Showing posts with label Oz. Show all posts
Showing posts with label Oz. Show all posts

Saturday, November 8, 2014

ELO - The Electric Light Orchestra

With news that Jeff Lynne is working on a new ELO album. I thought maybe it was time for me to rerun this post from May 2009. Hold on Tight!
The Electric Light Orchestra is my all time favorite rock group. I can't explain why, I just knew the first time I heard an ELO record that it was what I liked. A lot. The seamless blend of rock n roll and neo-classical music just spoke to me. With their epic, cascading string sections and over-the-top vocal pyrotechnics, every song was like an aria. 30 years later, just seeing the Jet Records logo gives me goosebumps.
A product of the 1970s, the timeless songs of ELO are now being rediscovered by a new generation of music fans through covers, remixes, sampling and the seemingly endless use in on the soundtracks of films, ads and TV shows.
ELO, under the guidance of Jeff Lynne, recorded 12 studio albums and released 28 hit singles. At their peak between 1974 and 1981, ELO had 9 gold, platinum and multi-platinum albums.
The band also holds the unusual distinction of having the most Billboard Hot 100 Top 40 hits of any band in U.S. chart history without ever having a #1 single.
During the 70s and 80s, ELO was one of the biggest arena attractions, with spectacular shows that included a massive flying saucer stage set, fog machines and state of the art light and laser shows. I luckily got to see them perform twice.
ELO begin humbly in the earlier 1970 as offshoot of 60s UK band The Move. Roy Wood was behind the initial concept of a rock band augmented by a string section that included cellos, violins, horns and woodwinds . The resulting debut album The Electric Light Orchestra was released in the UK in 1971 (in the US as No Answer) - if you listen to it today, you can hear that they were struggling to find their sound.
After Wood left the group - Lynne stepped up to lead the band, with Bev Bevan on drums, joined by Richard Tandy on the Moog synthesizer. ELO released their second album, ELO 2 in 1973, and had their first U.S. chart hit, a rousing cover version of the Chuck Berry classic Roll Over Beethoven.

On the Third Day was released in late 1973, with the string-infused Showdown becoming a hit single.
With Eldorado, the band's fourth album, Lynne hired an orchestra and choir - and their sound had now fully evolved into symphonic rock. The first single off the album, Can't Get It Out of My Head became a U.S. Top 10 hit and the album became ELO's first gold album. This was the first ELO album I bought, it might have had something to do with the Judy Garland/Margaret Hamilton cover photo. The awesome burlesque-inspired Nobody's Child is my favorite track.
Kelly Groucutt (who recently passed away) joined the band as a bassist and vocalist for Face The Music and the hit singles Evil Woman and Strange Magic soon followed. The instrumental Fire On High, with it's creepy Satanic-sounding backward masking is a masterpiece.
. Other great tracks include Nightrider and Down Home Town.
1976's A New World Record gave the band 4 top 10 hits Livin’ Thing, Rockaria!, Telephone Line and a cover of The Move's metal athem Do Ya - making them international stars. Tightrope and So Fine are also outstanding songs.
1977’s Out Of The Blue, a double-album was a worldwide smash and featured global hits Turn To Stone, Wild West Hero, Sweet Talkin' Woman (which was released on clear purple vinyl) plus Lynne's greatest musical achievement, Concerto for a Rainy Day which culminates with the epic Mr. Blue Sky.
By 1978 ELO was one of the most popular acts in the world, appearing on TV shows like NBC's MIDNIGHT SPECIAL. 

Around this time future Pixar songsmith Randy Newman recorded a parody/homage to ELO titled The Story of a Rock and Roll Band.
Discovery in 1979 consolidated that worldwide success with the singles Shine A Little Love, Don’t Bring Me Down, and Last Train to London -which was re-imagined as a catchy pop hit in the 2000s by Atomic Kitten as Be With You.

In 1980 came the film soundtrack Xanadu

 Despite the film's poor box-office showing, the soundtrack went double platinum.At the time some ELO fans were mortified that the band was part of a pop music collaboration with Olivia Newton-John - but time has shown that the songs Lynne contributed to the film (and eventually the Broadway show) are as timeless and beloved as any of the tunes that came before. Don't Walk Away is possibly the best song Jeff Lynne ever wrote - and as performed by super hunky Cheyenne Jackson on Broadway - a true classic.
ELO took a turn towards rockabilly with the hit Hold On Tight from the sci-fi concept album Time.

