Showing posts with label Ghosts. Show all posts
Showing posts with label Ghosts. Show all posts

Saturday, April 13, 2013

Ruby

Here's a re-post from 2009... My friend Jeff came by recently to treat me to a movie called RUBY (1977, directed by the late great, underrated Curtis Harrington). This is a film that I've been dying to see for ages, but for some reason or another I never did. Well, I'm glad to say, RUBY was worth the wait!
RUBY stars the awesome Piper Laurie (best known as CARRIE's mother and a star of David Lynch's TV classic TWIN PEAKS) in the role of a lifetime. Marketed as a horror film to capitalize on Laurie's CARRIE success, RUBY is more of a "slightly less than grand" guignol melodrama with some thrilling and hysterical twists. Harrington's other big films, the Shelley Winters double feature WHAT'S THE MATTER WITH HELEN? and WHOEVER SLEW AUNTIE ROO? are camp classics and his TV films HOW AWFUL ABOUT ALLAN  and DEVIL DOG: HOUND FROM HELL are also fun. I also recently watched THE KILLING KIND and look forward to seeing the rest of his work. I'm never disappointed by Curtis Harrington!
In RUBY, Harrington blends elements of SUNSET BOULEVARD, BONNIE & CLYDE and THE EXORCIST and it somehow all works! As Ruby, a former moll who runs a dying drive-in theater, Laurie not only chews the scenery - she practically digests it!!! This woman is having a great time onscreen, and you can't help but love her.

I don't want to give too much away because I think people need to see RUBY, but take a gander at the trailer and I'm sure you'll be seeking out RUBY before too long.

Seeing that just made me just wanna watch it again...and again. This is what movies should be like.

Monday, June 11, 2012

The Sentinel

Here's a repost from 2009...
By the late 1970s, it seemed like each major studio had its own classy horror franchise. Warners had THE EXORCIST, Fox had THE OMEN, even Disney had its WITCH MOUNTAIN series.  Not to be outdone, Universal brought us 1977's THE SENTINEL (directed by food critic Michael Winner- it's true, look it up!), based on the novel by Jeffrey Konvitz .  Like many thrillers of the decade, the story starts in a faraway land where some kind of religious curse is established and then the action shifts to modern-day USA where innocent victims fall prey to the ancient evil. At its heart, THE SENTINEL is really a cautionary tale of a beautiful, but troubled young supermodel who gets in with the wrong crowd.  Kinda like MAHOGANY meets ROSEMARY'S BABY.Christina Raines is Alison Parker, a flat-chested cover girl who is about to sign a lease on her first apartment, in an elegant Brooklyn brownstone. Her real estate agent is played by the then-still-glamourous Hollywood legend Ava Gardner–in a performance that has subliminally inspired many a drag queen. We learn that Alison is recently out of the looney bin and is engaged to a slick young lawyer named Michael (Chris Sarandon) who only wears Sansabelt slacks and who is a recent widower. Alison's problems seem to stem from her walking in on her decrepit father while he was celebrating his birthday with lots of balloons, two overweight hookers and some really messy cake. Her reaction to this: she slit her wrists! Alison's new $400 a month apartment comes already furnished, and aside from the blind priest (John Carradine) who lives in the penthouse - all seems quite normal. She is welcomed into the building by an elderly bon vivant (Burgess Meredith- having a ball with the role) and his pets which I dubbed "Sylvester and Tweety".  We next meet a wacky lesbian couple played by the great Sylvia Miles and Beverly D'Angelo. Bev's character does not speak, but she does likes to masturbate to orgasm through her clothes right in front of Alison.  Yup. Charming! The rest of the tenants are quite an odd bunch, but they seem nice enough, especially when they throw a lavish cocktail party to welcome her and her cameltoe.Things take a turn towards the creepy when Alison is awakened by noises coming from the apartment above - and a swinging chandelier above her bed. The apartment above her is supposed to be abandoned!!! When she tells Ava about the disturbances, she finds out that no one lives in the building besides her and the old priest on the top floor! Spooky. Plagued by headaches and fainting spells, Alison's modeling career begins to suffer - but yet she refuses to leave the building, which is clearly haunted by the cast of THE WILD PARTY. Worried about her mental health, her fiancĂ©e Michael hires a private eye to look out for her. One night Alison dreams that Sylvester finally gets his paws on that little yellow canary. Awwww.
Alison then is suddenly attacked by a zombie who looks like her dead father - so she goes at him with a knife. Later, the body of the private eye shows up dead with multiple stab wounds. Ouch! At a party with real people (as opposed to the friendly ghosts in her building) she has another of her headaches and passes out. Meanwhile, Michael learns that the apartment building, owned by the Catholic church, was built over the gateway to hell!!! Apparently the blind priest is the night watchman who keeps all the demons at bay - and Alison is next in line to BE the Sentinel!
We also learn that all Alison's ghostly friends are actually dead murderers who are trying to escape from hell and that sweet, kindly Burgess Meredith is Satan incarnate.This leads to the real disturbing part of the film, coming at the climax when the gates to hell are opened and Alison's apartment is filled with demons, lesbians and deformed people (played by real life ‘circus freaks’) that creep towards our heroine in hopes that she'll commit suicide, therefore releasing them from hell forever. 
While I think Christina Raines is gorgeous, her acting is a bit wooden and I would have loved to see the first choice, Kate Jackson in the lead role. Chris Sarandon is perfect as Michael. Along the way some great, reliable actors get to chew the scenery: Martin Balsam as a professor, Jose Ferrer as a priest, Arthur Kennedy as the Monsignor, Eli Wallach and Christopher Walken as cops, Jerry Orbach (looking like a young Adolph Hitler) as a commercial director and Jeff Goldblum as a smarmy fashion photographer.

