Mickey Rooney is THE MANIPULATOR

Here's a post from 2008 - in honor of the late Mr. Rooney. Ever wonder what it would be like if Sid & Marty Krofft produced Stephen King's MISERY? Well, 1971's THE MANIPULATOR (aka BJ LANG PRESENTS) is a pretty close approximation of what it might look like.It all starts innocently enough on a rainy night, when we see a dark figure in a hat and raincoat walking on a dark city street accompanied by standard 1970s TV-movie theme music followed by the opening titles "Mickey Rooney...Luana Anders...THE MANIPULATOR". A fancy old car then pulls up to a warehouse and Mickey exits sporting his YEAR WITHOUT A SANTA CLAUS beard. He then gets into a freight elevator as flashes of random Fellini-like horrors begin. This is when we start to know this is no ABC Movie of the Week.

Mickey walks by what looks like a dusty animal carcass and climbs up a ladder into what looks like a Hollywood prop house. He then sits in an old leather chair, takes off his rose-tinted sunglasses and begins talking to himself as if he is various members of a film crew. Okay. He chats with a mannequin named "Wally" in a what could be a scene from ANDY HARDY HAS A COMPLETE MENTAL BREAKDOWN-decides to "put on a show!!!" Too bad Judy wasn't around to help out!

So Mickey begins to describe the upcoming scene to his imaginary "cast & crew". He calls "action!" and turns on a strobe light, imagining a pair of nude elderly actors dancing in the spotlight as he shouts the lyrics to "Chattanooga Choo Choo" at them. Then he showers the naked old folks with flowers. HUH??? The old people soon disappear, then Mickey pulls back a curtain and screams - and a real woman (Luana Anders) screams back at him. She's his "star", Carlotta - and she's hungry. In fact she asks him for food repeatedly. Turns out she's his prisoner and he has her tied to a wheelchair - and it's time for her lunch! Mickey then feeds her water from a silver chalice and baby food from a jar. Classy.

So then we learn that Carlotta has been cast as Roxanne (the Daryl Hannah role) in BJ Lang's film version of CYRANO DE BERGERAC. While Mickey is feeding her, she bites his finger and tells him that she's grateful for his kindness to her. Then he yells at some "crew members" and rolls in a huge spotlight followed by a (believe it or not) a fast-motion dance with a broomstick intercut with insert shots of a growling wild animal. Very Krofft-like. Meanwhile, Carlotta unties herself. Run like the wind, girl, run!!!

I guess she didn't run cause Mickey then shows up in drag make-up...and whispers to Charlotte about when he used to make up Marilyn's eyes. Then her gets all femme as he applies Carlotta's Roxanne make-up. This is a very disturbing scene. What would Judy say???

Mickey hears some cackling laughter in his head and is now sporting a really fake Witchie-Poo type Cyrano nose. I guess he's the director AND star of this production! Then he pushes Carlotta's wheelchair head-on into a mirror and demands that she recite her lines from the balcony scene. Then he yells at the thunder outside to be "quiet". Huh?After playing with some color gels, Mickey gives a pep talk to his imaginary background players (actually a collection of broken mannequins). Then he forces Carlotta to act out a scene - he calls "cut!!!" and breaks into another "Chattanooga Choo Choo" performance. Jesus - please make it stop!!! Then he tells her all about "fear" as he pretends to choke her. That's when I decide that ANDY HARDY MUST DIE!!!

So, Mickey calls "action!!!" again and they act out their big scene and unseen crowds roar with applause and "bravos!" Carlotta then tells him that the audience LOVES him. What follows next is the most bizarre scene in the film - We see a naked baby walking around a cocktail party where we also see the usual assortment of late 60s/early 70s "freaks" - you know - nudists, drag queens, Ruth Gordon-type old ladies, more nudists, pot-smokers, hippies, sex maniacs and others eating Saltine crackers with spinach dip and tripping out on acid. This all culminates with a giant orgy where Mickey is caressed by both women and men...and the naked baby is in the middle of it all!!! Really...I ask again...WHAT would Judy say???

While preparing for his big "duel" scene, Mickey suddenly collapses and Carlotta begs him NOT to die. Huh? She gets herself free and begins kicking the shit out of him. Why doesn't she just RUN??? Of course he manages to pin her down and kiss her! What a MANIPULATOR! Carlotta then begins running in very slow motion down a looooonnnnnggggg hallway while crazy electronic special effects music plays. Soon Mickey leaps out at her with his Cyrano sword. She decides to hide behind some sheer curtains. Smart girl, that Carlotta.

Then Mickey chases her through the mannequin display - and she attacks him with the spotlight. Carlotta then continues to run through the prop house through what looks like a combo wardrobe department and meat locker. She then crawls around the catwalk as Mickey hollers out orders to his "film crew"...and he once again breaks into song - yes, that's right - "Chattanooga Choo Choo" for the third fucking time!!! I beg of you....Please make it stop...please!!!! I will never listen to that song the same way again. Actually, I will never listen to that song again, PERIOD.

As Carlotta continues to navigate her way through the wardrobe, she suddenly stumbles upon "guest star" character actor Keenan Wynn - who Mickey stabs with his sword and kills. I guess it was just a cameo. Suddenly we're in a slaughterhouse, where a string quartet entertains both women in furs and butchers wearing bloody aprons as Carlotta dances for them all. I just can't say "huh?" anymore - I'm totally exhausted.

Mickey tells Carlotta he'll let her go if she tells him that she loves him. She doesn't - but he lets her go anyway. Okay, HUH? She then runs through the damn wardrobe again!!! She climbs down the ladder into the freight elevator...but she can't figure out how to open the door - so she just slams herself against the walls till it opens. Oh my god...I can't take much more of this.

