THE BEGUILED

After Clint Eastwood's puzzling appearance at the RNC the other night, here's a post from 2008 harking back to the days of a kinder, gentler, saner Clint.
Part Civil War epic, part baroque melodrama, part dirty soap opera, part gothic horror movie, part gender politics study and part Brothers Grimm fairy tale: THE BEGUILED (directed by Don Siegel) stars Clint Eastwood in his most intriguing and unusual role since he was elected mayor of Carmel, Ca.

After the requisite montage of real Civil War atrocities via sepia-tinted black and white photos...we arrive somewhere in Louisiana during the last days of the Civil War. Eastwood is John McBurney, a Yankee soldier who is near death after falling out of a tree. My guess is that he was hiding up there when he was shot.

A 12 year old girl named Amy (Pamelyn Ferdin, Edna Unger from TV's ODD COUPLE) is out picking mushrooms and discovers his severely wounded body. They talk, exchange names and cell phone numbers, and just before the girl helps him to stand, he tells her she's "old enough to kiss a man" and pulls her down beside him and gives her a long, hard kiss on the mouth. Huh??? She's confused, but happy. I'm confused and kinda grossed out. She then drags him to the mansion on a old plantation that serves as an all-girls school, where "McB" slowly regains his health under the care of sexually repressed headmistress Martha Farnsworth (Geraldine Page) and the horny girl students who live there. Sort of like when Blair first dragged Jo back to the Eastland school where sexually repressed Mrs. Garrett welcomed her with open arms.

Martha puts her skeptical slave Hallie in charge of washing him...above and below the waist! We are treated to hints of incest when Hallie dresses him in Martha's brother's shirt. Afraid of being turned over to the rebel forces, McB behaves like a polite and appreciative guest, after all he is a Quaker! As he gets healthier, he begins to charm (or beguile if you may) the love-starved students.

Soon the girls begin to vie for his affections, at first we think he's actually falling for virginal teacher Edwina (Elizabeth Hartman), but he seems to be inspiring jealousy among some of the others. This reminds me of Tatum O'Neal and Kristie McNichol both going after Matt Dillon in LITTLE DARLINGS. When one of the spurned girls tries to turn McB over to the Confederate army, Martha comes to his defense, claiming that he's her cousin from Texas. When McB tries to "thank" the headmistress for offering him a permanent residence at the school as the groundskeeper (replacing her brother) we witness a full flashback of Martha and and her lusty sibling getting it on. Donny and Marie Osmond they are not!

Following this we are then treated to Martha's wine-induced dream sequence, an eerie montage of McB frolicking with both Martha and Edwina, ending with a lesbian-tinged three-way that transforms itself into a painting of The Pieta. I swear...McB then gets to suck the nipple of one of the slutty girls - teenaged hussy Carol - leading to a an altercation with an enraged Edwina which ends with McB at the foot of the long circular staircase with a newly re-wounded leg. The battle of the sexes has begun!

SPOILERS START HERE. Martha has the girls harness him up and tie him to the dining room table- and announces that she plans to cut off his leg before it becomes infected with gangrene. What follows is some pretty brutal stuff, involving blood, knives, a saw, bloody hands, sweat, facial close-ups, more blood, blurry faces, a sweaty slave, more blood - you name it...

Clint flips out when he wakes up the next day without a leg, and he's now a prisoner rather than a welcomed guest. Amy tells McB that she loves him and he loves her back. I think she's 13 now. Somehow McB gets his hands on a gun - and now he has the upper hand...but only one leg!

After he threatens Hallie, we flashback to her being raped by Martha's brother. Charming fellow. McB then discovers the wine cellar, then he interrupts the girl's lunch with a drunken rant...and news that he has discovered love letters between Martha and her brother! When Amy tries to lighten things up, he flings her pet turtle across the room, killing it!!! Huh? After this hysteria, Martha convinces sweet, innocent Amy to put down the bloody turtle and gather up some yummy mushrooms for the evening's dinner.

At dinner, McB apologizes for his drunken behavior, leads the table in prayer and and announces his intention to marry Edwina, but it is too late...he's been poisoned by Amy's mushrooms!!! Clint realizes this and slowly gets up from the table and struggles to leave the room. Martha demands that the girls leave him be and finish their dinner. They do. He tumbles to the ground off camera and dies. Next the girls wrap up his body and carry it outside the gate to dump it. The end.

This movie is brilliant. I'm not much of an Eastwood fan, but between this and PLAY MISTY FOR ME, I gotta say - he really knew how to pick 'em back them. Great acting from Clint, Page and Hartman also set this film apart from the pack. THE BEGUILED gets a big 10 outta 10 in my book. In an odd coincidence, two of the actresses, Elizabeth Hartman and Geraldine Page, died in the same week. Hartman died on June 10, 1987 after jumping out of an 5-story window in an apparent suicide. Page died on June 13, 1987 of a heart attack. Sad.

SUPERCHICK

As a Friday the 13th treat, here's a post I originally ran 4 years ago...when I had time to "review" movies...

From the title and poster one would assume that SUPERCHICK was either a WONDER WOMAN parody or a white FOXY BROWN knockoff. In reality, SUPERCHICK has a lot more in common with THE HAPPY HOOKER. A few minutes into the story, we quickly learn that the "joke" of this movie is that things aren't always as they first appear. For instance, at first we see a sexy brunette stewardess...but soon she disappears into a phone booth...and emerges as a sexy blonde in a Black Canary costume. 

Unfortunately the black fishnets do not cover her bruised legs. Ouch. Next we think we are seeing drinks being poured in an elegant restaurant, but the camera pulls back to reveal: it's a bathtub in a fancy suite owned by a brain surgeon who has Thomas Gainsboro "Blue Boy" hanging over his toilet. 

So here we learn that Superchick is sleeping with him in this yellow wallpaper and shag carpeting paradise. I think he asks her to marry him, but I'm not sure since my notes are kinda sloppy tonight. She tells the good doctor - "I feel like an Avon Lady in Sun City." Huh???

From there we see Tom Jones (really Tony Young from POLICEWOMEN as Johnny) in bed with a topless woman who looks like a big-titted Barbara Barrie in her BARNEY MILLER days (actually it's porn legend Candy Samples!). 

Soon Superchick aka Tara B. True arrives in Miami in her stewardess guise. Meanwhile, Johnny puts on a sexy stripe sweater and goes to meet with the Gay Mafia who dress in red and mustard.

