC Comics,
Gay,
Green Lantern,
HIV,
miniseries,
Supergirl,
Superman,
Vampires
Tuesday, August 12, 2008
THE DAUGHTERS OF DARKNESS

DAUGHTERS OF DARKNESS (1971, directed by Harry Kumel) is the oft-told tale of Countess Elizabeth Báthory, the famous Hungarian countess who is allegedly the most prolific serial killer in recorded history and is known as the "Blood Countess". After her husband's death, she was accused of torturing and killing hundreds of girls and young women, with one witness attributing to them over 600 victims, though she was only convicted on 80 counts. She was also accused of witchcraft and pagan practices. She died in 1614. Creepy.

Our cinematic journey begins aboard a train where we see a attractive young couple having sex in beautiful blue light. They finish and then declare their "un-love" for each other. Next they arrive at a majestic hotel, where they appear to be the only guests. We learn that they are on their honeymoon, and she's insisting that he tells his mother about her. Somewhere around here we learn their names are Stefan and Valerie. I do hope mother approves!
Two women soon arrive at the hotel, a beautiful young woman named Ilona and an older blonde mystery woman. "Madam" checks in and asks for "the royal suite" and signs in as "Countess Elizabeth Báthory." Turns out that the newlyweds already have booked her favorite room so she settles for the adjoining suite. She comments that the couple are "perfect" and Ilona's already visibly jealous. We notice that Ilona has a slight red bruise on her neck. Meanwhile, Stefan cuts his neck while shaving - and gets miffed at Valerie when she tries to look at the wound. What's up with that, Stef? In bed, Valerie struggles to read the newspaper, but manages to find out about three young girls murdered in Bruges. Bone-chilling!
The next day, the couple having a romantic ride in a canal in Bruges, when they suddenly come upon a crime scene. It's the fourth young woman murdered in a week. A stranger tells Stefan that the girl was found with neck wound - but not a trace of blood!
Stefan's interest in the crime scene causes him to violently push Valerie out of the way. On the way back to the hotel, she tells him that she's frightened by his behavior - then she snuggles up to him. We notice that the stranger from the crime scene is on the bus with them. Spooky.
Back at the hotel, it's raining, and Elizabeth is killing time by knitting. Ilona's bored already and wants to leave. Stefan and Val return and Elizabeth greets them and invites them for a drink. She has what appears to be a McDonald's Shamrock Shake, while they have regular drinks.
Pierre the concierge tells them that the Countess once stayed that the hotel over 40 years ago -and hasn't aged a bit! The late edition of the local newspaper features a cover photo of Stefan and Val at the crime scene. Alarming.
The guy from the crowd shows up at the hotel, he tells Elizabeth that he's "just passing by" - turns out he's a retired cop - and he rambles on about ghosts, vampires, etc.. Elizabeth declares that he's distasteful and dismisses him as Ilona dumps Elizabeth's green drink so Stefan will freshen it up for her. Eerie.
While Stefan searches for the bar, Elizabeth tells Valerie the story of her ancestor, the original Countess Elizabeth Báthory, who drank the blood of hundreds of virgins to stay young, then Stefan returns (drinkless?) and Elizabeth caresses him as they recount the historical horror story together.
Val freaks out and storms out of the room, Ilona spies on her causing her to scream when she sees someone out on the balcony. Blood-curdling.Next, Ilona is naked leaning over a bidet and Val is hysterical. Elizabeth offers her drugs to help her sleep - but Val just says no, she just wants to be alone with her husband. When Stef and Val start going at it we see red marks and we also see that Elizabeth and Ilona are watching them! Disturbing.
Next, Stefan finally calls his "mother" - who turns out to be an effeminate older man wearing make-up. "Mother" tells Stefan that it's "unrealistic' that he married a woman - Huh? Then Stef starts beating Valerie as a full-blown thunderstorm strikes the hotel. What a creep! They then wake up naked with him holding a belt, while she has strap marks on her back. Valerie wakes up and sneaks out - to the train station. But Elizabeth follows her to convince her to stay at the hotel and with Stefan. Weird.

Meanwhile, Ilona visits Stefan in his room - and then performs oral sex on him. Back at the train station, Elizabeth gives Valerie a palm reading that includes a kiss. At the hotel, Stefan tries to get Ilona to shower with him, but she doesn't like getting wet, causing her to freak out. While lashing about, she accidentally cuts her hand on his razor - and then falls on it, stabbing herself to death! Hair-raising.
Elizabeth and Valerie walk in on Stefan naked on top of a bloody, naked Ilona. The Countess immediately takes charge and orders Valerie and Stefan around. They roll Ilona's dead body down a hill to the beach where Stefan digs a grave with his hands. Elizabeth, wearing a smart black cape, kick's the corpse into the grave, on top of Stefan! Thud!
Driving back to the hotel, Elizabeth knocks the cop off his bicycle. Oops!
Once back, Stefan sleeps alone while the gals get into some blonde-on-blonde action in Liz's suite. Val is now completely under her control. Oh My.So, now it's Stefan who's packing his bags and leaving. He demands that Val come with him. Elizabeth shows up in her fabulous glitterball gown and insists that they join her for dinner in her room.
Stefan then wigs out again and starts beating Valerie. Elizabeth tries to suffocate him with a punch bowl, which splits in two - cutting his wrists - and then they feed on his blood! Terrifying.SPOLIER ALERT! After throwing Stefan's body from the hotel roof and into a swamp, they drive away in Elizabeth's vintage car. By dawn's early light, Val begins to lose control of the car, which crashes. Elizabeth's body is flung from the car and impaled on a tree branch, and then engulfed in flames. Uncanny.
A few months later, Valerie is shown hand-in-hand with a young newlywed couple...she's become Elizabeth. Menacing.
A great flick. Wonderful cinematography, gorgeous sets and a fantastic score help you overlook the plot holes (like who's "mother"?) and the sometimes wooden international acting. I'll give it a 10 outta 10 and highly recommend it to fans of horror, lesbians and old hotels.
Subscribe to:
Posts (Atom)