Finally - Carlotta runs out into the rain - and locks herself in his car!!! She starts blowing the horn as Mickey pounds on the car windows - finally smashing the window with a trash can. He unlocks the door. Fade to: she's back inside with him. They kiss - and she laughs. This drives him CRAZY. I mean REALLY CRAZY. Then everyTHING around him begins to laugh. Mannequins, dead animals, boxes, jars of Vicks VapoRub, Chia Pets, etc. Then she starts yelling "No!!! No!!! No!!!" at him and he recites the final lines from CYRANO - and she actually looks at him... LOVINGLY!!!

Then he stabs himself with the sword and dies. She hears applause and takes a bow. The End. After the end credits we see Mickey's sped-up dance with the broom again. I almost expected Pufnstuf to show up and join in. The End for real.

Holy Shit! I really think Mickey thought he was gonna get an Oscar for this "brave" film role. I'm just surprised he ever worked again after it!!! This movie needs to be seen just to show how an actor's ego can lead to bad film choices. I do have to say that Luana Anders was truly compelling as Carlotta - and I look forward to seeing some of her other films. Sadly, she passed away in 1996.

The film really rates a 10 outta 10 - but only deserves 2 outta 10 because by the end you just feel so beat up, mentally drained and MANIPULATED from watching it. Wonder who that poor nude baby at the orgy grew up to be? Jimmy Osmond?

Top Tensploitation: TV (2012 Edition)

A lot of TV critics' Top Ten lists seem to be very similar. BREAKING BAD, HOMELAND, MODERN FAMILY, WALKING DEAD, blah, blah, blah. Full of "edgy" and "daring" shows that I have no interest in watching. My list is just a bunch of shows that I enjoy week after week and as a part-time producer, ones that I wish I was involved with.

1) MAD MEN (AMC, Sundays) Back in top form after a hiatus. What can I say? This show is perfection. The most compelling cast and storytelling out there. While others have tried to imitate it's success (PLAYBOY CLUB, PAN AM, THE HOUR, MAGIC CITY and most recently VEGAS) - none were even able to come close. It's hard to pick the best episode or scene of the season because in my eyes it was all great. This is perhaps the best serialized TV drama of all time. There, I said it.

2) DOWNTON ABBEY (PBS, Sundays) Just having seen all of Season 3 (premiering in January on PBS) - this show keeps chugging along with all it's grand soapiness. Outshining and outliving the disappointing UPSTAIRS, DOWNSTAIRS revival - the Downton imitators are soon on their way. Julian Fellows' TITANIC miniseries was well-done in a very similar storytelling style, but ABC buried it over a summer weekend and it was barely noticed.

3) REVENGE (ABC, originally Wednesdays, now Sundays) I was late to the Revenge craze - watching all of Season 1 over one week in late summer in time for the Season 2 premiere. The first season was amazing - a rollicking rollercoaster ride of a mystery that kept me guessing all along the way. Unfortunately, Season 2 has been a huge disappointment - hopefully the show can get back on track.

4) SMASH (NBC, originally Mondays, now Tuesdays) The most entertaining pilot of 2012 led to the campiest bitchfest of a musical ever seen on TV. Great songs and over-the-top production numbers made this show watchable week after week and the backstage Broadway antics may have been unrealistic - but this "GLEE for grownups" made for perhaps the gayest hour of TV ever. I'm really looking forward to see what changes Season 2 brings in February.

5) HAPPY ENDINGS (ABC, originally Wednesdays, now Tuesdays) Funny, dirty, funny, sexy, funny, silly. I never fail to "laugh out loud" each week as these 6 "friends with issues" work with (or against) each other week after week to figure out life and love in the 2010s. Paired with the cartoony B IN APT. 23 for an hour of charming comedy.

6) EPISODES (Showtime) Season 2 of this behind-the-scenes sitcom was even funnier than the first. Great work by all. Looking forward to more.

7) DALLAS (TNT, originally Wednesdays, now Mondays). They said it couldn't be done. Off the top of my head, other than DEGRASSI, it's hard to recall any revival series that was successful. Okay, maybe 90210 - but does anybody even watch that? This revival picked up where the original left off and used the show's rich history to weave in new characters without neglecting the veterans. It will be interesting to see where Season 2 goes after Larry Hagman's death.

8) COMMUNITY (NBC, Thursdays) TV's most underrated and under-appreciated sitcom and the only NBC Thursday night show worth watching anymore continued to amuse, charm and tickle. What will happen now that creator Dan Harmon and co-star Chevy Chase are leaving?

9) PORTLANDIA (IFC) I'd describe this show as 'LITTLE BRITAIN meets TWIN PEAKS'. It's quirky and hipster-ish and while I've never lived in Portland, it somehow seems to get it all right. Clever and unique.

10) DAYS OF OUR LIVES (NBC, Weekdays) Salem continued to keep my attention this year despite some missteps (Alamania, Stefano's "murder", the new Celeste). Fun storylines like the "Daysaster" and Eileen Davidson's return as Kristin Blake have been balanced out by great dramatic turns like the Will/Sonny relationship and Caroline Brady's Alzheimer's plotline. We said goodbye to favorites Lexie Carver, Bo Brady, Carrie Brady and Jack Devereaux - but welcomed back some beloved characters as well (Eric Brady, Nurse Maxine, Nick Fallon, Doug and Julie). Behind-the-scenes drama led to a quick disposal of Madison James and Ian McAllister and a few others - but Dr. Marlena Evans finally took the spotlight in some well-written scenes with her gay grandson Will and her newly-returned nemesis Kristin. While ratings have been up & down - I feel the show is a solid contender and with the popularity of serial drama once again on the rise - DAYS may be around for a few more good years.