They look like plastic condiment dispensers. Johnny gets pissed at them and as they drive away in their fancy car he yells "Fags!" Tara next turns up on Johnny's boat wearing only a fishing net with "floats" on her tits, vagina and ass. Then we think we see skidmarks on Johnny's tighty whities as he mounts her.

This is followed by an endless montage of them doing Miami type things like running on the beach, water skiing, playing tennis, dancing, gambling and drinking. When Johnny asks her to marry him she makes up some Shakespeare quote.

Then Johnny parks in "the white zone" at the airport - and Tara's back in her stewardess uniform (we learn she works for Crown International Airlines - a clever play on the company that distributed the film). 

On the plane, she offers a drink to a rude old man and then fucks a cute marine in the airplane restroom. She arrives at LAX and is greeted by another boyfriend - this one's a rock star who looks like he possibly has Down's Syndrome. Next she's kicking ass in karate class. Huh?

At this point one of my co-viewers declares "I've got no idea what is going on!!!" The rest of us are also confused, so we decide to recount everything that has happened so far...

1) A stewardess gets into a phonebooth and changes.

2) She's brunette, and then she's blonde.

3) She's eating dinner in a bathtub discussing fine art.

4) She flew to Miami.

5) She met the Tom Jones lookalike who was fucking a cow.

6) Tom loses money on dog races and hates fags.

7) He's either a drunk or just tired from the Miami montage

8) She flew to LA to meet the Down's Syndrome guy

9) Oh, she fucked a marine on the plane

10) Oh, she quotes Shakespeare, we think.

11) She met a Chinese guy played by a Hawaiian actor.

We conclude that there is a difference between "actual plot" and "things happening". I think we're all caught up now. But nothing explains this new guy who looks like Norm McDonald playing Burt Reynolds. Then somebody in the movie (I don't remember who) says "Holy shit!" to the camera. He ain't kidding!

At this point, I decide to Google our lead actress Joyce Jillson -pwho turns out to be Joyce Jillson - celebrity astrologer. Joyce was an author of a nationally syndicated astrology column which appeared in nearly 200 newspapers including the LA Times and the NY Daily News! She also was Ronald Reagan's official psychic!!! administration! She died in 2004. Wow...Who knew?

Back to the movie - and her big white stewardess bag. Soon a black guy pays special attention to her. Next we see a woman being whipped - but it's not what you think - it's the set of a porn movie! Tensions are high, especially when the porn actress calls her male lead a "fag". Tara then gets advice from the leading lady "to get into Show Business, you gotta SHOW your BUSINESS!"

Next Tara's at a wild hippy party which looks like it's at a disco - but the camera pulls back to reveal - it's somebody's house! Here she and the black dude, let's call him "Jimi Hendrix", finally hook up as he offers her a joint. (There's even a Hendrix poster on the wall behind them) So then they have a deep moment as she sips a Tab from a straw. 

Things get out of hand when the "heat freaks" (aka "cops") show up and bust everyone, but Tara changes back into her stewardess get-up and escapes. Then she gets "flashed". I think.

So, the rock star guy is playing the piano badly, then they fuck inside of it. NOT on top of it, but INSIDE of it, which must hurt. Downs guy wants to marry her too! EVERYBODY wants to marry Tara! Then she rants over Bolero type music and they fuck more.

Next we meet old John Carradine, who is dressed as a Russian Czar. 

There's fight that involves him and his stunt double, but we can't figure out what it's all about. Then the Gay mafia shows up again on a plane and there's a little boy who also possibly has Down's Syndrome just starring at the camera. What is going on here???

Okay, Tara gets off the plane and it's SO WINDY that her tits pop out of her uniform! Suddenly all three boyfriends are there and she tells them she can't marry them - because she loves them ALL! "Life is made up of people, not ONE person". Oh - so that's what this movie was about all along...now I get it. Wow...I love Superchick too.

But why is she called SUPERCHICK? She doesn't have any powers or fight crime...she just fucks a lot of guys. Super.

9 outta 10 - mostly for the AMAZING soundtrack and fabulous outfits.

Benji's Very Own Christmas

After starring in a string of family-friendly hits, but before co-starring with Chevy Chase in OH HEAVENLY DOG, Benji starred in his very own Christmas special on ABC. Cazn't tell you much about it because I've never seen it - but I did watch the original BENJI film back in 2007.

The first BENJI film was a childhood favorite.
I was ten years old when I first saw Joe Camp's kiddie classic BENJI (1974), and I remember loving it because it didn't look or feel like a kid's movie. Watching it again MANY years later (on Turner Movie Classics no less!), I can see why I thought that. The film is shot mainly from the dog's point of view, and most of the human characters are "grown up", making it feel like a movie for big people.

The movie opens as we see what looks like a haunted house - only it's not haunted (too bad) - it's Benji's house! Next we witness what appears to be the little dog's daily activities - as gets his breakfast from a friendly, but guarded, housekeeper named Mary and receives affection from two annoying kids named Paul and Cindy. The kids love Benji, but their MD dad has a problem with dogs be cause his brother was bit by one - once. After hiding Benji and his food bowl under the table (and on her lap) - Mary sends the dog off for his daily scuffle with THE ANDY GRIFFITH SHOW's Aunt Bea and her cat. After that he stops by the park for some romantic advice from a cop and finally swings by Bill's Café to wake up Bill (slow Uncle Joe from PETTICOAT JUNCTION) for his daily bone. So to speak. Each day apparently ends with a trip back to his house- which is abandoned and filled with antiques! We see Benji go through the routine at least four times - I think even as a kid I thought that was too much.

So Benji has it pretty damn good. Until one day, when things begin to change. A foursome of dopey troublemakers named Riley, Henry, Linda and Mitch break into his house with two bags of groceries (including pudding cups!) and declare it as a base of operations for their planned evildoings. Two of the guys think the house is haunted cause their pudding cups keep disappearing. Meanwhile, Benji meets up with a little white bitch named Tiffany, who becomes his domestic partner. Tiffany soon joins him on all is daily visits and is welcomed by the townsfolk as well. Mary even gives Tiffany a little makeover!

Meanwhile, back at the house: the plan is that the four villains are gonna kidnap Paul and Cindy and hold them for ransom. It's up to Benji to foil the plan, which is not easy considering he can't talk and Cesar Milan is not around to translate his constant barking. When Benji tries to help out, one of the bad guys kicks Tiffany - and we are thought to believe that she's dead. Of course, Benji eventually figures out how to communicate to the cops and townsfolk who close in on the bad guys and rescue the young hostages. There's a great scene near the climax between Mary and bad girl Linda (Deborah Walley of GIDGET and THE MOTHERS-IN-LAW fame). In the end, Tiffany just has a broken leg and the kids' dad changes his tune and lets Benji AND Tiffany move in with the family. Yay!

