Monday, August 4, 2008

Hurricane DOLLY Sweeps Through Los Angeles!!!


In less than a week after a 5.4 earthquake hit Los Angeles, there suddenly came another unstoppable, unexplainable force of nature - Miss Dolly Parton, performing at the Greek Theater!!!

In all the years that I've been a Dolly fan, I always managed to somehow miss her live shows. Well, this time I was not gonna let her get away. Finally, 32 years after I first discovered Dolly on her first variety series, (the syndicated DOLLY, which aired Saturday nights at 7:30PM on Channel 5 WNEW Metromedia in New York from 1976-77) I was finally going to see her perform LIVE!

Well, perform is an understatement because Dolly transcends just about any other performer I've ever seen (well, maybe not kd lang or Liza, but pretty damn close). It's hard to describe what exactly it is about her. Maybe it's her angelic voice, her honest folksy charm, her self-depricating humor, her sweet homespun storytelling, her ability to play almost any instrument, her heartfelt songwriting or her endless energy and devotion to making her audience happy. Dolly gave us exactly what we wanted: the best of her old hits, a sampling of her new stuff and enough crowd-pleasing antics to keep almost everyone entertained. What's not to love?

Suffice to say, I had a great time, despite the two drunken dancing lesbians who partially impaired my view and the elderly couple who sat in front of me completely stone-faced with their arms crossed the entire show. They looked like they were trapped in hell! I guess their daughter bought them tickets and they thought it was going to be an all-Republican audience. They really seemed annoyed when Dolly made fun of McCain's age. The rest of the crowd was a mix of drunk gays, drunk lesbians and drunk white trash - much like Dolly herself.

Over the years, I've enjoyed most of Dolly's recordings and TV appearances. Her films 9 TO 5 (soon to be a Broadway-bound musical - watch for my review next month!) and BEST LITTLE WHOREHOUSE IN TEXAS (see my review here) are great fun to watch. STRAIGHT TALK would have been better without the wooden James Woods. I remember liking STEEL MAGNOLIAS, but not enough to ever see it again. Maybe someday. I've never seen RHINESTONE, a situation I need to rectify soon. I also regret never watching her one-season 1987 ABC variety hour, also called DOLLY. Not sure why I avoided it, but I recall the critics being pretty harsh. Hopefully this series will turn up on dvd one day.

I've carried this Dolly Dollar in my wallet for 8 years since my trip to Dollywood, it reminds me that somewhere out there among the Red States is a "dry county" where large women and their unexplainably handsome husbands suck down fried green tomatoes while riding rickety rollercoasters and listening to a cacophony of Dolly 's greatest hits. My favorite memory of my trip to Pigeon Forge, Tenn. is visiting a supermarket, where I saw a one-armed man carrying an oversize package of diapers with his one arm, while smoking a cigarette. I thought to myself - that's real dedication.
Anyways, back to Dolly. She looked great, sounded fantastic and was full of so positive energy, it was almost a spiritual experience. Of course she told many of the same breast and plastic surgery jokes we've been hearing her tell for years - but as long as she tells 'em, we'll be laughing with her. The best joke of the evening was when asked "What would you like for people to say about you 100 years from now?" Her reply was "Damn, she looks good!" I Love Dolly Parton!












PS - A compilation of episodes of DOLLY (the 1976-77 version) is now available on dvd from MPI Video as DOLLY PARTON & FRIENDS. Also, a great (and positively creepy) documentary about obsessive Dolly fans called FOR THE LOVE OF ONLY is worth seeing. I swear I am not one of the fans profiled.

Sunday, August 3, 2008

MAD MEN gets it right


While watching last week's second season premiere of AMC's brilliant advertising soap opera MAD MEN (yes-just because it's well-written, well-acted and looks better than anything ever on TV, there's no denying that it's basically a soap), a subplot involving a television show that many of the characters were all watching at the same time really appealed to the TV geek in me.

The episode was set on Valentine's Day, 1962 and the program in question was A TOUR OF THE WHITE HOUSE WITH MRS. JOHN F KENNEDY. I had never seen this documentary, only clips from it in other docs or movies set in the 1960s. I did recall that I had an old TV GUIDE with Jackie on the cover - promoting a CBS news special called THE WORLD OF JACQUELINE KENNEDY. Right away I thought that these were one and the same. This special aired on Friday, November 30, 1962 - the day after Thanksgiving. I thought to myself - Thanksgiving? Valentine's Day? Could MAD MEN have actually confused the two or made took artistic license with the date and title of the show for dramatic impact?

