The Fifth Day of Christmas

"It hadn't taken Julia long to fall in love with Ivo van den Werff – but she had better fall out of love equally quickly, she decided, when she met Marcia Jason and realized just how much stronger a claim the other girl had on Ivo's affection."
That's the description on the back cover of THE FIFTH DAY OF CHRISTMAS, a 1971 Harlequin Romance by Betty Neels. I'm not sure what this book has to do with Christmas, but it appears that Ivo's got a small package (5 Golden Rings, perhaps?) and he's all ready to share it with our heroine, nurse Julia - not to be confused with the other nurse JULIA. The author Betty Neels, a retired nurse, wrote an astounding 134 novels between 1970 and 2001 (when she was well into her 90s) - with about a half-dozen published posthumously. Some intriguing titles include AMAZON IN APRON (1970), VICTORY FOR VICTORIA (1972), COBWEB MORNING (1976) and HILLTOP TRYST (1990). Her work lives on in a new 2008 Harlequin holiday collection, CHRISTMAS DREAMS.

Some of Nurse Betty's other holiday romance titles include ROSES FOR CHRISTMAS (1976), WINTER WEDDING (1980),  A CHRISTMAS WISH (1995), MISTLETOE KISS (1997), MISTLETOE MAGIC (2000), A CHRISTMAS PROPOSAL (2001), A CHRISTMAS ROMANCE (2001) and CHRISTMAS WISHES (2003). Who knew that there was such a niche market for Christmas-specific romance novels? I guess the tradition lives on in the slew of cheesy ABC Family, Lifetime and Hallmark Channel movies that we are bombarded with each December.

The Return of...Black Diva History Month, Part 1 (1886-1929)

Rerunning a series from last year, because we need these ladies more now than ever before.No disrespect to Black History Month proper, but I've decided to use February as a time to look at some of my favorite divas of color. Unlike most gay men, my favorite black female singers for the most part have not had a hit on the charts in probably the past two, or even three decades. Most have never recorded an MTV video and a good percentage of them are no longer among the living. Most are from the US, though few are from other places–either by birth or by choice. Whether they sang jazz, the blues, soul, R & B, funk or good old standards from the American songbook, what these amazing, strong women have in common is that they helped shaped music history and a few of them are still out there, still working hard to secure their place in the tapestry of American experience. I don't consider this a complete list, but rather a tribute to the fine women whose work I have enjoyed over the years.
Ma Rainey (Gertrude Malissa Nix Pridgett 1886-1939) was one of the first known blues singers to record. She was known as The Mother of the Blues and she influenced every major blues performer to come along after her.Bessie Smith (1894 -1937) was an blues singer famous for recording WC Handy’s St. Louis Blues and performing it in the 1929 film of the same name. Dying from injuries sustained in a car accident, Smith’s grave went unmarked until 1970 when Janis Joplin paid for a tombstone. Ironically, Joplin would die later that same year.Alberta Hunter (1895 - 1984) was an blues singer, songwriter, and registered nurse! Her career had started back in the early 1920s, and she became a recording artist, retiring in the 1950s. Alberta then entered the medical profession, where she stayed for over 20 years, only to resume her singing career in her later years!Ethel Waters (1896-1977) was an blues and jazz singer. She was also nominated for an Academy Award for her acting in the film 1949 film PINKY. Her most famous recording was the spiritual His Eye is on the Sparrow, though her version of Irving Berlin’s Heat Wave is a personal favorite of mine.

Josephine Baker (1906 – 1975) was a controversial American expatriate entertainer who became a celebrated French citizen in 1937. She was given the nicknames the "Bronze Venus," "Black Pearl", "Créole Goddess" and in France, she was known as "La Baker". She was portrayed by Lynn Whitfield in 1991 TV film, THE JOSEPHINE BAKER STORY.