As a film, the story is simple and very slow-moving. The acting is mostly subpar, with Benji delivering the best performance. The music ranges from cute, to great to really, really annoying. On my scale, I'll give it a 6 just for old-times sake, but only watch it if you've had your proper daily caffeine intake. There are 3 sequels and numerous TV productions starring Benji as well. I think I'll pass on them, for now.

As social commentary, the parallels between BENJI and Lucille Ball's STONE PILLOW are staggering. Sure, Benji is a cute, sweet little doggie that works his way into the lives and hearts of a bunch of lazy Texans, much like Lucy's Flora character. They give him plenty of food (remember even Lucy gets old sandwiches, rotten veggies and cat food) and attention whenever the stops by their homes or workplaces, but they never address the bigger issue here - this dog is HOMELESS!!!

Getting on my soapbox for a minute: Just call me Bob Barker, but I think BENJI should now be re-purposed to help enforce mandatory spaying and neutering, micro-chipping and leash laws to help keep the stray animal population down and give homes to the millions of pound puppies in this country.

BLACK MAMA, WHITE MAMA

Since Danny gave such a fun review of BIG BAD MAMA, I asked him to share his comments on another MAMA movie classic. (This review is also from 2007) Take it away Danny... BLACK MAMA, WHITE MAMA aka WOMEN IN CHAINS (1972, Eddie Romero) simply put, starts out like an episode of CHARLIE'S ANGELS, but then withers into a JOSIE & THE PUSSYCATS cartoon gone awfully awry. 

It begins with our heroines (Black Mama Pam Grier and White Mama Margaret Markov) arriving at the prison somewhere in Central America (although, for some reason most of the extras look Filipino!!!). They are soon treated to a shower where the "meaner of the two mean lesbian matrons" watches the girlie inmates shower and frolic, like that scene in PORKY'S. 

After freshening up, the girls all report to their bunks...and it turns out prison in Central America isn't so much punishment as it is a slumber party! The "meaner of the two mean lesbian matrons" calls on Black Mama that first night, but Pam clearly shows that she doesn't swing that way. This was way before THE L WORD, though I'm not sure she swings that way there either.

The story is totally different when White Mama goes to see miss "meaner of the two mean lesbian matrons" -  Pam calls her out on it and she simply replies, "you had you chance."  I agreed.  Then there were these two sets of bad guys and they wanted something or other from either White Mama or Black Mama...and they all seemed to really, really like the Filipino-looking extras.  

Anyway, for some reason the Mamas were being transferred (maybe to the Tea Party prison?), and we all knew something was going to go all wrong.  I was sure a tidal wave was gonna come and knock the bus over, thus releasing our heroines (I don't know, maybe it's because the location had that miniature look to it...) everyone else thought it would be a train wreck, like in THE FUGITIVE or an "accident" like in ANOTHER 48 HOURS, but nobody guessed it would be the old "yak in the road" ploy! 

Yeah, there's a yak and the bus stops and there's shooting and both mean lesbian matrons get shot dead (as usual)... and our heroines escape, chained together!!! Black Mama tugs on the chain and White Mama says, "I'm not a yo-yo!". Well, she's not!

So they fight, walk through a stream, wrestle, get attacked by a fat guy ( whom they kill and burn up) and lots of other stuff.
But most of all, they learn to get along. Meanwhile, those two sets of bad guys keep tracking them and wanting something from each of them while they continue to enjoy the Filipino girlie extras, of which there seems to be an endless supply. I hope they at least got paid in craft services.

So, finally one set of guys finds the girls, releases them from each other and takes them to a pier where the other set of guys is waiting!!! There's gun fire, things blow up good, Black Mama gets on a boat and White Mama is shot dead. Oops - did I give away the ending? Sorry. The End. Looking forward to the sequel, BLACK MAMA, BIG BAD WHITE MAMA!

Doug gives this one a 6 outta 10. Not great, but enjoyable in small doses.

POLICEWOMEN

Another previously posted review. No - not POLICEWOMAN, the awesome nipple-filled NBC TV series from 1974-78 starring Angie Dickinson - but POLICEWOMEN - a groovy nipple-filled exploitation flick from the same year!







































The story starts at a women's prison - where a jailbreak is set in motion. One of the female guards is pretty redhead who resembles the love child of Marcia Cross and Dixie Carter. She takes control of the situation by putting some karate moves on the would-be escapees. A few of the girls make it out and manage to strip naked and change into sexy skin-tight black outfits. After the women guards call in the male officers for help, the girls throw a grenade at them and set off tear gas. Then they head for the roof and blow something up - escaping down the side of the building. Whew! Did I mention one of the girls has a giant Afro?






Then the credits role...we see Sondra Currie, POLICEWOMEN modeling her uniform, a bikini, a raincoat, a dance outfit and an evening gown. This is one of the best opening title sequences...ever!

After the credits we meet the entire Akerfield, CA police department - three dumb cops - Black Cop, Hunky Honky Cop and Fat Cop. They are all sexist pigs who call our hero, Lt. Lacey Bond "honey," "girl" and "troublemaker". Lacey tells the three piggies that she wants to find out what "gut police work is all about" by going on special assignment for them. They doubt that she's capable of handling the case - so they devise a series of tests for her to pass - similar to what Queen Hippolyta came up with to find an Amazon worthy to come to Man's World. So they test her...

Lacey excels at target practice - so much that she blows the head off the target dummy. She then passes the driving test with flying colors after she drives a police car at 40 MPH backwards!!! If that's not enough, she must take on a martial artist named Bill McLardy, who looks like an extra from CAN'T STOP THE MUSIC. At first Bill kicks her ass and then calls her "honey", but then she goes all KILL BILL on him - kicking him in the balls, knocking him down repeatedly and breaking his tooth. So she passes the tests - and they tell her her assignment: she must infiltrate a female mafia that has been smuggling gigantic amounts of gold into the country! Huh? Then a professor (he wears a lab coat and glasses so you know he's smart) gives her a compact that's also a radio and a cigarette lighter that's a micro-miniature transmitter. Cool, just like Q! They tell her they will have the three pigs monitoring her at all times. She's says she's on her own - and she that's just the way she likes it!

Soon, she's on a stakeout with the pigs. We learn that 70 year old Maude Anderson and her 30 year old lover, Doc are behind the whole gold thing. There's a string of indictments against them, but so far no conviction. Looks like Lacey has a challenge ahead of her.