So, you may ask, what dropped out of my TOP 10 from last year? Well, let's take a look:

PARKS & RECREATION (NBC, Thursdays) Still a well-made show - but I've dropped it from my regular viewing because it just wasn't as funny as it used to be. Not sure why.

UPSTAIRS DOWNSTAIRS (PBS, Sundays) A disappointing second season was a poor exit for the revival of the TV classic. Be forewarned DALLAS.

LOUIE (FX, Thursdays) Some great episodes this season - but overall I found it too depressing to keep watching.

WILFRED (FX, Thursdays) The concept wore really thin, really fast for me.

and finally...

AMERICAN HORROR STORY (FX, Wednesdays) - Last year this show was my #1 pick. My favorite series of the entire year. This season, however...it has become a weekly dose of "torture porn". It is so sad to see great actors like Jessica Lange, Sarah Paulson, James Cromwell, Clea DuVall, Chloe Sevigny and others demean themselves week after week in a series of violent, pointless and just plain dumb scenarios. Plus, it's not even scary anymore. I gave ASYLUM a fair chance and lastedabout 6 or 7 episodes when I decided I just couldn't take it anymore. To see this show still on some critics Top 10 lists sickens me. Never has a series gone from great to utter crap so quickly. Not sure if it will ever redeem itself.

That's how I see it. Feel free to discuss. Happy New Year!

THE BEGUILED

After Clint Eastwood's puzzling appearance at the RNC the other night, here's a post from 2008 harking back to the days of a kinder, gentler, saner Clint.
Part Civil War epic, part baroque melodrama, part dirty soap opera, part gothic horror movie, part gender politics study and part Brothers Grimm fairy tale: THE BEGUILED (directed by Don Siegel) stars Clint Eastwood in his most intriguing and unusual role since he was elected mayor of Carmel, Ca.

After the requisite montage of real Civil War atrocities via sepia-tinted black and white photos...we arrive somewhere in Louisiana during the last days of the Civil War. Eastwood is John McBurney, a Yankee soldier who is near death after falling out of a tree. My guess is that he was hiding up there when he was shot.

A 12 year old girl named Amy (Pamelyn Ferdin, Edna Unger from TV's ODD COUPLE) is out picking mushrooms and discovers his severely wounded body. They talk, exchange names and cell phone numbers, and just before the girl helps him to stand, he tells her she's "old enough to kiss a man" and pulls her down beside him and gives her a long, hard kiss on the mouth. Huh??? She's confused, but happy. I'm confused and kinda grossed out. She then drags him to the mansion on a old plantation that serves as an all-girls school, where "McB" slowly regains his health under the care of sexually repressed headmistress Martha Farnsworth (Geraldine Page) and the horny girl students who live there. Sort of like when Blair first dragged Jo back to the Eastland school where sexually repressed Mrs. Garrett welcomed her with open arms.

Martha puts her skeptical slave Hallie in charge of washing him...above and below the waist! We are treated to hints of incest when Hallie dresses him in Martha's brother's shirt. Afraid of being turned over to the rebel forces, McB behaves like a polite and appreciative guest, after all he is a Quaker! As he gets healthier, he begins to charm (or beguile if you may) the love-starved students.

Soon the girls begin to vie for his affections, at first we think he's actually falling for virginal teacher Edwina (Elizabeth Hartman), but he seems to be inspiring jealousy among some of the others. This reminds me of Tatum O'Neal and Kristie McNichol both going after Matt Dillon in LITTLE DARLINGS. When one of the spurned girls tries to turn McB over to the Confederate army, Martha comes to his defense, claiming that he's her cousin from Texas. When McB tries to "thank" the headmistress for offering him a permanent residence at the school as the groundskeeper (replacing her brother) we witness a full flashback of Martha and and her lusty sibling getting it on. Donny and Marie Osmond they are not!

Following this we are then treated to Martha's wine-induced dream sequence, an eerie montage of McB frolicking with both Martha and Edwina, ending with a lesbian-tinged three-way that transforms itself into a painting of The Pieta. I swear...McB then gets to suck the nipple of one of the slutty girls - teenaged hussy Carol - leading to a an altercation with an enraged Edwina which ends with McB at the foot of the long circular staircase with a newly re-wounded leg. The battle of the sexes has begun!

SPOILERS START HERE. Martha has the girls harness him up and tie him to the dining room table- and announces that she plans to cut off his leg before it becomes infected with gangrene. What follows is some pretty brutal stuff, involving blood, knives, a saw, bloody hands, sweat, facial close-ups, more blood, blurry faces, a sweaty slave, more blood - you name it...

Clint flips out when he wakes up the next day without a leg, and he's now a prisoner rather than a welcomed guest. Amy tells McB that she loves him and he loves her back. I think she's 13 now. Somehow McB gets his hands on a gun - and now he has the upper hand...but only one leg!

After he threatens Hallie, we flashback to her being raped by Martha's brother. Charming fellow. McB then discovers the wine cellar, then he interrupts the girl's lunch with a drunken rant...and news that he has discovered love letters between Martha and her brother! When Amy tries to lighten things up, he flings her pet turtle across the room, killing it!!! Huh? After this hysteria, Martha convinces sweet, innocent Amy to put down the bloody turtle and gather up some yummy mushrooms for the evening's dinner.

At dinner, McB apologizes for his drunken behavior, leads the table in prayer and and announces his intention to marry Edwina, but it is too late...he's been poisoned by Amy's mushrooms!!! Clint realizes this and slowly gets up from the table and struggles to leave the room. Martha demands that the girls leave him be and finish their dinner. They do. He tumbles to the ground off camera and dies. Next the girls wrap up his body and carry it outside the gate to dump it. The end.