Maxine Sullivan (1911 —1987) was an blues, jazz singer and musician. In the mid 1950s (similar to Alberta Hunter) became a trained nurse. In 1968, she made a comeback, singing at music festivals and even playing brass instruments. A swinging version of he Scottish folk song Loch Lomond was her signature song.Billie Holiday (Eleanora Fagan Gough 1915 –1959) was a legendary American jazz singer and songwriter. Lady Day’s tragic story was famously told in the 1972 film LADY SINGS THE BLUES. Her recording of “Strange Fruit” about lynching is one of the most powerful songs ever recorded. In a 1958 interview, she complained that many people did not understand the song’s message: “They’ll ask me to ‘sing that sexy song about the people swinging.’”Ella Fitzgerald (1917-1996) One of the few ladies on my list that I had the pleasure of seeing perform live. Ella earned the title “First Lady of Song.” Winning countless awards and honors, her well-deserved mainstream success made her a sought-after guest on numerous TV shows. There will never be another Ella.Lena Mary Calhoun Horne (born June 30, 1917) is an American singer and actress. She has recorded and performed extensively on stage, in film and on TV. She is most famous for performing Stormy Weather. As of this writing, Ms. Horne is still alive - living in New York City and enjoying her retirement.Pearl Mae Bailey (1918-1990) was an much-loved singer and actress. She appeared in vaudeville, on Broadway and in films. In 1968, she won a Tony Award for the title role in the all-black production of HELLO, DOLLY! She then appeared with Carol Channing in a memorable 1969 TV special. Pearl was a regular fixture on TV talk shows in the 1970s.Carmen Mercedes McRae (1920 – 1994) was an American jazz singer, composer, pianist, and actress. Her recording of Imagination is one of my favorite songs of all time. I recall seeing her performing live and she profusely thanked her Japanese fans for supporting her over the years, when American audiences turned away from jazz.

Dorothy Jean Dandridge (1922–1965) was an Academy Award-nominated American actress and pop singer. She starred in CARMEN JONES in 1954. She was portrayed by Halle Berry in the 1999 HBO film, INTRODUCING DOROTHY DANDRIDGE.

Dinah Washington (1924 – 1963) was dubbed the original ”Queen of the Blues”. Her recording of What a Diff'rence a Day Makes is an all-time classic and Drinking Again is a personal favorite of mine. Sadly, she died at age 39, from an overdose of diet pills mixed with alcohol.Sarah Lois Vaughan (nicknamed "Sassy" and "The Divine One") (1924 –1990) was a legendary American jazz singer. I was lucky enough to see Sarah live at The Blue Note in NYC in the 1980s, as she celebrated five decades of outstanding performance. Sitting less than a foot away from her, as she crooned all the classics- I was overwhelmed by her presence, it felt like being among royalty.Big Maybelle (Mable Louis Smith, 1924-1972) was one of the top Rhythm & Blues singers of the 1950s. She was inducted in the Grammy Hall of Fame in 1999, for her hit single Candy.Willie Mae ("Big Mama") Thornton (1926 -1984) was an American rhythm and blues singer and songwriter. She was the first to record the hit song Hound Dog in 1952. Eartha Mae Kitt (1927 – 2008) was an actress, singer, and cabaret star. She was perhaps best known for her 1953 Christmas song Santa Baby and her role of Catwoman in the third season of the BATMAN television series.Ruth Brown (1928-2006) "Miss Rhythm" Brown was the top-selling Atlantic Records recording artist and was dubbed “the girl with the teardrop in her voice”. Ruth was featured in the original John Waters’ film HAIRSPRAY (1986) as Motormouth Maybelle. She also won a Tony Award for her performance in BLACK AND BLUE. I had the honor of seeing Miss Brown perform live several times, including in the off-Broadway show STAGERLEE.Etta Jones (1928-2001) was highly underrated jazz singer whose relative obscurity earned her a reputation as a "jazz musician's jazz singer". She was often confused with Etta James.Koko Taylor (Cora Walton, 1928-) is an blues musician, also known as the "Queen of the Blues." Her trademark rough and powerful vocals have made her a living legend.

Betty Carter (Lillie Mae Jones, 1929 -1998) was a jazz singer who was known for her unusual improvisational technique . Her first solo LP, Out There with Betty Carter, features the classic You’re Getting To Be Habit With Me and her album of duets with Ray Charles in 1961, include the popular tune Holiday tune Baby, It's Cold Outside.

More to come...

Black Diva History Month, Part 1 (1894-1929)

No disrespect to Black History Month proper, but I've decided to use February as a time to look at some of my favorite divas of color. Unlike most gay men, my favorite black female singers for the most part have not had a hit on the charts in probably the past two, or even three decades. Most have never recorded an MTV video and a good percentage of them are no longer among the living. Most are from the US, though few are from other places–either by birth or by choice. Whether they sang jazz, the blues, soul, R & B, funk or good old standards from the American songbook, what these amazing, strong women have in common is that they helped shaped music history and a few of them are still out there, still working hard to secure their place in the tapestry of American experience. I don't consider this a complete list, but rather a tribute to the fine women whose work I have enjoyed over the years.Bessie Smith (1894 -1937) was an blues singer famous for recording WC Handy’s St. Louis Blues and performing it in the 1929 film of the same name. Dying from injuries sustained in a car accident, Smith’s grave went unmarked until 1970 when Janis Joplin paid for a tombstone. Ironically, Joplin would die later that same year.Alberta Hunter (1895 - 1984) was an blues singer, songwriter, and registered nurse! Her career had started back in the early 1920s, and she became a recording artist, retiring in the 1950s. Alberta then entered the medical profession, where she stayed for over 20 years, only to resume her singing career in her later years!Ethel Waters (1896-1977) was an blues and jazz singer. She was also nominated for an Academy Award for her acting in the film 1949 film PINKY. Her most famous recording was the spiritual His Eye is on the Sparrow, though her version of Irving Berlin’s Heat Wave is a personal favorite of mine.