Soon, a chick in a Cadillac convertible attracts Lacey's attention - and she decides to chase her! Huh? The chick is beeping her horn at an old couple in a red Volvo, but she's cut off by the white van, and her car tumbles over a cliff and explodes! The pigs arrive and tell Lacey that the trunk of the car was laced with heroin and that she's responsible for killing the driver. Huh???

After a heated argument with the pigs, Lacey tries to make peace with them, but they are just not having it. Meanwhile, the two escaped convicts pop out of the trunk of another Caddy. We next meet Maude - who looks like a butch cross between Ruth Gordon and Grandma Walton. Maude is sitting in her backyard counting her money while her scantily clad girls frolic in the background. It's like a twisted HODGE PODGE LODGE. The two prisoners are introduced to Maude. When she learns that the Pam (the girl with the Afro) was a hooker, who escaped using a fake pistol - Maude asks "Since when do whores make guns and get involved in jailbreaks?" Hmmm....since when indeed.








Suddenly a crazy Asian girl shows up and begins the most insane racist tirade I've heard since Marge Schott. This is what she says: "I don't want any blacks around here. Blacks are lazy. They spill their guts when they get caught. They have sore feet and big asses. They shuffle and sing spirituals. They stink. I don't give a god damn shit for n******s!" Pam responds "Why honey, I've always said nice thinks about g***s." This was a scene I just needed to watch over and over again.

These two they have a HUGE fight - knocking each other all over the lawn furniture while the rest of the girls cheer them on. Pam beats the living daylights out of the Asian racist girl - and we are happy. Maude is pleased as well, responding "Okay black girl, you got yourself a job." Then we meet Maude's body-obsessed boyfriend, Doc - who is like the gross bastard child of Owen Wilson and Larry the Cable Guy.















After the girls go to their barracks, Doc rambles on about the girls to Maude and how he thinks they are all c***s. This guy is quite a catch, Maudie. Later she yells at him, telling him to stop lifting weights cause he's starting to look like a "dod damn gorilla!" Doc responds by telling her he wants to fuck, but she has a headache AND a sore throat!!! Ewwwwwww...

Meanwhile Lacey wins the pigs over by bringing them food and dressing like a stewardess. Then Lacey and the Hunky Honkey guy Frank are assigned to an undercover mission on Catalina! Back at girl camp, the other escapee (Janette) gives Pam a makeover while another girl slips into the shower with Doc. He resists and she calls him a fag. I'm calling GLAAD tomorrow. We're off to Catalina where Frank and Lacey play tourists - riding bikes, sailing a catamaran, eating shrimp cocktail, riding horses, eating wieners, swimming, drinking cognac - all as romantic music plays in the background. Then they fuck and drink Asti Spumanti and have "pillow talk" where he tells her that she's "a lady with a mission"...and a trick pelvis! Later they are tanning and drinking Tabs when Frank notices a call girl that's he's arrested before on another boat! Huh? Then the hooker notices him!!! From another boat- without binoculars!!! Is this possible at all? So then we have a high-speed game of chicken, which ends with Frank jumping on the other boat. The girls soon gang up on him, hitting him with oars and chains. Hot.

Lacey comes to Frank's rescue with her karate-chopping ways. She kicks ALL their asses very handily, takes the 5 girls prisoner and calls for help on her compact! Then a Paul Lynde look-a-like calls Maude to give her some information about the cops closing in on her. Maude is annoyed that she has to leave her tennis match - but escapes in a VW and then a seaplane! They manage to lure Lacey to their lair, where Doc ties her up and beats her mercilessly. Maude declares "that's enough, for now."

The two escaped cons (Janette and Pam) then recognize Lacey - but think she's one of them! Maude offers her a job - and she accepts! The girls then have a party, and over dinner Janette realizes that Lacey's a cop...and SO IS PAM!!! That's why the title is POLICEWOMEN, not POLCEWOMAN!!! Then Pam and Janette have fight and Janette falls off a cliff. Did I mention Pam is wearing a "Black Pride" tee shirt?

So - turns out Pam is working for the Secret Service - tracking Maude's gold shipments. We find out that the gold is coming in via stock footage of submarines!!! Soon the girls are unloading the gold from the sub and dressing in army uniforms - but Doc discovers that Lacey has a tracking device...the lighter! Maude pulls a gun on them and tells them they are going shove them off a cliff. Lots of cliff in this film, no?

In the back of a convoy of Army trucks, Lacey kicks Doc's ass and Pam grabs the gun from Maude. Then Lacey gives a karate chop to the driver...and they jump from truck to truck, hijacking the convoy. Lacey next takes on the racist Asian chick - getting the final word on that one.

Later, Lacey tells the pigs where the rest of the gold is and Frank tells her that hey are going to be working together again soon. Set up for a sequel??? Then they fuck in a cop car. Meanwhile, Maude is hauled off to jail - and tells Doc that next time they'll try diamonds!

This one's a winner. 9 outta 10 in my book. Rent it, buy it, love it.

THE DAYDREAMER Dreams Again

THE DAYDREAMER (1966) is a recently re-discovered obscure feature by *Animagic* inventors Rankin-Bass (of RUDOLPH THE RED-NOSED REINDEER fame). The film opens with a likable title song by recently deceased Las Vegas crooner Robert Goulet and some great Al Hirschfeld caricatures of the all-star cast.

After the song (in a live action segment), we discover it's 1801 Denmark and we meet pathetic Papa Andersen the shoemaker (commie "witch hunt" victim Jack Gilford) and his young son Chris (15 year old Paul O'Keefe of THE PATTY DUKE SHOW) - who we soon discover ALWAYS wears the same snug red polyester tights and suspenders, even underneath his nightshirt! Papa is visited by Elmira Gulch herself when Margaret Hamilton comes a knockin' looking for her shoes, only Papa's such a rotten shoemaker that they are not fixed yet. We also suspect that Chris' mom left Papa cause he's such a loser. Gilford, usually very charming, seems as though he's reading from cue cards here.

After Papa tells him of the legendary Garden of Paradise, narcoleptic Chris is visited by an animated version of the Sandman (voiced by Cyril Ritchard)- who tells him that in order to be happy and successful he MUST find the Garden of Paradise. So Chris falls asleep on a boat - and is transformed into an living, breathing Animagic character! Only it doesn't last too long because his boat crashes and he drowns. The End.