Well, as I delved further into my massive TV Guide collection, I realized that it was I who was wrong- A TOUR OF THE WHITE HOUSE WITH MRS. JOHN F KENNEDY was in fact a different hour-long news show that aired on CBS and NBC simultaneously! (AMC's blog site claims that it aired on ABC as well, but according to my TV Guide ABC was airing NAKED CITY with guest Jack Klugman! Hmmm....). So, MAD MEN did their homework after all, which just makes me adore the show even more. The attention to detail in set design, props, wardrobe and hairstyle is a lesson for all those in the industry, raising the bar farther than any period piece TV ever imagined. It's a far cry from when LAVERNE & SHIRLEY moved into the 60s with their 80s style feathered hair!

Those wanting see the entire Jackie Kennedy tour can check it out at AMC's blog,which you can visit by clicking on the "MAD MEN gets it right" title above. I also believe it's available on demand on some digital cable services. I wonder how many networks will air A TOUR OF THE WHITE HOUSE WITH MS. MICHELLE OBAMA on Valentine's Day 2010?

Saturday, August 2, 2008

peignot: the best font ever?

What is it about the font Peignot? When used in color on a black background - it just brings me back to the 1970s - possibly the best era ever for pop culture. So much of what we enjoy today can be traced back to the 70s. To me, Peignot will always be the MARY TYLER MOORE font, but also it was used in the incredible opening titles for THE ABC MOVIE OF THE WEEK. Two great pop touchstones that cannot be matched anywhere. This is why I've chosen to base the new look of this blog on the amalgamated look of both these iconic openings.

DOUGSPLOITATION will now look at ALL my pop culture obsessions, not just MOVIES THAT MAKE YOU SAY "HUH". I'll still do movie reviews from time to time, but there's plenty more stuff out there that I feel the sudden need to comment on. This includes websites, dvds, other blogs, live theatre, music, comic books and of course TV!

Well - since we're talking about Peignot and TV let's just say that (THE) MARY TYLER MOORE (SHOW) is the all-time best sitcom ever. No argument there. Despite the recent awkward OPRAH reunion (which, I must admit, skillfully recreated sets from the show) and the horrendous MARY & RHODA TV-movie (which skillfully created a constant feeling of nausea), nothing can ever erase the warm memories of Mary's office life at WJM, and her cozy apartment in the snow-covered Lindstrom house at 119 N. Weatherly in Minneapolis.


Luckily we have the first four seasons on DVD to remind us how great television can be. Hopefully the suits at Fox will one day realize that the rest of the series needs to be made available.
What could possibly be stopping them from releasing more season sets? When crap like PUNKY BREWSTER sells - don't tell me MARY doesn't!
For a great guide to the MTM show , seek out LOVE IS ALL AROUND: THE MAKING OF THE MARY TYLER MOORE SHOW (1989) by Robert S. Alley & Irby B. Brown. This book has been in my collection since it was published, and I cherish it almost as much as the show itself.

Also, another great resource for Mary info is MTM: QUALITY TELEVISION published in 1984 by the British Film Institute, which looks at the entire MTM Studio production history, including other great classic shows like THE BOB NEWHART SHOW, RHODA, PHYLLIS, LOU GRANT, WKRP IN CINNCINNATI, NEWHART, THE WHITE SHADOW, HILL STREET BLUES, ST. ELSEWHERE and REMINGTON STEELE. Plus forgotten gems like THE BETTY WHITE SHOW (remember UNDERCOVER WOMAN? the show-within-a-show starring Betty as a 'Pepper Anderson' knock-off), THE TONY RANDALL SHOW and THE DUCK FACTORY. The book also covers pilots and TV-movies made by the company as well, as flops like Mary's two variety shows. A fun, book about the MTM spin-off RHODA is the aptly titled ALL ABOUT RHODA by Peggy Herz, which Scholastic published in 1975. This was written for kids! Imagine a kid's book about THE NEW ADVENTURES OF OLD CHRISTINE being published today? I don't think so.