This movie is brilliant. I'm not much of an Eastwood fan, but between this and PLAY MISTY FOR ME, I gotta say - he really knew how to pick 'em back them. Great acting from Clint, Page and Hartman also set this film apart from the pack. THE BEGUILED gets a big 10 outta 10 in my book. In an odd coincidence, two of the actresses, Elizabeth Hartman and Geraldine Page, died in the same week. Hartman died on June 10, 1987 after jumping out of an 5-story window in an apparent suicide. Page died on June 13, 1987 of a heart attack. Sad.

Before there was RED RIDING HOOD

Here's a "classic" post from 2007.

First of all, if you don't like seeing animals injured or killed - avoid this 1984 film. Not sure if the humane society approved this film or not, but between the wolves, a cow, some pigs, a couple of frogs, a goose and a peacock...not a creature seems to go unharmed. And then there's senior abuses suffered by Angela Lansbury, who appears here as a twisted version "Granny" from SYLVESTER & TWEETY rather than loveable Jessica Fletcher or sassy Auntie Mame.

Here's the story: the movie opens in present day. A young girl in bad Baby Jane make-up has a creepy collection of dolls and stuffed animals. She's having a dream that she's gone "into the woods," where her older sister has just been slaughtered by a company of wolves. After they bury sis, the girl goes to live with her Granny - who decides to cheer up the tyke by telling her tales about werewolves. Charming. It also appears that the girl has either travelled back in time or joined a Renaissance Faire.

In the first tale, a young groom is about to bed his new bride when he summoned by 'call of nature'. I guess he had to pee. He never returns. Men! Several years later, he returns looking like Tina Yothers from FAMILY TIES. The bride has since remarried and has kids. Angered by this development, he rips his flesh off and slowly transforms into his werewolf form (a very graphic - but incredible sequence), but is soon killed by husband number two. Whew!

Then there's a boring subplot about a flirty village boy. Zzzzzzzzzz....

In Granny's second story, a strapping young lad meets the Devil and his disturbingly made-up female chauffeur (who looks like Jon Benet Ransey - forcing us to wonder if her parents saw this film and decided that their daughter should look like this character). The devil gives the boy a potion, which he rubs onto his hairless chest - and suddenly blooms into puberty ...and beyond!

Later, Granny has made a Riding Hood for the girl, who we might as well call Red.
The horny village boy harasses Red again, causing her to climb a tree, where she finds a birds' nest with eggs that hatch tiny figurines of fetuses. Huh? Next we are treated to a scene of a mutilated cow. Huh?

While the villagers hunt down the wolf, Red tells her mother a story that Granny told her. This tale is about a wedding party where everyone is transformed into wolves. Fun!

Later Red's father returns after the villagers slay the cow-killing wolf. When he presents the wolf's paw, it has transformed into the hand of a man!!! Of course they chuck it into the fireplace! Wonder what THAT smelled like.

Soon it is winter and Red is off to Grandmother's house once again (presumably for a holiday visit). On the way she meets a huntsman with a unibrow. (Granny always warned her about guys with one brow!)

Once Red arrives at Granny's house, the huntsman has done away with Granny (in an amazing scene - sorry Rob Herrmann), and is taking her place. Sound familiar? There is a final encounter between Red and the Wolf...followed by another tale. This one is about a girl who looks like Chaka from LAND OF THE LOST.

I will not spoil the ending, since I highly recommend this film (despite the animal and Lansbury abuse). Directed by Neil Jordan (THE CRYING GAME), the film is gorgeously shot, and the sets and special effects are wonderful.

I'll give it an 8 outta 10 because with it's mix of dreams, nightmares, stories within stories - it still gives you many reasons to scratch your head. Oh yeah, and Angela doesn't even get to sing! Wonder if Lucille Ball was behind that... (inside joke)

SOMETIMES AUNT MARTHA DOES DREADFUL THINGS

As I continually deal with my lack of free time to blog, I proudly represent one of my very first posts from way back in 2007.
So, imagine THE ODD COUPLE if Felix sometimes dressed in drag, had a crush on a hunky bi-sexual hippie Oscar and murdered every young woman who literally tries to unzip Oscar's snake-skin jeans. Well - that's what SOMETIMES AUNT MARTHA DOES DREADFUL THINGS is all about.

Set in suburban Miami, this 1971 campfest is full of slutty, horny stoned pizzeria waitresses and nurses with small tits and big Eva Gabor wigs who are trying to fuck Stanley (our sloppy roommate) and one by one, they disappear after his manly Aunt Martha pays them a visit.

You see, Paul is "protecting" Stanley from the police since he's convinced Stanley that he was responsible for killing Mrs. Johnson for her jewels. Paul has been disguising himself (with bad wigs, blouses, skirts, and orthopedic shoes) as Stanley's elderly Aunt Martha (but looking much like Stockard Channing as Rizzo), in an effort to hide from the authorities. The nosy neighbors (one who is very pregnant) are a constant annoyance to Paul - especially when they mention how attractive Stanley is.

Stanley, despite being a slob AND never changing his clothes ever (much like a Hanna-Barbera cartoon character) - even though the film takes place over several days and nights - is very sexy. Paul, on the other hand, looks like the illegitimate child of Karl Malden and Judd Hirsch. Stanley, sadly never does get naked - though there are are at least three scenes where women attempt to get into his pants, but he freaks out.

Things veer off in several directions including subplots involving a blackmailing heroin junkie from Baltimore who becomes an unwelcome third roommate and several encounters with Stanley's group of beer-drinking, pot-smoking, coke-sniffing friends - one of which is totally buff and always shirtless (save for a little leather vest) and looks like Steve Perry from Journey.