So Chris is dead, and The Little Mermaid (voiced by Disney sweetheart Hayley Mills) discovers his lifeless body. After her father (Burl Ives, phoning it in as Father Neptune) tells her that there's no hope for Chris, she makes a deal with the fabulously goth Sea Witch (Talullah Bankhead, giving Pat Caroll's Ursula a run for her money) who brings Chris back to life. They then swim around and the "Ariel" falls in love with the formerly dead boy. He tells her to fuck off cause he's just not into her, besides he's got a garden to find. So he breaks her heart and wakes up all wet in a boat.

Back in the real world, Chris next befriends an ugly duckling. But then he falls asleep again, this time falling in with two conniving tailors (voiced by Terry Thomas and Victor Borge) who are busy designing the Emperor's New Clothes. Chris and the tailors pull a fast one on the narcissistic king (Ed Wynn), but get exposed themselves when a little kid alerts the townsfolk to their scheme. Chris then awakens (in the real world) and gets arrested for poaching a duck!!!

In the most bizarre live action sequence in the film - Chris is tied up bondage style and dragged through town while singing a show tune about being unlucky while back-up dancers perform an elaborate Fosse-like routine around him. The scene MUST be seen to be believed!

So Chris falls asleep again, this time he meets up with Thumbelina (voiced by Patty Duke as Neely O'Hara). Thumby shrinks him down to her size and the two meet up with a Rat (Boris Karloff) who pimps her out to a Mole, who plans on marrying Thumby. Meanwhile, they find a dead sparrow and Thumby touches it and covers it with her sweater. Didn't she ever hear that children shouldn't play with dead things??? Disturbing. Following a musical number by bats - the dead sparrow comes back to life because of Thumby's sweater. Huh? Somehow the wedding doesn't happen and Chris learns the valuable lesson that "your size has nothing to do with your true happiness." Hmmm...that's not what all those emails in my in-box say...

So eventually Chris gets to his Garden of Paradise - where there are cotton candy trees, monotone peacocks, butterflies, blue marshmallows and the Tree of Knowledge!!! He is told (by an off-screen voice) that he must not eat EVER the blossoms from the tree. This story is starting to sound awfully familiar.

After pledging that he won't eat the blossoms, Chris does a little dance - and is visited by a horny and devilish version of himself. Of course Horny Chris convinces our hero to eat the thing. So he eats it and after a fiery apocalyptic finale - he's banished to The Land of Nothingness!!! Wakes then up in reality, where Papa is arrested and shackled to Chris. Papa saves them both by bribing the warden with his wife's wedding ring. Guess Mama Anderson's not coming back after all. We then learn that Chris grows up to become Hans Christian Andersen!!! Wow...I did not see that coming!

(Not sure if the above photo of Danny Kaye has anything to do with this production, but I'm including it anyways).
I was really hoping to love this film. After recently watching MAD MONSTER PARTY? for Halloween and looking forward to my annual viewings of their Christmas TV classics, Rankin-Bass usually can do no wrong. But I think the uneven performances and choppy storytelling really make parts of this unwatchable. They probably thought they were making the next WIZARD OF OZ or MARY POPPINS - but ended up making something that would alternately bore and frighten little kids, their target audience. I'll give this one 6 outta 10 on my scale mostly for the awesome bondage musical number.

Two interesting notes: In another WIZARD OF OZ nod, Ray Bolger has a brief cameo as The Pie Man. Parts of THE DAYDREAMER were filmed on location at the Denmark Exhibit at the 1964 New York World's Fair.

ALICE SWEET ALICE

Here's a Friday flashback to a post from 2007. Recycling is good for the blogosphere!
ALICE SWEET ALICE (1976), directed by Alfred Sole was originally released as COMMUNION but returned to theaters two years later to cash on the fame of child-actor Brooke Shields. The film is set in 1961 for some reason and has many references to JFK, Jackie and even to PSYCHO. It's also known as HOLY TERROR - but I'd like to rename it PROBLEM CHILD: THE BEGINNING.

The film opens with some real groovy titles - then we visit a rectory where a hunky priest named Father Tom (Rudolph Willrich) lives. Single mom Catherine Spages (played by Jackie Gleason's daughter Linda Miller) and her two daughters Alice (19 year-old LIQUID SKY actress Paula Sheppard playing a prepubescent teen!!!) and Karen (a very young Brooke Shields) are paying a visit.

Angelic Karen will soon make her first holy communion, and the sexy priest gives his late mother's crucifix to her as a gift. I sense some sexual tension between Catherine and Tom. Karen's bratty sister Alice is jealous, and wanders about the rectory - scaring the wacky Italian housekeeper Mrs. Tredoni (Olympia Dukakis lookalike Mildred Clinton) with a really creepy Halloween mask.
Later Alice (who sort of resembles the Downs Syndrome girl "Jill" from the infamous menstruation education film ALL WOMEN GET PERIODS) is seen terrorizing Karen by abusing her toys and locking her in a room. Mom Catherine doesn't seem to react to her daughter's morbid hobbies, possibly because she's distressed about her failed marriage. Things soon go from bad to worse when Karen is strangled at her first communion - by a stranger in a yellow rain slicker and Halloween mask! And I thought vomiting at MY first communion was bad! (This is true - I threw up and they thought I was possessed!)

After Karen is killed, her body is stuffed into some sort of bench, her crucifix is stolen and then her corpse is set on fire with a church candle. Jeez! Where was the Catholic League when this was released???

When Mother Superior sees smoke, she opens the bench and screams - attracting the attention churchgoers including Catherine and her meddling sister Annie (the very effective Jane Lowry). A funeral follows and Catherine's handsome
ex-husband Dom shows up to help. Annie decides to stay with Catherine to help her through this difficult time and to attempt to discipline Alice, who has only gotten more bratty since Karen's murder. Alice then recruits her chubby cousin Angela to taunt the reclusive and extremely overweight landlord Mr. Alfonso (possibly the most disgusting character since Divine played his own rapist in FEMALE TROUBLE). Suffice to say, people who piss themselves should NOT wear white!

Dom begins to work with the cops to solve his daughter's murder, and tries to call Father Tom, but Mrs. Tredoni interferes, with the intention of protecting the priest from getting too involved. Tom later tells Dom that the police suspect Alice is the killer. Back at the Spages' home Alice drops a bottle of milk and Aunt Annie has a shit fit and tells her it's time to go back to school. Alice then puts on her yellow slicker and pays Mr. Alfonso and his cats a visit. After she wrinkles the rent check, Mr. A. tries to feel her up - she responds by picking up one of his cute kitties and throws it across the room, killing it. What a little bitch!I sure hope the Humane Society was there for that scene!