THE ABC MOVIE OF THE WEEK COMPANION by Michael Karol is a fun, loving tribute to the 90-minute TV-movie series that ran from 1968-1975 and introduced us to such classics as Steven Spielberg's DUEL, GO ASK ALICE, BRIAN'S SONG, THE POINT (featuring Harry Nilsson's "Me and My Arrow"), THAT CERTAIN SUMMER and of course THE TRILOGY OF TERROR!!!
Plus the pilots for THE SIX MILLION DOLLAR MAN, WONDER WOMAN (the Cathy Lee Crosby version), THE NIGHT STALKER, KUNG FU and STARSKY & HUTCH all aired originally as ABC MOWs. Cloris Leachman is the common element that ties these two topics together, with her starring in almost as many MOWs as episodes of MTM! The book is cheap ($11.95) and a hoot to read, plus it has Peignot and a Zuni fetish doll on the cover! You can also visit the author online at www.sitcomboy.com

Saturday, July 5, 2008

PRIME EVIL

Unintentionally continuing my Independence Day "Salute to Satan," a group of us gathered to watch one of the last films by Roberta Findlay, a notorious filmmaker whose body of work includes porno and the infamous 1970s SNUFF. PRIME EVIL from 1988 sounded great - It's supposed to be a frightfest about a group of evil Catholic monks in New York City who sacrifice humans to Lord Satan. A spunky undercover nun infiltrates the cult in an attempt to put an end to their Satanic shenanigans. How could we go wrong?

So we meet a priest named Father Thomas Seaton, a member of the demonic sect that formed in the 13th Century. We learn that members of this fraternity can earn immortality if they sacrifice a blood relation every 13 years. There's a fun & surprising decapitation scene, which seemed promising. But things go downhill fast from there.

It's December in NYC and we soon meet a guy named George and his intended victim- his "pure" granddaughter Alexandra, but her boyfriend Bill is suspicious. Alexandra thinks Bill is just jealous. We learn that she had been abused by her father and a group of child pornographers. We think he's jealous of them too.

After the sudden death of her mother, Alexandra moves in with her granddaddy and falls under the priest's seductive spell, never suspecting that she's being prepared for a Xmas sacrifice to Satan. However, the Catholic church is aware of the sinister cult plan and a young nun named Sister Angela has been recruited to expose their blasphemist ways for once and for all!
This should be good...but it isn't. It's just boring.

There are a few "comic relief" scenes set at a gym and a womens' locker room. Not sure who these women are and why they are even included. There's also a SNL "Church Lady" reference. And then there's a subplot involving a George Costanza-lookalike psycho who is a the Satanic henchmen named Ben. He's about as “menacing” as, well - George Costanza. Sometimes he's killing some people, and other times he's giving them injections and abducting them. Huh?

When Satan finally appears he's played by muppet Gonzo drenched in captsup. The special effects get better towards the end when some Satatic people rapidly age and begin to melt. But aside from that, there's really no suspense, shocks or thrills, just lots of soap opera acting, a few boobs and some nice shots of New York City during Christmas season. A measly 2 out of 10 "Huhs".

Friday, July 4, 2008

DEVILS OF DARKNESS


DEVILS OF DARKNESS (1965, directed by Lance Comfort) is one of this films that feels awfully familiar to me. I feel like I've seen bits and pieces of this British gothic tale told many times before-and told much more effectively.

It all begins in a foggy graveyard where a gaggle of red-hooded cultists have gathered. One of the figures yanks off his hood and a tomb cracks open. Shivers! Suddenly we're at a Gypsy picnic in the woods - and a sexy Esmerelda lookalike enchants us (and a creepy gentleman friend) with her dirty gypsy dance. The gypsies (and theoretically tramps AND thieves) then toast to "Tania and Bruno" - the happy couple. They are about to perform a gypsy blood ceremony with a dirty knife when all of a sudden a bat flies out of a tomb causing Tania to collapse. Then the wind blows and we find out she's dead!!!

Her blood wedding day turns out to be the day of her funeral instead, and after she's buried, another gust of wind causes chaos. A hand opens her coffin and tells her to awaken - another creepy guy (who looks like Rosalind Russell as Auntie Mame) tells her that she has been chosen as HIS bride and she "will follow him till the end of time."

And then the credits roll...

Now I think we are in France at a vacation inn where a bunch of chatty Brits walk around the set yammering on about all sorts of nonsense. I gather that these five are Anne Forest, her male friend Paul Baxter, her brother Keith and his male friend David. The last of the bunch is the chattiest, a spunky redhead named Madeleine Braun. We learn that "the boys" Keith and David are off for a day of spelunking and probably gay sex, despite that it's All Souls Eve and they'll miss the quaint ghoul parade. Anne hopes they'll be back in time cause they "hate to miss out on anything!." Then we see Keith and David climbing through a "dark hole" and make their way through some "caves". Wink wink, nudge nudge.

It's soon time for the parade, which consists of people dressed like pilgrims carrying big candles. Madeleine decides that Anne and Paul need some "alone time" and takes a taxi back to wherever she came from. I guess she's not that into the parade either. Meanwhile, the boys are still crawling through the caves, grinning like idiots as they make their way through spider webs, dripping water and rats. Then they come upon a coffin, with a woman's hand sticking out of it - and a pair of dark hands grab Keith (or is it David?) from behind!!!

