I rewatched MOLLY over the weekend...and decided to repost my "review" from 2009 in appreciation.
I've been hearing about MOLLY (1999, directed by John Duigan) from my friends for a few years now, and with Sarah Palin in the news again, I decided maybe it was high time I sat down for a lighthearted romp about a mentally challenged woman. Why not?
The film starts off on a good note with the wonderful Holly Cole song
"Onion Girl" - unfortunately things go down hill pretty fast from there.
We soon are introduced to Molly McKay (Elisabeth Shue) a profoundly autistic woman of 28 (played by a 36 year old actress) who has the mind of a spoiled brat.
Molly has been raised in a nursing facility after her parents were killed in a car accident and her only relative is her older brother.
Buck (Aaron Eckhart) wasn't around Molly much since he was selfishly off at school and building a successful career in advertising. Now Buck finds out that the home is closing and he needs a new place for Molly to live.
Oh at this point we are told that Molly, like many autistic people has super hearing!!! Who knew???
Through a series of circumstances Molly winds up living with Buck in his spacious Venice, California loft. Let the chaos ensue.
Molly is quite skittish and screams in horror at the drop of a hat.
Molly and Buck also don't seem to have much in common - he likes modern art and she like to pee in her pants. He likes pizza, she likes peas. Molly is also stubborn as a mule and generally answers every question asked with a resounding "NO!!!"
Also, she's obsessed with organizing her collection of shoes. Okay, so am I.
After Buck tries to drop Molly off at daycare–and is rejected–it becomes "bring your autistic sister to work day". First she presses all the buttons in the elevator with evil glee, pissing off Buck's coworkers.
Then she gets bored waiting for Buck in the reception area.
So after picking off the receptionist's dandruff,
Molly decides to strip down hollering "Molly hot!!!"
and proceeds to walk naked into a meeting with a swimwear client!
Now if Buck was an adman worth his salt, he would have pulled a Darren Stephens and figured out a way to tie Molly's nude romp into the new ad campaign. But sadly he doesn't.
As this isn't enough, as a finale, Molly decides to splash around in a fountain. Molly hot again?
Buck tries desperately to juggle his job with his new burden, but he soon ends up unemployed. This causes resentment to grown between the two siblings.
Enter the hunkiest mentally challenged person ever, Sam (Thomas Jane) a former worker at the nursing home and friend to Molly - who is both her guardian angel and interpreter - because he too has a learning disability. Hot.
Sam encourages Buck to be patient with his sister. Molly's neurologist, Dr. Brookes (TV's Jill Hennessy) recommends a controversial new surgical technique that could possibly reverse Molly's mental condition. At first Buck rejects the suggestion, but then agrees to it.
Amazingly, after the procedure, Molly slowly begins to become more "normal".
Buck creates a "learning checklist" for her and gradually she learns things for the first time, changing her speaking style and appearing more and more like the Elisabeth Shue we know from other hit films.
Before you know it, Molly gains full use of her cognitive reasoning, is able to have intelligent conversations and begins dancing spontaneously in restaurants.
Buck and Molly start attending baseball games, where she uses her super hearing to listen to the players and then gets into an argument with an obnoxious guy, calling him "retarded."
Molly seems to come alive as she spends more time with her brother.
In fact, Molly is falling in love with Buck - and doesn't understand why brothers and sister can't be lovers. We're not sure he understands either.
Becoming more of a free spirit, Molly soon learns how to kiss from TV and decides to try it out on shy Sam. He freaks out a bit and turns to Dr. Brookes for comfort.
Molly misunderstands flies into a jealous rage over this.
But things get better when Molly has a real fancy date with Sam.
Even though she has transitioned to the mind of an adult, she retains her childlike innocence - like when she thinks that a stage production of
Romeo and Juliet is real...
and, without resistance from her posse, crawls through the audience and onto the stage during the performance,
slapping Juliet across the face and telling Romeo not to drink the poison!
Later at a fancy dinner, Molly freaks out over live lobsters,
questioning why anyone would want to eat them. I'm totally with her on that.
Then she decides to revisit her restaurant dance routine and Buck joins her.
Later the siblings look at old family photos and watch home movies. Before you know it, Molly begins working with autistic children and even becomes a lecturer!!! Talk about coming full circle!
Well the circle goes unbroken when things take a turn for the worse for our plucky heroine when, after she falls off a bicycle, we discover that Molly's brain is rejecting the treatment and begins to digress into her former self. Before you know it, she's back to old, autistic Molly. What do do? What do do?
I'm not sure what really happened next, but Buck and Molly say goodbye,
and then they are on a boat out sailing with Sam and Dr. Brookes.
So, Molly goes back to being autistic, but somehow it's a happy ending.