While not a classic, fans of big, gothic 70s horror films should check it out. On my old "Huh" scale - THE SENTINEL gets a big fat 9 outta 10 for Beverly D'Angelo's ridiculously over-the-top and surprisingly graphic masturbation scene alone which I've dubbed THE DaCUCHI CODE!  I'll leave you with this image...Boo!

Saturday, April 10, 2010

This week in TV GUIDE

While continuing my spring cleaning, I came across a couple of great old TV GUIDE ads that happen to relate to some very recent Dougsploitation posts, so I decided to scan them and share them all with you guys. I've included links back to the posts in case you need to refresh your memories.
First up, the original ad for the broadcast premiere of THE STRANGER WITHIN. You can read my post about this TV-movie classic here. And you can purchase this made-to-order dvd from the Warner Archive Collection here.
Next, Dinah Shore welcomed the cast of RHODA to spend an hour on her chat show. For my piece on Season Two of RHODA go here. You can purchase RHODA directly from Shout! Factory here.
How's about an ad for the TV Premiere of the sexy Cathy Lee Crosby dramedy COACH? For my oft-repeated review go here.
 And finally, here's a little something for my buddy Phil G., the ad for the television premiere of H.P. Lovecraft's THE DUNWICH HORROR followed by a reprint of my review from a few years ago. Enjoy!

THE DUNWICH HORROR is based on a story by horror legend H. P. Lovecraft . This 1970 curiosity stars Sandra Dee (A SUMMER PLACE), Dean Stockwell (BLUE VELVET), Ed Begley (SR., not JR.), great character actor Sam Jaffe, and Talia Shire (Coppola).

Following the trippy-iest animated opening titles I've seen in a long time (with a fantastic musical score by Les Baxter), we meet Professor Henry Armitage (Begley) and two librarians Nancy (Dee) and another one. We also learn about The Necronomicon (?!) - an ancient book filled with mystical secrets. As they return the valuable book to its display case in the library, a young man named Wilbur Whateley (Stockwell) asks to see the book and Nancy readily agrees to let him —even though she was told how rare and priceless the book is! Armitage reappears and is annoyed at everyone, declaring the book needs to be put back in it's case. Wilbur states that there had once been another copy of the book belonging to his his great-grandfather, who had been hung and burned for practicing witchcraft. After this revelation, Armitage takes a sudden interest in the young Wilbur. Then they all go out for dinner. Bennigan's?