An old gypsy woman sneaks up on Ann and Paul and starts rambling on about "the evil eye, the devil of darkness, the mark of the black death" and all sorts of other stuff. Soon we learn that Keith is dead...and has a bite mark on his neck. They surmise that David is also dead in the cave, but we have no proof of this. We notice that Tania the dead gypsy is among the crowd. Spooky.

Later, Tania's nameless friend with a speech impediment (who I'll call Count Chocula) tries to comfort Anne about her brother's sudden death by taking her for a walk on a bridge. Honestly, I don't think she seems too upset. Shouldn't she be making funeral arrangements or calling other family members by now? She tells the Count that there's a strange fragrance in the air, then she notices that he has no reflection in the water below them. He then tries to strangle her, and she fights him by ripping open his shirt, causing a gold necklace to fall to the ground. On the necklace is a bat/snake emblem.

A French inspector (Clouseau?) shows up at the inn and is of no help to Paul - who seems to be the only person concerned about Anne and her dead brother (and his missing friend). Then Clouseau gets a call - Anne has been found dead in the lake, an apparent suicide. Still no sign of David.

Paul can't sleep, so the desk clerk comes to see him in his room. Count Chocula has made a visit to give Paul his condolences. Paul tells the Count that the people in this town are afraid of something...or someone. Duh. Paul discovers that the Count's walking stick with the same bat/snake emblem and has a knife hidden in it! Meanwhile, we learn that Paul has the gold necklace and is hiding it in his typewriter.

Chocula is holding a ritualistic ceremony in the woods, a chicken has been sacrificed. Everyone is there. Franken Berry, Boo Berry, Fruit Brute and possibly even Mrs. Butterworth. Anne's body is in a coffin and her brother Keith's is there too, only they took off his shirt. Hmmmm...hot. Anne screams (I guess she's not dead - yet) and they drag her into the woods. No mrntion of poor David. I guess he's the epitome of what you would call an "expendable character".

Madeleine (remember her?) comes by the inn to see Paul. Not fazed one bit that two (or three, counting David) of her friends are now dead. A newspaper headline announces that 2 coffins have disappeared on route from France to England! I guess it was a slow news day in the EU.

Next we're back in the UK, as Paul visits Dr. Kelsey, the Mr. Wizard of England. Kelsey is giving injections to rabbits as he blabbers on about extraterrestrials, black magic, the evil eye, which craft and some talisman. Meanwhile, we learn that Madeleine runs an antique shoppe called The Odd Spot. Paul gives her a call but she's too self-absorbed to give a shit. We learn she has hired a sexy new girl named Karen Steele.

Scotland Yard has sent 2 inspectors to see Paul. He co-operates, but doesn't give them all the facts. Dr. Kelsey warns Paul about the bat/snake talisman, but it's too late because Kelsey's lab animals (including two bats, a snake and a monkey!) begin to freak out as strong winds blow open their cages.

Back at Madeleine's, she's throwing a fabulous cocktail for all her beatnik friends. Everyone is smoking and dancing to jazz. Paul comes by to talk, but she foists Karen on him because she's too busy playing a deranged Mame Dennis. (Second MAME reference so far!) Chocula shows up too. What's a party without him?

When Paul gets back home, his pad has been ransacked, but nothing's stolen. Not even the talisman. (Which is still hodden - much like David) The inspectors arrive and inform him that Dr. Kelsey is dead from a snake bite. Paul decides he needs to continue Kelsey's research. Meanwhile, Karen starts posing as a model for Chocula's painting. The Count introduces his wife (Tania) to Karen as "Daniella". Tania seems visibly jealous. The count tells her all he wants is the talisman. Meanwhile, Paul tries to get a book from the library called "Talisman: The Power of Magic," but they tell him that the one copy they have is "restricted" and he needs to come back tomorrow. Right.

The next morning Paul calls on Karen to check on her, but she's still asleep. Some old lady tells Paul that she's not even there. Okay. Back at the library, guess what? The book has been stolen - and it was the only copy in England! Turns out Tania has it, and she opens it to a page revealing that our count is the legendary "Count Sinistre"! When Paul returns home, he is greeted by a voodoo doll, when he pulls out a pin Karen feels it. When Sinistre kisses her, she first tries to stab him, but then she gives in. Oh Karen...oh David!