There's a disturbing turn of events involving the pregnant neighbor and a predictable climax that takes place on (of all places) a movie set!!! MARTHA is a bit slow at times, but its blend of campy humor and horror shocks kept me interested despite the homophobic undercurrent. Directed by Thomas Casey.

If MARTHA is your cup of tea - you can purchase it from the incredible Five Minutes to Live website. Rating: 8 outta 10.

Rainy Day Movie : THE BEGUILED

When people talk about their favorite Clint Eastwood film, they usually list DIRTY HARRY, a spaghetti western or one of the "important" films that he's made in recent years. My favorite is
THE BEGUILED, which I first reviewed here two years ago. Part Civil War epic, part baroque melodrama, part dirty soap opera, part gothic horror movie, part gender politics study and part Brothers Grimm fairy tale: THE BEGUILED (directed by Don Siegel) stars Clint Eastwood in his most intriguing and unusual role since he was elected mayor of Carmel, Ca.


















After the requisite montage of real Civil War atrocities via sepia-tinted black and white photos...we arrive somewhere in Louisiana during the last days of the Civil War. Eastwood is John McBurney, a Yankee soldier who is near death after falling out of a tree. My guess is that he was hiding up there when he was shot.

A 12 year old girl named Amy (Pamelyn Ferdin, Edna Unger from TV's ODD COUPLE) is out picking mushrooms and discovers his severely wounded body. They talk, exchange names and cell phone numbers, and just before the girl helps him to stand, he tells her she's "old enough to kiss a man" and pulls her down beside him and gives her a long, hard kiss on the mouth. Huh??? She's confused, but happy. I'm confused and kinda grossed out. She then drags him to the mansion on a old plantation that serves as an all-girls school, where "McB" slowly regains his health under the care of sexually repressed headmistress Martha Farnsworth (Geraldine Page) and the horny girl students who live there. Sort of like when Blair first dragged Jo back to the Eastland school where sexually repressed Mrs. Garrett welcomed her with open arms.













Martha puts her skeptical slave Hallie in charge of washing him...above and below the waist! We are treated to hints of incest when Hallie dresses him in Martha's brother's shirt. Afraid of being turned over to the rebel forces, McB behaves like a polite and appreciative guest, after all he is a Quaker! As he gets healthier, he begins to charm (or beguile if you may) the love-starved students.

Soon the girls begin to vie for his affections, at first we think he's actually falling for virginal teacher Edwina (Elizabeth Hartman), but he seems to be inspiring jealousy among some of the others. This reminds me of Tatum O'Neal and Kristie McNichol both going after Matt Dillon in LITTLE DARLINGS. When one of the spurned girls tries to turn McB over to the Confederate army, Martha comes to his defense, claiming that he's her cousin from Texas. When McB tries to "thank" the headmistress for offering him a permanent residence at the school as the groundskeeper (replacing her brother) we witness a full flashback of Martha and and her lusty sibling getting it on. Donny and Marie Osmond they are not!

Following this we are then treated to Martha's wine-induced dream sequence, an eerie montage of McB frolicking with both Martha and Edwina, ending with a lesbian-tinged three-way that transforms itself into a painting of The Pieta. I swear...McB then gets to suck the nipple of one of the slutty girls - teenaged hussy Carol - leading to a an altercation with an enraged Edwina which ends with McB at the foot of the long circular staircase with a newly re-wounded leg. The battle of the sexes has begun!

SPOILERS START HERE. Martha has the girls harness him up and tie him to the dining room table- and announces that she plans to cut off his leg before it becomes infected with gangrene. What follows is some pretty brutal stuff, involving blood, knives, a saw, bloody hands, sweat, facial close-ups, more blood, blurry faces, a sweaty slave, more blood - you name it...













Clint flips out when he wakes up the next day without a leg, and he's now a prisoner rather than a welcomed guest. Amy tells McB that she loves him and he loves her back. I think she's 13 now. Somehow McB gets his hands on a gun - and now he has the upper hand...but only one leg!

After he threatens Hallie, we flashback to her being raped by Martha's brother. Charming fellow. McB then discovers the wine cellar, then he interrupts the girl's lunch with a drunken rant...and news that he has discovered love letters between Martha and her brother! When Amy tries to lighten things up, he flings her pet turtle across the room, killing it!!! Huh? After this hysteria, Martha convinces sweet, innocent Amy to put down the bloody turtle and gather up some yummy mushrooms for the evening's dinner.

At dinner, McB apologizes for his drunken behavior, leads the table in prayer and and announces his intention to marry Edwina, but it is too late...he's been poisoned by Amy's mushrooms!!! Clint realizes this and slowly gets up from the table and struggles to leave the room. Martha demands that the girls leave him be and finish their dinner. They do. He tumbles to the ground off camera and dies. Next the girls wrap up his body and carry it outside the gate to dump it. The end.













This movie is brilliant. I'm not much of an Eastwood fan, but between this and PLAY MISTY FOR ME, I gotta say - he really knew how to pick 'em back them. Great acting from Clint, Page and Hartman also set this film apart from the pack. THE BEGUILED gets a big 10 outta 10 in my book. In an odd coincidence, two of the actresses, Elizabeth Hartman and Geraldine Page, died in the same week. Hartman died on June 10, 1987 after jumping out of an 5-story window in an apparent suicide. Page died on June 13, 1987 of a heart attack. Sad.

THE JUDY GARLAND CHRISTMAS SHOW

Another vintage Dougsploitation Christmas treat from two years ago...THE JUDY GARLAND CHRISTMAS SHOW (1963) is actually an special episode of Judy's short-lived CBS variety series. When a Christmas episode starts out with snow in Los Angeles you know you're in for a treat. When it's sponsored by Contac time-release capsules - you are in "huh?" TV heaven!