Nancy offers to drive Wilbur home after dinner. Once at the beautiful, yet spooky house, Nancy decides to snoop around (while Wilbur makes sure her car doesn't start). She knocks over some modern glass sculpture...then he slips her a mickey and Nancy falls into a deep sleep, dreaming that she's being attacked by some sort of tribe. This is the first of many ROSEMARY'S BABY - inspired nightmare sequences.
Things continue to get creepier as we meet Wilbur's cranky Grandpa (Jaffe). But there's still some fun ahead when a snobby Christian couple gets devoured by THE DUNWICH HORROR and when a security guard battles Wilbur in a BATMAN-like POW-fest that ends with someone impaling themselves. Oh yeah, and Nancy is offered up as a sacrifice in a Satanic ritual. The monster itself, doesn't appear til the very end, reminding me very much of SIGMUND (from...& THE SEA MONSTERS fame).
Sandra Dee once again plays the innocent girl who falls for the bad boy. Though Sandy gets to show a little flesh in the climax of the film this time. Dean Stockwell sports a very bad mustache and at times is mistaken by me for Mike Brady. Begley Sr. looks too much like a cross between Garry Marshall and Commissioner Gordon to be taken seriously, especially when he uses his red bat-phone! (Honestly - he has a red phone!) Sam Jaffe bears an odd resemblance to Whitman Mayo, who played Grady on SANFORD & SON and its various spinoffs. And yes Lloyd Bochner from DYNASTY has a small role.
Overall, I found DUNWICH to be a colorful treat for the eyes and ears. It may move a bit slow for today's horror crowds, but for it's style alone I give this baby a 9 out of 10.

Thursday, October 15, 2009

More Peanuts Goodness

As a follow-up to yesterday's post, here's a classic Peanuts Halloween-themed strip.

Monday, October 12, 2009

Annual Animated Treats

Here's a Dougsploitation rerun from last year. Am I the only person who gets super excited by this 5-second piece of video?When I was a kid, the sound of the CBS SPECIAL PRESENTATION i.d. was enough to make me drop my action figures and run through the house and plop my ass in front of the closest color TV set. To those too young to understand, there was actually a time before VCRs, dvds, TIVO and the internet when you actually had to watch TV when it was "on". Holiday specials aired once and if you missed 'em, you were out of luck. There was something "special" about "specials" back then. Now, you can watch FROSTY THE SNOWMAN at 3 AM in the middle of the summer. Back in the day, it was an "event" that you waited all year for...and it never disappointed.
Here's two of the less popular animated holiday specials from the CBS library:
THE FAT ALBERT HALLOWEEN special first aired on October 24, 1977. This, of course, is from Filmation Studios, not known for great animation or storytelling. (See my review of HAPPILY EVER AFTER and my friend Danny's skewering of the HE-MAN/SHE-RA: A CHRISTMAS SPECIAL.) FAT ALBERT was Filmation's jewel in the crown. Because Bill Cosby was involved, the show was a few notchs above the other shows the studio produced. I watched the Saturday-morning series sometimes, but not on as regular basis. I did love the funky theme song though...
The second cartoon in this double-feature is the awkwardly titled PUFF THE MAGIC DRAGON IN THE LAND OF THE LIVING LIES. While not Halloween themed, I guess the brass at CBS figured "dragon=scary=Halloween" and scheduled it to air after FAT ALBERT. Or maybe it was a "obese lead character" theme night? After all the TV Guide ad screams "TWO BIG ONES, BACK TO BACK." I don't think I ever saw this particular show, which is a sequel to 1978's PUFF THE MAGIC DRAGON, which in turn was based on the song from folk legends Peter, Paul & Mary. Sung here by Miss Dolly Parton...(insert BIG ONES joke here)
This cartoon told the story of a little girl dealing with her parent's divorce by telling lies!!! Cartoons in the 1970s were so cool...and relevant. Too bad there isn't a cartoon based on Tammy Wynette's "D-I-V-O-R-C-E" - that would really be great!
Look for more Halloween (and country music?) treats from Dougsploitation in the coming weeks!

Sunday, October 19, 2008

THE DUNWICH HORROR

Here's another Halloween season classic review while my laptop is being repaired...

THE DUNWICH HORROR is based on a story by horror legend H. P. Lovecraft . This 1970 curiosity stars Sandra Dee (A SUMMER PLACE), Dean Stockwell (BLUE VELVET), Ed Begley (SR., not JR.), great character actor Sam Jaffe, and Talia Shire (Coppola).