We see that Alice has built an altar in the basement - where she has candles, her mask, her raincoat, a two-face doll, ballet sleepers and other assorted creepy items. This girl needs therapy in a big way.

Aunt Annie heads out during a storm, but as she walks down the stairs she is suddenly attacked by a masked figure who stabs her repeatedly in her legs and feet. She fights back as best as she can, yelling out Alice's name and attracting Mr. A as a witness. Catherine finds her sister lying in a pool of blood on the sidewalk just as Dom and Rev. Tom drive up. Good timing, guys!

Later at the hospital, Annie tells her milquetoast husband Jim that Alice tried to kill her. Soon Alice is taken in for a lie detector test. She kinda fails when she tells the cops that she saw KAREN attack her aunt. Huh? Karen's dead...I think. Another disturbing scene follows when two cops discuss Alice's breasts. What the fuck - she's supposed to be like 11 or 12. We later learn that Alice has has her first period. This IS just like the Jill video - except Jill doesn't kill anyone from what I remember.

Catherine and Dom are convinced that Alice is innocent - Catherine thinks Annie just wants to pin it all on Alice because she has always hated the born out-of-wedlock child - and Dom thinks Angela (Annie's daughter) is the slasher. Sparks begin to reignite for the divorced couple, until a phone call from his new wife serves as a cold shower for Dom. Dom then receives a suspicious call from Angela. But the voice on the phone is an adult's - and Dom doesn't notice. Huh? "Angela" tells Dom that she has Karen's crucifix and wants to meet him in an abandoned building. Okay... After believing for an hour that Alice was the slasher, I began to wonder just WHO the masked killer was. Could it be Catherine? Could it be Annie's husband Jim? Could it be Alice? Angela? The sexy priest? One of the cats? I'm stumped!

Dom arrives at the warehouse and is attacked by the slasher (wearing the Halloween mask and the yellow raincoat.) He is soon stabbed in the shoulder and then hit in the face with a brick. Dom is then tied up and pushed out of window. This is so not a good week for the Spages family!

Finally the slasher takes off the mask and is revealed to be...XXXXXXX!!!! HUH??? Wow - I did NOT see that coming! XXXXXXX declares that Dom and Catherine are sinners. During Dom's autopsy, they find Karen's crucifix lodged in his throat, apparently he tried swallowing it to keep it away from the killer. Thanks, we were wondering where that went.

It's soon time for Sunday mass. Alice first stops by Mr. Alfonso's apartment to put cockroaches on his stomach as he sleeps.
Nice. Meanwhile, XXXXXXX packs a knife in a shopping bag and stops by the Spages' apartment. Mr. A wakes up and spots XXXXXXX - and thinking it's Alice, he grabs the killer, who then pulls out her knife and stabs him!!! Well, that's one character I can live without.

Later at church, just as XXXXXXX is about to receive Holy Communion, the slasher pulls out the knife and stabs Father Tom in the neck. The priest falls on the altar and into XXXXXXX's arms. Chaos ensues. In the final shot, we see Alice as she walks away from the altar carrying the shopping bag. Then she pulls the bloodied knife out of it and stares blankly into the camera!!! SUPER CREEPY!!!!

What else can I say about ALICE SWEET ALICE? This movie is fan-fucking-tastic! 10 outta 10. Scary, funny, crazy, sacrilegious - this one's a keeper with or without little Brooke. Thanks to my buddy Mike for helping me recall some of the details on this one.

ABBY or THE BLACK EXORCIST

NOT in honor of Black History Month, here's a vintage post from three years ago. Sorry for the lack of images, but I hope my brilliant words more than make up for it. :)
When I heard that there was a movie that was known as THE BLACK EXORCIST - I knew that I had to seek it out. What I found was ABBY (1974, directed by William Girdler), a crazy blaxploitation thriller about a preacher's wife possessed by an evil African sex spirit. Supposedly Warner Bros. had sued to keep ABBY out of circulation due to it's similarities to THE EXORCIST. Obviously, nobody at Warners actually bothered to watch it.

The story starts as out a group of students bid farewell to their favorite teacher, a Reverend (played by BLACULA star William Marshall) who is leaving on a research trip to Nigeria. One student mentions his "thesis" about four or five times, somehow managing to rhyme it with "feces". Soon we all learn about "Eshu" - some kind of god or demon or something that is very powerful - it creates whirlwinds and chaos. Then one of the students gives Prof. Rev. Blacula Sr. (what I'll call him) a ridiculously large silver crucifix. Thanks, um, I think. Then we are treated to the "Love Theme from Abby" over the hardest-to-read-opening-titles ever.

Now we're in Africa, where Prof. Rev. Blacula Sr. finds a wooden lunchbox, which when opened releases the recently mentioned Eshu. Imagine that! Eshu - by the way - looks like a bad INCREDIBLE HULK mask made out of green Play-Doh.

Back home, the professor's son Rev. Blacula Jr. (Terry Carter) and his pretty wife Abby (Carol Speed) move into a new house. Abby's mother (played by Hollywood legend Juanita Moore of IMITATION OF LIFE fame) is there help, by carrying a big box that says "Eggs" and by ordering a bucket from KFC. (I swear to Eshu - I'm not making this up!)

So, after settling in a bit in the new home, Abby decides to shower - unaware that the evil spirit Eshu has travelled cross the sea to pay her a visit. So we are treated to Abby's showering shadow being attacked by what looks like the shadow of Bigfoot. Soon Abby's helping the church ladies prepare a chicken meal, when she suddenly gets the urge to stab herself. I think she just thought her arm was a chicken breast. Innocent mistake. After the doctor bandages her up, Abby freaks out about not wanting scars on her arm. Well, you should have thought about that BEFORE you stabbed yourself, Abby.

Later Abby is leading the choir at her husband's church, but flips out during his sermon, first just coughing uncontrollably, then attacking a churchgoer and finally foaming at the mouth!!! This scene is pretty amazing because it takes so long for anyone to even attempt to help her, even when she was just coughing - no one even offers her water or a cough drop! Rev. Blacula Jr. calls his father overseas and mentions that Abby's acting strange. Prof. Rev. Blacula Sr. seems too preoccupied with his "work" and tells his son that Abby just needs rest. Later, he tries to get on with his wife, but Abby tells him, "I'm not your 'ho!" and then kicks him in the balls.

Next up, when another couple visits, Abby declares that she's gonna "fuck the shit out of" the husband. Clearly, something is up with Abby. It was here that I noticed that Abby's possession turns her into an odd combination of Carol Burnett's Eunice and RuPaul. Then the church organist pays a visit to a bedridden Abby and ends up dying of fright!