Paul visits Madeleine again and begins to interrogate her about Karen, and she is as uncooperative as usual. She's sure Karen will show up eventually. Maybe with David??? Next Paul shows the talisman to the inspectors and tells them that all the murder victims had bite marks! They tell him that he's a suspect. Meanwhile, the guys in the red robes now have Dr. Kelsey in a coffin. Talk about obsession! They love stealing coffins as much as I love talking about David!

So, Tania is now burning the rare book. Damn girl, you can get a fortune for that on eBay! She then confronts
Sinistre about his lust for Karen and he SLAPS her! He tells her that he just wants his damn talisman back.
We've heard that before. We now see that Karen is under his power and has bite marks on her neck to prove it! Tania, meanwhile, finds one page from the book that did not burn - the page about Count Sinistre!

Back at Madeleine's, the painting of Karen appears and it's signed with the bat/snake emblem! Paul tells Madeleine that he gave the talisman to the police and she flips out! Tania then pays Paul a visit while he sleeps, and grabs a knife. Only she doesn't cut him, but slashes the painting of Karen...and it bleeds!!! Tania starts to write a note in the blood..."The O..." What can it mean? The Oscars? The OC? The Osmonds??? Or mabye it was a misshaped D...for David!

Paul brings the page to the police and they surmise that "The O" means "The Odd Spot" - Madeleine's shoppe! They race to the shoppe, but madcap Maddy has disappeared and headlines blare that Dr. Kelsey grave has been robbed!!! Meanwhile , Karen wakes up at the inn and tries on a crucifix and it burns her skin!!! Luckily Madeleine's beatnik friends are there to help her when she collapses. There's another wild party complete with a snake dancer and lesbians smoking cigars while tribal music plays. I'd wish we'd get a glimpse of David among the party goers. But alas, still missing. Madeleine is preparing Karen for her "big dat" with the count. An old drunk is ejected from the party after he spills red wine on the white carpet. Who can blame them? It's nice to know that even Satanists are tidy. It warms my heart.

Count Sinistre enters the room full of red-hodded people. They all climb down the stairs down in the caverns beneath the inn. Will they find David while they are down there? Or baby Jessica? No, just a Satantic ritual with Karen in a white gown. Is she a virigin? A bride? Or did her red hair clash with the red robe? Oh no - it looks like she's gonna be sacrificed! Not quite, because Scotland Yard is closing in on them. It's the cops vs. the cultists - ands they all freak out when Tania reveals Karen's crucifix burn scar.

The cops arrive, everything explodes and the caves begin to collapse. Any sign of David? Nope. The count and Karen escape through a graveyard but the sight of a cross-shaped tombstone in the sunlight causes him to melt in the sun and turn into a skeleton.

The End. The moral: "When you monkey around with black magic - who knows what you are up against." Moral #2 - If you go spelunking with another supporting character, don't expect to be seen or mentioned ever again. Oddly enough, Rod McLennan, the actors who played David later appeared on stage in England with Jack Klugman in THE ODD COUPLE! Odd Couple...Odd Spot...odd movie...How odd!

6 out of 10 "Huhs?".

Monday, June 30, 2008

INLAND EMPIRE

I love David Lynch. BLUE VELVET and MULHOLLAND DRIVE are two of my all time favorite films. I still think TWIN PEAKS was one of the best network TV series ever. THE ELEPHANT MAN is a masterpiece, WILD AT HEART is a blast. I even liked DUNE!

So, why did it take me this long to see INLAND EMPIRE? Well, the Netflix disk arrived in March, but somehow I managed to make all sorts of excuses why I couldn't watch it. Mostly, at 3 hours long, I couldn't imagine a time when I could actually be able to watch it in one sitting without having any interruptions. Well, thanks to a knee injury that required R.I.C.E. (Rest, Ice, Compression and Elevation) I finally had the time to watch it!

Well, I have to say there were parts of the film that I totally loved. A subplot featuring clips from a "sitcom" about talking rabbits (complete with an inappropriate laughtrack) was astounding. In several roles (I think), Laura Dern gave the performance of her career (I'd say Oscar worthy) and her mom Diane Ladd was an absolute hoot as a TV gossip maven! Other Lynch regulars like Justin Theroux, Harry Dean Stanton and Grace Zabriskie were also fun to watch.

So, what was INLAND EMPIRE about? Well David Lynch has said it's "about a woman in trouble, and it's a mystery." And that pretty much sums it up. You start off confused and then every time you think you finally know what's happening, everything changes and you get confused all over again. It's both frustrating and mentally challenging, but never dull.