Following the trippy-iest animated opening titles I've seen in a long time (with a fantastic musical score by Les Baxter), we meet Professor Henry Armitage (Begley) and two librarians Nancy (Dee) and another one. We also learn about The Necronomicon (?!) - an ancient book filled with mystical secrets. As they return the valuable book to its display case in the library, a young man named Wilbur Whateley (Stockwell) asks to see the book and Nancy readily agrees to let him —even though she was told how rare and priceless the book is! Armitage reappears and is annoyed at everyone, declaring the book needs to be put back in it's case. Wilbur states that there had once been another copy of the book belonging to his his great-grandfather, who had been hung and burned for practicing witchcraft. After this revelation, Armitage takes a sudden interest in the young Wilbur. Then they all go out for dinner. Bennigan's?

Nancy offers to drive Wilbur home after dinner. Once at the beautiful, yet spooky house, Nancy decides to snoop around (while Wilbur makes sure her car doesn't start). She knocks over some modern glass sculpture...then he slips her a mickey and Nancy falls into a deep sleep, dreaming that she's being attacked by some sort of tribe. This is the first of many ROSEMARY'S BABY - inspired nightmare sequences.

Things continue to get creepier as we meet Wilbur's cranky Grandpa (Jaffe). But there's still some fun ahead when a snobby Christian couple gets devoured by THE DUNWICH HORROR and when a security guard battles Wilbur in a BATMAN-like POW-fest that ends with someone impaling themselves. Oh yeah, and Nancy is offered up as a sacrifice in a Satanic ritual. The monster itself, doesn't appear til the very end, reminding me very much of SIGMUND (from...& THE SEA MONSTERS fame).

Sandra Dee once again plays the innocent girl who falls for the bad boy. Though Sandy gets to show a little flesh in the climax of the film this time. Dean Stockwell sports a very bad mustache and at times is mistaken by me for Mike Brady. Begley Sr. looks too much like a cross between Garry Marshall and Commissioner Gordon to be taken seriously, especially when he uses his red bat-phone! (Honestly - he has a red phone!) Sam Jaffe bears an odd resemblance to Whitman Mayo, who played Grady on SANFORD & SON and its various spinoffs. And yes Lloyd Bochner from DYNASTY and IT SEEMED LIKE A GOOD IDEA AT THE TIME (see review from last year) has a small role.

Overall, I found DUNWICH to be a colorful treat for the eyes and ears. It may move a bit slow for today's horror crowds, but for it's style alone I give this baby a 9 out of 10 "Huhs?"

Friday, October 17, 2008

THE LEGEND OF HELL HOUSE

Due to the fact that my laptop is currently in critical condition at the Mac hospital, I'll be rerunning some classic Halloween -themed posts about some great horror movies. Enjoy - and I hope to be up & running again very soon!
Wow! I don't know if it's because it was a dark, stormy night or because I was a little buzzed or just the fact that the storytelling was so serious and clinical - but this film actually scared me!!!

This 1973 horror classic is from John Hough, the same director of Disney's two WITCH MOUNTAIN flicks and Disney's Bette Davis thriller WATCHER IN THE WOODS (which is notorious for not having an ending) - so I expected a campy good time. What I didn't expect was great cinematography, pretty good acting...and some genuine chills. Totally a notch above BURNT OFFERINGS (also Bette Davis) and THE AMITYVILLE HORROR.

Set in England, the plot involves 4 people (a physicist, his wife, a mental medium and physical medium - wonder which kind Patricia Arquette is?) who spend a weekend in a haunted house - The Belasco House! Oddly this film takes place in late December, but no mention is made of Christmas or Boxing Day or whatever wintery holiday they celebrate in the UK.

Things start off slow, but once the Belasco ghosts start welcoming the visitors, it turns into quite a thrill ride. There's a great scene at dinner table, two amazingly dark and dirty scenes (for a PG-rated film) involving a phantom rape(!) of the female medium (played convincingly by Pamela Franklin) and demonic seduction of the other medium (the always fun-to-watch Roddy McDowall) by the doctor's sexy wife (the beautiful Gayle Hunnicutt). Don't get me wrong, there are some very funny over-the-top scenes too. One standout is when Franklin is attacked by a very persistant feral cat and the other when McDowall has a total shit fit. Keep your eyes peeled for a fun cameo by Michael Gough (Alfred the Butler from the 80s/90s BATMAN films).