Rev. Blacula Jr. calls his father again, and dad begrudgingly agrees to come home to help. Then Abby is given a medical exam, but everything turns out normal. Abby tells her husband, "I wanna thank you for callin' that mother fuckin' father of yours. Give him my worst regards." In the best scene in the film, possessed by Eshu, Abby declares "I'm goin' home, bitch!" and escapes from the hospital, plowing through assorted nurses, patients and doctors.

Abby turns up at her home, with a big "welcome home" for the senior Reverend - she tries to give him a lapdance.
Abby then gets behind the wheel and drives to a disco and picks up a nerdy looking dude from her church. Her husband "borrows" some woman's car and chases after her. Abby and the church dude start going at it in his car (can't tell if it's a limo or a hearse) , but then the car starts to shake and fill with smoke. We never find out what actually happened, before we can question it, Abby then returns to the club, where she sets her sights on creepy Doc Severinsen lookalike. They soon disappear into a room upstairs. You have to wonder where Abby gets her bad taste in men from.

Meanwhile, Abby's detective brother joins Rev. Blacula Jr. in a search for our missing heroine. They eventually find her disco-dancing with TWO men! Then Abby decides to start tossing patrons around the room. Prof. Rev. Blacula Sr. finally shows up with his big ass crucifix. Abby then grows a unibrow, levitates and Eshu releases his wrath on the entire disco! Yay! I'm not gonna tell you how it ends - but suffice to say we see that old wooden lunchbox from Nigeria again!

Well, ABBY was certainly a treat. Carol Speed was fun to watch and you can't help but love Juanita Moore as her mama. My theory is that Juanita had memorized all her lines from IMITATION OF LIFE and just recited them again here. I really was hoping to LOVE this movie - but the best I can muster is 8 out of 10. I'm really hoping some day for a big budget remake starring Wanda Sykes and Billy Dee Williams.

Rainy Day Movie : THE BEGUILED

When people talk about their favorite Clint Eastwood film, they usually list DIRTY HARRY, a spaghetti western or one of the "important" films that he's made in recent years. My favorite is
THE BEGUILED, which I first reviewed here two years ago. Part Civil War epic, part baroque melodrama, part dirty soap opera, part gothic horror movie, part gender politics study and part Brothers Grimm fairy tale: THE BEGUILED (directed by Don Siegel) stars Clint Eastwood in his most intriguing and unusual role since he was elected mayor of Carmel, Ca.


















After the requisite montage of real Civil War atrocities via sepia-tinted black and white photos...we arrive somewhere in Louisiana during the last days of the Civil War. Eastwood is John McBurney, a Yankee soldier who is near death after falling out of a tree. My guess is that he was hiding up there when he was shot.

A 12 year old girl named Amy (Pamelyn Ferdin, Edna Unger from TV's ODD COUPLE) is out picking mushrooms and discovers his severely wounded body. They talk, exchange names and cell phone numbers, and just before the girl helps him to stand, he tells her she's "old enough to kiss a man" and pulls her down beside him and gives her a long, hard kiss on the mouth. Huh??? She's confused, but happy. I'm confused and kinda grossed out. She then drags him to the mansion on a old plantation that serves as an all-girls school, where "McB" slowly regains his health under the care of sexually repressed headmistress Martha Farnsworth (Geraldine Page) and the horny girl students who live there. Sort of like when Blair first dragged Jo back to the Eastland school where sexually repressed Mrs. Garrett welcomed her with open arms.













Martha puts her skeptical slave Hallie in charge of washing him...above and below the waist! We are treated to hints of incest when Hallie dresses him in Martha's brother's shirt. Afraid of being turned over to the rebel forces, McB behaves like a polite and appreciative guest, after all he is a Quaker! As he gets healthier, he begins to charm (or beguile if you may) the love-starved students.

Soon the girls begin to vie for his affections, at first we think he's actually falling for virginal teacher Edwina (Elizabeth Hartman), but he seems to be inspiring jealousy among some of the others. This reminds me of Tatum O'Neal and Kristie McNichol both going after Matt Dillon in LITTLE DARLINGS. When one of the spurned girls tries to turn McB over to the Confederate army, Martha comes to his defense, claiming that he's her cousin from Texas. When McB tries to "thank" the headmistress for offering him a permanent residence at the school as the groundskeeper (replacing her brother) we witness a full flashback of Martha and and her lusty sibling getting it on. Donny and Marie Osmond they are not!

Following this we are then treated to Martha's wine-induced dream sequence, an eerie montage of McB frolicking with both Martha and Edwina, ending with a lesbian-tinged three-way that transforms itself into a painting of The Pieta. I swear...McB then gets to suck the nipple of one of the slutty girls - teenaged hussy Carol - leading to a an altercation with an enraged Edwina which ends with McB at the foot of the long circular staircase with a newly re-wounded leg. The battle of the sexes has begun!

SPOILERS START HERE. Martha has the girls harness him up and tie him to the dining room table- and announces that she plans to cut off his leg before it becomes infected with gangrene. What follows is some pretty brutal stuff, involving blood, knives, a saw, bloody hands, sweat, facial close-ups, more blood, blurry faces, a sweaty slave, more blood - you name it...













Clint flips out when he wakes up the next day without a leg, and he's now a prisoner rather than a welcomed guest. Amy tells McB that she loves him and he loves her back. I think she's 13 now. Somehow McB gets his hands on a gun - and now he has the upper hand...but only one leg!

After he threatens Hallie, we flashback to her being raped by Martha's brother. Charming fellow. McB then discovers the wine cellar, then he interrupts the girl's lunch with a drunken rant...and news that he has discovered love letters between Martha and her brother! When Amy tries to lighten things up, he flings her pet turtle across the room, killing it!!! Huh? After this hysteria, Martha convinces sweet, innocent Amy to put down the bloody turtle and gather up some yummy mushrooms for the evening's dinner.

At dinner, McB apologizes for his drunken behavior, leads the table in prayer and and announces his intention to marry Edwina, but it is too late...he's been poisoned by Amy's mushrooms!!! Clint realizes this and slowly gets up from the table and struggles to leave the room. Martha demands that the girls leave him be and finish their dinner. They do. He tumbles to the ground off camera and dies. Next the girls wrap up his body and carry it outside the gate to dump it. The end.













