FOXES is a movie I was forbidden to see in high school because some parent in the neighborhood told all the parents that it was about teen prostitutes. Well, FOXES (1980, directed by Adrian Lyne) has been sitting on my dvr for about six months - and I think I'm finally old enough to see this so-called "teen hooker" movie. As Donna Summer's "On the Air" plays, we see the foxes in their natural habit - bed. 
They are so NOT teen prostitutes. Whores maybe, but not hookers. Jodie Foster is Jeanie - the sensible one; Cherie Currie is Annie - the wild one with a dad who's a cop; Kandice Stroh is Deidre, who looks like she's 40; Marilyn Kagan is chubby virginal Madge, who we later learn is dating a older guy named Jay (future trouble-magnet Randy Quaid). 
These four Valley girls are the focus of the film, but we soon meet some of their posse including their younger skate-boarding friend Brad (Scott Baio) who thinks of himself as quite the ladies man and is always coming on to Annie. 
The foxes all think that school sucks and the boys in their lives are all punks (like Robert Romanus, who was Snake on FACTS OF LIFE, and Speed on DAYS OF OUR LIVES).
Their parents are all self-centered and living in their our worlds. Jeanie's parents are divorced - her mother (Sally Kellerman) is having an affair with a married man and her dad manages a glam rock band named Angel. (Angel performs the theme song "20th Century Foxes").
Let me point out that the film's Giorgio Moroder produced soundtrack features an array of artists on the Casablanca record label, including Cher, who's "Bad Love" is used as recurring background music. Various imagery of the band KISS is also seen.
After Madge loses her virginity, the girls celebrate with a dinner party at her boyfriend's that eventually turns into a brawl - and the foxes wind up behind bars. After she's bailed out Sally and Jodie go at it - touching upon all their dysfunctions as a mother and daughter. 
Randy Quaid then yells at his 16 year old girlfriend Madge for trashing his place - "What are you gonna do, be a waitress at Denny's?!" He wants her to come back so he can beat her.
Jodie hangs out with Scott Baio for day and they bond over all sorts of teen stuff. When they get back to her house, Annie calls - she's loaded!!! Jodie and Scott rescue her from the crowd of tough druggies that she's fallen in with. They attempt to sober her up - but she's on pills! Annie decides she's going to Oregon. Jodie shows her some "tough love" - but freaks out when she sees a patrol car she thinks it's her over-protective dad looking for her again.
Annie's wandering around in a drugged out stupor when her pill-popping friends show up. Scott manages to distract them with his crowd-pleasing skateboard antics, but Annie ends up at Tony's Bar. She tries calling Jodie on a pay phone, but Jodie's busy driving her pick-up truck around Mulholland Drive calling "Annie!".
A couple of drunken swingers named Daryl and his wife Bert pick her up and want to have their way with her–but they crash into a moving truck. As the ER doctors attempt to save her life, the entire cast shows up at the hospital, only to find out that "We've lost her." beep...beep...beep....flatline
Then Madge marries creepy Randy Quaid outside the ugliest church ever filmed and Jodie tells mom Sally Kellerman that she loves her as "On the Radio" plays once more and Jodie visits Annie's grave with the flowers from Madge's wedding. The End.I wish it really was about teen hookers.
After snuggling up with a cup of 
For those unfamiliar with Daryl Dragon and Toni Tenille-they were a Grammy-winning duo who rose to fame with the instant pop classic 
For the second show, from 1973, Conrad returns, and there's another cartoon–this one set to Stevie Wonder's 
The third show in the trilogy is from 1976 after Sonny and Cher were divorced and the guests are Bernadette Peters, Captain Kangaroo and a certain duo we like to call Shields & Yarnell. 
These semi-annoying street mimes were discovered by Marcel Marceau (...or so the legend goes) and before you know it they were appearing on virtually every variety and talk show of the 1970s. Robert Shields and Lorene Yarnell thrilled millions with their act - creating several unique characters that at times won over people who normally who hate mimes (I have no scientific data to prove this). They even hosted their own semi-popular CBS series in 1977-78 - and appeared on the cover of 
This unbearable hour of torment features barely any cohesiveness and guest appearances by Avery Schreiber (as Gepetto), Phyllis Diller (a highlight, as always)
and WHAT'S HAPPENING's Danielle Spencer (a low point-did this child ever learn how to deliver a line?). 
My advice to anyone who loves Disney: avoid this at all costs. I'd opt rather for 1966's 
