Wednesday, January 23, 2013

MOLLY

I rewatched MOLLY over the weekend...and decided to repost my "review" from 2009 in appreciation.
I've been hearing about MOLLY (1999, directed by John Duigan) from my friends for a few years now, and with Sarah Palin in the news again, I decided maybe it was high time I sat down for a lighthearted romp about a mentally challenged woman. Why not?
The film starts off on a good note with the wonderful Holly Cole song "Onion Girl" - unfortunately things go down hill pretty fast from there.We soon are introduced to Molly McKay (Elisabeth Shue) a profoundly autistic woman of 28 (played by a 36 year old actress) who has the mind of a spoiled brat.Molly has been raised in a nursing facility after her parents were killed in a car accident and her only relative is her older brother.Buck (Aaron Eckhart) wasn't around Molly much since he was selfishly off at school and building a successful career in advertising. Now Buck finds out that the home is closing and he needs a new place for Molly to live.
Oh at this point we are told that Molly, like many autistic people has super hearing!!! Who knew???Through a series of circumstances Molly winds up living with Buck in his spacious Venice, California loft. Let the chaos ensue. Molly is quite skittish and screams in horror at the drop of a hat. Molly and Buck also don't seem to have much in common - he likes modern art and she like to pee in her pants. He likes pizza, she likes peas. Molly is also stubborn as a mule and generally answers every question asked with a resounding "NO!!!"
Also, she's obsessed with organizing her collection of shoes. Okay, so am I.

After Buck tries to drop Molly off at daycare–and is rejected–it becomes "bring your autistic sister to work day". First she presses all the buttons in the elevator with evil glee, pissing off Buck's coworkers.

Then she gets bored waiting for Buck in the reception area.

So after picking off the receptionist's dandruff,

Molly decides to strip down hollering "Molly hot!!!"

and proceeds to walk naked into a meeting with a swimwear client!

Now if Buck was an adman worth his salt, he would have pulled a Darren Stephens and figured out a way to tie Molly's nude romp into the new ad campaign. But sadly he doesn't.
As this isn't enough, as a finale, Molly decides to splash around in a fountain. Molly hot again?
Buck tries desperately to juggle his job with his new burden, but he soon ends up unemployed. This causes resentment to grown between the two siblings. Enter the hunkiest mentally challenged person ever, Sam (Thomas Jane) a former worker at the nursing home and friend to Molly - who is both her guardian angel and interpreter - because he too has a learning disability. Hot.
Sam encourages Buck to be patient with his sister. Molly's neurologist, Dr. Brookes (TV's Jill Hennessy) recommends a controversial new surgical technique that could possibly reverse Molly's mental condition. At first Buck rejects the suggestion, but then agrees to it.
Amazingly, after the procedure, Molly slowly begins to become more "normal". Buck creates a "learning checklist" for her and gradually she learns things for the first time, changing her speaking style and appearing more and more like the Elisabeth Shue we know from other hit films.
Before you know it, Molly gains full use of her cognitive reasoning, is able to have intelligent conversations and begins dancing spontaneously in restaurants.
Buck and Molly start attending baseball games, where she uses her super hearing to listen to the players and then gets into an argument with an obnoxious guy, calling him "retarded."
Molly seems to come alive as she spends more time with her brother. In fact, Molly is falling in love with Buck - and doesn't understand why brothers and sister can't be lovers. We're not sure he understands either.
Becoming more of a free spirit, Molly soon learns how to kiss from TV and decides to try it out on shy Sam. He freaks out a bit and turns to Dr. Brookes for comfort.
Molly misunderstands flies into a jealous rage over this. But things get better when Molly has a real fancy date with Sam. Even though she has transitioned to the mind of an adult, she retains her childlike innocence - like when she thinks that a stage production of Romeo and Juliet is real...and, without resistance from her posse, crawls through the audience and onto the stage during the performance,

slapping Juliet across the face and telling Romeo not to drink the poison!

Later at a fancy dinner, Molly freaks out over live lobsters, questioning why anyone would want to eat them. I'm totally with her on that. Then she decides to revisit her restaurant dance routine and Buck joins her.