The film has Polish prostitutes, talking rabbits, a wacky dance number to Little Eva's "Loco-Motion", a Mrs. Kravitz-like nosy neighbor (Zabriskie), a ENTERTAINMENT TONIGHT parody, a movie within the movie called "On High in Blue Tomorrows", a screenplay with a gypsy curse, a deadly screwdriver, a hypnotic phantom with a lightbulb in his mouth, and an amazing monologue from a japanese homeless girl about her friend in Pomona who has a pet monkey!!! Need I say more?

The thing about Lynch is that while some directors like Jonathan Demme and Steven Soderbergh started off with smaller, odd films and have graduated to big-budget mainstream studio stuff, Lynch has made his latest feature film every bit as strange as 1977's ERASERHEAD. You just gotta love the guy for that.

Do I recommend INLAND EMPIRE? Sure - but you gotta be in the mood and have three hours of free time, and be prepared to say "Huh?" about every three minutes.

Thursday, May 29, 2008

INDIANA JONES and the KINGDOM OF THE CRYSTAL SKULL


What? Why is this movie here? Well friends, I know I never usually "attack" big-budget, popular, CURRENT releases. But this film (which I actually enjoyed tremendously) committed one heinous unforgivable crime that took me right out of the movie and I just had to write about it. SPOILER ALERT!!!

Okay, so this 4th theatrical film in the series is set in 1957, and a major plot involves Indiana's reunion with Marion Ravenwood (played once again by Karen Allen, recreating her role from 1981's RAIDERS OF THE LOST ARK). It's great to see Karen on screen again in the role that made her famous!

So what's my beef? Well, look no further than these publicity photos of Karen from the film.


Look closer.

Now, here's a pop quiz: What year  does INDIANA JONES and the KINGDOM OF THE CRYSTAL SKULL take place? Think about it (or scroll up).

1957. That's right, 51 years ago. How did women look in 1957? Well, "Pretty" comes to mind. Not that Karen isn't pretty, I think she's lovely - but even women who are held captive in the jungle would (by 1957) have stylish, CURRENT hairdos OF THE TIME, wouldn't they? See below...


Or would they have hair like this???:


I don't think so. So tell me, my friends. Why would a film with a $125 million budget and 8 credited hairstylists allow this major glaring "hair don't" to happen? I just don't get it, with all the attention to detail in production design, wardrobe, etc - why would the main female character look like she stepped out of 2008...instead of the year where she exists???

Makes no sense to me. That is, above all other reasons, why this movie makes me say "Huh?" There, I've said it, I feel much better now.

Sunday, May 18, 2008

SANDY IN DISNEYLAND

Remember TV variety specials where you could get to see your favorite "stars" doing things they normally didn't do on TV-like perhaps singing, dancing or doing magic tricks? Back in the 1970s, it seemed like the networks would program such "specials" at least once a month - usually filling a timeslot vacated by a low-rated or cancelled show and starring a personality who already had a development deal with the network. Lynda Carter? Cheryl Ladd? Paul Lynde? These shows were primarily sponsored by one company, like Kraft (be sure to check this week's TV Guide magazines for more recipes!) or Burlington (hey, isn't that Petula Clark swinging on a rope?). Well, today I'm gonna look at one such special, from 1974 and sponsored by McDonald's, it's called "Sandy in Disneyland".

Sandy Duncan was the Nabisco Triscuits spokeswoman and an acclaimed Broadway musical comedy star from the early 70s. By 1974, she had starred in two short-lived CBS comedies. I believe the first one, FUNNY FACE, ended when Sandy had brain surgery and lost an eye. She came back the following year in a similar show called THE SANDY DUNCAN SHOW. I remember really liking her as a kid - but I'm not really sure why. Maybe it's because she was also a guest on THE NEW SCOOBY-DOO MOVIES - another CBS show. So it makes sense that this special aired on CBS, even though Disney was almost exclusively an NBC fixture back then.

The hour starts simply enough with Mickey Mouse taking a bow before an orchestra, who then all stand up and don "mouse ears" (canned laughter and applause begins here and continues CONSTANTLY throughout the show). The generic CBS voiceover guy announces "Ladies and gentlemen, Miss Sandy Duncan!" - who appears dressed in all white and glitter and begins singing a creepy song about being in love with Mickey - then Donald appears and she sings about all three of them being in love. Then Goofy and Winnie the Pooh (!) arrive, followed by the Seven Dwarfs and even the Casey Jr. Circus Train -and Sandy is totally IN LOVE with all of them. Rodents, fowl, dogs, bears, dwarves and man-made objects. Sick.