Maxine Sullivan (1911 —1987) was an blues, jazz singer and muscian. In the mid 1950s (similar to Alberta Hunter) became a trained nurse. In 1968, she made a comeback, singing at music festivals and even playing brass instruments. A swinging version of he Scottish folk song Loch Lomond was her signature song.Billie Holiday (Eleanora Fagan Gough 1915 –1959) was a legendary American jazz singer and songwriter. Lady Day’s tragic story was famously told in the 1972 film LADY SINGS THE BLUES. Her recording of “Strange Fruit” about lynching is one of the most powerful songs ever recorded. In a 1958 interview, she complained that many people did not inderstand the song’s message: “They’ll ask me to ‘sing that sexy song about the people swinging.’”Ella Fitzgerald (1917-1996) One of the few ladies on my list that I had the pleasure of seeing perform live. Ella earned the title “First Lady of Song.” Winning countless awards and honors, her well-deserved mainstream success made her a sought-after guest on numerous TV shows. There will never be another Ella.Lena Mary Calhoun Horne (born June 30, 1917) is an American singer and actress. She has recorded and performed extensively on stage, in film and on TV. She is most famous for performing Stormy Weather. As of this writing, Ms. Horne is still alive - living in New York City and enjoying her retirement.Pearl Mae Bailey (1918-1990) was an much-loved singer and actress. She appeared in vaudeville, on Broadway and in films. In 1968, she won a Tony Award for the title role in the all-black production of HELLO, DOLLY! She then appeared with Carol Channing in a memorable 1969 TV special. Pearl was a regular fixture on TV talk shows in the 1970s.Carmen Mercedes McRae (1920 – 1994) was an American jazz singer, composer, pianist, and actress. Her recording of Imagination is one of my favorite songs of all time. I recall seeing her performing live and she profusely thanked her Japanese fans for supporting her over the years, when American audiences turned away from jazz.Dinah Washington (1924 – 1963) was dubbed the original ”Queen of the Blues”. Her recording of What a Diff'rence a Day Makes is an all-time classic and Drinking Again is a personal favorite of mine. Sadly, she died at age 39, from an overdose of diet pills mixed with alcohol.Sarah Lois Vaughan (nicknamed "Sassy" and "The Divine One") (1924 –1990) was a legendary American jazz singer. I was lucky enough to see Sarah live at The Blue Note in NYC in the 1980s, as she celebrated five decades of outstanding performance. Sitting less than a foot away from her, as she crooned all the classics- I was overwhelmed by her presence, it felt like being among royalty.Big Maybelle (Mable Louis Smith, 1924-1972) was one of the top Rhythm & Blues singers of the 1950s. She was inducted in the Grammy Hall of Fame in 1999, for her hit single Candy.Willie Mae ("Big Mama") Thornton (1926 -1984) was an American rhythm and blues singer and songwriter. She was the first to record the hit song Hound Dog in 1952. Eartha Mae Kitt (1927 – 2008) was an actress, singer, and cabaret star. She was perhaps best known for her 1953 Christmas song Santa Baby and her role of Catwoman in the third season of the BATMAN television series.Ruth Brown (1928-2006) "Miss Rhythm" Brown was the top-selling Atlantic Records recording artist and was dubbed “the girl with the teardrop in her voice”. Ruth was featured in the original John Waters’ film HAIRSPRAY (1986) as Motormouth Maybelle. She also won a Tony Award for her performance in BLACK AND BLUE. I had the honor of seeing Miss Brown perform live several times, including in the off-Broadway show STAGERLEE.Etta Jones (1928-2001) was highly underrated jazz singer whose relative obscurity earned her a reputation as a "jazz musician's jazz singer". She was often confused with Etta James.Koko Taylor (Cora Walton, 1928-) is an blues musician, also known as the "Queen of the Blues." Her trademark rough and powerful vocals have made her a living legend.

Betty Carter (Lillie Mae Jones, 1929 -1998) was a jazz singer who was known for her unsual improvisational technique . Her first solo LP, Out There with Betty Carter, features the classic You’re Getting To Be Habit With Me and her album of duets with Ray Charles in 1961, include the popular tune Holiday tune Baby, It's Cold Outside.

More to come...