Later the siblings look at old family photos and watch home movies. Before you know it, Molly begins working with autistic children and even becomes a lecturer!!! Talk about coming full circle!
Well the circle goes unbroken when things take a turn for the worse for our plucky heroine when, after she falls off a bicycle, we discover that Molly's brain is rejecting the treatment and begins to digress into her former self. Before you know it, she's back to old, autistic Molly. What do do? What do do?I'm not sure what really happened next, but Buck and Molly say goodbye, and then they are on a boat out sailing with Sam and Dr. Brookes. So, Molly goes back to being autistic, but somehow it's a happy ending.

Okay, with all apologies to readers and friends who have mentally challenged relatives, this movie is retarded. First of all, Molly is really annoying and embarrassing and then she's a genius and she's still annoying and embarrassing! No one ever calls her on any of her behavior. Buck just lets her push the elevator buttons, dance in restaurants, crawl through audiences, etc.. Never once does tell tell her "Molly, NO! Stop it - people don't do things like that." He just lets her do whatever she wants, therefore she does the craziest things because she knows she can - and it's a hoot.

I think this movie was supposed to tug at your heartstrings, but it just made me laugh. A lot. So much that I cannot wait to see it again and again. A feel-good movie so laughably awful, you actually end up feeling good. 10 out of 10. Well done, Ms. Shue you have unknowingly created the comic performance of a lifetime. I love the multilayered MOLLY...she's just like an "Onion Girl".

Wednesday, January 16, 2013

Sunday, January 13, 2013

There She Is...

Apparently last night ABC aired The Miss America Pageant. Who knew? Reposting this entry from last year. Never been much of a beauty pageant fan, but the Miss America Pageant has always held a special space in my heart. Maybe it's because two of my favorite World War 2 superheroines were named Miss America - one from Timely/Marvel and and from Quality (later DC)?
Nah, I think it's because of the awesome old TV GUIDE ads that the networks used to run. Let's take a quick look at them.
This one is from 1973, back when the pageant used to air in early September. I love this ad for two reasons 1) The amazing "Mrs. Bellows" hair on the generic Miss America lady. 2) I think she's flying. A crown, a scepter and the power of flight. She's amazing!
The next year, 1974, things got weird. This was the era of Peter Max, neo-Art Deco and freaky "PBS-style" TV GUIDE ads. I love the the show that is airing on channel 40 is called HAPPINESS IS...
In 1977, the show moved to CBS and Bert Parks gets a call-out in the ad, along with co-star Phyllis George (1971 Miss America winner). Photos of actual pageant contestants are now being utilized.
Back to NBC in 1978 with a lovely photo of a real winner (possibly from the year before?). Bert and Phyllis are joined by Lee Meriwether (1955 Miss America). N B See Us!
1982, still on NBC - but Bert Parks is gone! Mr. Parks was let go in 1979, after hosting for 24 years. TV's TARZAN and FACE THE MUSIC host Ron Ely (pictured) is the "new" host. Two former Misses (Susan Powell, Dorothy Benbam) are shown as well.
A year later, Ron is gone and Gary Collins is in. Susan Powell is back and the special guest is former Fifth Dimension-er Marilyn McCoo! You don't have to be a star, to be in her show.
In 1986, Miss America turns her back to us. Shocking! Gary Collins still helms.
The following year, Collins was back and the font choice reached a new level of cheesiness, as did Miss America's gown. For some interesting facts and figures about the pageant, see below:
Tonight lightning safety advocates will be rooting for Ellen Bryan, Miss Ohio to win. She has been a spokesperson for lightning safety for several years. Ellen has made lightning safety and "when thunder roars, go indoors" her Miss America platform issue. Brains and beauty too! So there you have it, my quick look back at the Miss America Pageant. Actually, I preferred this pageant:

Wednesday, January 2, 2013

Saturday, December 29, 2012

Top Tensploitation: TV (2012 Edition)

