Return to PEYTON PLACE, Part 1

I've often been accused of being out of step with the mainstream. While millions thrill to AMERICAN IDOL week after week, I long for the days of THE GONG SHOW. While others drool over DANCING WITH THE STARS, I reminisce about DANCE FEVER and while the masses were tuning in to watch the final season of LOST, I found myself watching season one of PEYTON PLACE.

 That's right, PEYTON PLACE, the grandaddy of prime-time soaps, which ran on ABC from 1964 through 1969.

PEYTON PLACE started life as a scandalous best-selling 1956 novel by Grace Metalious. Set in a fictitious New England town that appeared all prim and proper on the surface, but was full of dark and dirty secrets!

The book was adapted into a hit film in 1957 starring Lana Turner as Constance MacKenzie.

 A semi-star (as opposed to all-star) supporting cast included Hope Lange, Russ Tamblyn and Lorne Greene.

In 1959 Metalious was back on the best seller list with a sequel, RETURN TO PEYTON PLACE.

The second book was then made into a film in 1961, with entirely different (and less expensive) actors assuming the roles.

Eleanor Parker, Carol Lynley and Tuesday Weld were among the new faces.

PEYTON PLACE came to television in September 1964. For more on PEYTON PLACE... (as they say in the world of soaps) tune in tomorrow...

You want FAME? ... Well, FAME costs.

In a world full of disposable entertainment about the trials and tribulations of being a talented teen, i.e. AMERICAN IDOL, HIGH SCHOOL MUSICAL and now GLEE, it's nice to see where this genre got it's start.
FAME (1980, directed by Alan Parker) was a gritty, realistic, R-rated Academy Award-winning film about a group of young entertainers struggling to make it through four years of New York's High School of the Performing Arts. The film was well written, expertly directed, wonderfully acted and featured some great music. I'll never forget Irene Cara's brave performance as Coco. Parker also directed powerful and poignant films like MIDNIGHT EXPRESS, SHOOT THE MOON, THE WALL, BIRDY, ANGEL HEART, MISSISSIPPI BURNING and ANGELA'S ASHES.
FAME (2009, directed by Kevin Tancharoen), on the other hand, is a weak blinged-out PG-rated re-imagining about a group of mostly annoying pretty people struggling to make us give a shit about them as they are berated by former sitcom stars over how talented or untalented they are. The hip-hop drenched soundtrack is joyless with the only good songs being the few swiped from the original film (and the enjoyable Black & Gold by Sam Sparro) Oh, and Tancharoen also directed a Britney Spears tour.
In between the two FAME films came a well-made weekly TV series that ran for six seasons (1982-87) and a short-lived spin-off/revival called FAME L.A. (1997-98). FAME also became a reality show (2003) and has been the basis for several stage musicals (FAME: THE MUSICAL, FAME ON 42ND STREET and FAME FOREVER).

Getting back to the current film version–which a saw this weekend as part of a birthday celebration for my good friend Dennis Hensley–it does have some merits. The opening titles were cool. It was good to see Debbie Allen included in the cast and the sampling of her famous inspirational mantra ("You want fame? ... Well, fame costs. And right here is where you start paying. With sweat.") was a nice touch, as too was the brief nod to THE ROCKY HORROR PICTURE SHOW. I also think that Naturi Naughton (she plays Denise Dupree) has true star quality. Every time she is on screen, she shines.
But thanks to FAME (2009) I now know...
•....hand-held camera work doesn't guarantee grittiness - only nauseousness
•...there are no openly gay kids enrolled in the High School of the Performing Arts, unless you count the asexual boy who wants to be a ballet dancer.
• ...that it is always winter in New York City.
• ...where former sitcom stars (Charles S. Dutton of ROC, Megan Mullally of WILL & GRACE, Kelsey Grammer of FRAISER and Bebe Neuwirth of CHEERS) go to die.
• ...I will never request Ms. Mullally to sing "You Took Advantage of Me" when we go to karaoke together.
• ...every record producer, film producer and successful teen actor are out to take advantage of students from the High School of the Performing Arts.• ...all African American parents don't want their kids to be stars.
• ...it takes exactly four years to resolve things that arise on your first day of class as an incoming freshman.• ...the loser kid who is told he'll never be a star and should return home to the farm in Iowa can be featured front & center in the big finale.
• ...a tribute to THE LION KING is no replacement for running and jumping and dancing through the streets of New York City.