Then the voiceover guy returns to tell us that we're watching SANDY IN DISNEYLAND with guest stars: Ernest Borgnine, Ruth Buzzi, John Davidson, Lorne Greene, The Jackson Five, Ted Knight, Loggins & Messina (!) and Doc Severinsen...sponsored by McDonalds cause "you deserve a break today". Wow.Next up we see Sandy in Fantasyland outside the popular "It's a Small World" attraction, and she's trying to explain in her kooky way why Disneyland is so special. Thanks, Sandy. Then of course, she breaks into song: namely, her rendition of "Hi-Diddle-Dee-Dee (An Actor's Life for Me)" from PINOCCHIO (1940) - only she's backed up by characters from ALICE IN WONDERLAND. Huh?

Then magically she's in Frontierland - visiting the Country Bears and squawking her way through an annoying hillbilly song. One wonders how "song-and-dance" was ever used to described Sandy's talents. Sandy soon runs into BONANZA and BATTLESTAR GALACTICA patriarch Lorne Greene and suddenly she's Southern Belle (much like her later role in ROOTS, which also starred Lorne Greene!) and Lorne is a sophisticated and mature Rhett Butler - but it's then revealed that he's standing there in his boxer shorts! Remember when seeing somebody famous in their underwear was funny? It was usually Tim Conway, but Lorne Greene will do.

Next Sandy's inside "It's a Small World" - but suddenly, she's swept away to the Main Street Cinema where she's starring in "The Perils of Sandy" - a stupid sepia-toned homage to silent movies where women get tied to railroad tracks. Unfortunately she is rescued. Before you know it, Miss Duncan is leading a parade down Main Street. Curiously, Minnie Mouse is no where to be seen. Hmmm...

Next the Jackson Five appear and sing an embarrassing Gilbert & Sullivan parody leading into a pre-recorded medley of their two hit singles. Sandy does not interact with the Jacksons at all, leading one to suspect that she is as racist as her character Missy Anne in ROOTS.

Next up, Sandy and Ruth (LAUGH-IN) Buzzi pretend they are thieves who want to rob Haunted Mansion - while singing "Fortuosity" from the notorious Disney bomb THE HAPPIEST MILLIONAIRE (1967). They tour the mansion as if they have transformed themselves into Doombuggies, navigating by the conservatory, through the hallway of doors, down the stairs into the ballroom, the attic, and they wind up sitting on tombstones in the graveyard. This number is actually BETTER than the Eddie Murphy movie based on the ride, which isn't saying much.

Next up, Loggins & Messina (WHY are they here???) look bored and frankly, anguished to be performing a depressing song on Tom Sawyer Island. Then we are "treated" to a god-awful sketch featuring MARY TYLER MOORE SHOW's Ted Knight and Sandy on The Jungle Cruise filled with some of the most cornball jokes imaginable. One wonders if this inspired the sarcastic attitude that the tour guides now dish out on the ride.

How can we top that? How about Sandy and Cosmopolitan nude centerfold model John Davidson on Main Street wearing matching outfits singing about getting "roped and tied" - which I find completely disturbing. This is followed by Davidson poorly crooning the Carpenter's "Top of the World" as strangers' kids climb all over him.

Later, Sandy sings with Ernest Borgnine as they walk and paddle their way thru Pirates of the Caribbean -spelunking around the coves, through the golden treasure, and even the captain's quarters (with a skeleton in the bed!). After this debacle, Sandy buys a shawl in New Orleans Square (I surely did not know there was a shawl shoppe there!), and runs into THE TONIGHT SHOW's Doc Severenson and dances to Peggy Lee's "Fever" while a dozen shirtless guys in pink chaps back her up. What would Walt say???

Following this, Loggins & Messina are back - but this time in a comedy skit! The duo are playing duelling "Prince Charmings" to Ruth Buzzi's Sleeping Beauty in drag - only the prince in that story, actually had a name - Phillip. Charming was from SNOW WHITE...or was it CINDERELLA?.

As if that wasn't enough, Sandy and Lorne Greene soon are reunited for "an old-fashioned walk" all over the Primeval World diorama while singing a horrific duet. They interact with a baby Triceratops and even walk under the belly of a Tyrannosaurus! It's really odd to see "live" people interact with animatronics- especially when Sandy gets clubbed by a caveman. More wacky comedy!

In the final comedy segment, Ted and Ruth play a couple of annoying tourists. While Ruth blathers on about how she wishes he was more heroic, he manages to pull the "sword" out of the "stone" - only for some unknown reason it's not King Arthur's sword - but a Musketeer sword!!! What follows is a inane swordfight all over Sleeping Beauty Castle, as Ted fights off villains and rescues a fair maiden, even throwing a guy into the moat. Murder in Disneyland!