A lot of TV critics' Top Ten lists seem to be very similar. BREAKING BAD, HOMELAND, MODERN FAMILY, WALKING DEAD, blah, blah, blah. Full of "edgy" and "daring" shows that I have no interest in watching. My list is just a bunch of shows that I enjoy week after week and as a part-time producer, ones that I wish I was involved with.
1) MAD MEN (AMC, Sundays) Back in top form after a hiatus. What can I say? This show is perfection. The most compelling cast and storytelling out there. While others have tried to imitate it's success (PLAYBOY CLUB, PAN AM, THE HOUR, MAGIC CITY and most recently VEGAS) - none were even able to come close. It's hard to pick the best episode or scene of the season because in my eyes it was all great. This is perhaps the best serialized TV drama of all time. There, I said it.
2) DOWNTON ABBEY (PBS, Sundays) Just having seen all of Season 3 (premiering in January on PBS) - this show keeps chugging along with all it's grand soapiness. Outshining and outliving the disappointing UPSTAIRS, DOWNSTAIRS revival - the Downton imitators are soon on their way. Julian Fellows' TITANIC miniseries was well-done in a very similar storytelling style, but ABC buried it over a summer weekend and it was barely noticed.
3) REVENGE (ABC, originally Wednesdays, now Sundays) I was late to the Revenge craze - watching all of Season 1 over one week in late summer in time for the Season 2 premiere. The first season was amazing - a rollicking rollercoaster ride of a mystery that kept me guessing all along the way. Unfortunately, Season 2 has been a huge disappointment - hopefully the show can get back on track.
4) SMASH (NBC, originally Mondays, now Tuesdays) The most entertaining pilot of 2012 led to the campiest bitchfest of a musical ever seen on TV. Great songs and over-the-top production numbers made this show watchable week after week and the backstage Broadway antics may have been unrealistic - but this "GLEE for grownups" made for perhaps the gayest hour of TV ever. I'm really looking forward to see what changes Season 2 brings in February.
5) HAPPY ENDINGS (ABC, originally Wednesdays, now Tuesdays) Funny, dirty, funny, sexy, funny, silly. I never fail to "laugh out loud" each week as these 6 "friends with issues" work with (or against) each other week after week to figure out life and love in the 2010s. Paired with the cartoony B IN APT. 23 for an hour of charming comedy.
6) EPISODES (Showtime) Season 2 of this behind-the-scenes sitcom was even funnier than the first. Great work by all. Looking forward to more.
7) DALLAS (TNT, originally Wednesdays, now Mondays). They said it couldn't be done. Off the top of my head, other than DEGRASSI, it's hard to recall any revival series that was successful. Okay, maybe 90210 - but does anybody even watch that? This revival picked up where the original left off and used the show's rich history to weave in new characters without neglecting the veterans. It will be interesting to see where Season 2 goes after Larry Hagman's death.
8) COMMUNITY (NBC, Thursdays) TV's most underrated and under-appreciated sitcom and the only NBC Thursday night show worth watching anymore continued to amuse, charm and tickle. What will happen now that creator Dan Harmon and co-star Chevy Chase are leaving?
9) PORTLANDIA (IFC) I'd describe this show as 'LITTLE BRITAIN meets TWIN PEAKS'. It's quirky and hipster-ish and while I've never lived in Portland, it somehow seems to get it all right. Clever and unique.
10) DAYS OF OUR LIVES (NBC, Weekdays) Salem continued to keep my attention this year despite some missteps (Alamania, Stefano's "murder", the new Celeste). Fun storylines like the "Daysaster" and Eileen Davidson's return as Kristin Blake have been balanced out by great dramatic turns like the Will/Sonny relationship and Caroline Brady's Alzheimer's plotline. We said goodbye to favorites Lexie Carver, Bo Brady, Carrie Brady and Jack Devereaux - but welcomed back some beloved characters as well (Eric Brady, Nurse Maxine, Nick Fallon, Doug and Julie). Behind-the-scenes drama led to a quick disposal of Madison James and Ian McAllister and a few others - but Dr. Marlena Evans finally took the spotlight in some well-written scenes with her gay grandson Will and her newly-returned nemesis Kristin. While ratings have been up & down - I feel the show is a solid contender and with the popularity of serial drama once again on the rise - DAYS may be around for a few more good years.

So, you may ask, what dropped out of my TOP 10 from last year? Well, let's take a look:

PARKS & RECREATION (NBC, Thursdays) Still a well-made show - but I've dropped it from my regular viewing because it just wasn't as funny as it used to be. Not sure why.

UPSTAIRS DOWNSTAIRS (PBS, Sundays) A disappointing second season was a poor exit for the revival of the TV classic. Be forewarned DALLAS.

LOUIE (FX, Thursdays) Some great episodes this season - but overall I found it too depressing to keep watching.

WILFRED (FX, Thursdays) The concept wore really thin, really fast for me.

and finally...