There's some wacky stuff dealing with the doctor (Clive Revil) and this machine he invents that is supposed send poltergeists running for the hills and also some "cool for the 70s" special effects involving ectoplasm. All in all, a fun rental for the upcoming Halloween season.

So as far as Haunted House movies go (and there are plenty of them) - I'd put this one near the top of the list. There were enough "Huh?" moments for me to include it here. I'd give it an 8 out of 10.

Tuesday, October 14, 2008

Saturday, October 4, 2008

SPINE-TINGLER! THE WILLIAM CASTLE STORY

Jeffrey Schwarz's outstanding documentary, SPINE TINGLER! THE WILLIAM CASTLE STORY, which tells the story of the last great American showman, filmmaker William Castle,will be showing at several festivals this month including L.A's Screamfest!Castle was a master of promotional gimmicks who's name became synonymous with horror movie gimmicks. Castle's films include the Joan Crawford classics STRAIGHT-JACKET and I SAW WHAT YOU DID as well as the amazing HOMICIDAL, THE TINGLER, and the original versions of 13 GHOSTS and HOUSE ON HAUNTED HILL. He also produced ROSEMARY'S BABY. Jeffrey's film is an entertaining and loving tribute to Castle - and a MUST SEE for fans of genre films, cult movies and exploitation lovers. 

See it in Los Angeles:
Saturday, October 12, 12:00PM
Grauman Mann's Chinese 6
6801 Hollywood Blvd.
Hollywood, CA 90028
www.screamfestla.com

See it in Spain:
Sitges Film Festival
Sitges, Spain
October 11
www.cinemasitges.com

See it in Pennsylvania:
Eerie Horror Film Festival
Eerie, PA
October 11
www.eeriehorrorfilmfestival.com

See it in New Orleans:
New Orleans Film Festival
New Orleans, LA
October 11
www.neworleansfilmfest.com

See it in Sacramento:
Sacramento Horror Film Festival
Sacramento, CA
October 19
www.sachorrorfilmfest.com

See it in DC:
Spooky Movie Festival
Washington, DC
October 19
www.thespookymovie.com

Thursday, October 2, 2008

Animated Halloween Specials (part 1)

Am I the only person who gets super excited by this 5-second piece of video?When I was a kid, the sound of the CBS SPECIAL PRESENTATION i.d. was enough to make me drop my action figures and run through the house and plop my ass in front of the closest color TV set. To those too young to understand, there was actually a time before VCRs, dvds, TIVO and the internet when you actually had to watch TV when it was "on". Holiday specials aired once and if you missed 'em, you were out of luck. There was something "special" about "specials" back then. Now, you can watch FROSTY THE SNOWMAN at 3 AM in the middle of the summer. Back in the day, it was an "event" that you waited all year for...and it never disappointed.
Here's two of the less popular animated holiday specials from the CBS library:
THE FAT ALBERT HALLOWEEN special first aired on October 24, 1977. This, of course, is from Filmation Studios, not known for great animation or storytelling. (See my review of HAPPILY EVER AFTER and my friend Danny's skewering of the HE-MAN/SHE-RA: A CHRISTMAS SPECIAL.) FAT ALBERT was Filmation's jewel in the crown. Because Bill Cosby was involved, the show was a few notchs above the other shows the studio produced. I watched the Saturday-morning series sometimes, but not on as regular basis. I did love the funky theme song though...
The second cartoon in this double-feature is the awkwardly titled PUFF THE MAGIC DRAGON IN THE LAND OF THE LIVING LIES. While not Halloween themed, I guess the brass at CBS figured "dragon=scary=Halloween" and scheduled it to air after FAT ALBERT. Or maybe it was a "obese lead character" theme night? After all the TV Guide ad screams "TWO BIG ONES, BACK TO BACK." I don't think I ever saw this particular show, which is a sequel to 1978's PUFF THE MAGIC DRAGON, which in turn was based on the song from folk legends Peter, Paul & Mary. Sung here by Miss Dolly Parton...(insert BIG ONES joke here)
 This cartoon told the story of a little girl dealing with her parent's divorce by telling lies!!! Cartoons in the 1970s were so cool...and relevant. Too bad there isn't a cartoon based on Tammy Wynette's "D-I-V-O-R-C-E" - that would really be great!
Look for more Halloween (and country music?) treats from Dougsploitation in the coming weeks!

