Showing posts with label Masturbation. Show all posts
Showing posts with label Masturbation. Show all posts

Thursday, July 17, 2014

Who Killed Teddy Bear?

From 2009 - in honor of Elaine Stritch.WHO KILLED TEDDY BEAR (1965, directed by Joseph Cates, THE FAT SPY) is a film which I've been dying to see for close to 15 years. After devouring H. Paul Jeffer's 2000 tome Sal Mineo: His Life, Murder and Mystery - I sought out and found a rare (aka bootleg) copy of the film on dvd.Editor's note - an even better biography by Michael Michaud came out in 2010 and is rumored to be in development as a feature film by James Franco!
While I was always familiar with Sal Mineo and his tragic story, I now have a slight obsession with the attractive, baby-faced, twice Oscar nominated actor.WHO KILLED TEDDY BEAR is psychological thriller written by Arnold Drake (creator of DC Comics' DOOM PATROL and DEADMAN-who would have thunk?). The noir-ish film is notable for it's frank sexuality and it's rare objectification of the male body–but at it's heart it's mainly a sordid tale about the wacky staff of a popular midtown Manhattan danceclub. By the way, this post is chock full of SPOILERS.The film opens with a great theme song (sung by Dougsploitation favorite Leslie Uggams) a blurry shot of a two half-naked people in a compromising position groping at each other and the credits continue over this sexy scene until a little girl screams, drops her teddy bear and falls down a flight of stairs! Oopsie!We see a male in tighty whities (apparently the first time briefs, not boxers, were shown in a somewhat mainstream film).Suddenly a alarm clock rings, we see a tawdry book titled When She Was Bad among this guy's belongings. There is implied masturbation(!) It's 6AM - time for Norah's first obscene phone call of the day. She tells him to “go sober up.” Norah Dain is played by leggy dance diva Juliet Prowse. We soon learn that this naïve waif is new in the city, just having moved from Rochester, NY and working as a disc jockey at the club while she looks for showbiz jobs. Unfortunately it seems like she only has one record, a song called "Born to be Bad". The crowd seems to enjoy it, over and over again.
Sal plays a waiter named Laurence who works at the same club. Larry is a bit shy and a bit insecure around women, despite the fact that his sexy good looks could melt an iceberg.
The club is managed by tough-as-nails Marian (played by Broadway legend and recurring 30 ROCK guest star Elaine Stritch). Norah tells a concerned Marian about the obscene phone calls she's been getting. The hunky mute bouncer is played by future HILL STREET BLUES star, Daniel J. Travanti! Mute? But could he be faking it to make dirty phone calls?Vice detective Dave Madden (played by Catskills comedian Jan Murray) is soon on the case- and he tries to impress Norah by rattling off a list of different kinds of sex offenders that he's familiar with. He stops at necrophilia. Don't they always?Oh by the way, Norah seems to be quite the exhibitionist - undressing in front of any available open window. I'm just saying. It's okay, her apartment only faces a brick wall.

Norah goes on a few auditions and takes a walking tour of the NY Theater district, taking time to check out a poster for ANY WEDNESDAY starring Sandy Dennis (insert Sandra Bernhard joke here). Norah winds up at the Hudson Health Club were she goes for a swim. He phone caller is there - he's officially become her stalker now!
We see that Detective Madden is obsessed with perverts. He has a collection of books and magazines about fetishes, S&M and other kinky topics and he listens to tapes of victims' testimonies in his apartment while his precocious daughter Pam (played by Murray's real life daughter) sleeps in the next room. Maybe he's the 6AM dirty wake-up caller???

Back at the club, the same couples dance to the same song as Norah gets one of those annoying calls at work! He knows where she lives! He knows where she works! He knows her name! Marian tries to convince Norah to go home with her for the night, but Norah resists.
But when she arrives home she find a teddy bear with it's throat slashed and calls Madden.

After Madden helps himself to her booze, he reveals to her that he knows everything she's done that day. She then freaks out and calls him a "dirty, disgusting animal". Then he tells her about how his wife was raped and horribly mutilated after going to see a matinee–and the killer was never caught. So that's why he's obsessed with perverts! Then her phone rings - it's the stalker!!! Madden then invites her to spend the night at his place - with him and his daughter.

We then see that the stalker is watching her from across the way through binoculars from his apartment window. And when he lights a cigarette - it's revealed to be Larry! Duh - who else could it have been...Elaine Stritch?