Did I hate FAME? No. Would I recommend it? Hell no. But if you are a big fan of the original and/or the TV series you should check it out at some point.

So Bad, They're Brilliant!

The American Cinematheque at The Egyptian Theater in Hollywood usually gives movielovers the chance to view, on the big screen, some of the most important and influential films of all time–but not during August 13th-19. On those enchanted evenings, my pop culture gurus Stephen Rebello (co-author of BAD MOVIES WE LOVE) and Alonso Duralde (author of 101 MUST-SEE MOVIES FOR GAY MEN) will be presenting 9 of the best worst movies ever made. In other words - MY kind of movies!

In addition there will be a "More Is More" fashion show/competition on August 13th and book signings each night! Here's the amazing line-up:

Thursday, August 13 – 7:30 PM Double Feature:KITTEN WITH A WHIP, (1964, Universal, 83 min.) Starring sassy Ann-Margret and John Forsythe. Directed by veteran TV helmer Douglas Heyes (THE TWILIGHT ZONE) from his screenplay based on a novel by Wade Miller, KITTEN WITH A WHIP is jam-packed with fake Beat Generation dialogue, a jazzy score, and an over-the-top performane by Ann-Margret at her snarly, vampy best.THE LONELY LADY (1983, Universal, 92 min.) Camp superstar Pia Zadora plays a would-be screenwriter who gets abused by every man she encounters. Look for Ray Liotta and Lloyd Bochner in this ludicrous adaptation of Harold Robbins' trashy bestseller. Directed by Peter Sasdy (TASTE THE BLOOD OF DRACULA), this 80s classic was a multiple winner at the Razzie Awards, which in 2005 nominated it as one of the worst dramas ever made.

Friday, August 14 – 7:30 PM Double Feature:XANADU (1980, Universal, 93 min.) Director Robert Greenwald misguides Olivia Newton-John, Michael Beck and Gene Kelly through a romp that melds 1940s MGM musicals with the roller-disco fad of the late 70s. One of my favorite films of all time. You can read more about it and The Electric Light Orchestra here.

STAYING ALIVE (1983, Paramount, 96 min.) John Travolta returns to SATURDAY NIGHT FEVER territory in this ridiculous sequel. Tony Manero is now Broadway bound under the direction of Sylvester Stallone. Bob Mackie costumes, bad choregraphy and dumb dialogue make this one a laugh-out-loud winner. With soap star Finola Hughes and Cynthia Rhodes.

Saturday, August 15 – "More is More" Fashion Show at 7:00 PM!

7:30 PM Double Feature:MAHOGANY (1975, Paramount, 109 min.) After Oscar-winning director Tony Richardson bailed, Motown head honcho Berry Gordy stepped in to direct Miss Diana Ross in this soapy story of a spunky, ambitious glamour gal rising up from slums to become a famous international supermodel. Anthony Perkins and Billy Dee Williams come along for the wild ride.A NEW KIND OF LOVE (1963, Paramount, 110 min.) Melville Shavelson directs Paul Newman and Joanne Woodward in this love story with the Parisian fashion world as a background. Eva Gabor, Thelma Ritter and Maurice Chevalier lend support.

Sunday, August 16 – 7:30 PMLOST HORIZON, (1973, Sony Repertory, 150 min.) Director Charles Jarrott's notorious musical version of James Hilton’s novel about a plane crash. Songs by the usually great Burt Bacharach and Hal David, performed by actors who can’t sing. Produced by Ross Hunter (AIRPORT), starring Peter Finch, Liv Ullman, Sally Kellerman, Michael York and George Kennedy. Choreographed by Hermes Pan and scripted by none other than playwright and activist Larry Kramer (THE NORMAL HEART)!!!

Wednesday, August 19 – 7:30 PM Double Feature:GLITTER (2001, 20th Century Fox, 104 min.) Director Vondie Curtis-Hall brings non-actress Mariah Carey to the big screen in this "what the fuck?" showbiz saga. Max Beesley, Terrence Howard and Dougsploitation favorite Ann Magnuson show up and save the day.FROM JUSTIN TO KELLY (2003, 20th Century Fox, 81 min.) Need I say anything?

I will try to be there for as many of these screening as I can, since there are a few of these films that I have never seen. If you'd like to join in in the fun, you can order tickets here.