This movie is brilliant. I'm not much of an Eastwood fan, but between this and PLAY MISTY FOR ME, I gotta say - he really knew how to pick 'em back them. Great acting from Clint, Page and Hartman also set this film apart from the pack. THE BEGUILED gets a big 10 outta 10 in my book. In an odd coincidence, two of the actresses, Elizabeth Hartman and Geraldine Page, died in the same week. Hartman died on June 10, 1987 after jumping out of an 5-story window in an apparent suicide. Page died on June 13, 1987 of a heart attack. Sad.

I Know Who Killed Me (Again)

I've had a busy few days, so rather than running another boring old comic book ad, I've decided to rerun a movie review from last year. Enjoy!

It's rare that I review a recent film, but I KNOW WHO KILLED ME (2007, directed by Chris Sivertson) is so deliciously awful that I just could not resist. The film opens with a decidedly unsexy stripper doing a pole dance, when suddenly her hand starts bleeding all over the damn pole. Ugh...not again! Of course the stripper turns out to be played by that adorable headline grabbing, former ANOTHER WORLD actress and Disney child star Lindsay Lohan!

It appears that the town from TV's FRIDAY NIGHT LIGHTS (The show we all WISH we watched) is being terrorized by someone who has been abducting and torturing high school (or is it college?) girls and doing disturbing things to their hands and legs. This town of New Salem (a DAYS OF OUR LIVES reference?) is the bluest place on Earth. Everything is color-corrected to be this bright, brilliant blue, causing me to to retitle this epic I KNOW WHO BLUE ME.

Soon we meet Aubrey Fleming, Lindsay's (other?) character, who is smart (she wears glasses) and apparently very talented. She plays the piano - but wants to give it up to concentrate on writing. Her piano teacher thinks this is a bad idea. Music good. Words bad. Oh yeah, the teacher wears a big BLUE ring and Lindsay has a hairless pussy. Cat. Hairless pussy cat. She's pretty much a perfect student and daughter. There's a stalker-ish blonde boyfriend named Jerrod who "loves" her and then there's the Fleming's hunky gardener who wants to screw her - but she's a good girl. Aubrey is good. Lindsay is bad.

After Jerrod the teen gives her a BLUE rose and the BLUE team wins the football game, Aubrey suddenly vanishes - into the blue! Local sheriff Santa Claus is clueless. Soon the FBI is on the case - and we know this because they all wear BLUE shirts, jackets and vests that say "FBI" in big, bold, yellow letters! The task force is led by a Beau Bridges look-a-like and a black supermodel with a botoxed forehead and drawn-on eyebrows. Between Santa, Beau and Tyra - this case is gonna be cracked wide open - I just know it!

Later a woman who also looks like Lindsay is forced off the road (by a hairless cat?) and discovers something on the side of the road. It's Lindsay! Oh my god! At the hospital, she wakes up missing one hand & half a leg. So much for that piano playing career, but at least she can still write. When Lindsay can finally communicate, she reveals herself to be "Dakota Moss" - a filthy stripper and NOT the angelic, perfect Aubrey Fleming. Everyone thinks she's making this up, and within days, Crabman from MY NAME IS EARL fits her with a Bionic hand and Heather Mills leg.

Days later, still insisting that she's Dakota, she is welcomed into the Fleming household. She seems to hate all Aubrey's BLUE things, and mostly her hairless pussy. This upsets mom (played by older Lindsay lookalike Julia Ormond, hiding her British or French accent), who just wants her daughter to love her and all the BLUE stuff. What Dakota does love is fucking, and she proves it when Aubrey's boyfriend Jerrod comes by to inspect her bionic parts. At first the FBI doesn't trust him cause he drives a yellow car, but then when they see he's wearing a BLUE pullover, it's okay. Any way, after they screw, Dakota tells him about her crack-whore mother who left her $11 before she died and an envelope with the return address "New Salem". She then tells him how she started spontaneously bleeding one night during her act (we see her and her body double in various states of bumping and grinding) and how her finger fell off, turned BLUE and she tried to sew it back on. Then some cute guy on the BLUE bus gave her free medical advice. Huh???

Meanwhile, the Dept. of Homeland Security finds one of Aubrey’s stories on her laptop, and it's about a stripper named...yes, you guessed it... Dakota! After escaping from the Fleming house, Dakota visits the parents of another murder victim, Jennifer Toland. She then begins to suspect that maybe she and Aubrey were identical twin sisters! Oh my god - it's THE PARENT TRAP all over again!

Back at the Flemings, Euro-mom shows Dakota a video of her ultrasound that she just happen to have hanging around -proving that there was only one baby inside of her! This forces Dakota to made a giant leap and confront Aubrey's father - accusing him of replacing his wife's dead BLUE baby with one of the newborn twins from some crackhead giving birth down the hall. The envelope that came from New Salem was from him - he's been paying off crack lady for years!

After doing a little web surfing, Dakota learns all about "twin stigmata" - so THAT'S why her fingers have been falling off! Next we get to watch a weird little YouTube video hosted by a Leonard Nimoy lookalike that explains it all. After visiting the grave of Jennifer Toland, Dakota finds a BLUE ribbon from a piano competition, with a hand-written message from the creepy BLUE-ring wearing piano teacher!

SPOILER ALERT!!! Dakota goes all Nancy Drew and figures out that the teacher murders his students who don't want to play anymore! So, Dakota enlists Aubrey's dad to help her confront the killer.They arrive at his house, with it's BLUE stained-glass door and collection of BLUE glass knives and trinkets. Dad gets killed almost instantly, and it's up to My Little Stripper to fight off the evil piano teacher.
So she cuts off HIS hand and finishes him off. Afterwards, Dakota finds Aubrey buried ALIVE - in a BLUE, stained-glass coffin(!!!) and frees her. It all ends with the two lying together on the ground, holding each other...shouldn't Aubrey get some food or drink...or medical attention???

So were there really two Lindsays? Was just Dakota a character in one of Aubrey's stories?
Was Aubrey a person that Dakota made up? Was the piano teacher REALLY the killer...or was it gardener...or the dad...or Santa Claus? Either way, this movie totally BLUE. I just have to ask what kind of stripper is Dakota anyhow? She never even takes off her top...or bottom! We've seen more of Lindsay's Lohan on TMZ than in this flick.

On a final note, I wonder if the filmmakers set out to make a David Lynch homage? With teen girl murders in small town America, identical twins, missing fingers, BLUE things - I can see traces of both BLUE VELVET and TWIN PEAKS. If that was the case, I think they failed miserably. But if they just wanted to make a movie that makes you say "huh?," I KNOW WHO KILLED ME rates a big BLUE 10 outta 10.