Okay, with all apologies to readers and friends who have mentally challenged relatives, this movie is retarded. First of all, Molly is really annoying and embarrassing and then she's a genius and she's still annoying and embarrassing! No one ever calls her on any of her behavior. Buck just lets her push the elevator buttons, dance in restaurants, crawl through audiences, etc.. Never once does tell tell her "Molly, NO! Stop it - people don't do things like that." He just lets her do whatever she wants, therefore she does the craziest things because she knows she can - and it's a hoot.
I think this movie was supposed to tug at your heartstrings, but it just made me laugh. A lot. So much that I cannot wait to see it again and again. A feel-good movie so laughably awful, you actually end up feeling good. 10 out of 10. Well done, Ms. Shue you have unknowingly created the comic performance of a lifetime. I love the multilayered MOLLY...she's just like an "Onion Girl".
The show has a loose "storyline", as legendary flamboyant HOLLYWOOD SQUARES celebrity Paul first thinks it's a Christmas special, then an Easter special, and then a Valentines Day special - until his elderly housekeeper (guest star Margaret Hamilton) sets him straight, so to speak. After a barrage of cornball jokes (some written by Bruce Vilanch), Paul breaks out in song: a decidedly Halloween take on "Kids" from "Bye, Bye Birdie". (Which Mr. Lynde introduced in the original Broadway show). Basically the song is a complaint about the younger generation, calling out everything that is wrong with them. My favorite line is "Too much Alice Cooper and not enough Alice Faye!" Like anyone in 1976 knew who Alice Faye was! During this number he gets attacked by trick or treaters dressed as devils - but two of the gang members are revealed to be his ABC pals Donny & Marie in a cheap cameo.
After the song, Margaret convinces her bitchy and bitter boss Paul to take a drive with her to visit her sister, who lives at the mysterious Gloomsbury Manor. Sis turns out to be none other than the fabulous Witchie-Poo (Billie Hayes) from H.R. PUFNSTUF! Then, amazingly Margaret transforms herself into her WIZARD OF OZ character - the Wicked Witch of the West! Talk about crossovers! It turns out the witches want to enlist Paul to help them erase their negative media image. 1970s little person superstar Billy Barty shows up as the butler–just in time for some insulting midget jokes, followed by an appearance by a delightfully youthful Betty White as Miss Halloween 1976 - who has won a date with Paul, but she was expecting PAUL NEWMAN! The witches then offer Paul 3 wishes...
Wish #1 - Paul wishes to be a "rhinestone trucker", apparently so he can communicate with Tim Conway via CB radio-which was all the rage in '76. Tim arrives at a dinner where Pinky Tuscadero (Roz Kelly from HAPPY DAYS) is the waitress. Tim is about to marry Pinky, but Paul crashes through the wall with his big rig in time to stop the wedding and ask Pinky to marry him instead! Pinky challenges the guys to a contest to see who's more macho. Billy Barty plays the "short order cook"-and he's the most macho!!!Whaa-whaa. What does all this have to do with Halloween? Then there's an awful musical number with Paul, Pinky and Tim and some square-dancing disco dancers. After which the witches invite some of their musician friends to perform "chamber music" for Paul - and the quartet turns out to be none other than KISS - who perform "Detroit Rock City," while the camera rotates 360 degrees and viewers get queasy. Then the witches play Monopoly with Paul. Huh?
Wish #2 -Paul wishes he was in the Sarah dessert - he's now a dashingly romantic sheik and Florence Henderson is his potentially lusty lover. Mrs. Brady was already used to faking romance with gay leading men-so she plays along just fine. He tells her he first fell for her after he saw her "milking a cobra"! Then he talks about the "ruby portals of her lips" and he gives his rival Tim Conway a cock-a-too "cause a man gets lonely in the foreign legion." Bruce Vilanch was probably giggling backstage and loving that he got away with all this filthy innuendo. How can they top this? Wish #3 - Paul goes to a haunted discotheque - "the only play where a person can hustle without getting arrested". Then just when you think it can't get any worse, Florence appears sporting a Dorothy Hamill hairdo and a glittering black gown and sings a disco version of "That Old Black Magic".
Then KISS comes back to sing the monster hit "Beth" and another song called "King of the Nighttime World." (I think it's supposed be about Larry King, but I'm not sure) It all comes to an end when Pinky returns to sing "Disco Lady" with Paul and the rest if the cast in an epic production number, while the guys from KISS look on in disbelief. Roll credits.
This has to be the strangest, gayest, bitchiest, most surreal mess ever to air on primetime TV - but of course, I love it. Now if only someone would put out a DVD set of the one-season wonder THE PAUL LYNDE SHOW - then I'd really be happy. Imagine Paul as an upscale, wisecracking Archie Bunker-type dad who gets dumped in the swimming pool each and every week - doesn't that sound truly heavenly?