Tragic Halloween Costumes (Diversity edition)

Okay, here's a duo of Halloween costumes that I guess were progressive for their time. First up - we have David Carradine as half-Chinese 19th-Century monk and martial artist Caine from the cult TV series KUNG FU. Of course as a kid, I thought the character was actually named "Kung Fu"  and the costume graphic doesn't dispute that concept. Also, I never questioned why the actor was clearly caucasian - I just took it for granted - I guess bald=Asian, like Yul Brynner in THE KING & I. It's believable that Carradine might be at least half Chinese, right? (In fact, Carradine has Irish, English, Scottish, Welsh, German, Spanish, Italian, Ukrainian and Cherokee ancestry - seemingly everything BUT Chinese). 

As far as the costume goes, the mask is pretty good - but once again the costume part is pretty bad. Though, much like yesterday's Barbarino - this would make a hot tee-shirt. If Caine ever travelled through time and needed someone to nurse his battle wounds, JULIA would be the perfect woman for the job!

I really like this costume, mostly because it doesn't say "JULIA" across the front of it. The mask is pleasant enough, though a bit dark compared to Diahann Carroll's skin tone, but I'll let that slide. I do like that it has a white nurse's cap on top and that the "cape" is emboldened with medical symbols, making it very authentic (for a kid's costume). What I also like is that this is actually a costume that could be used year-round whenever kids decided to play doctor - unlike most of the Halloween get-ups which seem so specific. This is totally one of my faves.

NIGHT NURSE

NIGHT NURSE (1931, directed by William A. Wellman) is a wacky pre-code melodrama about a very determined young lady named Lora Hart (played by a very young Barbara Stanwyck) who wanders in off the street into a hospital and asks for a job. An bitchy old nurse named "Miss Dillon" (I'll call her "Dildo") tells her to take hike. As luck would have it, Lora literally bumps into the hospital's chief of staff, Dr. Bell in a revolving door and he takes a shine to her, after he picks up the entire contents of her purse, he orders Dildo to hire her. Dildo assigns Lora to share a room with perky Miss Maloney (Joan Blondell), who first helps her undress and try on a nurse's uniform. The two quickly become best friends...and possibly more. Maloney seems to like spending time getting Hart into her underwear, and when some prankish interns hide a skeleton in Lora's bed, she readily climbs into Maloney's and snuggles up to her. After Dildo punishes the girls with assigning them to the night shift, Lora treats a bootlegger for a gunshot wound and he charms her into not reporting it to the police. He thanks her by sending her a bottle of rye to help her get through her final nursing exam. I guess if this was made toady, he would be a crack dealer.

After passing her training, Lora is quickly hired to look after two sick rich kids, at the mansion of their drunken mother, Mrs. Ritchie. Hmmm..wonder if her first name is Nicole? When a drunken house guest tries to rape her, a sexy chauffeur (Clark Gable) comes to her rescue. Clark then demands that she pumps Mrs. Ritchie's stomach, when Lora refuses -he punches Lora out cold! Huh???

Lora soon discovers that the sick kid's doctor, Dr. Ranger has been neglecting the children, in fact they are being slowly starved to death! Hmmm, Nicole Ritchie...starving...is this 1931 or 2008?

Lora then quits her job and reports the negligent doc to Dr. Bell. Bell tells Lora to return to the house to play Nancy Drew. Dr. Ranger agrees to take her back. Meanwhile, the little girl has grown sicker and weaker - why doesn't Lora just feed the damn kids??? Mrs. Ritchie could get a shit about her kids, so Lora turns to Mortie the bootlegger to help her save the child. Lora get Mortie to buy milk (he's not sure where they sell it - so he goes to a Kosher deli) to bathe the girl in. The housekeeper, who I'll call Hazel, gets drunk and tells Lora that she suspects that the chauffer and Dr. Ranger are in cahoots - and their plan is to kill the kids so they can get to their trust fund money! Mrs. Drinkie, um Mrs. Ritchie wants to marry the chauffeur, so this should be easy. Mortie convinces Dr. Bell to step in and help, but when he tries to get the girl to the hospital, the chauffeur punches him! Bad Clark Gable, bad!

Luckily Lora has the same blood type as the little girl, so an emergency transfusion saves the day! Yay! So, Mortie the bootlegger tells Lara he took care of the chauffeur, who arrives shortly at the hospital morgue.

The end. This movie was pretty crazy. It's certainly a curiosity just to see how the world of doctors, nurses and hospitals were perceived over 75 years ago. Also, to see how women were portrayed in pre-code films. Having also recently seen THREE ON A MATCH and FEMALE - it's easy to see where shows like SEX & THE CITY and UGLY BETTY have their roots. Of course, the morals and situations have changed, but the basic premise of "career girls" can be traced back to films of this era. I give NIGHT NURSE 6 "Huhs?" - if only it was more like the campy four-issue 1970s Marvel Comic of the same name.