Friday, September 5, 2008

TV tie-in merchandise that makes you say "huh?"

She's a frightened young maiden pursued on a haunted moor by a wrathful wraith. Would you believe she's THAT GIRL?
Um, frankly, no. A novel based on the popular ABC-TV series starring Marlo Thomas...that sounds nothing like the series whatsoever. I guess it was a trend to take popular sitcoms like THAT GIRL or THE PATTY DUKE SHOW and force them into "mystery" type stories - I'd love to see them do crazy shit like that today. THE OFFICE: THE MYSTERY OF PAM'S ANTIQUE LOCKET  or MY NAME IS EARL AND THE CURSE OF L. RON HUBBARD'S GHOST. Could be interesting.

Sunday, May 18, 2008

SANDY IN DISNEYLAND

Remember TV variety specials where you could get to see your favorite "stars" doing things they normally didn't do on TV-like perhaps singing, dancing or doing magic tricks? Back in the 1970s, it seemed like the networks would program such "specials" at least once a month - usually filling a timeslot vacated by a low-rated or cancelled show and starring a personality who already had a development deal with the network. Lynda Carter? Cheryl Ladd? Paul Lynde? These shows were primarily sponsored by one company, like Kraft (be sure to check this week's TV Guide magazines for more recipes!) or Burlington (hey, isn't that Petula Clark swinging on a rope?). Well, today I'm gonna look at one such special, from 1974 and sponsored by McDonald's, it's called "Sandy in Disneyland".

Sandy Duncan was the Nabisco Triscuits spokeswoman and an acclaimed Broadway musical comedy star from the early 70s. By 1974, she had starred in two short-lived CBS comedies. I believe the first one, FUNNY FACE, ended when Sandy had brain surgery and lost an eye. She came back the following year in a similar show called THE SANDY DUNCAN SHOW. I remember really liking her as a kid - but I'm not really sure why. Maybe it's because she was also a guest on THE NEW SCOOBY-DOO MOVIES - another CBS show. So it makes sense that this special aired on CBS, even though Disney was almost exclusively an NBC fixture back then.

The hour starts simply enough with Mickey Mouse taking a bow before an orchestra, who then all stand up and don "mouse ears" (canned laughter and applause begins here and continues CONSTANTLY throughout the show). The generic CBS voiceover guy announces "Ladies and gentlemen, Miss Sandy Duncan!" - who appears dressed in all white and glitter and begins singing a creepy song about being in love with Mickey - then Donald appears and she sings about all three of them being in love. Then Goofy and Winnie the Pooh (!) arrive, followed by the Seven Dwarfs and even the Casey Jr. Circus Train -and Sandy is totally IN LOVE with all of them. Rodents, fowl, dogs, bears, dwarves and man-made objects. Sick.

Then the voiceover guy returns to tell us that we're watching SANDY IN DISNEYLAND with guest stars: Ernest Borgnine, Ruth Buzzi, John Davidson, Lorne Greene, The Jackson Five, Ted Knight, Loggins & Messina (!) and Doc Severinsen...sponsored by McDonalds cause "you deserve a break today". Wow.Next up we see Sandy in Fantasyland outside the popular "It's a Small World" attraction, and she's trying to explain in her kooky way why Disneyland is so special. Thanks, Sandy. Then of course, she breaks into song: namely, her rendition of "Hi-Diddle-Dee-Dee (An Actor's Life for Me)" from PINOCCHIO (1940) - only she's backed up by characters from ALICE IN WONDERLAND. Huh?

Then magically she's in Frontierland - visiting the Country Bears and squawking her way through an annoying hillbilly song. One wonders how "song-and-dance" was ever used to described Sandy's talents. Sandy soon runs into BONANZA and BATTLESTAR GALACTICA patriarch Lorne Greene and suddenly she's Southern Belle (much like her later role in ROOTS, which also starred Lorne Greene!) and Lorne is a sophisticated and mature Rhett Butler - but it's then revealed that he's standing there in his boxer shorts! Remember when seeing somebody famous in their underwear was funny? It was usually Tim Conway, but Lorne Greene will do.

Next Sandy's inside "It's a Small World" - but suddenly, she's swept away to the Main Street Cinema where she's starring in "The Perils of Sandy" - a stupid sepia-toned homage to silent movies where women get tied to railroad tracks. Unfortunately she is rescued. Before you know it, Miss Duncan is leading a parade down Main Street. Curiously, Minnie Mouse is no where to be seen. Hmmm...