Other standout tracks included Twilight, The Way Life's Meant to Be, Here Is the News and Ticket to the Moon.
The silly rockabilly ditty Rock ‘N’ Roll Is King was a hit from 1983's Secret Messages, though the title track is infinitely more satisfying. That same year Bev Bevan left ELO and joined Black Sabbath while Jeff Lynne and Richard Tandy contributed songs to the Electric Dreams soundtrack.
Lynne, Bevan and Tandy returned to the studio in 1985 for Balance Of Power–the final ELO album. The single Calling America was a minor hit. 
From 1987 onwards, Jeff Lynne became a highly sought-after songwriter and producer, collaborating with artists such as Paul McCartney, Ringo Starr, and Brian Wilson. With George Harrison, Roy Orbison, Tom Petty, Del Shannon and Bob Dylan, he formed the Grammy-award winning supergroup Traveling Wilburies.
Meanwhile, Bev Bevan in 1989 formed ELO Part II, with Louis Clark (Hooked on Classics). Former ELO members Mik Kaminski and Kelly Groucutt joined them for a second album, Moment Of Truth, in 1994. The remaining members continue to tour and record as The Orchestra.In 2000 Jeff Lynne released an 3-disc ELO box set, Flashback, containing–among other things–a new, unplugged version Xanadu. In 2001, Lynne released a new ELO album called Zoom. Richard Tandy was back, with George Harrison and Ringo Starr as guests.
In 2004 a tribute album wincingly titled Lynne Me Your Ears, this cover anthology featured ELO standards performed by artists such as Todd Rundgren, Sixpence None the Richer, and a host of others.
Another tribute to ELO, L.E.O., features songs are written in Lynne's style and mimic ELO's orchestration and production. The Pussycat Dolls even sampled Evil Woman in their hit Beep

Most recently, Surrender, a lost song from 1976 was released as a single, followed by Latitude 88 North, another lost song. So if you are looking for a lyrical escape from the sorry state of music in 2009 - turn back the clocks to a time when The Electric Light Orchestra changed what rock music sounded like and Roll Over Beethoven.

Sunday, October 13, 2013

THE PAUL LYNDE HALLOWEEN SPECIAL

A classic post. This may be the 4th time I'm running it. What has been heralded as one of the worst hours of television ever - THE PAUL LYNDE HALLOWEEN SPECIAL has got to be seen to be believed. This ABC special originally aired once in 1976, but after years of showing up a bootleg copies, it's finally available on DVD.The show has a loose "storyline", as legendary flamboyant HOLLYWOOD SQUARES celebrity Paul first thinks it's a Christmas special, then an Easter special, and then a Valentines Day special - until his elderly housekeeper (guest star Margaret Hamilton) sets him straight, so to speak. After a barrage of cornball jokes (some written by Bruce Vilanch), Paul breaks out in song: a decidedly Halloween take on "Kids" from "Bye, Bye Birdie". (Which Mr. Lynde introduced in the original Broadway show). Basically the song is a complaint about the younger generation, calling out everything that is wrong with them. My favorite line is "Too much Alice Cooper and not enough Alice Faye!" Like anyone in 1976 knew who Alice Faye was! During this number he gets attacked by trick or treaters dressed as devils - but two of the gang members are revealed to be his ABC pals Donny & Marie in a cheap cameo.After the song, Margaret convinces her bitchy and bitter boss Paul to take a drive with her to visit her sister, who lives at the mysterious Gloomsbury Manor. Sis turns out to be none other than the fabulous Witchie-Poo (Billie Hayes) from H.R. PUFNSTUF! Then, amazingly Margaret transforms herself into her WIZARD OF OZ character - the Wicked Witch of the West! Talk about crossovers! It turns out the witches want to enlist Paul to help them erase their negative media image. 1970s little person superstar Billy Barty shows up as the butler–just in time for some insulting midget jokes, followed by an appearance by a delightfully youthful Betty White as Miss Halloween 1976 - who has won a date with Paul, but she was expecting PAUL NEWMAN! The witches then offer Paul 3 wishes...Wish #1 - Paul wishes to be a "rhinestone trucker", apparently so he can communicate with Tim Conway via CB radio-which was all the rage in '76. Tim arrives at a dinner where Pinky Tuscadero (Roz Kelly from HAPPY DAYS) is the waitress. Tim is about to marry Pinky, but Paul crashes through the wall with his big rig in time to stop the wedding and ask Pinky to marry him instead! Pinky challenges the guys to a contest to see who's more macho. Billy Barty plays the "short order cook"-and he's the most macho!!!Whaa-whaa. What does all this have to do with Halloween? Then there's an awful musical number with Paul, Pinky and Tim and some square-dancing disco dancers. After which the witches invite some of their musician friends to perform "chamber music" for Paul - and the quartet turns out to be none other than KISS - who perform "Detroit Rock City," while the camera rotates 360 degrees and viewers get queasy. Then the witches play Monopoly with Paul. Huh?Wish #2 -Paul wishes he was in the Sarah dessert - he's now a dashingly romantic sheik and Florence Henderson is his potentially lusty lover. Mrs. Brady was already used to faking romance with gay leading men-so she plays along just fine. He tells her he first fell for her after he saw her "milking a cobra"! Then he talks about the "ruby portals of her lips" and he gives his rival Tim Conway a cock-a-too "cause a man gets lonely in the foreign legion." Bruce Vilanch was probably giggling backstage and loving that he got away with all this filthy innuendo. How can they top this? Wish #3 - Paul goes to a haunted discotheque - "the only play where a person can hustle without getting arrested". Then just when you think it can't get any worse, Florence appears sporting a Dorothy Hamill hairdo and a glittering black gown and sings a disco version of "That Old Black Magic".Then KISS comes back to sing the monster hit "Beth" and another song called "King of the Nighttime World." (I think it's supposed be about Larry King, but I'm not sure) It all comes to an end when Pinky returns to sing "Disco Lady" with Paul and the rest if the cast in an epic production number, while the guys from KISS look on in disbelief. Roll credits.
This has to be the strangest, gayest, bitchiest, most surreal mess ever to air on primetime TV - but of course, I love it. Now if only someone would put out a DVD set of the one-season wonder THE PAUL LYNDE SHOW - then I'd really be happy. Imagine Paul as an upscale, wisecracking Archie Bunker-type dad who gets dumped in the swimming pool each and every week - doesn't that sound truly heavenly?