Suddenly we see Larry with a female, who is revealed to be his mentally challenged sister Edie. It's her 19th birthday and he gave her a dress and not the new teddy bear he promised her. After an uncomfortbale hugging scene, we get a flashback–where we see Larry is coaxed into having sex with an unidentified woman (a hooker? his mother? Auntie Mame?) as young Edie (with her teddy bear) walks in on them. Frightened by what she saw, Edie slips and flies down a flight of stairs, leaving her brain damaged. This explains the opening montage.

The next day, Pam asks her father if Norah is a hooker - and then they all trip head to the zoo for an outting, where they awkwardly run into Larry and Edie! Small world, isn't it? Later, back at his room with a view Larry chastises his sister for dressing up like a whore. A mentally challenged whore, but a whore nonetheless. Meanwhile, Larry is wearing the tightest white pants. FYI - Sal Mineo's ass was awesome!Oh yeah, and the pants are so tight he is  also sporting "V.P.L." - Visible Penis Line.Here, look again. Very impressive.Larry's pants get him (and us) all very horny, so he heads to Time Square for some window shopping.  We follow. Then he flips though some nudist magazines and goes to see a porno double-feature. I wonder if CALL GIRL '77 was a real film? I need to see it!Meanwhile, Marian accompanies Norah home for the evening and the gals are having a sapphic slumber party. Marian tries on Norah's fur, literally, saying “I dig soft things.” Then the phone rings. Marian wants to answer it but Norah won't let her. Norah then freaks the fuck out and begins sobbing in Marian's arms. Marian tries her best to calm Norah down, and it seems to be working until Norah gets the feeling that Marian is beginning to feel her up. Norah lets lesbi-phobia get the best of her and demands that Marian leave at once!Marian, totally offended, tells Norah that she thinks there's something wrong with HER–that maybe the telephone voices are all in her head. She leaves wearing Norah's fur. Larry sees the coat and thinks that she's Norah, running after her - eventually catching Marian and... apparently kills her! Nice going, psycho. She's your boss!!! Don't you think you're gonna get fired for that?I guess in 1965 the lesbian had to die.

Meanwhile, Dave's obsession with sexual psychopaths is getting in the way of his job. He's becoming one of them! Maybe. “Dave, you’ve gone over the line. You’ve joined them.”

Back in Sal town, Larry is in his undies gyrating on his bed, rubbing himself. HOT. He's having a hard time sleeping (after killing his boss), so he decides to go to the gym - where the camera lingers on Mineo’s muscular body.


No complaints here.

Turns out Norah's at the gym too - so Larry changes into his snug black Speedo and chats her up. Only he doesn't listen to a word she says. Rather he fantasizes about swimming with her. Awww, what a sweet psycho killer. There is rumored to be a censored scene here where he pops a boner and makes a quick getaway.That evening at work, they brush off Marian's murder as if she was totally expendable. You'd think Norah would be freaked out that her boss was murdered outside her apartment wearing her fur coat!!! But no, she says "business as usual, better than usual". After the club closes, Norah decides to show Larry how to dance (to her favorite song).
This sweaty scene is a hoot and totally suggestive-with Larry wearing a sexy midrift-bearing jacket. 

When the dance ends Larry tells her that he loves her. Wrong move.

Instead of talking about it a bit, or telling him that she's flattered - she instantly rejects him and he then viciously attacks...and possibly rapes her (through their clothes - after all it was the mid-1960s).Gulp!
Meanwhile, Madden realizes, with help from his daughter, that the stalker was using a mirror to watch Norah. I don't know–it made sense when he said it.He goes to Larry's apartment and finds Edie hiding in a closet. Meanwhile back at the disco, Larry and Norah share an awkward moment.Madden immediately shows up at the club where he smacks the shit out of Larry. While Dave tends to traumatized Norah, Larry gets up and runs through the streets of NYC. Through a strobe effect he imagines a different life - one where he and Norah frolic in the snow. Then he his shot dead by the cops in front of the Hotel Astor. The End.

The movie was beyond awesome. I was not disappointed in the least. 10 out of 10 on the Dougsploitation scale. Sure it was sleazy and totally politically incorrect, but come on–for 1965 it was incredibly suggestive and progressive. Sal Mineo is my new hero, I think it took balls to appear in a film like this and expose himself the way he did. He was far ahead of his time. Imagine the body of work that lied ahead if he wasn't murdered in 1976. Very sad indeed.