Next the Jackson Five appear and sing an embarrassing Gilbert & Sullivan parody leading into a pre-recorded medley of their two hit singles. Sandy does not interact with the Jacksons at all, leading one to suspect that she is as racist as her character Missy Anne in ROOTS.

Next up, Sandy and Ruth (LAUGH-IN) Buzzi pretend they are thieves who want to rob Haunted Mansion - while singing "Fortuosity" from the notorious Disney bomb THE HAPPIEST MILLIONAIRE (1967). They tour the mansion as if they have transformed themselves into Doombuggies, navigating by the conservatory, through the hallway of doors, down the stairs into the ballroom, the attic, and they wind up sitting on tombstones in the graveyard. This number is actually BETTER than the Eddie Murphy movie based on the ride, which isn't saying much.

Next up, Loggins & Messina (WHY are they here???) look bored and frankly, anguished to be performing a depressing song on Tom Sawyer Island. Then we are "treated" to a god-awful sketch featuring MARY TYLER MOORE SHOW's Ted Knight and Sandy on The Jungle Cruise filled with some of the most cornball jokes imaginable. One wonders if this inspired the sarcastic attitude that the tour guides now dish out on the ride.

How can we top that? How about Sandy and Cosmopolitan nude centerfold model John Davidson on Main Street wearing matching outfits singing about getting "roped and tied" - which I find completely disturbing. This is followed by Davidson poorly crooning the Carpenter's "Top of the World" as strangers' kids climb all over him.

Later, Sandy sings with Ernest Borgnine as they walk and paddle their way thru Pirates of the Caribbean -spelunking around the coves, through the golden treasure, and even the captain's quarters (with a skeleton in the bed!). After this debacle, Sandy buys a shawl in New Orleans Square (I surely did not know there was a shawl shoppe there!), and runs into THE TONIGHT SHOW's Doc Severenson and dances to Peggy Lee's "Fever" while a dozen shirtless guys in pink chaps back her up. What would Walt say???

Following this, Loggins & Messina are back - but this time in a comedy skit! The duo are playing duelling "Prince Charmings" to Ruth Buzzi's Sleeping Beauty in drag - only the prince in that story, actually had a name - Phillip. Charming was from SNOW WHITE...or was it CINDERELLA?.

As if that wasn't enough, Sandy and Lorne Greene soon are reunited for "an old-fashioned walk" all over the Primeval World diorama while singing a horrific duet. They interact with a baby Triceratops and even walk under the belly of a Tyrannosaurus! It's really odd to see "live" people interact with animatronics- especially when Sandy gets clubbed by a caveman. More wacky comedy!

In the final comedy segment, Ted and Ruth play a couple of annoying tourists. While Ruth blathers on about how she wishes he was more heroic, he manages to pull the "sword" out of the "stone" - only for some unknown reason it's not King Arthur's sword - but a Musketeer sword!!! What follows is a inane swordfight all over Sleeping Beauty Castle, as Ted fights off villains and rescues a fair maiden, even throwing a guy into the moat. Murder in Disneyland!

When you think you've just about seen (and heard) it all - Sandy's back all dressed in white singing "He Touched Me" from FUNNY GIRL... about Mickey Mouse!!!! This leads into her being a part of the Electrical Parade and concludes with a totally orgasmic fireworks show.

Wow - somehow I wonder WHO at Disney approved this mess. It seems like they just recklessly broke all the unwritten rules (except perhaps showing Mickey with his head off). Between mixing up songs and characters from across the Disney pantheon, and "interacting" with the attractions - it seems like somebody at Disney was asleep at the wheel. I don't think this could ever happen today. In one way, it was great to see what the park looked like in 1974 - but all the forced "entertainment" just seems to detract from the real magic of the park itself. All in all, I'll give it an 8, because it's totally a must-see for historical reasons alone. In fact, I'm really looking forward to seeing SANDY'S CHRISTMAS IN DISNEYLAND from 1976!!!

Other Duncan appearances in Disney productions: THE FOX & THE HOUND (1981), THE CAT FROM OUTER SPACE (1978), and THE MILLION DOLLAR DUCK (1971).