Monday, March 11, 2013

Return to THE WONDERFUL LAND OF OZ

To celebrate the opening of Disney's OZ: THE GREAT AND POWERFUL, I've decided to re-post a look at a little-known sequel to THE WIZARD OF OZ that my good friend Danny wrote way back in 2006. Take it away, Danny...

It all started innocently enough with a wonderful dinner from Kung Pao Bistro, then something went horribly wrong!!!!

For the next 70 minutes I was horrified to be watching THE WONDERFUL LAND OF OZ, a 1969 "sequel" to THE WIZARD OF OZ directed by Barry Mahon, also known for such classics as SANTA AND THE THREE BEARS, SANTA AND THE ICE CREAM BUNNY

and I WAS A MAN: THE TRUE STORY OF ANSA KANSAS, AN HERMAPHRODITE (It's true - look it up on IMDB.com).

If I was naughty as a child, surely this movie was my comeuppance!!!

It was just awful! The cardboard sets, the bad lighting, the horrible singing, the crappy story, the abominable acting and the purple papier-mache cow couldn't keep me from admitting that it was leaps and bounds better than Disney's Broadway crapfest known as TARZAN.

Anyway, this surreal movie goes beyond any description, but here goes; imagine THE BRADY BUNCH is putting on a fundraiser show in their backyard.

They've chosen to do THE CRYING GAME using leftovers from Alice's old crafting night class, Carol's discarded wardrobe and costumes from an abandoned AUSTIN POWERS sequel.

And since there are so many Brady kids, they have to just throw in some other characters, including the lying translator for Cindy to play. The Story, well it's the CRYING GAME , you know, for kids.

Um, this kid, Pit (the writer/director's son) makes a Pumpkinhead, it scares the witch (who looks like a DAWN OF THE DEAD background actress) who uses her magic powders to bring it to life.

Then they sing a song. Badly. Then the witch tells Pit she's gonna turn him into a stone statue so he sings a song about not wanting to be a statue. Badly.
With the help of Pumpkinhead (read: African American slave), he escapes and goes to the Emerald City where the gay Scarecrow rules, but the cattle call girls from the abandoned AUSTIN POWERS sequel led by a drum majorette, attack the City and take over, but regret that none of them knows how to make breakfast.

Anyhoo, Tip, his slave ; gay fag friend go to the Tin Woodsman, who's getting a hot lube/rub job from some smokin' chicks, for help.

Then, they meet up with Glinda who sings a random song decently, then takes them all back to the witch to get her help in finding Ozma, the princess and rightful heir to the stool, I mean throne.

So the witch brings the whole crying game thing in by revealing that Tip isn't really a boy, he's Ozma, a girl! Just like Ansa Kansas, only opposite! The wizard transexualized him so that Ozma would not be found. Glinda says she's gonna bring Ozma back and Tip is all, "But I don't wanna die!" and well, maybe the ACTUAL DIALOGUE would explain it best...
GLINDA: "It is not exactly that you are going to be a girl. You're going to remain Tip. The girl is Ozma. You are not exactly Ozma now, you have grown into an adventurous boy. When I transform you, Ozma will be the girl, and Tip will be your spirit, a wonderful, adventurous spirit, that will float out into the land beyond, and become a part of every little boy."
Ozma comes back and the AUSTIN POWERS rejects go to Denny's for a hearty breakfast.

Oh yeah, there was a disturbing purple cow that was late on ALL of its cues. I imagine the director (sic) saying, "Moo! That's all you have to say! One word! When he stops talking, you say "Moo!" Alright, I get that you may not be able to tell he's actually talking, but when his lips stop being slightly open, you say MOOOOOOOO!!!"
This movie should be avoided at all costs. Doug (who watched it WITH Danny) rates this a 3 outta 10. Only true OZ completists and Sam Raimi need to see it - if only to see how NOT to make an OZ film.