Well, things get off to a nice start as Judy sings her official holiday tune - "Have Yourself a Merry Little Christmas" which she introduced in the film MEET ME IN ST LOUIS. As she sings she cuddles with her young son Joe, constantly touching him and even rubbing noses with him all the while poor big sister Lorna stands by attentively and must settle for a slight tap on the hand. Judy then welcomes the viewers to her "home" and tells them that tonight she's staying home with her family (i.e. - no booze and pills for Mama tonight!). She then confides in us that her eldest daughter, 17-year old Liza is out skating with her "beau".

Judy then leads the kids in a rousing rendition of "Consider Yourself at Home" from the musical OLIVER! as she takes the viewer on a tour of her living room set. This makes me wonder why CBS choose to air this series in black & white - since it was originally broadcast on Sunday nights - opposite NBC's BONANZA - which was brought to you in "living color". Go figure.

Next up is the first Contac commercial - which had a soundtrack that sounds similar to Bernard Herrmann's PSYCHO score. Speaking of psycho, after the commercial break Liza storms in the door, ignoring her little sister Lorna and pretending to not know that she's on Mama's TV show. So they finish up the OLIVER song and hoist little Joe up on the piano where he bravely struggles his way through another song from OLIVER as Judy proudly looks on. Lorna sits quitely and pretends that she is loved.

After Joe's solo number, Liza's "beau" - choreographer Tracy Everitt - arrives wearing a sweater borrowed from LOST IN SPACE and black pants that are tighter than Liza's Capezios. I surmise that Tracy is the first in a string of painfully sexy and marginally talented young men that will break Liza's heart over the years. Today, Mr. Everitt teaches dance classes in Hoboken, NJ. For real. Google him.

Liza convinces the family to watch as she and Tracy perform "Steam Heat" as a pitch for Judy's stage act. The Fosse-like dance steps overwhelm Judy who jokingly asks them how long it took them to learn their little routine. When Tracy delivers his "two and a half years" punchline, you can hear crickets in the studio. So Tracy and Liza take little Joe over to the Christmas tree so Judy can warble a tune from her animated film GAY PURR-EE. No one even wonders where Lorna is - I think she's in her room crying at this point.

Next up is another great Contac commercial featuring characters from THE WIZARD OF OZ in stop-motion animation, complaining of flu and cold symptoms. Amazing.

After the ad, handsome family friend and LOVE BOAT theme crooner Jack Jones shows up singing "Wouldn't It Be Loverly" from MY FAIR LADY and another song called "Lollipops and Roses". He looks at Lorna as if to say "How did the neighbor's kid get in here? Don't you people have locks on your doors?" Afterwards, Lorna tries to get attention from Mr. Jones by convincing him to let her sit on his lap and sing "Santa Claus is Coming to Town." Didn't this happen in LOLITA too? Meanwhile, Liza seems slightly annoyed that Lorna is getting any airtime at all, but decides to let this one slide.

Next up is an ad from Judy's "alternate sponsor" Pall Mall cigarettes! First pills, now ciggies - what's next Jack Daniels? Oddly, the announcer pronounces the brand as "Pell Mell".

After the 'cancer sticks' ad, Liza sings a boring song as Tracy fiddles with a small package he has placed near his crotch. Huh?

After her solo number, Liza steals more camera time by getting under a blanket with Jack and Judy for a medley of snow songs - but they are rudely interrupted by a gang of Charleston-dancing Santas who crash the party - no doubt looking for pills and cigarettes! This is followed by an ad for Thrill dish soap - "it's like getting a new pair of hands in just 14 days!". Wow - what a tagline. There needs to be an episode of MAD MEN about that campaign!

After the dish soap commercial, the caroler's arrive - led by Judy's backstage nemesis Mel Torme (who I think she calls "Mort") - aka the Velvet Fog - aka the bastard who was hired to fix Judy's show. As scripted by Mel, Judy has to convince him to sing "The Christmas Song" (which he wrote) - and he invites her to sing along. Judy looks as if she's up to something. Mel begins to scat and Judy takes over the song - changing the lyrics right in front of the guy who wrote them! Judy rules.

The real lyrics:
"They know that Santa's on his way, 
He's loaded lots of toys
, And goodies on his sleigh
, And every mother's child is gonna spy,
To see if reindeer really know how to fly"

Judy's lyrics:
"They know that Santa's on his way
, He's loaded lots of GIFTS, 
And TOYS on his sleigh
, And every mother's child is gonna spy
,To see if RAINBOWS really know how to fly"

You can tell that Mel is seething inside and Judy's loving it. Mel later got revenge by writing a tell-all about Judy and the show after her death. Next up is another stop-motion commercial - this time for a free Betty Crocker and Gold Medal flour holiday cookbook! It's incredible!

After the ad, Judy's house is now full of freeloaders. Tracy brings out a bowl of eggnog and then they begin an endless medley of sacred carols. The self-important ham known as Mel Torme leads the choir. Then Lorna and Joe sing "Silent Night" - followed by an ad for Head and Shoulders! This ad features a woman well into her 30s worrying about having dandruff in her graduation photo. Honey, that's the least of your problems!

After the dandruff clears up, Judy boots everyone out of her house. Liza and Tracy dash off caroling - but the dancing Santas return to perform a crazy Rockettes-style dance with Judy. Damn - I wish this was in color!!!