When you think you've just about seen (and heard) it all - Sandy's back all dressed in white singing "He Touched Me" from FUNNY GIRL... about Mickey Mouse!!!! This leads into her being a part of the Electrical Parade and concludes with a totally orgasmic fireworks show.

Wow - somehow I wonder WHO at Disney approved this mess. It seems like they just recklessly broke all the unwritten rules (except perhaps showing Mickey with his head off). Between mixing up songs and characters from across the Disney pantheon, and "interacting" with the attractions - it seems like somebody at Disney was asleep at the wheel. I don't think this could ever happen today. In one way, it was great to see what the park looked like in 1974 - but all the forced "entertainment" just seems to detract from the real magic of the park itself. All in all, I'll give it an 8, because it's totally a must-see for historical reasons alone. In fact, I'm really looking forward to seeing SANDY'S CHRISTMAS IN DISNEYLAND from 1976!!!

Other Duncan appearances in Disney productions: THE FOX & THE HOUND (1981), THE CAT FROM OUTER SPACE (1978), and THE MILLION DOLLAR DUCK (1971).

Sunday, May 4, 2008

NIGHT NURSE


NIGHT NURSE (1931, directed by William A. Wellman) is a wacky pre-code melodrama about a very determined young lady named Lora Hart (played by a very young Barbara Stanwyck) who wanders in off the street into a hospital and asks for a job. An bitchy old nurse named "Miss Dillon" (I'll call her "Dildo") tells her to take hike. As luck would have it, Lora literally bumps into the hospital's chief of staff, Dr. Bell in a revolving door and he takes a shine to her, after he picks up the entire contents of her purse, he orders Dildo to hire her. Dildo assigns Lora to share a room with perky Miss Maloney (Joan Blondell), who first helps her undress and try on a nurse's uniform. The two quickly become best friends...and possibly more. Maloney seems to like spending time getting Hart into her underwear, and when some prankish interns hide a skeleton in Lora's bed, she readily climbs into Maloney's and snuggles up to her. After Dildo punishes the girls with assigning them to the night shift, Lora treats a bootlegger for a gunshot wound and he charms her into not reporting it to the police. He thanks her by sending her a bottle of rye to help her get through her final nursing exam. I guess if this was made toady, he would be a crack dealer.
After passing her training, Lora is quickly hired to look after two sick rich kids, at the mansion of their drunken mother, Mrs. Ritchie. Hmmm..wonder if her first name is Nicole? When a drunken house guest tries to rape her, a sexy chauffeur (Clark Gable) comes to her rescue. Clark then demands that she pumps Mrs. Ritchie's stomach, when Lora refuses -he punches Lora out cold! Huh???

Lora soon discovers that the sick kid's doctor, Dr. Ranger has been neglecting the children, in fact they are being slowly starved to death! Hmmm, Nicole Ritchie...starving...is this 1931 or 2008?

Lora then quits her job and reports the negligent doc to Dr. Bell. Bell tells Lora to return to the house to play Nancy Drew. Dr. Ranger agrees to take her back. Meanwhile, the little girl has grown sicker and weaker - why doesn't Lora just feed the damn kids??? Mrs. Ritchie could get a shit about her kids, so Lora turns to Mortie the bootlegger to help her save the child. Lora get Mortie to buy milk (he's not sure where they sell it - so he goes to a Kosher deli) to bathe the girl in. The housekeeper, who I'll call Hazel, gets drunk and tells Lora that she suspects that the chauffer and Dr. Ranger are in cahoots - and their plan is to kill the kids so they can get to their trust fund money! Mrs. Drinkie, um Mrs. Ritchie wants to marry the chauffeur, so this should be easy. Mortie convinces Dr. Bell to step in and help, but when he tries to get the girl to the hospital, the chauffeur punches him! Bad Clark Gable, bad!

Luckily Lora has the same blood type as the little girl, so an emergency transfusion saves the day! Yay! So, Mortie the bootlegger tells Lara he took care of the chauffeur, who arrives shortly at the hospital morgue.

The end. This movie was pretty crazy. It's certainly a curiosity just to see how the world of doctors, nurses and hospitals were perceived over 75 years ago. Also, to see how women were portrayed in pre-code films. Having also recently seen THREE ON A MATCH and FEMALE - it's easy to see where shows like SEX & THE CITY and UGLY BETTY have their roots. Of course, the morals and situations have changed, but the basic premise of "career girls" can be traced back to films of this era. I give NIGHT NURSE 6 "Huhs?" - if only it was more like the campy four-issue 1970s Marvel Comic of the same name.