THE MIKADO PROJECT World Premiere

Hey gang, my production company Velvet Candy Entertainment's co-production of THE MIKADO PROJECT, a feature film directed by Chil Kong (SCREENING PARTY) will be premiering this coming Saturday May 1 at the Los Angeles Asian Pacific Film Festival at 9pm at the Directors Guild of America Theater. I also worked on the film a bit as a designer and set decorator, and I look forward to seeing the film on the big screen.. This event marks the World Premiere of the film and cast and crew will be in attendance, and will be followed by a Q&A session.

THE MIKADO PROJECT is a musical comedy (based on the stage performance written by Ken Narasaki and Doris Baizley and adapted for film by Chil Kong) of a struggling Asian American theater company that, in a desperate publicity stunt to save their company, decides to produce a modern reconstruction of Gilbert and Sullivan’s, The Mikado, to stir controversy and jolt ticket sales.

The Mikado, one of the most beloved comedy operas by legendary collaborators, Arthur Sullivan and W.S. Gilbert, first opened on stage in 1885 in London . The story was set in Japan (considered an exotic land to the British during that era) which allowed Gilbert & Sullivan to satirize British politics. However, by doing so, Asians around the world and Asian Americans today have found this opera hard to embrace—making the notion of Asian American actors performing The Mikado controversial and palatable only through a comedic reconstruction.

With new hip-hopera versions of the Gilbert & Sullivan’s original compositions and dance numbers choreographed by members of the dance troupes, Kaba Modern and Jabbawockeez, from MTV's AMERICA'S BEST DANCE CREW, this is not your grandma's Mikado.





The talented cast includes Raymond J. Lee (from Broadway's Mamma Mia), Allen Liu (Broadway's Flower Drum Song), Rizwan Manji (Charlie Wilson's War), David Lee McInnis (Never Forever), Gerald McCullouch (CSI, Law and Order, NCIS), Erin Quill (Screening Party, Broadway's Avenue Q), Freda Foh Shen (Primal Doubt, Red Doors), Yui Tag (America’s Best Dance Crew), Tamlyn Tomita (Tekken, The Eye) and Ryun Yu (Kissing Cousins).

For more information on THE MIKADO PROJECT visit www.themikadoproject.com.
Tickets can be purchased directly here.

ROBO VAMPIRE

With Doug busy promoting his film SOCKET, we have recruited Danny to fill in with one of his outrageous reviews. Take it away Danny...

Okay, this will not be easy.  Usually I pick movies that I think will be delightfully bad, but at least understandable.  For the first time ever, no one understood our first feature, ROBO VAMPIRE (1988, directed by Joe Livingstone).
It starts with a goofy guy loading heroin into coffins, because the drug guys are using vampires as drug mules, right.  Okay, so the vampires won't wake up as long as they have the magic post-it on them.  Even so, a couple of the vampires get all uppity and escape from their coffins (we later discover that it's not heroin, but rice powder!  That's why the vamps got upset.)  They attack the goofy guy, who suddenly gets help from a wizardy/priesty guy. Truly it was really creepy the way the vampires BOUNCED toward their prey!
Can you imagine this bouncing toward you???  CREEPY!
 
..and it would appear that the head vampire was a big Ernie Kovacs fan cause he wears a gorilla mask like the one Ernie did for the classic Nairobi Trio sketch, you know the one...    

Anyway, it would seem that the Ernie Kovacs vampire is going to be put away until the arrival of the witch lady, who comes and shoots toilet paper at the wizard and she's all up in arms that her lover, Peter, is now the Kovacs Vampire and if the Wizard wants to live he has to marry them. Got it?
 
Okay, so the drug guys are are escorting the drugs about when they are suddenly ambushed by the NARCs led by Tom.  Well, Tom weren't expecting no vampires what go "BOING" and he gets his throat ripped out by Kovacs.
 
Then we meet the other Narcs and they say stuff like (Actual dialogue): “Now that Tom is dead, I want to use his body to create an android-like robot. I'd appreciate you approving my application.” 
"O'tay, Spanky, Amplication approofed!"... (Not actual dialogue, but exactly how it played...)
 
So they take downed anti-drug officer Tom and hook him up to the life support machine
I'm not sure exactly how it works, but I think if the minus sign flashes more than the plus sign, then it's bad... and vice versa.  Anyway, they put a car battery in him and make him an android-like robot... and don't let that poster art work up top fool you... he didn't look that much like Paul Fairyoven's ROBOCOP.  He actually looked like this...Maybe it's just me, but I think he'd compliment a futuristic sofa quite nicely.

Anyway, Robo-Tom goes around blowing things up good.  And then the wizard/priesty guy unleashes his bouncy vamps and they battle bot.

He defeats the bouncy vamps, but then Wizardy/Priesty guy pulls out a rocket launcher and blows up Robo-Tom good.  So, they hook Robo-Tom up to the life support machine.    There's more plus signs than minus flashes so he's going to be okay, cause it turns out t'was only a flesh wound... kidding, the movie says it was just a short circuit.  And now that he's all better, Robo-Tom goes to White Witch Lady & Kovacs Vamp's wedding where every one fights with everyone and there's boing, boing, boing, and flying toilet paper abound!  Robo-Tom pulls out a convenient flame thrower and burns Kovacs Vamp and all the boingy vamps. Then it ends.  Honestly, we couldn't figure out what was going on, who was who or what was what.  It seemed like 7-year-olds wrote the script going, "..and then this happens..."   I commend the film makers for taking the time to blow things up good, including one of the main characters. Unfortunately I give this movie more minus signs than plus signs.