Monday, June 11, 2012

The Sentinel

Here's a repost from 2009...
By the late 1970s, it seemed like each major studio had its own classy horror franchise. Warners had THE EXORCIST, Fox had THE OMEN, even Disney had its WITCH MOUNTAIN series.  Not to be outdone, Universal brought us 1977's THE SENTINEL (directed by food critic Michael Winner- it's true, look it up!), based on the novel by Jeffrey Konvitz .  Like many thrillers of the decade, the story starts in a faraway land where some kind of religious curse is established and then the action shifts to modern-day USA where innocent victims fall prey to the ancient evil. At its heart, THE SENTINEL is really a cautionary tale of a beautiful, but troubled young supermodel who gets in with the wrong crowd.  Kinda like MAHOGANY meets ROSEMARY'S BABY.Christina Raines is Alison Parker, a flat-chested cover girl who is about to sign a lease on her first apartment, in an elegant Brooklyn brownstone. Her real estate agent is played by the then-still-glamourous Hollywood legend Ava Gardner–in a performance that has subliminally inspired many a drag queen. We learn that Alison is recently out of the looney bin and is engaged to a slick young lawyer named Michael (Chris Sarandon) who only wears Sansabelt slacks and who is a recent widower. Alison's problems seem to stem from her walking in on her decrepit father while he was celebrating his birthday with lots of balloons, two overweight hookers and some really messy cake. Her reaction to this: she slit her wrists! Alison's new $400 a month apartment comes already furnished, and aside from the blind priest (John Carradine) who lives in the penthouse - all seems quite normal. She is welcomed into the building by an elderly bon vivant (Burgess Meredith- having a ball with the role) and his pets which I dubbed "Sylvester and Tweety".  We next meet a wacky lesbian couple played by the great Sylvia Miles and Beverly D'Angelo. Bev's character does not speak, but she does likes to masturbate to orgasm through her clothes right in front of Alison.  Yup. Charming! The rest of the tenants are quite an odd bunch, but they seem nice enough, especially when they throw a lavish cocktail party to welcome her and her cameltoe.Things take a turn towards the creepy when Alison is awakened by noises coming from the apartment above - and a swinging chandelier above her bed. The apartment above her is supposed to be abandoned!!! When she tells Ava about the disturbances, she finds out that no one lives in the building besides her and the old priest on the top floor! Spooky. Plagued by headaches and fainting spells, Alison's modeling career begins to suffer - but yet she refuses to leave the building, which is clearly haunted by the cast of THE WILD PARTY. Worried about her mental health, her fiancée Michael hires a private eye to look out for her. One night Alison dreams that Sylvester finally gets his paws on that little yellow canary. Awwww.
Alison then is suddenly attacked by a zombie who looks like her dead father - so she goes at him with a knife. Later, the body of the private eye shows up dead with multiple stab wounds. Ouch! At a party with real people (as opposed to the friendly ghosts in her building) she has another of her headaches and passes out. Meanwhile, Michael learns that the apartment building, owned by the Catholic church, was built over the gateway to hell!!! Apparently the blind priest is the night watchman who keeps all the demons at bay - and Alison is next in line to BE the Sentinel!
We also learn that all Alison's ghostly friends are actually dead murderers who are trying to escape from hell and that sweet, kindly Burgess Meredith is Satan incarnate.This leads to the real disturbing part of the film, coming at the climax when the gates to hell are opened and Alison's apartment is filled with demons, lesbians and deformed people (played by real life ‘circus freaks’) that creep towards our heroine in hopes that she'll commit suicide, therefore releasing them from hell forever. 
While I think Christina Raines is gorgeous, her acting is a bit wooden and I would have loved to see the first choice, Kate Jackson in the lead role. Chris Sarandon is perfect as Michael. Along the way some great, reliable actors get to chew the scenery: Martin Balsam as a professor, Jose Ferrer as a priest, Arthur Kennedy as the Monsignor, Eli Wallach and Christopher Walken as cops, Jerry Orbach (looking like a young Adolph Hitler) as a commercial director and Jeff Goldblum as a smarmy fashion photographer.

While not a classic, fans of big, gothic 70s horror films should check it out. On my old "Huh" scale - THE SENTINEL gets a big fat 9 outta 10 for Beverly D'Angelo's ridiculously over-the-top and surprisingly graphic masturbation scene alone which I've dubbed THE DaCUCHI CODE!  I'll leave you with this image...Boo!