So, then Judy shuts off all the lights - but Lorna and Joe come out calling "Mama..." to which she replies, as if annoyed - "WHAT???!!!". Well, it turns out she forgot to sing "Over the Rainbow". Which she then does - and it is a beautiful arrangement! Then Judy says goodnight for good and the camera pulls back to show it's still snowing in L.A.. All is well with the world, until CBS cancels her show...but that's another story. This show is a total 10 outta 10. Just for kicks, here's a recent pic of Judy's kids.

Awww...Lorna.

THE JUDY GARLAND CHRISTMAS SHOW

A Dougsploitation Christmas treat from last year...THE JUDY GARLAND CHRISTMAS SHOW (1963) is actually an special episode of Judy's short-lived CBS variety series. When a Christmas episode starts out with snow in Los Angeles you know you're in for a treat. When it's sponsored by Contac time-release capsules - you are in "huh?" TV heaven!

Well, things get off to a nice start as Judy sings her official holiday tune - "Have Yourself a Merry Little Christmas" which she introduced in the film MEET ME IN ST LOUIS. As she sings she cuddles with her young son Joe, constantly touching him and even rubbing noses with him all the while poor big sister Lorna stands by attentively and must settle for a slight tap on the hand. Judy then welcomes the viewers to her "home" and tells them that tonight she's staying home with her family (i.e. - no booze and pills for Mama tonight!). She then confides in us that her eldest daughter, 17-year old Liza is out skating with her "beau".

Judy then leads the kids in a rousing rendition of "Consider Yourself at Home" from the musical OLIVER! as she takes the viewer on a tour of her living room set. This makes me wonder why CBS choose to air this series in black & white - since it was originally broadcast on Sunday nights - opposite NBC's BONANZA - which was brought to you in "living color". Go figure.

Next up is the first Contac commercial - which had a soundtrack that sounds similar to Bernard Herrmann's PSYCHO score. Speaking of psycho, after the commercial break Liza storms in the door, ignoring her little sister Lorna and pretending to not know that she's on Mama's TV show. So they finish up the OLIVER song and hoist little Joe up on the piano where he bravely struggles his way through another song from OLIVER as Judy proudly looks on. Lorna sits quitely and pretends that she is loved.

After Joe's solo number, Liza's "beau" - choreographer Tracy Everitt - arrives wearing a sweater borrowed from LOST IN SPACE and black pants that are tighter than Liza's Capezios. I surmise that Tracy is the first in a string of painfully sexy and marginally talented young men that will break Liza's heart over the years. Today, Mr. Everitt teaches dance classes in Hoboken, NJ. For real. Google him.

Liza convinces the family to watch as she and Tracy perform "Steam Heat" as a pitch for Judy's stage act. The Fosse-like dance steps overwhelm Judy who jokingly asks them how long it took them to learn their little routine. When Tracy delivers his "two and a half years" punchline, you can hear crickets in the studio. So Tracy and Liza take little Joe over to the Christmas tree so Judy can warble a tune from her animated film GAY PURR-EE. No one even wonders where Lorna is - I think she's in her room crying at this point.

Next up is another great Contac commercial featuring characters from THE WIZARD OF OZ in stop-motion animation, complaining of flu and cold symptoms. Amazing.

After the ad, handsome family friend and LOVE BOAT theme crooner Jack Jones shows up singing "Wouldn't It Be Loverly" from MY FAIR LADY and another song called "Lollipops and Roses". He looks at Lorna as if to say "How did the neighbor's kid get in here? Don't you people have locks on your doors?" Afterwards, Lorna tries to get attention from Mr. Jones by convincing him to let her sit on his lap and sing "Santa Claus is Coming to Town." Didn't this happen in LOLITA too? Meanwhile, Liza seems slightly annoyed that Lorna is getting any airtime at all, but decides to let this one slide.

Next up is an ad from Judy's "alternate sponsor" Pall Mall cigarettes! First pills, now ciggies - what's next Jack Daniels? Oddly, the announcer pronounces the brand as "Pell Mell".

After the 'cancer sticks' ad, Liza sings a boring song as Tracy fiddles with a small package he has placed near his crotch. Huh?

After her solo number, Liza steals more camera time by getting under a blanket with Jack and Judy for a medley of snow songs - but they are rudely interrupted by a gang of Charleston-dancing Santas who crash the party - no doubt looking for pills and cigarettes! This is followed by an ad for Thrill dish soap - "it's like getting a new pair of hands in just 14 days!". Wow - what a tagline. There needs to be an episode of MAD MEN about that campaign!

After the dish soap commercial, the caroler's arrive - led by Judy's backstage nemesis Mel Torme (who I think she calls "Mort") - aka the Velvet Fog - aka the bastard who was hired to fix Judy's show. As scripted by Mel, Judy has to convince him to sing "The Christmas Song" (which he wrote) - and he invites her to sing along. Judy looks as if she's up to something. Mel begins to scat and Judy takes over the song - changing the lyrics right in front of the guy who wrote them! Judy rules.

The real lyrics:
"They know that Santa's on his way, 
He's loaded lots of toys
, And goodies on his sleigh
, And every mother's child is gonna spy,
To see if reindeer really know how to fly"

Judy's lyrics:
"They know that Santa's on his way
, He's loaded lots of GIFTS, 
And TOYS on his sleigh
, And every mother's child is gonna spy
,To see if RAINBOWS really know how to fly"

You can tell that Mel is seething inside and Judy's loving it. Mel later got revenge by writing a tell-all about Judy and the show after her death. Next up is another stop-motion commercial - this time for a free Betty Crocker and Gold Medal flour holiday cookbook! It's incredible! 

After the ad, Judy's house is now full of freeloaders. Tracy brings out a bowl of eggnog and then they begin an endless medley of sacred carols. The self-important ham known as Mel Torme leads the choir. Then Lorna and Joe sing "Silent Night" - followed by an ad for Head and Shoulders! This ad features a woman well into her 30s worrying about having dandruff in her graduation photo. Honey, that's the least of your problems!