AMERICAN HORROR STORY (FX, Wednesdays) - Last year this show was my #1 pick. My favorite series of the entire year. This season, however...it has become a weekly dose of "torture porn". It is so sad to see great actors like Jessica Lange, Sarah Paulson, James Cromwell, Clea DuVall, Chloe Sevigny and others demean themselves week after week in a series of violent, pointless and just plain dumb scenarios. Plus, it's not even scary anymore. I gave ASYLUM a fair chance and lastedabout 6 or 7 episodes when I decided I just couldn't take it anymore. To see this show still on some critics Top 10 lists sickens me. Never has a series gone from great to utter crap so quickly. Not sure if it will ever redeem itself.

That's how I see it. Feel free to discuss. Happy New Year!



Monday, December 24, 2012

Sunday, December 23, 2012

Let's Play Christmas "Caption This"....

Hey readers! Post your most clever caption for this holiday photo.

Friday, December 21, 2012

Cards from Christmases Past - Part 4

Here's the last batch of vintage greeting cards for your enjoyment.
This die-cut number also features a sample of forced perspective. Pretty cool.
This IT'S A SMALL WORLD inspired design is just too cute for words - no matter what language you say it in!
This beautiful winter scene is one of my favorites. No red or green needed to convey the spirit of the season.
And finally - the oddest one in the collection. A pink and gold bell-shaped die-ct with an angel wearing a bird for a hat and carrying a poinsettia flower. Gotta love it. Gotta love the 1960s and all the wonderful holiday memories they evoke. Wishing you and yours a very Merry Christmas.

Thursday, December 20, 2012

Cards from Christmases Past - Part 3

I continue my look at some smashing greet card designs from a recently acquired 1964 catalog.
Here's a wonderful Santa face in a die-cut wreath. Love the embossed berries.
Here's a very jolly and glittery Santa, ready to welcome you into the Christmas spirit.
Here's another take on jolly St. Nick - probably from the same artist as the top card. Surrounded by lovely snowflakes.
And finally - the whole Claus family gets in on the act! Adorable. I hope to have some more designs to share tomorrow.

Wednesday, December 19, 2012

Cards from Christmases Past - Part 2

As promised, here's more more great vintage greeting card designs from 1964. Today I'll look at some humorous designs.
Here Santa and his eight reindeer have traded in their sleigh for a camper. Very cute, but not so eco-friendly.
Santa drops a giant maraschino cherry into a cocktail glass...CHEERS!
Santa shares some home movies in this die-cut design that includes a place for you to insert your own photo. How clever!
Oh those elves! They've wrapped the zebra in very gay apparel. 
And finally, Republicans and Democrats are dancing under the mistletoe. It was a much simpler time. More fun to come tomorrow!

Tuesday, December 18, 2012

Cards from Christmases Past - Part 1

Hey there readers. I know it's been a long time since I've posted anything new. My apologies - but life gets in the way of blogging sometimes. I just could not let the entire holiday season go by without checking in with you guys.
I was trying to come up with something fun to share with you all. As it turns out last year at this time I came across an amazing Christmas Card catalog from 1964 - and I finally got around to scanning some of my favorite card designs. Here is the first batch. The above SEASON'S GREETINGS image is perhaps my favorite. The hand-drawn typeface is gorgeous. The black background and the use of untraditional colors makes it even more special.
More beautiful type here - this one in a much more traditional MERRY CHRISTMAS design with classic golden flourishes.
This one is super-traditional, yet elegant way to say MERRY CHRISTMAS.
Here's a nice avocado and gold number. This SEASON'S GREETINGS reminds me of church posters from the 1970s.
And finally, here's a pretty blue and gold die-cut PEACE ON EARTH design. I just love how things didn't have to be all about red and green back then. Designers were willing to take a chance on other colors and it often worked out real well. I hope to have more cards to share with you tomorrow.  

Monday, December 3, 2012

Yes, Virginia, There is a Santa Claus

From last year: In 1897 a young girl named Virginia O'Hanlon wrote a letter to the editor of The New York Sun asking if Santa Claus really existed. The editor's response became the bookYes, Virginia, There is a Santa Claus, which was published in 1972. Two years later in 1974 Peanuts animator Bill Melendez adapted it into a popular half-hour ABC special - complete with a theme song by Jimmy Osmond.
The show aired during the 70s on ABC, then on CBS, USA Network and The Family Channel throughout the 80s and 90s. The story was also adapted into a live-action TV-film in 1991 starring Richard Thomas, Ed Asner and Charles Bronson. A second animated adaptation premiered on CBS in 2009 and will be rebroadcast this season. The real Virginia O'Hanlon grew up to become a schoolteacher and died in 1971.

Saturday, December 1, 2012