After the dandruff clears up, Judy boots everyone out of her house. Liza and Tracy dash off caroling - but the dancing Santas return to perform a crazy Rockettes-style dance with Judy. Damn - I wish this was in color!!!

So, then Judy shuts off all the lights - but Lorna and Joe come out calling "Mama..." to which she replies, as if annoyed - "WHAT???!!!". Well, it turns out she forgot to sing "Over the Rainbow". Which she then does - and it is a beautiful arrangement! Then Judy says goodnight for good and the camera pulls back to show it's still snowing in L.A.. All is well with the world, until CBS cancels her show...but that's another story. This show is a total 10 outta 10. Just for kicks, here's a recent pic of Judy's kids. 

Awww...Lorna.

LET'S SCARE JESSICA TO DEATH

While I wait for my laptop to get repaired, here's another classic spooky movie review for y'all. Enjoy! I remember this movie being on TV a lot when I was a kid. I also remember being afraid to watch it cause it sounded so damn spooky. Well, I'm all grown up now and it was time to face my fears. So, I got up the nerve and rented it.

Yawn...Wow - what a boring horror film. It might as well be called LET'S BORE THE GOYA BEAN LADY TO DEATH because that's a more accurate description of what JESSICA is. Not a terrible film - just a quiet one.

John D. Hancock (not the guy who signed the Declaration of Indepence or started the insurance company) directed this 1971 snoozefest. The plot revolves around Jessica (played by Zohra Lampert, bean-pusher extraordinaire), a looney woman who was recently released from a nuthouse. Desiring a fresh start, she moves from the big city to an abandoned creepy old New England farmhouse with her nerdy husband Duncan and his hunky friend Woody. Once they arrive they discover an attractive guitar-playing young hippie chick squatting in their new home. Jessica invites Emily to stay for the night, hoping that her and Woody will pair off. Unfortunately it seems Emily would rather pair off with Duncan.

Nevertheless, Jessica decides to invite Emily to LIVE with them all on the farm!!! What the fuck? Then Jessica finds an old photo from the 1880s in the attic - and Emily is in the photo!!! Is she a ghost? A vampire? Or is Jessica just crazy? We then learn that the woman in photo lived in the house and drowned on her wedding day. When Jessica and Duncan go into town to try to sell some of the crap they find attic, they discover that all the menfolk are weird and have patches on their necks and arms. Hmmm...

Well, you'd think this would be enough for Jessica and company to high tail it back to the city, but no - they stay and things continue to get strange. Especially after a mysterious little girl leads Jessica to a dead body. I'm not gonna spoil the plot any further, becuase I really think this film is worth seeing. Just NOT when you are already sleepy!JESSICA is not really a *bad* movie, but I just wish it were better - and scarier. I know we've been desensitized by modern horror films, but JESSICA sometimes made me feel like I weas watching a really long Maxwell House International Coffee commercial. Maybe the misleading title is why I expected to actually be SCARED TO DEATH, not driven to distraction.

The simple musical score is effective and Lampert is quite charming in her natural awkwardness. The style of the movie evokes the far superior ROSEMARY'S BABY, so if you're a fan of quiet, creepy films with very little action - check this one out. I'll give it 7 out of 10 "Huhs?".

There's actually a very well-done fan site here.

You can lose your mind...

Patty Lane (Patty Duke) was a normal American teen living in Brooklyn Heights, New York, who loved typically American things like ice cream, sleepovers and safe-looking boys. In the first episode, of THE PATTY DUKE SHOW, Patty's trampy "identical cousin" Cathy Lane (also played by Duke) arrives in the USA from Scotland to live with Patty and her family. That's where the comedy lies. (The uncanny physical resemblance that Patty and Cathy Lane share is explained by their dads being identical twin brothers- right!).

Okay, so what are Patty and Cathy up to in this here book based on their hit TV show? Hmmm..."The Adventure of the Chinese Junk"...oh it must be about that time Cathy convinced Patty to buy some cheap imported heroin from the Chinese exchange student at Brooklyn Heights High School! You see, Fred Yao smuggled heroin on military transport flights from Hong Kong for eventual distribution on the East Coast. Heroin (diacetylmorphine) is a semi-synthetic opioid synthesized from morphine, a derivative of the opium poppy. As with other opiates, heroin is used mainly as a recreational drug. One of the most common methods of heroin use is via intravenous injection (typically known as "shooting up"). One would surmise, by it's title that this book chronicles Patty's early addition and harrowing downward spiral into homelessness, overdose and eventual withdrawal. While Patty is in rehab, Cathy poses as her, turning her life upside down–resulting in pregnancy via Patty's boyfriend, Richard Harrison. Meanwhile, Patty's father, Martin, managing editor of a the New York Chronicle, struggles to maintain his sanity while the lives of the two girls tumble out of control. It all ends up on a sunny note, as Fred Yao is deported, Patty is declared "clean" by the family doctor and Cathy's miscarriage (after tumbling down the Lane house staircase) puts things back in order! What an adventure!
"Meet Cathy who's scored most everywhere, from Afghanistan to Vietnam; But Patty's only seen the sights a girl can see from illegal fights - what a crazy pair! But they're cousins, identical cousins all the way; one pair of matching headlights, different as straight and gay. Where Cathy adores a dutch oven, a Donkey Punch, and a tuna melt; our Patty loves to shoot the smack, black tar makes her lose her shit - what D-N-A! But they're cousins, identical cousins and you'll find they cry alike, they speak alike, at times they even freak alike. You can lose your mind ... when cousins are two of a kind!"